Relevant bibliographies by topics / Dostoevskij

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Dostoevskij'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 March 2023

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Journal articles on the topic "Dostoevskij"

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Egeberg, Erik. "Ф. М. Достоевский – 200 лет со дня рождения." Poljarnyj vestnik 24 (December 3, 2021): 76–81. http://dx.doi.org/10.7557/6.6344.

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This article explores two Norwegian publications related to Dostoevskij, both of which were published in 1922. In his doctoral dissertation, Martin Gran, who was the first scholar in Norway to defend a dissertation in the field of Slavic studies, discussed the works of the young Dostoevskij. The second publication under scrutiny is Erik Krag’s novel Ottar Wreike, which shows influence from Dostoevskij’s Raskol’nikov.
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Swiderski, Bronisław. "Gombrowicz's Dostoevskij." Scando-Slavica 37, no. 1 (January 1991): 48–57. http://dx.doi.org/10.1080/00806769108600990.

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Telloni, Agnese Ilaria, and Carlo Toffalori. "Dostoevskij matematico." Lettera Matematica Pristem 93, no. 1 (June 2015): 56–64. http://dx.doi.org/10.1007/bf03356687.

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Kornmesser, Sebastian. "AMNESTIE BEI DOSTOEVSKIJ." Folia linguistica et litteraria XII, no. 38 (November 8, 2021): 185–204. http://dx.doi.org/10.31902/fll.38.2021.10.

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The term amnesty means the waiving of punishment (to a group of people) without, however, erasing the guilt. Amnesties are usually granted in connection with political events such as national or international peace amnesties in times of political change or wars. However, there are also waivers of criminal prosecutions, popularly known as "mercy before justice". Amnesties can therefore be seen, on the one hand, as a humane act of mercy, but on the other hand they can also cause problems in the population's sense of justice, since punishments are treated differently, and the principle of equality is shaken. The concepts of punishment, guilt and innocence, as well as their representation, offer a basis for the question of how amnesties are formed in Dostoevsky's texts. Dostoevsky's characters are usually ambivalent and challenge a reflective reading as well as an ethical judgement. By making social injustice an important theme in his texts, the author focuses on the restoration of justice through amnesty. A co-responsibility in society as well as a co-guilt in a higher sense form the core of his argumentation, both as a contrast to justice, which considers the guilt of the individual, and as a consideration of man's hereditary guilt and his responsibility to the community. A comparison with ancient Greek jurisprudence also shows that amnesties were closely connected with the collective, with emotion and ritual. This results in new ways of looking at prominent texts by Dostoevsky, as will be shown with the example of The Brothers Karamazov and other works. This will provide a brief overview of how Dostoevsky understands guilt and innocence, what function punishment has in his texts and how amnesty emerges as a result
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Hansen-Löve, Aage A. "Medienkonkurrenz Bei Dostoevskij:." Poetica 48, no. 1-2 (June 27, 2016): 111–43. http://dx.doi.org/10.30965/25890530-04801006.

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Basom, Ann Marie. "‘Trichiny’: Dostoevskij and Vološin." Russian Literature 41, no. 1 (January 1997): 1–17. http://dx.doi.org/10.1016/s0304-3479(97)84906-x.

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Telloni, Agnese Ilaria, and Carlo Toffalori. "Dostoevskij matematico □ parte II □." Lettera Matematica Pristem 94, no. 1 (October 2015): 51–57. http://dx.doi.org/10.1007/bf03356696.

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STAMILE, NATALINA. "Notes on Dostoevskij's thought." Revista Jurídica de Investigación e Innovación Educativa (REJIE Nueva Época), no. 10 (July 1, 2014): 9–36. http://dx.doi.org/10.24310/rejie.2014.v0i10.7716.

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In this few pages we will try to explain, although somewhat briefly, the thoughts of Fëdor Dostoevskij. The Russian writer is certainly acclaimed as one of the greatest thinkers and literary men of his time, and of all time for that matter. Always considered a [cruel intelligence], the attractiveness of his writing stems from the perverse voluptuousness of his torment. He is a cruel intelligent because only a mind free from any frivolous sentimentalism can conceive and implement the figure of the "double", the "imposter", providing "the poor people" with a selfconsciousness so tormented as to go beyond the mere social denunciation. Reading Dostoyevskij is, one could say, to find ourselves marked as troubled. “He induces us in the labyrinth from which we, with breathlessness, search for a way out without success, from the force he holds over the reader”. The thoughts of Dostoevskij are inherent ideals related to existensialism, irrationalism and finally to nihilism. Undoubtedly we are dealing with the works of practical ethics, philosophy applied to reality, and not a mere intellectual exercise, in which some of the most important ancient and modern philosophical positions are in the characters of Dostoevskij's own life.
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Kozakova, Slata. "DIE WEIBLICHE LEICHE BEI DOSTOEVSKIJ." Folia linguistica et litteraria XII, no. 38 (November 8, 2021): 205–17. http://dx.doi.org/10.31902/fll.38.2021.11.

