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Journal articles on the topic 'Doppelgängers'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Sayeed, Maryum, Melissa K. Ness, Benjamin T. Montet, et al. "Many Roads Lead to Lithium: Formation Pathways For Lithium-rich Red Giants." Astrophysical Journal 964, no. 1 (2024): 42. http://dx.doi.org/10.3847/1538-4357/ad1936.

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Abstract Stellar models predict that lithium (Li) inside a star is destroyed during the first dredge-up phase, yet 1.2% of red giant stars are Li-rich. We aim to uncover possible origins of this population, by analyzing 1099 Li-rich giants (A(Li) ≥ 1.5) in GALAH DR3. To expose peculiar traits of Li-rich stars, we construct a reference sample of Li-normal (doppelgänger) stars with matched evolutionary state and fiducial iron-peak and alpha-process abundances ([Fe/H] and [Mg/Fe]). Comparing Li-rich and doppelgänger spectra reveals systematic differences in the Hα and Ca-triplet line profiles ass

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2

Gattegno, Nataly, and Jason Kelly Johnson. "Computational Doppelgängers." Technology|Architecture + Design 1, no. 2 (2017): 146–49. http://dx.doi.org/10.1080/24751448.2017.1354606.

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3

ADAMS, MICHAEL. "Lexical Doppelgängers." Journal of English Linguistics 28, no. 3 (2000): 295–310. http://dx.doi.org/10.1177/00754240022005054.

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4

Dybel, Paweł. "Witkacy and His Doppelgängers." Eidos. A Journal for Philosophy of Culture 3, no. 4 (2020): 55–66. http://dx.doi.org/10.14394/eidos.jpc.2019.0042.

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5

Shaw, Matthew, and William Trossell. "Digital Doppelgängers: Future Scanscapes." Architectural Design 84, no. 1 (2014): 20–29. http://dx.doi.org/10.1002/ad.1698.

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6

Constantin, Alexandra. "Madness in the Modern Gothic Novel. Example Study: The Thief in the Night by Katharina Hartwell." Kronstädter Beiträge zur germanistischen Forschung 23 (June 1, 2023): 177–88. http://dx.doi.org/10.31926/kbzgf.2023.23.10.

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Der vorliegende Beitrag untersucht den Roman Der Dieb in der Nacht von Katharina Hartwell (2015). Der Roman handelt von dem Verschwinden des neuzehnjährigen Felix und seiner vermeintlichen Rückkehr, Jahre später, als der Doppelgänger Blixen. Blixen übernimmt die Rolle von Felix, wodurch die Realität aus den Fugen gerät und der Protagonist Paul in Wahnsinn und Paranoia verfällt. Ziel dieses Beitrags ist es, zu beweisen, dass der ausgewählte Roman eine Aufarbeitung des Genres Schauerroman ist, um die Thematisierung des Wahnsinns darin zu erforschen. Der Schauerroman und seine Merkmale werden ein

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7

Hamaker, Zachary, Rebecca Patrias, Oliver Pechenik, and Nathan Williams. "Doppelgängers: Bijections of Plane Partitions." International Mathematics Research Notices 2020, no. 2 (2018): 487–540. http://dx.doi.org/10.1093/imrn/rny018.

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Abstract We say two posets are doppelgängers if they have the same number of P-partitions of each height k. We give a uniform framework for bijective proofs that posets are doppelgängers by synthesizing K-theoretic Schubert calculus techniques of H. Thomas and A. Yong with M. Haiman’s rectification bijection and an observation of R. Proctor. Geometrically, these bijections reflect the rational equivalence of certain subvarieties of minuscule flag manifolds. As a special case, we provide the 1st bijective proof of a 1983 theorem of R. Proctor—that plane partitions of height k in a rectangle are

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8

Behmard, Aida, Melissa K. Ness, Emily C. Cunningham, and Megan Bedell. "Elemental Abundances of Kepler Objects of Interest in APOGEE DR17." Astronomical Journal 165, no. 4 (2023): 178. http://dx.doi.org/10.3847/1538-3881/acc32a.

