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Dissertations / Theses on the topic 'Donna Haraway'

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1

Loick, Steffen. "Donna J. Haraway." Ludwig-Maximilians-Universität, 2013. https://ul.qucosa.de/id/qucosa%3A15408.

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Donna J. Haraway ist eine US-amerikanische Biologin, Wissenschaftsphilosophin und Literaturwissenschaftlerin, die an den Departments History of Consciousness und Feminist Studies der University of California lehrte. In dieser Position hatte sie die erste explizit der Feministischen Theorie gewidmete Professur in den USA inne. Haraways Arbeiten bewegen sich in einem thematischen Schnittfeld von feministischer Erkenntniskritik, Cultural Studies, politischer Theorie und Biowissenschaften.
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Loick, Steffen. "Donna J. Haraway." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-220672.

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Donna J. Haraway ist eine US-amerikanische Biologin, Wissenschaftsphilosophin und Literaturwissenschaftlerin, die an den Departments History of Consciousness und Feminist Studies der University of California lehrte. In dieser Position hatte sie die erste explizit der Feministischen Theorie gewidmete Professur in den USA inne. Haraways Arbeiten bewegen sich in einem thematischen Schnittfeld von feministischer Erkenntniskritik, Cultural Studies, politischer Theorie und Biowissenschaften.
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Descheneaux, Julie. "Donna Haraway et la remise en question du corps propre." Thesis, Université Laval, 2014. http://www.theses.ulaval.ca/2014/30325/30325.pdf.

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Ce mémoire pose l'enjeu de la remise en question du corps propre de Donna Haraway à partir de son célèbre exemple du cyborg : un être qui subvertit les identités politiques par sa transgression des frontières qui fondent la naturalité des corps. Métaphore politique, les corps cyborgs sont pour Haraway l'occasion d'enraciner une politique qui allie les humains à la nature pour reconnaître la relation active et transformationnelle qu'ils entretiennent avec le monde. Les trois frontières de son manifeste sont développées : la frontière entre l'humain et l'animal, celle avec la machine et celle en
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Zuccolin, Ana Caroline Postingel. "Dualismos filosóficos e a noção de corpo em Donna Haraway /." Assis, 2018. http://hdl.handle.net/11449/180325.

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Orientador: Danilo Saretta Verissimo<br>Banca: Leonardo Lemos de Souza<br>Banca: Josiane Cristina Bocchi<br>Resumo: A presente pesquisa investiga a noção de corpo que perpassa os trabalhos de Donna Haraway a partir do seu conceito de ciborgue e suas implicações no campo dos estudos feministas e de gênero. Ao explorar a lógica do mito do ciborgue, Haraway propõe a superação das aporias relacionadas às dicotomias do pensamento ocidental. Donna Haraway apresenta novas faces das tecnologias do corpo que estão sendo substituídas por arranjos completamente diferentes e que provocam profundos impacto
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Silva, Marília Rodrigues da. "Refigurando monstros: a perspectiva parcial de Donna Haraway como crítica da ciência." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5544.

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Esta dissertação trata das relações de poder que marcam a produção científica ocidental moderna a partir da abordagem dos estudos sobre Gênero e Ciência da feminista historiadora da ciência estadunidense Donna Haraway. Esta autora propõe a concepção de toda a produção de conhecimento como pratica política, assumindo a perspectiva parcial como fundamento para uma ciência objetiva e apontando a perspectiva de objetividade calcada na ideia de imparcialidade como produtora de um tipo de saber que historicamente serviu como instrumento de dominação: o conhecimento que se propõe como universal. Em s
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Attfors, Johan. "Sälformen släpar skinnet : Om naturen i Aase Bergs tidiga diktning." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-26028.

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The aim of this study is to describe how nature is portrayed in swedish poet and critic Aase Berg’s two earliest poetry collections, Hos rådjur (1997) and Mörk materia (1999), and how it relates to notions of humanity, culture and civilisation. The concept of ”nature” is problematized in a short survey of how it has been used by and critizised in ecocritical literary theory, which is used as the main theoretical framework for this survey, with an emphasis on selected theoretical concepts by Donna Haraway. As a methodological starting point, ”nature” is tentatively defined as ”that which does n
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Vargas, Mara Ambrosina de Oliveira. "Corpus ex machina : a ciborguização da enfermeira no contexto da terapia intensiva." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2002. http://hdl.handle.net/10183/1886.

