Log in

Relevant bibliographies by topics / Doolittle hilda / Journal articles

To see the other types of publications on this topic, follow the link: Doolittle hilda.

Journal articles on the topic 'Doolittle hilda'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 19 journal articles for your research on the topic 'Doolittle hilda.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Richards, Arlene Kramer. "Hilda Doolittle and Creativity." Psychoanalytic Study of the Child 47, no. 1 (1992): 391–406. http://dx.doi.org/10.1080/00797308.1992.11822683.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Ibrahim, Juan Abdullah. "Experimentalism In Hilda Doolittle's HERmione." Al-Adab Journal, no. 112 (June 15, 2015): 1–21. http://dx.doi.org/10.31973/aj.v0i112.1539.

Full text

Abstract:

Hilda Doolittle (1886-1946) is an American poet, novelist and translator, generally called H.D. In her Autobiographical novel, HERmione unpublished until 1981, Hilda presents her experimental work in which she imposes a narrative form upon her fictionalized accounts of her tangled personal relations. It is a novel about well-known literary people and a story of forbidden desires, it invokes the patterns of the genre to examine the interpretation of sexuality and textuality in a narrative of development. HER is a literary suppressed, figuratively repressed story of origins whose private telling was essential to public retellings of how Hilda Doolittle became H.D. Hilda Doolittle's novel is characterized by being revolutionary , experimenting through repetition of names of people , disguised through specific literary language attacking the patriarchal mode of a stern father and a passive , submissive mother. Lights are shed through a psychological approach on the writers traumatic experiences as a result of war consequences on one hand and personal , agonic experiences due to her doubt about her Sexuality being torn between lesbian desire and heterosexual feeling towards a man she loved but was not able to marry. H.D.'s aim is to create a change in women's state from the conventional treatment of women as an "object" to a new "subject" worthy of description getting benefit from Sigmund Freud's psychological analysis of Hilda Doolittle's character when she was sick. Being an effective imagist and a lover of Arts, she creates a new literary movement depending on common speech and freedom in choosing subjects in a daring style. Since the subject of the novel is about the psychological issues of women's identity problems , feminist critics views like Susan Stanford Friedman , Rachel Blau Duplessis and Helen Cixous's theory of Psychology are taken into consideration in this research

APA, Harvard, Vancouver, ISO, and other styles

3

Meyer zum Wischen, Michael, and Elisabeth Muller. "Hilda Doolittle : écriture sur le mur." Psychanalyse 27, no. 2 (2013): 23. http://dx.doi.org/10.3917/psy.027.0023.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

LaChance, C. "The Sexual Sublime & Hilda Doolittle." English 53, no. 205 (2004): 31–58. http://dx.doi.org/10.1093/english/53.205.31.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Azevedo, Ana Vicentini de. "Por amor a Hs." Nuntius Antiquus 12, no. 1 (2016): 159–76. http://dx.doi.org/10.17851/1983-3636.12.1.159-176.

Full text

Abstract:

O presente trabalho discute alguns aspectos e conceitualizações de Eros, tal como elaborados em três registros discursivos: na obra poética e vida da escritora americana Hilda Doolittle (HD); em alguns pontos da teoria freudiana. O terceiro registro discute algumas maneiras pelas quais essa noção se entretece na relação entre Freud e Hilda, primeiramente como sua analisanda e, mais tarde, como amiga. Alguns aspectos e efeitos fundamentais da prática psicanalítica são salientados nessa discussão. Uma atenção especial é dada ao poema-livro Helen in Egypt, de HD, onde Eros aparece em sua dupla-face de amor e morte. Essa dimensão dupla é tratada como um conceito nas elaborações freudianas sobre a pulsão de vida e a pulsão de morte.

APA, Harvard, Vancouver, ISO, and other styles

6

ZORLUOĞLU, Emel. "The Struggle of Hilda Doolittle to Exist as She Wants to Exist." Mediterranean Journal of Humanities 8, no. 2 (2018): 561–71. http://dx.doi.org/10.13114/mjh.2018.441.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Álvarez Valadés, Josefa. "La plenitud a través del amor:." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 33 (January 18, 2020): 111–22. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2020333655.