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Abstract The elemental abundances of planet host stars can shed light on the conditions of planet forming environments. We test if individual abundances of 130 known/candidate planet hosts in APOGEE are statistically different from those of a reference doppelgänger sample. The reference set comprises objects selected with the same T eff, log g , [Fe/H], and [Mg/H] as each Kepler Object of Interest (KOI). We predict twelve individual abundances (X = C, N, O, Na, Al, Si, Ca, Ti, V, Cr, Mn, Ni) for the KOIs and their doppelgängers using a local linear model of these four parameters, training on A

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9

Courtland, Rachel. "Infinite doppelgängers may explain quantum probabilities." New Scientist 207, no. 2775 (2010): 6–7. http://dx.doi.org/10.1016/s0262-4079(10)62057-x.

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10

Bruggisser, Florian Christoph, Chris Elvis Leisi, Pascal Lund-Jensen, Martin Fröhlich, and Christopher Lloyd Salter. "reconFIGURE: Confronting Audiences with Digital Doppelgängers." Proceedings of the ACM on Computer Graphics and Interactive Techniques 7, no. 4 (2024): 1–10. http://dx.doi.org/10.1145/3664208.

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This paper describes the artistic context, technical implementation, user study, evaluation and future work around reconFIGURE, a participatory installation exploring the transformation of human bodies through computational systems. The installation involves capturing visitors' images, transforming these into animated 3D doppelgängers, and projecting them on a large-screen. Unique in its rapid transformation from 2D to 3D, reconFIGURE highlights the aesthetic-social repercussions of transforming whole human body images using machine learning.

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11

de M’Uzan, M. "Die Identität und die Frage des Doppelgängers." Zeitschrift für psychoanalytische Theorie und Praxis 18, no. 1 (2003): 87–105. http://dx.doi.org/10.15534/zptp/2003/1/8.

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12

Zinin, Aleksandr M., and Zhanna G. Berger. "FORENSIC COMPARISON OF FACIAL IMAGES OF DOPPELGÄNGERS." Theory and Practice of Forensic Science 13, no. 1 (2018): 76–83. http://dx.doi.org/10.30764/1819-2785-2018-13-1-76-83.

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13

Robinson, Sandra. "Databases and Doppelgängers: New Articulations of Power." Configurations 26, no. 4 (2018): 411–40. http://dx.doi.org/10.1353/con.2018.0035.

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14

Cummins, David. "Patient identification: hybrids and doppelgängers." Annals of Clinical Biochemistry 44, no. 2 (2007): 106–10. http://dx.doi.org/10.1258/000456307780117894.

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15

Flaherty, David. "Spiders and Doppelgängers in Denis Villeneuve’s Enemy (2013)." Film Matters 11, no. 2 (2020): 120–22. http://dx.doi.org/10.1386/fm_00087_4.

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16

Learmonth, Mark, and Michael Humphreys. "Autoethnography and academic identity: glimpsing business school doppelgängers." Organization 19, no. 1 (2011): 99–117. http://dx.doi.org/10.1177/1350508411398056.

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17

Marks, Paul. "Dark web's doppelgängers aim to dupe antifraud systems." Communications of the ACM 63, no. 2 (2020): 16–18. http://dx.doi.org/10.1145/3374878.

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18

McKay, Ryan, and Nicholas Furl. "Doppelgängers and dissociations: lesion network mapping illuminates misidentification delusions." Brain 140, no. 2 (2017): 262–65. http://dx.doi.org/10.1093/brain/aww323.

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19

Hetényi, Zsuzsa. "Dialogue, Doppelgängers and other Twofold Structures in Lev Lunts'sRodina." Slavonica 5, no. 1 (1999): 7–14. http://dx.doi.org/10.1179/sla.1999.5.1.7.

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20

Esser, Helena. "Doppelgängers and Impostors: Flashman’s Neo-Victorian Adventures in Zenda." Victorian Popular Fictions Journal 2, no. 1 (2020): 83–97. http://dx.doi.org/10.46911/hdeq8621.