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A pesquisa busca analisar as tensões humano-máquina em materiais pedagógicos utilizados pela enfermagem em terapia intensiva e, entre esses materiais pedagógicos foram analisados os manuais e protocolos assistenciais. Para desenvolvê-la, apóio-me na teorização cultural e no trabalho de autores e autoras que têm problematizado a noção de corpo e de sujeito na pós-modernidade a partir dos pressupostos teóricos do pós-estruturalismo. Entre os/as autores /as utilizados, indico os estudos de Donna Haraway e seu entendimento de ciborgue – uma idéia produtiva que possibilita explorar a ciborguização
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Åkesson, Matilda. "A piece of cake : en posthumanistisk studie av prostitutionsforum och positiva attityder till sexköp." Thesis, Linköpings universitet, Institutionen för samhälls- och välfärdsstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-129719.

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The aim of the study is to elucidate what enables positive attitudes towards buying sex. The study has a posthumanist approach and the data is gathered trough hidden observations of a Swedish web forum dedicated to discussions of prostitution. The theoretical frame that is used in the study consist of concepts from the material feminists Karen Barads and Donna J. Haraways theories and Niels van Doorns argument of the embodiment of virtual texts. A theoretical inspired thematic analysis is used to examine the data from the observations of the web forum. The study shows that positive attitudes t
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Aslanian, Crystal. "Ondes Ren@rdes, SF radiophonique et artefacts de recherche-création chez r∆∆dio c∆∆rgo et leurs ami·es." Electronic Thesis or Diss., Université Gustave Eiffel, 2025. http://www.theses.fr/2025UEFL2012.

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Cette thèse de recherche-création s’appuie sur le travail de création mené par r∆∆dio c∆∆rgo , collectif de création radiophonique, autour de la notion de plateau-radio, en tant que dispositif de SF dans le sens que lui donne Donna Haraway, à savoir un espace de recherche-création dans lequel s’entremêlent Spéculation Féministe, Faits Scientifiques (Science Fact, Science-Fiction et jeu de ficelle (String Figure en anglais), c’est-à- dire une pratique collective qui produit autant un échange et une circulation de la pensée interdisciplinaire, qu’elle en cartographie son propre processus. La thè
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Hulan, Michelle. "“We Require Regeneration Not Rebirth”: Cyborg Regeneration in Feminist Science and Speculative Fiction." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39081.

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This thesis examines a recent trend in contemporary science and speculative fiction to produce new and/or alternative iterations of reproduction that are not limited by biology, gender, or species. Through Donna Haraway’s notion of “cyborg regeneration” and recent critical and theoretical revisionings of this concept, I investigate this trend in three key texts: Jeanette Winterson’s The Stone Gods, Nalo Hopkinson’s Midnight Robber, and Larissa Lai’s long poem “rachel” from her book of poetry Automaton Biographies. Each of these authors offers representations of reproduction that counter gender
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Weise, Jillian. "Semi Semi Dash." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1258477843.

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Dangler, Douglas Kevin. "Write now a dramatistic view of internet messenger tutorials /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1095767435.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Document formatted into pages; contains 209 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until .
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Ingeson, Elin. "En sandödla på dejt : En diskursanalytisk undersökning av hur berättelser om djur är präglade av mänskliga föreställningar om genus och sexualitet." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-45230.

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In this thesis I aim to examine the ways in which cultural beliefs and norms about gender and sexuality are shaped by discourses on animals and nature. I have done a participatory observation on two different guided tours of animals and analyze some information about the animals at a Swedish zoo. With a discourse analytical approach, I analyzed transcribed material from the guided tours of animals and information about animals from a gender and queer theoretical perspective, based on Judith Butler's understanding of the heterosexual matrix and her performativity theory. In my analysis, based o
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Helsing, Sophie. "Doktor Moreau och jakten på den etiska figuren : Från misslyckat människoskapande till respektfulla relationer." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30245.

