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Journal articles on the topic 'Donald Barthelme'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Allen, Glen Scott, and Jerome Klinkowitz. "Donald Barthelme: An Exhibition." American Literature 64, no. 4 (1992): 841. http://dx.doi.org/10.2307/2927668.

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2

Robert Lacy. "The "Bishop" Stories of Donald Barthelme." Sewanee Review 116, no. 4 (2008): 645–50. http://dx.doi.org/10.1353/sew.0.0091.

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3

Lecercle, Jean-Jacques. "La voix dans « Sentence » de Donald Barthelme." Revue Française d'Etudes Américaines 54, no. 1 (1992): 333–51. http://dx.doi.org/10.3406/rfea.1992.1830.

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4

Cowley, Julian. "'weeping map intense activity din': Reading Donald Barthelme." University of Toronto Quarterly 60, no. 2 (1991): 292–304. http://dx.doi.org/10.3138/utq.60.2.292.

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5

Vidal, Jean-Pierre. "Donald Barthelme Fades Away from Here to Eternity." Tangence, no. 36 (1992): 105. http://dx.doi.org/10.7202/025716ar.

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6

Davis, Robert Murray, and Barbara L. Roe. "Donald Barthelme: A Study of the Short Fiction." World Literature Today 67, no. 2 (1993): 389. http://dx.doi.org/10.2307/40149204.

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7

Nestelieiev, Maksym. "THE PECULIARITIES OF DONALD BARTHELME’S POSTMODERN STYLE (ON THE EXAMPLE OF A COLLECTION «SIXTY STORIES»)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 11(79) (2021): 166–68. http://dx.doi.org/10.25264/2519-2558-2021-11(79)-166-168.

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The author analyzes the elements of postmodernism in D. Barthelme’s collection «Sixty Stories». It is determined that this stylistic dominant in the writer’s prose is mainly determined by such parameters as irony, collage and play. In addition, the genre specificity of his postmodern worldview is important, because it was in short epic genres that Barthelmi was able to realize his own aesthetic vision of literature in the second half of the XXth century. The writer experimented with form and content, seeking to adapt the poetic works of Thomas Stearns Eliot and the dramatic conflicts of Samuel

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8

Davis, Robert Murray, Donald Barthelme, and Kim Herzinger. "Not-Knowing: The Essays and Interviews of Donald Barthelme." World Literature Today 72, no. 2 (1998): 381. http://dx.doi.org/10.2307/40153857.

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9

Punday, Daniel. "Donald Barthelme and the Emergence of the Dynamic Page." Mosaic: a journal for the interdisciplinary study of literature 46, no. 1 (2013): 113–33. http://dx.doi.org/10.1353/mos.2013.0001.

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10

James, Stephen. "Donald Barthelme: Architecture and the Road to La Mancha." Arris 16, no. 1 (2005): 56–68. http://dx.doi.org/10.1353/arr.2005.0004.

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11

Davis, Robert Murray. "Hiding Man: A Biography of Donald Barthelme by Tracy Daugherty." World Literature Today 83, no. 4 (2009): 76–77. http://dx.doi.org/10.1353/wlt.2009.0051.

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12

Aljadaani, Mashael H., and Laila M. Al-Sharqi. "The Subversion of Gender Stereotypes in Donald Barthelme’s Snow White." International Journal of Applied Linguistics and English Literature 8, no. 2 (2019): 155. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.2p.155.

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Donald Barthelme’s Snow White redefines gender roles in the 20th century. Barthelme retells the original fairy tale, subverting its presentation of stereotypical gender roles to depict postmodern ideologies, particularly feminism. The male voice and its controlling power, embodied within the original narrative, becomes the lost, weak, and subordinate side of his story. The female voice, repressed by social and cultural principles, is reshaped to represent the free, powerful, and dominant figure in his narrative. This novel’s presentation of Snow White’s characters reflects feminist battles, su

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13

Warde, William B., and Wayne B. Stengel. "The Shape of Art in the Short Stories of Donald Barthelme." South Central Review 3, no. 2 (1986): 117. http://dx.doi.org/10.2307/3189378.

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14

McCaffery, Larry, and Wayne B. Stengel. "The Shape of Art in the Short Stories of Donald Barthelme." American Literature 58, no. 3 (1986): 461. http://dx.doi.org/10.2307/2925635.

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15

Jeffrey, David K., Claudia D. Johnson, James S. Patty, and Wayne B. Stengel. "The Shape of Art in the Short Stories of Donald Barthelme." South Atlantic Review 51, no. 4 (1986): 177. http://dx.doi.org/10.2307/3199783.

