Dissertations / Theses on the topic 'Doors in art'
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Jia, Yan. "Imperial Doors of Assyria: Monumentality, Spatiality, and Rituality of the Neo-Assyrian Architectural Doors From Balawat." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:14226073.
Full textHarris, Wesley. "Behind closed doors : new images of manhood." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1414.
Full textBachelors
Arts and Humanities
Visual Art
Gotts, Doris O. "'Opening the doors of impossibility' : an examination of futurism in England 1910-1923 through the art of C.R.W. Nevinson and David Bomberg." Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435130.
Full textKellaris, Georgios. "The iconography of sanctuary doors from Patmos and its place in the iconographic program of the Byzantine iconostasis." Thesis, McGill University, 1991. http://books.google.com/books?id=4OjVAAAAMAAJ.
Full textContains an English abstract and a French résumé. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 83-87).
Hall, Emily. "The Refrigerator Door." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/20.
Full textPalmer, Deborah L. "Should Bedroom Doors be Open or Closed while People are Sleeping?" University of Canterbury. Civil Engineering, 1999. http://hdl.handle.net/10092/8287.
Full textBattersby, Jamie Thomas William. "The Door To Before Closes, and You Grieve That Too." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555517321452505.
Full textStroud, Elizabeth J. "Opening the Door to Meaning-Making in Secondary Art History Instruction." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5244/.
Full textVolkan, Ani Kristine. "The Door in the Threshold." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etd/1675.
Full textTherése, Grabs. "Dear Creativity, I´ll do my best." Thesis, Konstfack, Grafisk design & illustration, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7367.
Full textJuncker, Clara. "Through random doors we wandered : women writing the South /." Odense : University press of Southern Denmark, 2002. http://catalogue.bnf.fr/ark:/12148/cb390836010.
Full textBoone, Danielle J. "From the refrigerator door to the art gallery floor : young children's experiences with the display of their own visual artwork." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/18346/2/Danielle_Jay_Boone_Thesis.pdf.
Full textBoone, Danielle J. "From the refrigerator door to the art gallery floor : young children's experiences with the display of their own visual artwork." Queensland University of Technology, 2008. http://eprints.qut.edu.au/18346/.
Full textGarcía, Samuel A. (Samuel Anthony). "Substituent Effects on Diazeniumdiolate Anions: an AB Initio and DFT Study." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc277741/.
Full textDe, Bellis Anita Marie, and anita debellis@flinders edu au. "Behind Open Doors - A Construct of Nursing Practice in an Australian Residential Aged Care Facility." Flinders University. School of Nursing & Midwifery, 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20061107.122002.
Full textMcLendon, Pamela Ann. "Opening Doors for Excellent Maternal Health Services: Perceptions Regarding Maternal Health in Rural Tanzania." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500156/.
Full textDilbeck, Gwynne Ann. "Opening the gates of paradise: function and the iconographical program of Ghiberti's bronze door." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/2691.
Full textCooper-Johal, Jusleen. "Secondary school-based Restorative Interventions : what are the perceptions and experiences of the young people who are identified as 'wrong-doers'?" Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/38063/.
Full textNalin, Emma R. "Building Relationships between a Free Clinic and Its Donors." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404598/.
Full textShen, Ziyi. "Red Door: Firewall Based Access Control in ROS." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752358/.
Full textYoke, Tad M. (Tad Mitchell). "If I Could Live Next Door for a Day." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500286/.
Full textÁbalos, Ramos Ana. "ALISON AND PETER SMITHSON: THE TRANSIENT AND THE PERMANENT." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62223.