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21

Maley, Alexander. "Meehan's dermatopathology: Doppelgängers & stags, volume 2, iBook edition." Journal of the American Academy of Dermatology 80, no. 3 (2019): e65. http://dx.doi.org/10.1016/j.jaad.2018.10.056.

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22

Poulou, Despoina. "Order in Andrzej Żuławski’s Chaotic Possession: Insurmountable Divisions." Polish Journal of the Arts and Culture New Series, no. 18 (2/2023) (October 2023): 93–103. http://dx.doi.org/10.4467/24506249pj.23.016.19557.

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Polish filmmaker Andrzej Żuławski made Possession (1981) after his self-exile in France and the great success of The Most Important Thing: Love (L'important c'est d'aimer, 1975). Set in West Berlin, Possession explores Anna and Mark’s marriage dissolution into chaos, and, in that sense, it is a domestic drama, full of political connotations implanted by the constant depiction of the Wall. However, due to its puzzling story that includes violent fights, unexpected killings, inexplicable doppelgängers, hysterical performances, and a notorious miscarriage scene in a subway station, somehow explai

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23

Pierlejewski, Mandy. "Constructing deficit data doppelgängers: The impact of datafication on children with English as an additional language." Contemporary Issues in Early Childhood 21, no. 3 (2019): 253–65. http://dx.doi.org/10.1177/1463949119838089.

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In this article, an evaluation of the English early childhood education context reveals children constructed as data. The complex, chaotic and unpredictable nature of the child is reconstituted in numerical form – a form which can be measured, compared and manipulated. Children are reconceptualised as data doppelgängers, ghostly apparitions which emulate the actual embodied child. The focus of early childhood education and care thus moves from child-centred to data-centred education. The author specifically focuses on the impact of this aspect of the performative regime on children who have En

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24

McCutcheon, Mark. "Downloading doppelgängers: New media anxieties and transnational ironies in Battlestar Galactica." Science Fiction Film & Television 2, no. 1 (2009): 1–24. http://dx.doi.org/10.3828/sfftv.2.1.1.

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25

Daugman, John, and Cathryn Downing. "Searching for doppelgängers: assessing the universality of the IrisCode impostors distribution." IET Biometrics 5, no. 2 (2016): 65–75. http://dx.doi.org/10.1049/iet-bmt.2015.0071.

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26

Prilutskiy, Aleksandr M. "Semiotics of Doubles in Modern Eschatology." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 3 (June 10, 2022): 113–25. http://dx.doi.org/10.37482/2687-1505-v185.

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Traditionally, a double (or doppelgänger) is considered to be a personified part of one’s consciousness or subconsciousness, social experience, behavioural patterns, etc. represented as an independent actor of social relations (in a literary text, an independent character or a character claiming independence). Doubles are characters that have something in common. The study of the doubles phenomenon is often limited to artistic discourse, its religious interpretation, including in eschatological narratives, being poorly investigated. In the Christian tradition, the eschatological interpretation

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27

Stevenson, Warren. "Coleridge's Divine Duplicity: Being a Concatenation of His Surrogates, Succedaneums, and Doppelgängers." Wordsworth Circle 20, no. 2 (1989): 74–78. http://dx.doi.org/10.1086/twc24042839.

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28

Hetényi, Zsuzsa. "Dialogue, Doppelgängers and other Twofold Structures in Lev Lunts's Rodina." Slavonica 5, no. 1 (1999): 7–14. http://dx.doi.org/10.1179/136174299790107725.

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29

Guo, Siqi, Minsoo Choi, Dominic Kao, and Christos Mousas. "Collaborating with my Doppelgänger." Proceedings of the ACM on Computer Graphics and Interactive Techniques 7, no. 1 (2024): 1–23. http://dx.doi.org/10.1145/3651288.