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“Doctor Moreau and The Hunt for The Ethical Figure. From unsuccessful man-making to respectful relations with Jacques Derrida, Donna Haraway and H. G. Wells” In H. G. Wells’ science fiction novel, The Island of Doctor Moreau (1896), a scientist on a remote island in the Pacific Ocean attempts to create humans from animals. Wells draws on Charles Darwin’s theories on the origins of species and the descent of man to create a horror story in which the uniqueness of the human is called into question. This study uses the novel to investigate the re-emergent interest in human-animal relations, withi
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Nichols, Kathryn A. "Female Flights: A Contemporary Approach to Cyberfeminism." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/559.

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This thesis problematizes early cyberfeminist claims that heralded the Internet as a liberating space for women. Cyberfeminism emerged in the early 1990s, at the dawn of the “Internet Age,” and is heavily influenced by Donna Haraway’s 1985 “A Cyborg Manifesto.” Haraway theorized a new way of looking at the nature of female identity, using the figure of the cyborg found in science fiction literature and films. Traditionally, women have been explained in terms of sexual difference and have been forced to uphold a gender binary that privileges men. By contrast, Haraway argues that the cyborg, a h
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Ward, Laura Aline. "Objectivity in Feminist Philosophy of Science." Thesis, Virginia Tech, 2004. http://hdl.handle.net/10919/36098.

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Feminist philosophy of science has long been considered a fringe element of philosophy of science as a whole. A careful consideration of the treatment of the key concept of objectivity by such philosophical heavyweights as Thomas Kuhn and Karl Popper, followed by an analysis of the concept of objectivity with the work of such feminist philosophers of science as Donna Haraway, Lynn Hankinson Nelson, and Sandra Harding, reveals that feminist philosophers of science are not members of some fringe movement of philosophy of science, but rather are doing philosophical work which is both crucial and
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Trice, Natalie Collins. "Reading Autistic Experience." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/english_diss/27.

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Within the field of Disability Studies, research on cognitive and developmental disabilities is relatively rare in comparison to other types of disabilities. Using Clifford Geertz's anthropological approach, "thick description," autism can be better understood by placing both fiction and non-fiction accounts of the disorder into a larger theoretical context. Applying concepts from existing works in Disability Studies to the major writings of Jacques Derrida, Julia Kristeva, Jacques Lacan, and Donna Haraway also proves to be mutually enlightening. This ethnographic approach within the context o
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Marx, Hedvig. "Moira, take me with you! : Utopian Hope and Queer Horizons in Three Versions of The Handmaid's Tale." Thesis, Linköpings universitet, Tema Genus, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-148928.

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Using postmodern, feminist and queer notions of utopia/dystopia and narrative theory, this thesis contains an analysis of The Handmaid’s Tale (novel 1985; film 1990; TV series S01 2017) based on theoretical and methodological understandings of utopia/dystopia and narrative as deeply connected with notions of temporality and relationality, and of violence and resistance as the modes of expression of utopia and dystopia in the source texts. The analysis is carried out in an explorative manner (Czarniawska 2004) and utilises the notion of “disidentification” (Butler 1993; Muñoz 1999) and the conc
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Smith, Nicole R. "Wangechi Mutu: Feminist Collage and the Cyborg." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/art_design_theses/51.

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Wangechi Mutu is an internationally recognized Kenyan-born artist who lives and works in Brooklyn. She creates collaged female figures composed of human, animal, object, and machine parts. Mutu’s constructions of the female body provide a transcultural critique on the female persona in Western culture. This paper contextualizes Mutu’s work and artistic strategies within feminist, postmodern, and postcolonial narratives on collage, while exploring whether collage strategies are particularly useful for feminist artists. In their fusion of machine and organism, Mutu’s characters are visual metaph
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Magnuson, Markus Amalthea. "Frihet, jämlikhet, cyborgskap : Drömmen om den mänskligare människan." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-179043.

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This thesis explores the metaphoric cyborg concept, based on the classic essay "A Cyborg Manifesto" by Donna J. Haraway, through Claudia Springer and her analysis of cyborgs in popular culture, and in relation to Judith Butler and queer theory. By extending the cyborg term to include contemporary forms of cyborgship such as our internet lives and personas, I advocate discussion of philosophical matters concering man/machine-compounds today rather than tomorrow. The main purpose is to restore the cyborg concept as a meaningful analytic and philosophic tool for studying man/machine-relations, in
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Jepsen, Ellenor. "Cyborgbibliotekarien : Donna Haraways cyborgteori ur ett biblioteks- och informationsvetenskapligt perspektiv." Thesis, Uppsala universitet, Institutionen för ABM, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-352548.

