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Books on the topic 'Dong Folk songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Huangping Xian Miao xue hui. Huangping qia bao dong: Hxib liongx hxak baod dongf. Guiyang: Guizhou da xue chu ban she, 2017.

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2

Guizhou Sheng min zu shi wu wei yuan hui. Wen jiao chu., ed. Dong zu qu yi yin yueh. Guiyang Shi: Guizhou min zu chu ban she, 1997.

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3

Bai, Fengxiang. Menggu Zhen Dong Meng duan diao min ge. Shenyang Shi: Liaoning min zu chu ban she, 2012.

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4

Yang, Chunnian. Dong zu dan sheng ge. Guiyang: Guizhou chu ban ji tuan, Guizhou ren min chu ban she, 2014.

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5

Phan, Thị Hsong Lan. Mot dong ca dao, cau ho, cau do mien Nam. Winston-Salem, NC: Miet Vuon, 1991.

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6

Yang, Xiao. Dong zu da ge. Hangzhou: Zhejiang ren min chu ban she, 2009.

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7

Guizhou Sheng min zu gu ji zheng li ban gong shi, ed. Dong zu he ge: Kgal nyal. Guizhou Sheng Guiyang Shi: Guizhou min zu chu ban she, 2013.

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8

Wu, Shiyuan. Bei bu Dong zu hun jia ge. [Guiyang]: Guizhou da xue chu ban she, 2015.

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9

Yang, Yi. Ge yu sheng huo: Ren lei xue shi yu xia de Dong zu da ge yan jiu. Beijing: Zhongguo she hui ke xue chu ban she, 2016.

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10

Wu, Shiyuan. Bei bu Dong zu wan shan liang yue ge: Gaeml bagl al liangc nyanl. Guiyang: Guizhou da xue chu ban she, 2016.

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11

Pan, Laoti, and Yongming Yin. Ji Jin Lie Mei: Juiv Jeml Liebt Muih. Guizhou Sheng Guiyang Shi: Guizhou min zu chu ban she, 2013.

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12

Zhang, Yuanman. Qingjiang Liuyu Tujia zu ge chang huo dong yan jiu: Ji yu min jian wen yi biao yan dui de diao cha. Beijing: Zhongguo she hui ke xue chu ban she, 2017.

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13

Rense, Wu, ed. 台灣翠靑: Jidu xin yang yu Taiwan min zhu yun dong shi ge = Christian commitments and songs of the Taiwan democracy movement = Tai-oan chhui-chhi : ki-tok sin-giong kap Tai-oan bin-chu un-tong sikao. Taibei Shi: Wang chun feng wen hua shi ye gu fen you xian gong si, 2002.

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14

Bethany, Yarrow, and Sweet Melissa illustrator, eds. Day is done. New York: Sterling, 2009.

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15

Kartashova, Tatʹi︠a︡na Aleksandrovna. Pesennai︠a︡ tradit︠s︡ii︠a︡ ukraint︠s︡ev Dona v proshlom i nastoi︠a︡shchem. Rostov-na-Donu: Rostovskai︠a︡ gosudarstvennai︠a︡ konservatorii︠a︡ (akademii︠a︡) im. S.V. Rakhmaninova, 2014.

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16

Zhang, Jiandong. Min jian de li liang: Song dai min jian shi ren de jiao yu huo dong yan jiu = Folk force. Wuhan: Hua zhong ke ji da xue chu ban she, 2015.

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17

Long dong nan min jian shu qing xue: Long dong nan min ge de min jian shu qing zhi hui. Beijing: Zhongguo she hui ke xue chu ban she, 2016.

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18

Dong zu zuo ye ge. Guizhou sheng xin hua shu dian jing xiao, 1988.

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19

Wu dong wen hua: Chongsheng Zhufu Dao de min zu zhi. Taibei: Taibei yi shu da xue chu ban she, 2010.

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20

Hao hua zheng hong. Guiyang Shi: Guizhou ren min chu ban she, 2010.

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21

Day Is Done. Sterling, 2009.

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22

Southern, Eileen, and Josephine Wright, eds. African-American Traditions in Song, Sermon, Tale, and Dance, 1600s-1920. Greenwood, 1990. http://dx.doi.org/10.5040/9798400608308.

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As any well-organized, carefully annotated bibliography does, this work by Southern and Wright brings order out of chaos. The 2,328 entries identify books, articles, sermons, pamphlets, and broadsides, among other formats, all centered on black folk culture with emphasis on the manifestations of that culture from 1600 to 1920 through song, dance, games, sermons, and illustrations. . . . This carefully done and useful bibliography is recommended for libraries on all campuses where there is an interest in the black experience.Choice African-American Traditions in Song, Sermon, Tale, and Danceis undeniably the most valuable resource available to scholars engaged in Afro-American folk culture research. An untapped wealth of primary information has been chronologically cataloged within this comprehensive, annotated guide. It covers a period of over 300 years of African-American cultural history in the United States. Materials fall into three categories: literary publications, iconographical records, and collections of song, tale, and sermon texts. Focusing on folk culture, 2,328 items were chosen for their historical relevance as well as to insure broad representation. Eileen Southern and Josephine Wright's bibliography provides researchers with the tools needed to shatter myths and stereotypes and to form concise theses supported by extensive evidence. The bibliography is divided into four major chronological sections: Colonial-Federalist, Antebellum, Post-Emancipation, and Early Twentieth Century. A fifth section, The WPA Slave Narrative Collection, includes materials (collected in the 1930s) that are essential to a serious discussion of American slavery. Within these five sections materials are classified as literature, artwork, and/or collections. Literature and artwork subsections are further divided into social activities, religious experience, song, and tale. Iconographical entries often compliment the literary ones and some themes run throughout the book. The materials are indexed by names of authors and artists, by subject, and by first lines of songs.

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23

Donskie pesni Buzuluka i Khopra. Volgograd: Print, 2011.

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24

Bridwell, Norman. Clifford's Sing Along. Scholastic Trade, 1987.

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25

Clifford's Sing Along. Scholastic, 1987.

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26

Gayley, Holly. Love Letters from Golok. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231180528.001.0001.

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Love Letters from Golok chronicles the courtship between two Buddhist tantric masters, Tare Lhamo (1938–2002) and Namtrul Rinpoche (1944–2011), and their passion for reinvigorating Buddhism in eastern Tibet during the post-Mao era. In fifty-six letters exchanged from 1978 to 1980, Tare Lhamo and Namtrul Rinpoche envisioned a shared destiny to "heal the damage" done to Buddhism during the years leading up to and including the Cultural Revolution. Holly Gayley retrieves the personal and prophetic dimensions of their courtship and its consummation in a twenty-year religious career that informs issues of gender and agency in Buddhism, cultural preservation among Tibetan communities, and alternative histories for minorities in China. The correspondence between Tare Lhamo and Namtrul Rinpoche is the first collection of "love letters" to come to light in Tibetan literature. Blending tantric imagery with poetic and folk song styles, their letters have a fresh vernacular tone comparable to the love songs of the Sixth Dalai Lama, but with an eastern Tibetan flavor. Gayley reads these letters against hagiographic writings about the couple, supplemented by field research, to illuminate representational strategies that serve to narrate cultural trauma in a redemptive key, quite unlike Chinese scar literature or the testimonials of exile Tibetans. With special attention to Tare Lhamo's role as a tantric heroine and her hagiographic fusion with Namtrul Rinpoche, Gayley vividly shows how Buddhist masters have adapted Tibetan literary genres to share private intimacies and address contemporary social concerns.

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