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The research community has long been interested in human interaction with embodied virtual characters in virtual reality (VR). At the same time, interaction with self-similar virtual characters, or virtual doppelgängers, has become a prominent topic in both VR and psychology due to the intriguing psychological effects these characters can have on people. However, studies on human interaction with self-similar virtual characters are still limited. To address this research gap, we designed and conducted a 2 (appearance: self-similar vs. non-self-similar appearance) × 2 (voice: self-similar vs. n

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30

Latham, Brandon. "Cobblestones and Doppelgängers: How Gothic Literature Contributed to the Dawn of Film Noir." Film Matters 7, no. 2 (2016): 17–21. http://dx.doi.org/10.1386/fm.7.2.17_1.

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31

Laughlin, Richard C., and Robert C. Alaniz. "Outer membrane vesicles in service as protein shuttles, biotic defenders, and immunological doppelgängers." Gut Microbes 7, no. 5 (2016): 450–54. http://dx.doi.org/10.1080/19490976.2016.1222345.

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32

Hillenbrand, Margaret. "Doppelgängers, Misogyny, and the San Francisco System: The Occupation Narratives of Ōe Kenzaburō." Journal of Japanese Studies 33, no. 2 (2007): 383–414. http://dx.doi.org/10.1353/jjs.2007.0061.

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33

Gray, Elizabeth C., Daniel M. Beringer, and Michelle M. Meyer. "Siblings or doppelgängers? Deciphering the evolution of structured cis-regulatory RNAs beyond homology." Biochemical Society Transactions 48, no. 5 (2020): 1941–51. http://dx.doi.org/10.1042/bst20191060.

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Structured cis-regulatory RNAs have evolved across all domains of life, highlighting the utility and plasticity of RNA as a regulatory molecule. Homologous RNA sequences and structures often have similar functions, but homology may also be deceiving. The challenges that derive from trying to assign function to structure and vice versa are not trivial. Bacterial riboswitches, viral and eukaryotic IRESes, CITEs, and 3′ UTR elements employ an array of mechanisms to exert their effects. Bioinformatic searches coupled with biochemical and functional validation have elucidated some shared and many u

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34

Wang, Li Rong, Xiuyi Fan, and Wilson Wen Bin Goh. "Protocol to identify functional doppelgängers and verify biomedical gene expression data using doppelgangerIdentifier." STAR Protocols 3, no. 4 (2022): 101783. http://dx.doi.org/10.1016/j.xpro.2022.101783.

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35

Masiki, Trent. "Ambiguous Seductions: Doppelgängers,Suciogenesis, and the Mask ofTíguerismoin Junot Díaz’s “Drown” and “Miss Lora”." MELUS 43, no. 4 (2018): 194–216. http://dx.doi.org/10.1093/melus/mly040.

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36

Jafari, Mona, and Maryam Soltan Beyad. "Ford Madox Ford’s Modernist Trio: A Psychosocial Study of Suicidal Doppelgängers in The Rash Act." Atlantis. Journal of the Spanish Association for Anglo-American Studies 45, no. 2 (2023): 187–206. http://dx.doi.org/10.28914/atlantis-2023-45.2.09.

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As one of the most prolific writers of modernist fiction, Ford Madox Ford shared the period’s fascination with suicide. Despite the complementary relationship between the theme of suicide and the double-motif, a concentrated analysis of its significance in Ford’s portrayal of the modern world in The Rash Act (1933), his work which most directly focuses on the theme of suicide, has not, to date, been conducted. Accordingly, this article presents a systematic examination of the aforementioned relationship in The Rash Act by applying Anthony Giddens’ psychosocial exploration of suicide in “A Typo

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37

Gilmore, James N. "To Affinity and Beyond: Clicking as Communicative Gesture on the Experimentation Platform." Communication, Culture and Critique 13, no. 3 (2020): 333–48. http://dx.doi.org/10.1093/ccc/tcaa005.