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This paper is exploring Donna Haraways cyborg theory, in a perspective of Library- and Information Science. The investigation aims to better understand the occupation of librarians, and their position within knowledge creation through a digital and cyber technologically evolving society. The cyborg figuration, is making it possible to look at the librarian’s occupation in a postmodern-, posthuman-, and cyberfeminist perspective. The cyborg figure is a posthuman figure, a fusion between human and technology. Because of its interdisciplinary composition, the cyborg is cross-bordering and diversi
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Lydahl, Karl. "Media och materia : En intermedial studie av Metted Edvardsens föreställning Oslo." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-195558.

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This essay analyzes Mette Edvardsens performative work oslo, which usually falls under the label of dance and choreography. The performance is in many ways making use of and staging language though, so the aim here is to examine how the linguistic and textual material of the performance is enacted in relation to its mediating devices and vice versa. The essay is making use of the media theory by David J. Bolter and Richard A. Grusin to show that no medium stands by itself but always exists and works in a web-like relation to other medias. Language will therefore not be seen as isolated but alw
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Pihkala, S. (Suvi). "Touchable matters:reconfiguring sustainable change through participatory design, education, and everyday engagement for non-violence." Doctoral thesis, Oulun yliopisto, 2018. http://urn.fi/urn:isbn:9789526218434.

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Abstract Sustainability is a catchword for contemporary concerns of environmental and societal vulnerability. Scholars, policymakers, designers, and educators alike find themselves knotted increasingly within fabrics of sustainability, approached as an object of concern in education and technoscientific projects. In relation, scholars drawing from posthuman and new materialist thinking have begun to re-imagine sustainability. Considering human subjectivity as part of the world in its ongoing, reiterative becoming has introduced new possibilities to rethink responsibility in and for sustainable
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Schmincke, Imke. "Körper." Universität Leipzig, 2018. https://ul.qucosa.de/id/qucosa%3A31226.

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Der Körper wird von der kultur-, sozial- und geisteswissenschaftlichen Körperforschung und der Geschlechterforschung gleichermaßen als historisch geworden, kulturell spezifisch und sozial gerahmt verstanden und untersucht. Dabei gerät der menschliche Körper im Spannungsfeld von Natur und Kultur in den Blick. Geschlecht und Körper sind vielfach aufeinander bezogen. Die Naturalisierung des Geschlechtskörpers diente unter anderem dem Ausschluss von Frauen aus der öffentlichen Sphäre.
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Rheeder, Elle-Sandrah. "Pathologies of vision : representations of deviant women and the cyborg body." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1020319.

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This thesis investigates the figure of the cyborg as conceptualised by Donna Haraway in The Cyborg Manifesto (1991). The figure of the cyborg, as a transgressive figure in the late twentieth century within socialist feminist discourse, is problematized with regard to its efficacy as a creature that challenges the constructed nature of gender and contests the boundary between human and machine through its ambiguous nature. Haraway’s notions of the cyborg, which she bases partly on cyborg characters from Science Fiction literature, deny the ocularcentric traditions that have structured gender an
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Victorin, Karin. "Practically Human. : Performing Social Robots and Feminist Aspects on Agency, Body and Gender." Thesis, Linköpings universitet, Tema Genus, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-158230.

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Through an experimental theatre play, this thesis explores the development of human-like agency in contemporary “social robot” technology. The entrance point of this study is the gender gap and lack of diversity in contemporary AI/robot development, with an emerging need for interdisciplinary research across robot technology and social sciences. Using feminist technoscience and critical posthumanism as the theoretical framework, this research involves an analysis of a particular social robot case, currently being developed at Furhat Robotics in Stockholm. Inspired by Judy Wajcman (2004), I ana
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Stenberg, Felicia. "Cooperative Apocalypse : Hostile Geological Forces in N. K. Jemisin’s The Broken Earth Trilogy." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96839.

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In this thesis I explore the place of the human in the Anthropocene, and our relationship to the Earth through an analysis of N. K. Jemisin’s The Broken Earth trilogy. As the trilogy depicts an apocalyptic landscape where the Earth has sentience and humanity is divided into three subspecies, this work of speculative fiction lends itself well to be interrogated and examined as an allegory for our current climate crisis. The analysis is anchored in posthumanism and employs a variety of concepts, such as Bruno Latour’s work on agency and deanimation, Donna Haraway’s Chthulucene, and Amitav Ghosh’
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Nyström, Filip. "Organet lever! : Kropp, ting och performativitet i Erik Beckmans roman Inlandsbanan (1967)." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-140700.

