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Journal articles on the topic 'Donaueschinger Musiktage'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Adler-McKean, Jack. "Donaueschinger Musiktage 2015." Tempo 70, no. 276 (April 2016): 87–89. http://dx.doi.org/10.1017/s0040298215001084.

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An atmosphere of sadness, anger and uncertainty dominated this year's Donaueschinger Musiktage. The passing in November 2014 of Armin Köhler, the artistic driving force behind the festival for the last 23 years, has left a hole that will be hard to fill. Meanwhile, due to state budget cuts Donaueschingen's orchestra-in-residence, the SWR Sinfonieorchester Freiburg und Baden-Baden, paid what will almost certainly be their final visit. Musically, however, it was business as usual, with the programme featuring a wide variety of world premieres, several of works that will certainly be heard many times again, alongside much experimentation of varying interest and executional success.

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2

Engström, Andreas. "Donaueschinger Musiktage 2016." Tempo 71, no. 280 (March 3, 2017): 86–88. http://dx.doi.org/10.1017/s0040298217000146.

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A theme for the festival in Donaueschingen was popular music, or so I heard in a radio broadcast on the six-hour drive from Berlin to that little Southern German new music metropole. But in Donaueschingen, there really wasn't that much pop music; the theme was actually a kind of after-construction, something that had, according to the festival director Björn Gottstein, crystallised as a kind of a common denominator in several of the works that had been commissioned. For me this felt like grabbing something out of the void; in the three days of the usual intense programme, it hardly shone through as something specific.

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3

Lash, Dominic, and James Saunders. "AFTER #[unassigned]: an Interview with James Saunders." Tempo 70, no. 276 (April 2016): 5–21. http://dx.doi.org/10.1017/s0040298215000947.

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AbstractI have long been intrigued by the way James Saunders’ music is at home both in the more canonical new music contexts (such as the Darmstädter Ferienkurse, Donaueschinger Musiktage or Huddersfield Contemporary Music Festival) and in more underground, fugitive contexts. This may be because – unlike so many composers who tip the scales to one side or another – Saunders is equally interested in relationships between sounds and relationships between people. The following text explores the ways Saunders’ work has balanced these interests; it originated in an interview initiated by Simon Reynell to accompany the CD release of Saunders’ composition assigned #15, performed by Apartment House, on Reynell's Another Timbre label. We subsequently followed up with a second interview extending the discussion to more recent work.

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4

Knessl, Lothar. "Donaueschinger Musiktage." Österreichische Musikzeitschrift 54, no. 12 (January 1999). http://dx.doi.org/10.7767/omz.1999.54.12.62.

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5

Knessl, Lothar. "Donaueschinger Musiktage." Österreichische Musikzeitschrift 56, no. 1 (January 2001). http://dx.doi.org/10.7767/omz.2001.56.1.73.

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6

Knessl, Lothar. "Donaueschinger Musiktage." Österreichische Musikzeitschrift 60, no. 12 (January 2005). http://dx.doi.org/10.7767/omz.2005.60.12.62.

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7

Knessl, Lothar. "Donaueschinger Musiktage." Österreichische Musikzeitschrift 63, no. 1 (January 2008). http://dx.doi.org/10.7767/omz.2008.63.1.62.

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8

Knessl, Lothar. "Donaueschinger Musiktage." Österreichische Musikzeitschrift 64, no. 1 (January 2009). http://dx.doi.org/10.7767/omz.2009.64.1.71.

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9

Knessl, Lothar. "Donaueschinger Musiktage." Österreichische Musikzeitschrift 65, no. 1 (January 2010). http://dx.doi.org/10.7767/omz.2010.65.1.53.

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10

Hagmann, Peter. "Donaueschinger Musiktage." Österreichische Musikzeitschrift 66, no. 1 (January 2011). http://dx.doi.org/10.7767/omz.2011.66.1.80.

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11

Knessl, Lothar. "DONAUESCHINGER MUSIKTAGE 1987." Österreichische Musikzeitschrift 42, no. 12 (January 1987). http://dx.doi.org/10.7767/omz.1987.42.12.621.

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12

Meyer, Thomas. "Donaueschinger Musiktage 1989." Österreichische Musikzeitschrift 44, JG (January 1989). http://dx.doi.org/10.7767/omz.1989.44.jg.630.

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13

Kager, Reinhard. "75 Jahre Donaueschinger Musiktage." Österreichische Musikzeitschrift 51, no. 12 (January 1996). http://dx.doi.org/10.7767/omz.1996.51.12.873b.

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14

Kager, Reinhard. "Virtuosen im Kollektiv - Donaueschinger Musiktage." Österreichische Musikzeitschrift 53, no. 12 (January 1998). http://dx.doi.org/10.7767/omz.1998.53.12.58.

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15

Kager, Reinhard. "In der Wüste der Abstraktion. Die Donaueschinger Musiktage." Österreichische Musikzeitschrift 49, no. 12 (January 1994). http://dx.doi.org/10.7767/omz.1994.49.12.820.

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16

Kager, Reinhard. "MUSIKTAGE DONAUESCHINGEN 1988." Österreichische Musikzeitschrift 43, no. 12 (January 1988). http://dx.doi.org/10.7767/omz.1988.43.12.706.

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