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16

Zeitlin, Michael. "Father-Murder and Father-Rescue: The Post-Freudian Allegories of Donald Barthelme." Contemporary Literature 34, no. 2 (1993): 182. http://dx.doi.org/10.2307/1208547.

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17

Gómez Reus, Teresa. "El uso del collage y del ensamblaje en los cuentos de Donald Barthelme." Revista Alicantina de Estudios Ingleses, no. 1 (1988): 91–98. http://dx.doi.org/10.14198/raei.1988.1.06.

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18

КRETOV, Pavlo, and Olena КRETOVА. "HERMENEUTICS OF DIFFERENCE AND PROBABILISTIC SUBJECT(BASED ON THE WORK OF DONALD BARTHELME)." CHERKASY UNIVERSITY BULLETIN: PHILOSOPHY, no. 2 (2019): 3–14. http://dx.doi.org/10.31651/2076-5894-2019-2-3-14.

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19

Laurens, Hervé. "La voix du narrateur dans Overnight to Many Distant Cities de Donald Barthelme." Revue Française d'Etudes Américaines 54, no. 1 (1992): 353–64. http://dx.doi.org/10.3406/rfea.1992.1831.

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20

Wilke, Sabine. "Verfahrensweisen der amerikanischen Postmoderne: einige Fragen an Ronald Sukenick, Donald Barthelme und Raymond Federman." Orbis Litterarum 47, no. 2 (1992): 234–56. http://dx.doi.org/10.1111/j.1600-0730.1992.tb01169.x.

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21

Davis, Robert Murray, Donald Barthelme, and Kim Herzinger. "The Teachings of Don B.: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme." World Literature Today 67, no. 2 (1993): 393. http://dx.doi.org/10.2307/40149211.

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22

Trussler, Michael. "Literary Artifacts: Ekphrasis in the Short Fiction of Donald Barthelme, Salman Rushdie, and John Edgar Wideman." Contemporary Literature 41, no. 2 (2000): 252. http://dx.doi.org/10.2307/1208761.

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23

Herrero-Olaizola, Alejandro. "Revamping the Popular in Snow White and Pubis Angelical : The Residual Fictions of Donald Barthelme and Manuel Puig." Journal of Popular Culture 32, no. 3 (1998): 1–16. http://dx.doi.org/10.1111/j.0022-3840.1998.3203_1.x.

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24

Thomlinson, Clare F. "Jerome Klinkowitz, Donald Barthelme: An Exhibition (Durham and London: Duke University Press, 1991, £25.00). Pp. 152. ISBN 0 8223 1152 6." Journal of American Studies 26, no. 3 (1992): 464–65. http://dx.doi.org/10.1017/s0021875800031388.

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25

Rohrberger, Mary. "Ambrose Bierce: The Making of a Misanthrope, and: The Shape of Art in the Short Stories of Donald Barthelme (review)." MFS Modern Fiction Studies 32, no. 2 (1986): 260–62. http://dx.doi.org/10.1353/mfs.0.0439.

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26

Herrscher, Walter. "Names in Donald Barthelme's Short Stories." Names 34, no. 2 (1986): 125–33. http://dx.doi.org/10.1179/nam.1986.34.2.125.

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27

Warde, William B. "A Collage Approach: Donald Barthelme's Literary Fragments." Journal of American Culture 8, no. 1 (1985): 51–56. http://dx.doi.org/10.1111/j.1542-734x.1985.0801_51.x.

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28

Medvecky, Craig. "Reconstructing Masculinity: Donald Barthelme's Unspeakable Practices, Unnatural Acts." Contemporary Literature 48, no. 4 (2007): 554–79. http://dx.doi.org/10.1353/cli.2008.0002.

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29

Sierra, Nicole. "Surrealist histories of language, image, media: Donald Barthelme’s ‘collage stories’." European Journal of American Culture 32, no. 2 (2013): 153–71. http://dx.doi.org/10.1386/ejac.32.2.153_1.

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30

du Plessis, Michael. "The postmodern object: Commodities, fetishes and signifiers in Donald Barthelme's writing." Journal of Literary Studies 4, no. 4 (1988): 443–58. http://dx.doi.org/10.1080/02564718808529888.

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31

Ionica, Cristina. "The Nagging Father: Donald Barthelme's Narrative Framing of Gender and Family Violence." Critique: Studies in Contemporary Fiction 56, no. 1 (2014): 61–76. http://dx.doi.org/10.1080/00111619.2013.854194.