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The works of Erik Beckman (1935-1995) are quite unique within the Swedish literary scene. His texts convert the experimental language of the concretists of the sixties into a new form of fabulation that undermines our understanding of what literature can be, ranging from novels and poetry to theatre pieces and radio theatre. His literary style has been discussed by critics, but the depths of it are yet to be fully explored. There is a lot to gain from combining contemporary theories of materiality and corporeality with his self-proclaimed materialistic poetics. The novel Inlandsbanan (1967) is
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Jones, Cassandra L. "FutureBodies: Octavia Butler as a Post-Colonial Cyborg Theorist." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1368927282.

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Heinze, Franziska. "Postkoloniale Theorie." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-220194.

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Postkoloniale Theorie bezeichnet ein breites Spektrum theoretischer Zugänge zu und kritischer Auseinandersetzungen mit historischen und gegenwärtigen Machtverhältnissen, die im Zusammenhang mit dem europäischen Kolonialismus und seinen bis heute währenden Fortschreibungen stehen. Als Gründungsdokument postkolonialer Theorie gilt Edward Saids Studie „Orientalism“ (1978). Postkoloniale feministische Theorie fokussiert auf die Situation von Frauen bzw. auf vergeschlechtlichte Identitäten in (neo-)kolonialen Settings. Neben der Konstruktion von Gender und Geschlechterrollen sind Sexualität und Beg
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Victorin, Karin. "AI as Gatekeepers to the Job Market : A Critical Reading of; Performance, Bias, and Coded Gaze in Recruitment Chatbots." Thesis, Linköpings universitet, Tema Genus, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-177257.

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The topic of this thesis is AI recruitment chatbots, digital discrimination, and data feminism (D´Ignazio and F.Klein 2020), where I aim to critically analyze issues of bias in these types of human-machine interaction technologies. Coming from a professional background of theatre, performance art, and drama, I am curious to analyze how using AI and social robots as hiring tools entails a new type of “stage” (actor’s space), with a special emphasis on social acting. Humans are now required to adjust their performance and facial expressions in the search for, and approval of, a new job. I will u
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Heinze, Franziska. "Postkoloniale Theorie." Universität Leipzig, 2015. https://ul.qucosa.de/id/qucosa%3A15382.

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Postkoloniale Theorie bezeichnet ein breites Spektrum theoretischer Zugänge zu und kritischer Auseinandersetzungen mit historischen und gegenwärtigen Machtverhältnissen, die im Zusammenhang mit dem europäischen Kolonialismus und seinen bis heute währenden Fortschreibungen stehen. Als Gründungsdokument postkolonialer Theorie gilt Edward Saids Studie „Orientalism“ (1978). Postkoloniale feministische Theorie fokussiert auf die Situation von Frauen bzw. auf vergeschlechtlichte Identitäten in (neo-)kolonialen Settings. Neben der Konstruktion von Gender und Geschlechterrollen sind Sexualität und Beg
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Folkers, Andreas, and Malaika Rödel. "Biopolitik / Biomacht." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219523.

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In den gender studies verweist der Begriff Biopolitik zumeist auf die Arbeiten von Michel Foucault, in denen er untersucht, wie in der Moderne die Organisation von und die Sorge um Leben sowie der menschliche Individualkörper ins Zentrum der Politik rücken. Ergänzend bestimmt er Biomacht als im Gegensatz zu früherer, repressiver Macht, produktiv und auf Lebenssteigerung ausgelegt. Entsprechend impliziert Biopolitik eine ambivalente, ebenso fürsorgliche wie kontrollierende Form der Machtausübung.
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Steinfeldt-Mertens, Eddi. "Posthumanistischer Feminismus." Universität Leipzig, 2019. https://ul.qucosa.de/id/qucosa%3A33409.