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Abstract This article analyzes how users' engagements with digital platforms through the act of clicking are coded as meaningful for the production of affinity, a way of assessing identity amongst users. Drawing on an understanding of identity as related to the Latin idem—or same—this article explores how streaming media company Netflix uses click-based A/B testing to create “taste doppelgängers” that live in “taste communities” and help structure the recommendations, home pages, and image thumbnails that users experience. Clicks are figured as communicative gestures that platform engineers de

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38

Ness, M., H.-W. Rix, David W. Hogg, et al. "Galactic Doppelgängers: The Chemical Similarity Among Field Stars and Among Stars with a Common Birth Origin." Astrophysical Journal 853, no. 2 (2018): 198. http://dx.doi.org/10.3847/1538-4357/aa9d8e.

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39

Alexopoulou, A. "The Uncanny and the Unspoken Element of Speech in Kazantzakis and Terzakis." Kathedra of Byzantine and Modern Greek Studies, no. 7 (November 26, 2020): 70–87. http://dx.doi.org/10.29003/m1729.2658-7157.2020_7/70-87.

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This study investigates the theme of Uncanny in the Modern Greek roman of the 20th century and in particular in Terzakis’ Secret life and Kazantzakis’ Christ Recrucifi ed. The unspoken element of speech is a common component of the romans and a structural element of their poetics to the extent that it refl ects the divided consciousness of the characters. The encounter with the erotic Other becomes the occasion for the subjective division to emerge, to the point where the only escape is death drive. The cancellation of the love aff air brings the characters in confrontation with the diametrica

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40

Hills, Matt. "Cult TV Revival: Generational Seriality, Recap Culture, and the “Brand Gap” of Twin Peaks: The Return." Television & New Media 19, no. 4 (2017): 310–27. http://dx.doi.org/10.1177/1527476417742976.

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By exploring one case study of a cult TV revival after decades off-air— Twin Peaks: The Return (Showtime, 2017)—this article defines and then focuses on generational seriality. I consider how the gap of twenty-six years between 1990s Twin Peaks and The Return has impacted on its resurrection by reading new Twin Peaks for its representations of aging and loss. I further consider how fantastical connotations of dementia via the figure of Dougie Jones/Dale Cooper (Kyle MacLachlan) generate a “brand gap” between new and old Twin Peaks. Finally, I address how recap culture has shaped The Return’s g

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41

Segal, Nancy L. "A Possible Twin: The 1960s Twin Study Revisited/Twin Research: Twin-to-Twin Heart Transplantation; Distinguishing Monozygotic Twins; Twin Conceptions via Oocyte Donation; Factors Affecting Craniofacial Traits/In the Media: Triplet Delivery in the UK; Conjoined Twins and the Concept of Self; Colombian Twin Trainers; Skin Grafting to Save an Identical Co-Twin; Lack of Physical Flaws in Dolly the Cloned Sheep; Possible Conjoined Twins of Opposite-Sex; Passing of the Remaining Twin From the World's Longest Separated Pair." Twin Research and Human Genetics 21, no. 2 (2018): 155–62. http://dx.doi.org/10.1017/thg.2018.4.

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This article begins with the story of a 51-year-old Los Angeles, California man, Justin Goldberg, whose daughter caught a glimpse of his striking look-alike at a popular market. Many people have so-called doppelgängers, but this occurrence is especially intriguing — the individual in question, born in New York City in the mid-1960s to an unwed mother, was an adoptee placed by the Louise Wise Adoption Agency. This agency, under the guidance of a prominent psychiatrist, decided to place twins in separate homes. Some of these twin children were part of a controversial child development study that

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42

Biti, Vladimir. "Deprived of protection: The ethico-politics of authorship in Ian McEwan’s Atonement." Frontiers of Narrative Studies 4, no. 2 (2018): 342–58. http://dx.doi.org/10.1515/fns-2018-0027.