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32

Kusnír, Jaroslav. "Subversion of myths: high and low cultures in Donald Barthelme’s Snow White and Robert Coover’s Briar Rose." European Journal of American Culture 23, no. 1 (2004): 31–49. http://dx.doi.org/10.1386/ejac.23.1.31/0.

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33

Drąg, Wojciech. "“I’m a I’m a Scholar at the Moment”: The Voice of the Literary Critic in the Works of American Scholar-Metafictionists." American, British and Canadian Studies Journal 26, no. 1 (2016): 36–51. http://dx.doi.org/10.1515/abcsj-2016-0003.

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Abstract In her seminal book on metafiction, Patricia Waugh describes this practice as an obliteration of the distinction between “creation” and “criticism.” This article examines the interplay of the “creative” and the “critical” in five American metafictions from the late 1960s, whose authors were both fictional writers and scholars: Donald Barthelme’s Snow White, John Barth’s Lost in the Funhouse, William H. Gass’s Willie Masters’ Lonesome Wife, Robert Coover’s Pricksongs and Descants and Ronald Sukenick’s The Death of the Novel and Other Stories. The article considers the ways in which the

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34

"Understanding Donald Barthelme." Choice Reviews Online 28, no. 10 (1991): 28–5581. http://dx.doi.org/10.5860/choice.28-5581.

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35

"Donald Barthelme: an exhibition." Choice Reviews Online 29, no. 10 (1992): 29–5546. http://dx.doi.org/10.5860/choice.29-5546.

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36

"Donald Barthelme, postmodernist American writer." Choice Reviews Online 39, no. 06 (2002): 39–3249. http://dx.doi.org/10.5860/choice.39-3249.

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37

"Donald Barthelme: a study of the short fiction." Choice Reviews Online 29, no. 11 (1992): 29–6155. http://dx.doi.org/10.5860/choice.29-6155.

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38

"Donald Barthelme: the genesis of a cool sound." Choice Reviews Online 39, no. 04 (2001): 39–2023. http://dx.doi.org/10.5860/choice.39-2023.

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39

"Not-knowing: the essays and interviews of Donald Barthelme." Choice Reviews Online 35, no. 05 (1998): 35–2551. http://dx.doi.org/10.5860/choice.35-2551.

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40

Asztalos, Márta. "Barthelme's Twisted Fathering." AnaChronisT 12 (January 1, 2006). http://dx.doi.org/10.53720/vffm4784.

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This paper approaches Donald Barthelme's The Dead Father along the dual, paradoxical, and seemingly mutually exclusive terms of quest and anti-quest, murder and rescue, life and death. Its objective is to show how these antonyms exist inseparably and interwoven in the novel, successfully resisting logically coherent binary orders. The master trope of the analysis is chiasmus, the trope of deception, which seems to open a fruitful and "untrodden" path for reading the novel. The first half of the essay examines the chiasmus taking place on the thematic level of the novel, in the power relations

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41

"Multi-intertextuality Strategy in Donald Barthelme’s Postmodern Writing." Lecture Notes on Language and Literature 3, no. 1 (2020). http://dx.doi.org/10.23977/langl.2020.31002.

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42

Bowyer, Surya. "The Visible Aspect of Things: Towards a Synchronic Reading of Donald Barthelme1." European journal of American studies 13, no. 2 (2018). http://dx.doi.org/10.4000/ejas.12867.

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43

Zela, Granit, and Jaup Zenuni. "Donald Barthelme's Visual Approach in the Short Story “At the Tolstoy Museum”." Mediterranean Journal of Social Sciences, November 1, 2015. http://dx.doi.org/10.5901/mjss.2015.v6n6s2p200.

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44

Delevallée, Aurélie. "Donald Barthelme’s The King: The Manifold Guises of (an) American(’s) Memory." Les Cahiers de Framespa, no. 24 (March 25, 2017). http://dx.doi.org/10.4000/framespa.4340.

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45

Dini, Rachele. "The Writing of “Dreck”: Consumerism, Waste and Re-use in Donald Barthelme’s Snow White." European journal of American studies 11, no. 2 (2016). http://dx.doi.org/10.4000/ejas.11588.

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46

Dechaume, Sandrine. "Donald Barthelme’s “Report” and Michal Rovner’s Decoy series, or the Ongoing Art of Telling It Slant." Sillages critiques, no. 17 (January 1, 2014). http://dx.doi.org/10.4000/sillagescritiques.3745.

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47

Ładyga, Zuzanna. "Fatigue, Indolence And The There Is, Or, The Temporal Logic Of Collage In Donald Barthelme’s Snow White." European journal of American studies 5, no. 3 (2010). http://dx.doi.org/10.4000/ejas.8732.

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