Full text[ES] Dentro del enfoque polifácetico del trabajo de Alison and Peter Smithson, las exposiciones son pieza fundamental. Un medio poderoso para comunicar y materializar sus ideas que les brindó a lo largo de toda su trayectoria la oportunidad de abordar con libertad la construcción experimental de su pensamiento. Sus propuestas expositivas de la década de los cincuenta y sesenta, como Parallel of Life and Art, House of the Future, o Patio & Pavilion, han sido y son tanto o más relevantes para la crítica arquitectónica como sus escasas obras construidas o sus abundantes escritos. Sin embargo, a partir de la década de los setenta, poco se conoce de su prolífica producción expositiva. Peter Smithson en la conferencia "The Masque and the Exhibition: Stages Towards the Real" en 1980 expresaba el importante significado que tenían las exposiciones para la conformación de su arquitectura como lugares de oportunidad para experimentar con la realidad. A partir de esta reflexión, parece lógico pensar que si hasta ese momento dichas instalaciones siempre fueron una herramienta con la que los Smithson han ofrecido algunos de sus momentos más intensos, las realizadas a partir de ese momento de reconocimiento consciente y puesta en valor de esta faceta de su trabajo, pese a su poca difusión, podrían entrañar una intensidad al menos similar a las que ya han destacado hasta el momento en los medios. Esta consideración, unida a las expectativas generadas en torno a la exposición Christmas-Hogmanay, tanto por ser simultánea a la elaboración de dicha conferencia, como por las ideas que se desprenden del análisis de un collage vinculado a la misma que aparece como preludio de esta tesis doctoral, ha dirigido la investigación hacia este último periodo de su arquitectura expositiva. En concreto, el estudio se centra en dos grupos que, dentro del amplio abanico de montajes expositivos realizados, destacan por poseer una cohesión intelectual propia que permitirá descubrir con mayor claridad las reflexiones que Alison y Peter Smithson ponen en escena. La tesis doctoral se estructura en cuatro grandes apartados. Arranca con un capítulo de introducción dedicado a enmarcar el tema de estudio en el que primero se analiza y contextualiza la arquitectura hecha exposición; después, se presenta la relevancia que tiene la obra expositiva en el trabajo de Alison y Peter Smithson; y finalmente se contextualiza el periodo concreto en el que se centra el estudio atendiendo tanto a su propia trayectoria como al discurso arquitectónico general. Los dos grandes apartados de la disertación son las exposiciones de Navidad y las realizadas junto a TECTA, estructurándose ambos de manera similar. Tras una breve introducción al grupo de exposiciones que se va a analizar, aparecen ampliamente documentadas cada una de las exposiciones que conforma el grupo a partir, principalmente, de la documentación inédita a la que se ha tenido acceso en los tres principales archivos dedicados a Alison and Peter Smithson: The Alison and Peter Smithson Archive en el Special Collections Department de la Frances Loeb Library de la Harvard Design School (Estados Unidos); The Alison and Peter Smithson Archiv / TECTA Archiv en Lauenförde (Alemania); y The Smithson Family Archive en Stamford (Inglaterra). Finalmente, cada capítulo se cierra con un ensayo en el que se analizan y relacionan las diferentes reflexiones que las exposiciones ofrecen, de manera individual y en su conjunto. El último capítulo es un breve epílogo que reúne y entrelaza todo lo anteriormente expuesto, a través de las exposiciones de Navidad y TECTA, en su obra más experimental, la Hexenhaus en Bad Karlshafen.
[CAT] Dins de l'enfocament polifacètic del treball d'Alison i Peter Smithson, les exposicions en són una peça fonamental. Un mitjà poderós per a comunicar i materialitzar les idees que, al llarg de tota la seua trajectòria, els van brindar l'oportunitat d'abordar amb llibertat la construcció experimental del seu pensament. Les seues propostes expositives de la dècada dels cinquanta i seixanta, com ara Parallel of Life and Art, House of the Future, o Patio & Pavilion, han sigut i són tant o més rellevants per a la crítica arquitectònica com les seues escasses obres construïdes o els seus abundants escrits. No obstant això, a partir de la dècada dels setanta, poc es coneix de la seua prolífica producció expositiva. Peter Smithson, en la conferència "The Masque and the Exhibition: Stages Towards the Real" al 1980, expressava l'important significat que tenien les exposicions per a la conformació de la seua arquitectura com a llocs d'oportunitat per a experimentar amb la realitat. A partir d'aquesta reflexió, sembla lògic pensar que, si fins a eixe moment les dites instal·lacions sempre van ser una eina amb la qual els Smithson han ofert alguns