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Posthumanistischer Feminismus ist ein transdisziplinäres Wissenschaftsgebiet, das dem kritischen Posthumanismus zugeordnet werden kann. In diesem rückt die Frage nach der vergeschlechtlichten Dimension des Humanismus-Diskurses in den Fokus, der u. a. auf der androzentrischen Gleichsetzung von Mensch und Mann sowie der rassistischen Gleichsetzung von Mensch und Weiß-Sein beruht. Für eine feministisch-posthumanistische Forschungsprogrammatik gelten folgende Perspektiven als zentral: Der feministische Posthumanismus gesteht allen Lebewesen, Artefakten, Hybridwesen und weiteren belebten und unbele
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Ben-Ezzer, Tirza. "Naming the Virtual: Digital Subjects and The End of History through Hegel and Deleuze (and a maybe few cyborgs)." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1626919557257155.

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Folkers, Andreas, and Malaika Rödel. "Biopolitik / Biomacht." Universität Leipzig, 2015. https://ul.qucosa.de/id/qucosa%3A15357.

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In den gender studies verweist der Begriff Biopolitik zumeist auf die Arbeiten von Michel Foucault, in denen er untersucht, wie in der Moderne die Organisation von und die Sorge um Leben sowie der menschliche Individualkörper ins Zentrum der Politik rücken. Ergänzend bestimmt er Biomacht als im Gegensatz zu früherer, repressiver Macht, produktiv und auf Lebenssteigerung ausgelegt. Entsprechend impliziert Biopolitik eine ambivalente, ebenso fürsorgliche wie kontrollierende Form der Machtausübung.
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Puig, De La Bellacasa Maria. "Think we must: politiques féministes et construction des savoirs." Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211101.

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Cette dissertation porte sur les liens entre les pratiques politiques et la construction des savoirs, académiques et scientifiques, explorés dans le mouvement féministe et les « Études féministes » contemporains, notamment anglo-américaines (women studies), depuis les années 1970. <p>Dans la première partie, après avoir introduit le sens que donnent à la pratique « politique » certaines traditions féministes, nous présentons différentes entrées des critiques féministes des savoirs scientifiques :la critique de l'exclusion historique des femmes de la production des savoirs et des sciences et l’
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Lupold, Eva Marie. "Literary Laboratories: A Cautious Celebration of the Child-Cyborg from Romanticism to Modernism." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1339976082.

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Chan, Yu-Chieh. "Du travail postfordiste vers la pratique nouvelle matérialiste et posthumaniste : un art en devenir-avec." Thesis, Paris 1, 2018. https://ecm.univ-paris1.fr/nuxeo/site/esupversions/0e68a678-4ffa-4221-b455-1eafbfd5f69a.

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Ce travail de thèse vise à interroger le phénomène de dépassement du dualisme qui émerge lors du passage du contexte postfordiste de la production, à un autre contexte que nous tentons d’examiner selon l’approche du courant des nouveaux matérialismes. Il s’agit en filigrane et finalement, de la machine d’abstraction et de spéculation, et donc de la créativité à notre époque actuelle d’abstraction réelle, du capitalisme financier, cognitif et de l’anthropocène. Du point de vue posthumaniste qui prétend que tout est matériel en processus, nous proposons de repenser la pratique de la créativité,
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Dufour-Villeneuve, Laurence. "L’objectivité comme posture éthique dans l’onto-épistémologie de Donna Haraway : réponse au problème de l’objectivité en épistémologie féministe." Thesis, 2020. http://hdl.handle.net/1866/25482.

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Ce mémoire se veut une présentation et une interprétation de l’épistémologie de la philosophe féministe Donna Haraway, ainsi qu’une contribution à son rayonnement. Dans un premier temps, nous abordons le dilemme qui oppose deux grands types de réactions critiques face à la notion d’objectivité telle qu’elle est traditionnellement conçue : les réappropriations féministes de l’objectivité d’une part, et une forme de constructivisme radical « postmoderne » qui nie la possibilité d’accéder au monde réel et à un positionnement objectif d’autre part. Nous utilisons cette tension afin de mettre en év
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Lauzon-Dicso, Mathieu. "Reconceptualisation encyclopédique du corps cyborg dans les textes d’Élisabeth Vonarburg et de Catherine Dufour." Thèse, 2012. http://hdl.handle.net/1866/8968.