Full text

Abstract:

El presente artículo se propone analizar cómo a través de diferentes fuentes antiguas (Homero, Safo, Gorgias y Eurípides entre otras) e incluso alguna contemporánea (Helen in Egypt de Hilda Doolittle) Miguel del Arco deconstruye en su obra Juicio a una zorra el mito de Helena de Troya, transmitido fundamentalmente por la tradición patriarcal. Mostraremos de qué modo el dramaturgo hace de su personaje una mujer que, habiendo sido víctima de los hombres, reclama el derecho a contar su propia historia y a reivindicarse a través de su propia palabra y de su amor por Paris.

APA, Harvard, Vancouver, ISO, and other styles

8

Hughes, Gertrude Reif. "Making it Really New: Hilda Doolittle, Gwendolyn Brooks, and the Feminist Potential of Modern Poetry." American Quarterly 42, no. 3 (1990): 375. http://dx.doi.org/10.2307/2712940.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Dowthwaite, James. "Edward Sapir and Modernist Poetry: Amy Lowell, H.D., Ezra Pound, and the Development of Sapir's Literary Theory." Modernist Cultures 13, no. 2 (2018): 255–77. http://dx.doi.org/10.3366/mod.2018.0208.

Full text

Abstract:

In this article, I look at the connections between the eminent linguist Edward Sapir (1884–1939) and modernist poetry. In his career, Sapir provided extensive knowledge about North American languages and promoted an influential relativistic approach to language and culture. His understanding of language, particularly its cultural values, was informed by his understanding of literature. I look, in particular, at the ways that Sapir applied his theories of language to his contemporaries in modernist poetry, with specific focus on Amy Lowell and Hilda Doolittle. Sapir saw modernist poetry as being based on the same linguistic principles as his broader theories of language and culture. I argue that Sapir's theoretical writing is not simply a key by which we should read modernist approaches to language, but is made up of important literary connections which point to his influence and standing in the modernist network.

APA, Harvard, Vancouver, ISO, and other styles

10

Catelli, Nora. "Indiscernible: literatura y psicoanálisis en una orilla atlántica." El Taco en la Brea, no. 6 (December 19, 2017): 9–22. http://dx.doi.org/10.14409/tb.v0i6.6961.

Full text

Abstract:

Este trabajo propone comentar algunos rasgos peculiares de la relación entre cultura psicoanalítica y modernidad literaria en la Argentina. El primero es el que atañe a ciertos intercambios con España; sobre todo aquellos que, en un período singular, con la llegada del exilio argentino (1975–1983) alteraron el flujo tradicional Norte–Sur que en general caracteriza los intercambios editoriales y académicos entre metrópolis y periferias. Se esboza también una comparación con la recepción anglosajona, sobre todo estadounidense, que guarda algunas semejanzas con la recepción argentina; por ello se esgrimen los nombres de W.H. Auden e Hilda Doolittle. El tercero se refiere a la configuración de los discursos psicoanalíticos en la cultura argentina, deteniéndose sobre todo en la constitución de un campo de estudios de los textos literarios desde perspectivas psicoanalíticas clásicas primero; después, con las lecturas existencialistas –hoy un tanto relegadas– de los textos de creación y, más tarde, con la irrupción del lacanismo, ampliando el campo de la lectura también al de la escritura. Se propone que, salvo excepciones, el discurso psicoanalítico lacaniano se convirtió, durante un lapso singular (entre 1970 y, al menos, comienzos del siglo XXI) en algo indiscernible de gran parte de la producción literaria argentina, sus formas de apreciación y sus mecanismos de legitimación. Aunque al mismo tiempo, en algunos autores y críticos, como Ricardo Piglia, Juan José Saer y Julio Premat, se mantuvo, en esta misma época, una posición más tradicional, equidistante, similar a las lecturas que desde posiciones fuertes y autónomas de la especificidad literaria, mantuvieron Auden y Doolittle.