dels seus moments més intensos, les que van realitzar a partir d'aquest moment de reconeixement conscient i posada en valor d'aquesta faceta del seu treball, tot i la poca difusió, podrien contenir una intensitat com a mínim similar a la d'aquelles que ja han destacat fins al moment en els mitjans. Aquesta consideració, unida a les expectatives generades entorn a l'exposició Christmas-Hogmanay, tant per ser simultània a l'elaboració de la dita conferència, com per les idees que es desprenen de l'anàlisi d'un collage vinculat a la mateixa que apareix com a preludi d'aquesta tesi doctoral, ha dirigit la investigació cap a aquest últim període de la seua arquitectura expositiva. En concret, l'estudi se centra en dos grups que, dins de l'ampli ventall de muntatges expositius realitzats, destaquen per posseir una cohesió intel·lectual pròpia que permetrà descobrir amb una major claredat les reflexions que Alison i Peter Smithson posen en escena. La tesi doctoral s'estructura en quatre grans capítols. Arrenca amb un apartat d'introducció dedicat a emmarcar el tema d'estudi, en què primer s'analitza i contextualitza l'arquitectura feta exposició; després, es presenta la rellevància que té l'obra expositiva en el treball d'Alison i Peter Smithson; i finalment es contextualitza el període concret en què se centra l'estudi, atenent tant a la seua pròpia trajectòria com al discurs arquitectònic general. Els dos grans capítols de la dissertació són les exposicions de Nadal i les realitzades junt amb TECTA, i s'estructuren tots dos de manera similar. Després d'una breu introducció al grup d'exposicions que s'analitzarà, apareixen amplament documentades cadascuna de les exposicions que conforma el grup, a partir principalment de la documentació inèdita a la qual s'ha tingut accés en els tres principals arxius dedicats a Alison i Peter Smithson: The Alison and Peter Smithson Archive a l'Special Collections Department de la Frances Loeb Library de la Harvard Design School (Estats Units d'Amèrica); The Alison and Peter Smithson Archiv / TECTA Archiv a Lauenförde (Alemanya); i The Smithson Family Archive a Stamford (Anglaterra). Finalment, cada capítol es tanca amb un assaig en què s'analitzen i relacionen les diferents reflexions que les exposicions ofereixen, de manera individual i en conjunt. L'últim capítol és un breu epíleg que reuneix i entrellaça tot allò exposat anteriorment, a través de les exposicions de Nadal i TECTA, en la seua obra més experimental, la Hexenhausen Bad Karlshafen.
Ábalos Ramos, A. (2016). ALISON AND PETER SMITHSON: THE TRANSIENT AND THE PERMANENT [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/62223
TESIS
Brentjens, Yvonne. "Moraalridders en monnikenwerk : middeleeuws pathos in het oeuvre van G.W. Dijsselhof (1866-1924) en zijn tijdgenoten ; waartoe behorend Dwalen door het paradijs : leven en werk van G.W. Dijsselhof (1866-1924) /." [S.l.] : [s.n.], 2004. http://catalogue.bnf.fr/ark:/12148/cb39903478x.
Full textSauer, Ashley. "Understanding the Culture of Giving among Utility Fuel Fund Donors in Southern California." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849722/.
Full textRamambason, Laurent W. "Missiology : its subject-matter and method : a study of mission-doers in Madagascar /." Franfkurt am Main : P. Lang, 1999. http://catalogue.bnf.fr/ark:/12148/cb37689964x.
Full textBrusse, Paul. "Overleven door ondernemen : de agrarische geschiedenis van de Over-Betuwe 1650-1850 /." Wageningen : Afdeling agrarische geschiedenis Landbouwuniversiteit, 1999. http://catalogue.bnf.fr/ark:/12148/cb37155113c.
Full textHoogteijling, Jaap. "Door de achterdeur naar binnen : over de wording van Multatuli's "Max Havelaar /." Amsterdam : Thesis, 1996. http://catalogue.bnf.fr/ark:/12148/cb388986249.
Full textSmith, Patricia Dawn, and smit0617@flinders edu au. "The Management of Australian Corporate Philanthropy Perspectives of Donors and Managers A Study of Motivations and Techniques." Flinders University. Flinders Institute of Public Policy and Management, 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20060523.132142.
Full textMörzer, Bruyns Willem Fredrik Jacob. "Schip recht door zee : de octant in de Republiek in de achttiende eeuw /." [S.l.] : Koninklijke Nederlandse akademie van wetenschappen, 2003. http://catalogue.bnf.fr/ark:/12148/cb39109690d.
Full textAdam, Emily L. "The psychopath next door: How similar are they to those behind bars? Criminality, executive functioning, and emotion processing in 'noncriminal' psychopathy." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/106792/1/Emily_Adam_Thesis.pdf.
Full textLaurent, Coralie. "Le don en situation de communication : la communication d'une ONG ou comment les donateurs sont amenés à agir par leurs dons d'argent." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCB167.
