Academic literature on the topic 'Dorothea Brooke'

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Journal articles on the topic "Dorothea Brooke"

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DEERY, PATRICIA. "MARGARET FULLER AND DOROTHEA BROOKE." Review of English Studies XXXVI, no. 143 (1985): 379–85. http://dx.doi.org/10.1093/res/xxxvi.143.379.

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Fraser, Hilary. "St. Theresa, St. Dorothea, and Miss Brooke in Middlemarch." Nineteenth-Century Fiction 40, no. 4 (1986): 400–411. http://dx.doi.org/10.2307/3044729.

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Seeber, Hans Ulrich, and Sabine Poeschel. "Dorothea Brooke und Erotische Kunst in George Eliots Middlemarch." Poetica 32, no. 3-4 (2000): 443–73. http://dx.doi.org/10.30965/25890530-032-03-04-90000007.

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Seeber, Hans Ulrich, and Sabine Poeschel. "Dorothea Brooke und Erotische Kunst in George Eliots Middlemarch." Poetica 32, no. 3-4 (2000): 443–73. http://dx.doi.org/10.30965/25890530-0320304008.

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Fraser, Hilary. "St. Theresa, St. Dorothea, and Miss Brooke in Middlemarch." Nineteenth-Century Fiction 40, no. 4 (1986): 400–411. http://dx.doi.org/10.1525/ncl.1986.40.4.99p0509b.

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Booth, Alison. "Little Dorrit and Dorothea Brooke: Interpreting the Heroines of History." Nineteenth-Century Literature 41, no. 2 (1986): 190–216. http://dx.doi.org/10.2307/3045138.

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Booth, Alison. "Little Dorrit and Dorothea Brooke: Interpreting the Heroines of History." Nineteenth-Century Literature 41, no. 2 (1986): 190–216. http://dx.doi.org/10.1525/ncl.1986.41.2.99p00214.

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Farina, Jonathan. "Middlemarch and “that Sort of Thing”." Articles, no. 53 (May 12, 2009): 0. http://dx.doi.org/10.7202/029903ar.

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Abstract Mr. Brooke fails to become an elected political representative, but he nevertheless functions as a representative of Middlemarch society’s dominant mode of abstraction. Brooke’s comic idiom of “that sort of thing,” “that kind of thing,” and other variations of the word “thing” may be taken as a paradigm for George Eliot’s style throughout Middlemarch. Brooke parodies how characters and the narrator employ a grammar of things to articulate their relationships both to what they value in the material world and to their own interiority. I ascribe this grammar of things to what I call an “
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Newton. "Reflections on Whether the Marriage between Dorothea Brooke and Casaubon Was Consummated." George Eliot - George Henry Lewes Studies 68, no. 2 (2016): 83. http://dx.doi.org/10.5325/georelioghlstud.68.2.0083.

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Dobbins, Meg. "JANE EYRE'S PURSE: WOMEN'S QUEER ECONOMIC DESIRE IN THE VICTORIAN NOVEL." Victorian Literature and Culture 44, no. 4 (2016): 741–59. http://dx.doi.org/10.1017/s1060150316000206.

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“Young ladies don't understandpolitical economy, you know,” asserts the casually misogynistic uncle of Dorothea Brooke in George Eliot'sMiddlemarch(1871) (17; bk. 1, ch 1). Although Eliot's heroine resents both her uncle's remark and “that never-explained science which was thrust as an extinguisher over all her lights,” her attempt to teach herself political economy in the novel only seems to confirm her uncle's assessment (18; bk. 1, ch. 1): Dorothea gathers a “little heap of books on political economy” and sets forth to learn “the best way of spending money so as not to injure one's neighbor
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Dissertations / Theses on the topic "Dorothea Brooke"

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Kelly, Katherine Marie. "George Eliot's Middlemarch: The Making of a Modern Marriage." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1173.

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In this thesis I examine the evolving social and personal attitudes about marriage and love as depicted in George Eliot's Middlemarch by arguing that Eliot anticipates modern marriages by critiquing traditional Victorian marital values. For the purposes of this analysis, the applicable aspects of modern marriage are sexuality, shifting gender roles, and a dismissal of social class as the major factor in choosing a partner. In order to achieve this end, I apply close textual analysis as well as a New Historical approach to examine how Middlemarch is conditioned by its historical context.
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Comet, Noah Dov. "Hellenism and English women's writing, 1800-1840 poetics of the ephemeral /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1707554031&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Fletcher, Amie Christine. "Felicia Hemans Writes America: The Transatlantic Construction of America and Britain in the Nineteenth Century." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1089411894.

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Hodde, Dorothee Verfasser], Hermann [Akademischer Betreuer] [Wagner, and Gary [Akademischer Betreuer] Brook. "The development of a novel orientated nanofibre-containing hydrogel scaffold : in vitro studies of cell-substrate interactions and its application in vivo for peripheral nerve repair / Dorothee Hodde ; Hermann Wagner, Gary Brook." Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1158498594/34.

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Hodde, Dorothee [Verfasser], Hermann [Akademischer Betreuer] Wagner, and Gary [Akademischer Betreuer] Brook. "The development of a novel orientated nanofibre-containing hydrogel scaffold : in vitro studies of cell-substrate interactions and its application in vivo for peripheral nerve repair / Dorothee Hodde ; Hermann Wagner, Gary Brook." Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1158498594/34.