APA, Harvard, Vancouver, ISO, and other styles

11

Mata Buil, Ana. "Poet-translators as double link in the global literary system." Beyond transfiction 11, no. 3 (2016): 398–415. http://dx.doi.org/10.1075/tis.11.3.05mat.

Full text

Abstract:

Based on the diachronic and international study of American Modernism and its translation into Spanish, this article aims to analyze the complementary role of poet-translators as a double link in the global literary system. On the one hand, when translating other authors, poet-translators introduce them to a new audience. On the other hand, their translations complement their own poetic creations. While translating poetry, poet-translators assimilate the original poet’s style and images, which will later filter in their own poetic works. But, at the same time, these literary agents — consciously or unconsciously — introduce their own style marks into their translations. In order to illustrate the analysis, those people whose role as poet-translators stands out have been chosen among all the translators of Modernist poets into Spanish. Added to this discussion is commentary on some examples of Modernist poets who were also translators, including Yvor Winters, Marianne Moore, Langston Hughes, Hilda Doolittle, and Ezra Pound.

APA, Harvard, Vancouver, ISO, and other styles

12

Proglio, Wilma. "Marina Camboni, L’impero della forza, la forza della scrittura. Hilda Doolittle, Simone Weil e la Seconda guerra mondiale." Studi Francesi, no. 147 (XLX | III) (December 1, 2005): 676–77. http://dx.doi.org/10.4000/studifrancesi.33651.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Elkind, Sue N. "H. D. and Freud Doolittle, Hilda .Tribute to Freud. Boston, New Directions, 1974. New York, New Directions, 1984 (paperback)." San Francisco Jung Institute Library Journal 6, no. 2 (1986): 39–52. http://dx.doi.org/10.1525/jung.1.1986.6.2.39.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Beach, Sylvia, and Keri Walsh. "Inturned." PMLA/Publications of the Modern Language Association of America 124, no. 3 (2009): 939–46. http://dx.doi.org/10.1632/pmla.2009.124.3.939.

Full text

Abstract:

Sylvia Beach (1887–1962) is remembered primarily for the two feats of which she was proudest, publishing Ulysses and “STEERing a little bookshop for about twenty-two years between the two wars,” as she puts it in the text reprinted here. Her “little bookshop,” Shakespeare and Company, was for Ernest Hemingway “a warm, cheerful place with a big stove in winter, tables and shelves of books, new books in the window, and photographs on the wall of famous writers both dead and living” (35). In 1919, with support from Adrienne Monnier, the owner of a neighboring bookstore, Beach launched the Left Bank shop that would serve as a hub for French and expatriate writers.1 In her 1959 memoir, Shakespeare and Company, Beach tells stories of her friends and patrons, who included F. Scott Fitzgerald, T. S. Eliot, Thornton Wilder, Gertrude Stein, Walter Benjamin, Paul Valéry, Simone de Beauvoir, HD (Hilda Doolittle), Samuel Beckett, and many others. Beach also describes there her other great feat, the publication of Ulysses. When British and American printers were prevented from publishing Joyce's Dublin epic because it was considered too obscene, Beach stepped in. Her fortuitous situation as a seller of English-language books in Paris inspired her to risk bringing out Ulysses herself. In February 1922, after a legendary struggle, the first edition of Ulysses appeared under the imprint “Shakespeare and Company.”

APA, Harvard, Vancouver, ISO, and other styles

15

Hama, Bakhtiar S. "Imagism and Imagery in the Selected Poems of Major Imagist Poets." Koya University Journal of Humanities and Social Sciences 3, no. 1 (2020): 88–93. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp88-93.