Full textThis thesis is devoted to the issue of donation in the humanitarian sector, from the perspective of individual donors who are rarely questioned about this subject. NGOs are increasingly present in the public eye and use, among other strategies, emotions to incite people to donate. However, since the theme of the gift has been studied (for example, by the anthropologist Marcel Mauss, mainly), we should be based on the analysis related to this theme and also focus on a French NGO ("Aide et Action") whose main sphere of action relates to education and has established the sponsorship. The organization operates in different countries in order to help vulnerable people, including children, through various actions based on long-term development. In this work, it is mainly to understand why do individual donors of this NGO, both weekly and quarterly and those referred to as "sponsors", give money. The fieldwork has been carried out through two questionnaires, one for each type of donors, in which questions were asked, in particular, about how the NGO communicates with donors, prompting thereby to continue their investment. Subsequently, interviews have strengthened data provided by the questionnaires
Song, Xiang-Ning. "Magneto-Optical and Chaotic Electrical Properties of n-InSb." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc279131/.
Full textElkan, Daniel Acosta. "The Colonia Next Door: Puerto Ricans in the Harlem Community, 1917-1948." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1505772980183977.
Full textPaton, Doris Eyvonne, and lozndoz@bigpond com. "A journey with Woolum Bellum Koorie open door education (KODE) school. Its life cycle in meeting the educational needs of Aboriginal children." RMIT University. Education, 2010. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20100218.160033.
Full textVousten, Rob. "Dialect als tweede taal : linguïstische en extra-linguïstische aspecten van de verwerving van een Noordlimburgs dialect door standaardtalige jongeren /." Amsterdam : Thesis publ, 1995. http://catalogue.bnf.fr/ark:/12148/cb41021687t.
Full textJansen, Harmen. "Door Simon gezien : anderhalve eeuw theologisch debat in het Nederlandse protestantisme over de opstanding van Christus : een systematisch-theologische studie /." Zoetermeer : Boekencentrum, 2002. http://catalogue.bnf.fr/ark:/12148/cb38822396f.
Full textBy, Shenhjie Zheng, and Xucheng Liu. "The pursuit of peaceful development : How China's foreign policy and its national security are connected." Thesis, Högskolan i Halmstad, Akademin för hälsa och välfärd, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-29305.
Full textBreekveldt, Willem. "Pragmatiek van de roman : een onderzoek naar aspecten van "Cornelia Wildschut", roman in brieven door E. Wolff-Bekker en A. Deken /." Amsterdam : Stichting Neerlandistiek VU, 1988. http://catalogue.bnf.fr/ark:/12148/cb38828918r.
Full textO'Driscoll, Catherine T. "A study to determine the quality of life and experiences for liver and kidney transplant recipients and living kidney donors in Western Australia : the economic implications." University of Western Australia. School of Surgery, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0077.
Full textDoorn, Aart Pieter van [Verfasser], Ian T. [Akademischer Betreuer] Baldwin, Ralf [Akademischer Betreuer] Oelmüller, and Jean-Luc [Akademischer Betreuer] Wolfender. "Signaling after the first bite : the role of insect elicitor and jasmonic acid metabolism in shaping plant-insect interactions / Aart Pieter van Doorn. Gutachter: Ian T. Baldwin ; Ralf Oelmüller ; Jean-Luc Wolfender." Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2012. http://d-nb.info/1019970081/34.
Full textMeerman, Dick. "Goed doen door dood te maken : een analyse van de morele argumentatie in vijf maatschappelije debatten over euthanasie tussen 1870 en 1940 in Engeland en Duitsland /." Kampen : Uitg. J.H. Kok, 1991. http://catalogue.bnf.fr/ark:/12148/cb37147978f.
Full textHoenen, Maarten J. F. M. "Marsilius van Inghen (+ 1396) over het goddelijke weten : zijn plaats in de ontwikkeling van de opvattingen over het goddelijke weten ca. 1255-1396 : studie gevolgd door een tekstuitgave van Marsilius van Ingen "Quaestiones super quattuor libros sententiarum", lib. I quaestt. 38 en 40 /." Nijmegen : Ingenium publ, 1989. http://catalogue.bnf.fr/ark:/12148/cb399188026.
Full textJordier, Edme. "Epidémiologie moléculaire du virus de l'hépatite C (VHC) chez les donneurs de sang français entre 2008 et 2011 : caractérisation de génomes complets du VHC appartenant au génotype 2." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM5095.