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Le cyborg est un avatar de ce que permet la science-fiction lorsqu’elle s’offre comme terrain où développer une heuristique des identités genrées. Donna Haraway, dans le Manifeste cyborg, a relevé le potentiel de liberté discursive que promettait cette figure romanesque. Il m’apparaît que, depuis sa fictionnalisation puis sa théorisation dans les années 1980 et 1990, le cyborg a muté au sein de l’entreprise science-fictionnelle littéraire. Le Silence de la Cité d’Élisabeth Vonarburg et Le Goût de l’immortalité de Catherine Dufour présentent des personnages dont la cyborgitude problématise les
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McGee, Leopoldyna Xavier. "Becoming girl : the subversive narratives of Le girl sujet en process/on trial." Thesis, 2009. https://eprints.utas.edu.au/20693/1/whole_McGeeLeopoldynaXavier2009_thesis.pdf.

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Sundell, Johan. "Dismodernitet och Insektspolitik : En studie av genus, (o)begriplighet och (dys)funktionalitet i Franz Kafkas Förvandlingen." Thesis, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-27759.

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The purpose of this thesis has been to explore in what ways Franz Kafka’s ”The Metamorphosis” can be read as a story of gender. By bringing together Judith Butler’s theory of materialization and Lennard J. Davis’s crip theory I have spoken of Dismodernity as the domain of abject bodies that have been repudiated by (post)modern societies as untintelligible and dysfunctional. From this vantage point ”The Metamorphosis” can be seen as an allegory of Dismodernity and the protagonist, Gregor Samsa, can be seen as a political figure of Dismodernity. Therefore, I have tried to draw a feminist insect
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Roriz, Camila Moreira Santana. "Formas de vida: (arte como matéria vivida)." Master's thesis, 2019. http://hdl.handle.net/10451/43136.

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In an attempt to talk about my experimental artistic process I found inspiration from some artists and authors: Donna Haraway, biologist and philosopher, who believes in the power of storytelling as a possibility to reinvent ways of living in a damaged world; Octavia Butler, author of science fiction books that raise questions about patterns that are shown to us throughout our Western society. Maria Lassnig, is a painter who experimented with the artistic movements of her time but even so allowed herself to tell her own internal narratives. And other artists who continue to resist and make art
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(14030764), Patricia K. L. Goon. "Subjectivity and its discontents: Theories of subjectivity and contemporary cultural contexts." Thesis, 1999. https://figshare.com/articles/thesis/Subjectivity_and_its_discontents_Theories_of_subjectivity_and_contemporary_cultural_contexts/21433626.

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<p>This thesis aims to examine the notion of subjectivity in terms of the theories posed by specific schools of thought, particularly with regard to the notion of resistance within the contexts of contemporary culture. It will be concerned primarily with the theories of Jacques Lacan, Michel Foucault, Judith Butler, Donna Haraway, Pierre Bourdieu and Michel de Certeau, as well as the contributions made by Theodor Adorno and Walter Benjamin.</p> <p>The thesis begins with a discussion of theories which consider subjectivity as a narrative of commoditisation that sets up the potential for both vi
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Neves, Joana Markus Moita Monteiro. "Paradoxos do corpo feminizado: entre a luminosidade e o confinamento." Master's thesis, 2021. http://hdl.handle.net/10362/130635.

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A ideia do corpo feminino constitui inevitavelmente um paradoxo a partir do momento em que simplesmente a interrogamos: em que consiste? O que significa para um corpo ser feminino? Que atributo vem a ser a feminilidade? Procedemos a esta interrogação começando por primeiro traçar a dinâmica entre os movimentos para a libertação desse corpo (e a rejeição ou transformação desse atributo) e os esforços, que lhes sucedem, de os impedir ou fazer regredir, para ponderar em seguida o corpo enquanto questão filosófica, apoiando-nos em propostas de desconstrução de essencialismos e recorrendo também a
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De, Jager Thea Laurette. "The poesis of decay : a painter's response to the dystopian aesthetic." Diss., 2019. http://hdl.handle.net/10500/26241.

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This study focuses on the investigation and deconstruction of the phenomena of the South African dystopian society, as reflected in the novels of Lauren Beukes and films by Neill Blomkamp. The characteristics and signifiers of a uniquely South African dystopian society are established and investigated through a posthuman lens. The theoretical framework of this study is principally concerned with the critical posthuman writings of Rosi Braidotti, Donna Haraway and, to a lesser extent, Cary Wolfe. Feminism and post-colonialism, and their influences on posthuman theory, are applied as the second
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