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Sánchez, Juan L. "Spain, politics, and the British romantic imagination." 2007. http://etd.nd.edu/ETD-db/theses/available/etd-07162007-183914/.

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Books on the topic "Dorothea Brooke"

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Harold, Bloom. Dorothea Brooke (Major Literary Characters). Chelsea House Publications, 1995.

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Eliot, George, and David Russell. Middlemarch. Edited by David Carroll. Oxford University Press, 2019. http://dx.doi.org/10.1093/owc/9780198815518.001.0001.

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‘The growing good of the world is partly dependent on unhistoric acts.’ The greatest ‘state of the nation’ novel in English, Middlemarch addresses ordinary life at a moment of great social change, in the years leading to the Reform Act of 1832. Through her portrait of a Midlands town, George Eliot addresses gender relations and class, self-knowledge and self-delusion, community and individualism. Eliot follows the fortunes of the town's central characters as they find, lose, and rediscover ideals and vocations in the world. Through its psychologically rich portraits, the novel contains some of
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Dorothy Brooke and the Fight to Save Cairo's Lost War Horses. Potomac Books, Incorporated, 2017.

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Harris, Johanna. Sectarian Groups. Edited by Andrew Hiscock and Helen Wilcox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199672806.013.27.

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This chapter discusses the grey areas between conformity and separatism, and the problem of Puritanism in this context, beginning with the radical inheritances of England’s earliest underground separatist Protestant congregations in 1560s London, the evolved separatism of Dorothy Hazzard’s Bristol house church, and the connections between the Leveller Katherine Chidley, the Independent William Greenhill, and the Fifth Monarchist Anna Trapnel, as an example of the points of unity felt by believers across a spectrum of occasional conformity and radical puritan dissent. It highlights Lord Brooke’
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Homans, Margaret. Women Writers and Poetic Identity: Dorothy Wordsworth, Emily Bronte and Emily Dickinson. Princeton University Press, 2014.

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Homans, Margaret. Women Writers and Poetic Identity: Dorothy Wordsworth, Emily Bronte and Emily Dickinson. Princeton University Press, 2014.

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Women Writers and Poetic Identity: Dorothy Wordsworth, Emily Bronte and Emily Dickinson. Princeton University Press, 2014.

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Homans, Margaret. Women Writers and Poetic Identity: Dorothy Wordsworth, Emily Bronte and Emily Dickinson. Princeton University Press, 2019.

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Book chapters on the topic "Dorothea Brooke"

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Sabiston, Elizabeth Jean. "Dorothea Brooke: the Reluctant Aesthete." In The Prison of Womanhood. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18804-8_4.

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"1. Dorothea Brooke and Medieval Hagiography." In George Eliot and the Discourses of Medievalism. Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.mmages-eb.4.000013.

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Trollope, Anthony. "Mrs. Brooke Burgess." In He Knew He Was Right. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537709.003.0098.

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IT may be doubted whether there was a happier young woman in England than Dorothy Stanbury when that September came which was to make her the wife of Mr. Brooke Burgess, the new partner in the firm of Cropper and Burgess. Her early aspirations in...
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Trollope, Anthony. "Brooke Burgess Takes Leave of Exeter." In He Knew He Was Right. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537709.003.0045.

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THE time had arrived at which Brooke Burgess was to leave Exeter. He had made his tour through the county, and returned to spend his two last nights at Miss Stanbury’s house. When he came back Dorothy was still at Nuncombe, but she arrived in...
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Trollope, Anthony. "Miss Stanbury and Mr. Gibson Become Two." In He Knew He Was Right. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537709.003.0043.

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THERE came to be a very gloomy fortnight at Miss Stanbury’s house in the Close. For two or three days after Mr. Gibson’s dismissal at the hands of Miss Stanbury herself, Brooke Burgess was still in the house, and his presence saved Dorothy from the...
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Trollope, Anthony. "Cropper and Burgess." In He Knew He Was Right. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537709.003.0089.

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WE must now go back to Exeter and look after Mr. Brooke Burgess and Miss Dorothy Stanbury. It is rather hard upon readers that they should be thus hurried from the completion of hymeneals at Florence to the preparations for other hymeneals in Devonshire; but...
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Trollope, Anthony. "Acquitted." In He Knew He Was Right. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537709.003.0099.

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DURING this time, while Hugh was sitting with his love under the oak trees at Monkhams, and Dorothy was being converted into Mrs. Brooke Burgess in Exeter Cathedral, Mrs. Trevelyan was living with her husband in the cottage at Twickenham. Her life was dreary enough,...
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Wordsworth, William, and Dorothy Wordsworth. "1067. W. W. to Sir Benjamin Collins Brodie." In The Letters of William and Dorothy Wordsworth, Vol. 6: The Later Years: Part III: 1835–1839 (Second Revised Edition). Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00084244.

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Wordsworth, William, and Dorothy Wordsworth. "1083. W. W. to Sir Benjamin Collins Brodie." In The Letters of William and Dorothy Wordsworth, Vol. 6: The Later Years: Part III: 1835–1839 (Second Revised Edition). Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00084260.

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