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AbstractThe paper proposes to read the British novelist Ian McEwan as an ethically disconcerted post-imperial writer. His early works “gave voice to an anxiety about social, cultural and moral decline after the end of Britain’s imperial power had become vividly apparent” (Groes). Both the writer’s and his characters’ fatherless post-war childhoods testify to the systematic disconnection of the public and private in the late imperial and post-imperial country, which induced the growing feeling of unprotectedness among its inhabitants. McEwan consistently searches for an ethically responsible li

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43

Studholme, Maggie, John Scott, and Christopher T. Husbands. "DoppelgäNgers and Racists: On Inhabiting Alternative Universes. A Reply to Steve Fuller'S ‘A Path Better not to Have Been Taken’." Sociological Review 55, no. 4 (2007): 816–22. http://dx.doi.org/10.1111/j.1467-954x.2007.00746.x.

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44

Santamaria Blasco, Lourdes. "Intertextualidades siniestras entre la literatura y el cine." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 34 (July 17, 2020): 152–81. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2020344369.

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El ensayo Lo siniestro de Freud (1919), creado para analizar el cuento de E.T.A. Hoffmann El hombre de la arena (1817), es una revisión del concepto de lo siniestro de Schelling, definido por el filósofo como "todo aquello que debería haber permanecido oculto, pero que finalmente ha salido a la luz". El psicoanálisis reconvierte a lo siniestro freudiano en una categoría estética que permite analizar la parte más perturbadora del arte: lo monstruoso, lo abyecto, lo grotesco, lo informe, lo obsceno, lo ominoso, lo espeluznante, etc. Los factores siniestros se manifiestan en las siguientes obras

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45

França Netto, Milton Pereira de, Gustavo Ferreira Santos, and Alexandre Freire Pimentel. "O DESAFIO DA REGULAÇÃO DAS DEEP FAKES." Revista Direitos Culturais 19, no. 47 (2024): 3–20. http://dx.doi.org/10.31512/rdc.v19i47.1520.

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O artigo objetiva analisar questões jurídicas realativas de deep fakes, a partir da paradigmática peça publicitária “Volkswagen 70 anos: Gerações”, marcada pela recriação digital da cantora Elis Regina por meio da inteligência artificial. Amparada por pesquisas de teor bibliográfico e documental, o trabalho parte da conceituação de doppelgängers para identificar criações de duplos ambulantes nos domínios artístico e publicitário, voltando as suas atenções ao comercial idealizado pela fabricante de veículos alemã. Na sequência, ao investigar o desfecho do processo ético associado à Representaçã

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46

Beuzelin, Cécile. "Le Double portrait de Jacopo Pontormo : vers une histoire du double portrait d'amitié à la Renaissance." Studiolo 7, no. 1 (2009): 79–99. http://dx.doi.org/10.3406/studi.2009.1233.

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Jacopo Pontormos Doppelporträt : ein Beitrag zur Geschichte des Doppelporträts von Freunden in der Renaissance. Ausgehend von der Bildanalyse des von Jacopo Pontormo um 1523-1524 gemalten Doppelporträts sowie von der neueren Lektüre der antiken Abhandlungen über die Freundschaft, setzt sich dieser Artikel zum Ziel, die Geschichte des Doppelporträts von Freunden nachzuzeichnen und eine Differenzierung innerhalb der Doppelporträts der Renaissance vorzunehmen. In der Nikomachischen Ethik und der Großen Ethik nimmt Aristoteles eine Hierarchisierung gefühlsmäßiger Bindungen vor, indem er die wahre

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47

John Lundberg. "Doppelgänger." Antioch Review 76, no. 1 (2018): 159. http://dx.doi.org/10.7723/antiochreview.76.1.0159.

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48

Henry, Brian. "Doppelgänger." Iowa Review 29, no. 2 (1999): 104. http://dx.doi.org/10.17077/0021-065x.5114.

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49

Kapur, Nitin Agrawal. "Doppelgänger." JAMA 303, no. 8 (2010): 711. http://dx.doi.org/10.1001/jama.2010.173.

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Kapur, Nitin Agrawal. "Doppelgänger." JAMA 323, no. 17 (2020): 1655. http://dx.doi.org/10.1001/jama.2020.2748.

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