Full text

Abstract:

This paper explores imagism and studies the intrinsic literary features of some poems to show how the authors combine all the elements such as style, sentence structure, figures of speech and poetic diction to paint concrete and abstract images in the mind of the readers. Imagism was an early 20th century literary movement and a reaction against the Romantic and Victorian mainstreams. Imagism is known as an Anglo-American literary movement since it borrows from the English and American verse style of modern poetry. The leaders of the movement set some rules for writing imagist poems. The authors of the group believed that poets are like painters; what the painters can do with brush and dye, poets can do it with language i.e. painting pictures with words. The poems are descriptive; the poets capture the images they experience with one or more of the five senses. They believed that readers could see the realities from their eyes because the texts are like a painting. In this paper, six poems by six prominent leaders of the movement will be scrutinized according to the main principles of the formalistic approach which is the interpretation and analysis of the literary devices pertained to the concrete and abstract images drawn by the poets. The poems are: In a Station of the Metro by Ezra Pound, Autumn by T. E. Hulme, November by Amy Lowell, Oread by Hilda Doolittle (H.D.), and Bombardment by Richard Aldington

APA, Harvard, Vancouver, ISO, and other styles

16

Nisa H. Güzel, KÖŞKER. "Revision of Helen’s myth and a new female discourse in Hilda Doolittle’s Helen in Egypt." Dil Dergisi, no. 167 (2016): 5–20. http://dx.doi.org/10.1501/dilder_0000000226.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Hameed, Marwa Bilal, and Prof Saad Najim Al-Khafaji. "Hilda Doolittle as a Myth-Maker: A Psychoanalytic Feminist Study of Hilda Doolittle’s “Sea Violet” and “Sea Gods”." International Journal of Research in Social Sciences and Humanities 11, no. 2 (2021). http://dx.doi.org/10.37648/ijrssh.v11i02.022.

Full text

Abstract:

Patriarchal societies degrade females because of what they think of as a biological deficiency that is represented through the lack of the male sexual organ. This leads such societies to oppress females mentally as well as physically. This encourages a number of writers to indulge themselves in studying the psychological abnormality that the patriarchal societies lead the females to suffer from. Thus, by adopting the psychoanalytical feminist view, Hilda Doolittle aims to heal the female race from the patriarchal wounds that leads them to lose their identity as independent human beings. Accordingly, this paper aims at investigating how Doolittle does this by depending on the Greek gods and goddesses as examples that could help her in supporting her argument that femininity has been defined falsely according to an unjust patriarchal canon

APA, Harvard, Vancouver, ISO, and other styles

18

Rénaux, Sigrid. "H.D.'S "MID-DAY': A LINGUISTIC APPROACH." Revista Letras 52 (December 31, 1999). http://dx.doi.org/10.5380/rel.v52i0.18944.

Full text

Abstract:

Após situar H.D. (Hilda Doolittle) dentro do movimento imagista, este artigo apresenta uma abordagem lingüística de um de seus primeiros poemas, "Mid-day", a fim de resgatar algumas de suas características que não foram detectadas pelos críticos e assim levar a uma reavaliação.

APA, Harvard, Vancouver, ISO, and other styles

19

Rippl, Gabriele. "Eine andere Ästhetik der Moderne: Hilda Doolittles Hellenismus." Feministische Studien 22, no. 2 (2004). http://dx.doi.org/10.1515/fs-2004-0208.

Full text

Abstract:

AbstractThis essay discusses the question of modernism/s by taking into account different modes of the literary reception of classical antiquity. The focus is the American writer H. D., whose notion of classicism is based on Walter Pater’s »Alexandrian« Hellenism, which itself concentrates on occultism, hermeticism and pagan mysteries. As a result, her notion differs considerably from the modern classicism of her male colleagues. For H. D., Euripides’ Greek words are portals to the vision, lost knowledge and experience which allow the rigid, institutionalized and consequently dead knowledge of the bourgeois curriculum to be reshaped into a living, topical one. Her transformation of Euripides’ Hippolytus-play re-energizes the mythological story by concentrating on the hidden psychic layers of human existence and thus presents a ›hot‹ antiquity.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!