Full textThe distribution of genotypes of hepatitis C virus (HCV) infection among blood donors French between 2008 and 2011 was analyzed in order to update our knowledge. Genotyping strains identified the diversity of circulating genotypes. Subtypes 1a, 1b and 3a are found predominantly (80 % of strains). Phylogenetic analysis showed a great variability in types 2 and 4 represented by many subtypes. The results show that risk behaviors tend to influence and reshape the distribution of these genotypes in the general population. Some subtypes are spreading risk groups where they eventually adopt an epidemic profile. Finally, donor selection and implementation of diagnostic tests reduced drastically blood contamination. Epidemic data were enriched of new knowledge about the evolution and classification of HCV. 15 complete coding sequences of several strains of type 2 have been characterized. Phylogenetic analysis reveals two distinct clusters. Cluster 1 includes most strains while cluster 2 includes subtype 2l. Genomes obtained have an ORF of 9042 to 9108 bases (3014-3036 amino acids). The average distances between subtypes are equal to 20% in cluster 1 and 26 % between the two clusters. The bifurcation between clusters occurred early during the evolution of the virus. The insertion of 60 bases in the NS5A region characteristic of Type 2 is absent in 2l. So the appearance and fixing it is late in the evolution of the virus
Ban, Willem Gerbrand van den. "De rechterlijke toetsing van WOZ-waarden : een studie naar de werking van de Wet WOZ en de rechtsbescherming door de gerechtshoven bij WOZ-beschikkingen = Judicial review of property values established under the wet WOZ : a study into the functioning of the Dutch valuation of immovable property act (wet WOZ) and judicial review of WOZ decisions /." Deventer : Kluwer, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9789013060454.
Full textWeißbach, Angelika. "Frühstück im Freien." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2009. http://dx.doi.org/10.18452/16004.
Full textThe Leonhardi-Museum in Dresden belonged to one of the most legendary exhibition centers / galleries for contemporary nonconformist art in the GDR. Its peculiarity was derived from the fact that the concept and organization of the exhibitions lay in the hands of the artists themselves – who continually formed open ad hoc working groups (Arbeitsgruppe / AG) – as well as the fact that it was not an unofficial or autonomous institution, but primarily a gallery belonging to the State Association of Artists in the Graphic Arts in the GDR (VBK) and later to the city council Dresden-East. This dissertation examines and documents more than 100 exhibitions and events held in the principal hall of the Leonhardi-Museum between 1963 and 1990. The majority were personal exhibitions by graphic artists, painters and sculptors which provoked attitudes and opinions, broadened viewing habits and which featured experiments which were stimulated by the dimensions of the room. Often it was the first opportunity at all for artists to exhibit. Especially the communal festivities and spectacular group exhibitions around the topics “doors” and “Alfresco Breakfast” made the Leonhardi-Museum famous both nationally and internationally. Ministry of “Staatssicherheit” bans contributed to the increased popularity of the Leonhardi-Museum. Comparisons with similar official exhibition venues in Berlin (Lothar Lang’s Art-Cabinet, Gallery Arkade), Leipzig (Gallery on the Sachsenplatz, Herbstsalon), Karl-Marx-Stadt (Gallery Clara Mosch) and Dresden (Galleries Kunst der Zeit, Nord, Comenius and Mitte; Puschkinhaus, Lücke frequentor, Intermedia) demonstrate that the importance of the Leonhardi-Museum changed, but that for three decades it remained the only place in the GDR in which artists were able to use official structures for their art. In doing so they created scope for freedom for the graphic arts.
Sohr, Martin. "Zabezpečovací systém pro rodinný dům." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2012. http://www.nusl.cz/ntk/nusl-219383.
Full textSchwartz, Cynthia L. "Art therapy, opening doors : Master's thesis video and organizational manual." Thesis, 1994. http://spectrum.library.concordia.ca/2562/1/MM90932.pdf.
Full textStahl, Katharine Lane. "Creativity explored, explored : how an innovative San Francisco art community is opening doors for artists with disabilities." Thesis, 2013. http://hdl.handle.net/2152/23570.
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Marzullo, Francesca. "Devotional Overdoors in Medieval and Renaissance Italy." Thesis, 2020. https://doi.org/10.7916/d8-kp4s-et89.
Full textShahir, Safrizal. "Islamic art from Southeast Asia: prominent or periphery? case study of pair of doors for royal compound (Lawon kori) dated from the sixteenth century from the Art Gallery of South Australia Asian Art Collection." Thesis, 2007. http://hdl.handle.net/2440/128551.
Full textThesis (M.A.(St.Art.Hist.)) -- University of Adelaide, Master of Arts (Studies in Art History), School of History and Politics, Discipline of History, 2007.