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THE FEMALE CORPSE IN DOSTOEVSKY The concept of the “beautiful female corpse” of E. Bronfen is used to analyse the narrative functions of the dead woman in Dostoevsky’s “Idiot” (“The Idiot”, 1868) and “Krotkaja“ (“A Gentle Creature“, 1876).
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Rothe, Hans. "Herzen et Dostoevskij : un essai." Revue des études slaves 78, no. 2 (2007): 279–97. http://dx.doi.org/10.3406/slave.2007.7084.

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Dissertations / Theses on the topic "Dostoevskij"

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Eltchaninoff, Michel. "L'expression du corps chez Dostoevskij." Paris 12, 2000. http://www.theses.fr/2000PA120038.

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A travers l'analyse des principaux romans de dostoevskij ( dans le texte russe), il s'agit de mettre a jour une ecriture originale et novatrice de l'essence des personnages romanesques. En l'absence presque complete de description objective du corps et des comportements physiques des personnages, une corporeite que nous appellerons << inobjective >> envahit tout le recit dostoevskien. Elle apparaitdans une attention toute particuliere accordee aux perceptions spatio-temporelles, toujours soumises a une teinte affective determinee, dans l'omnipresence de la maladie et de la violence, metamorphoses fondamentales de la corporeite soumises a une legalite propre, enfin dans l'importance que l'ecrivain accorde a la parole de ses personnages, a l'intensite, au ton, a la << chair >> de cette parole. Les notions directrices du mouvement phenomenologique (de husserl et heidegger a merleau-ponty) - intentionnalite, tonalite affective, chair, chiasme - permettent de mener cette analyse qui met en evidence l'enracinement corporel et affectif de la sphere conceptuelle. Chez dostoevskij, les multiples << idees >> et theories des personnages sont en effet inseparables d'une corporeite vivante, c'est-a-dire d'une ecriture de cette incorporation. Tout en evoquant l'influence des notions-cles de la theologie chretienne orientale sur cette problematique de l'incarnation et de la transfiguration du corps, ce travail cherche donc a proposer une interpretation renouvelee de l'uvre de dostoevskij -dont la qualite premiere de romancier a souvent ete negligee par les philosophes - comme a approfondir certains aspects de la recherche phenomenologique contemporaine.
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Fassari, Luigina <1986&gt. "L'immagine di Cristo in Dostoevskij." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1715.

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Questa tesi ha lo scopo di indagare il pensiero teologico ed esistenziale di Dostoevskij. Tanti e diversi sono i personaggi dei romanzi di Dostoevskij che vengono pensati a partire dall'esperienza che Dostoevskij stesso ebbe della sua fede. "Iddio mi ha tormentato tutta la vita" scriveva Dostoevskij in una lettera: non si può comprendere la complessità dell'opera dostoevskijana se non si esamina il pensiero teologico su cui si fonda, pensiero incentrato sull'immagine di Cristo.
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Hudspith, Sarah. "Dostoevsky and the idea of Russianness : a new perspective on unity and brotherwood /." New York : RoutledgeCurzon, 2004. http://catalogue.bnf.fr/ark:/12148/cb39268768p.

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Otto, Anja. "Der Skandal in Dostoevskijs Poetik : am Beispiel des Romans "die Dämonen /." Frankfurt am Main : P. Lang : Europäischer Verl. der Wissenschaften, 2000. http://catalogue.bnf.fr/ark:/12148/cb38912397r.

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Danieli, Martina. "La padrona di Dostoevskij. L'interpretazione di A. Bem." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18348/.

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Lo scopo di questo elaborato è quello di analizzare il saggio di Alfred Bem Drammatizzazione del delirio. “La padrona” di Dostoevskij. Attraverso una lettura attenta degli elementi costitutivi di La padrona che Bem individua nella sua analisi, si cercherà di penetrare il pensiero del grande scrittore russo che si trova alla base del racconto. Dopo una breve introduzione, verrà presentato un quadro generale sulla psicoanalisi in Russia all’inizio del XX secolo, periodo in cui si colloca il lavoro di Bem. Successivamente, si analizzerà, seguendone l’ordine, il saggio di Bem concernente l’analisi di La padrona. L’indagine tratta la comparsa di un nuovo tipo di eroe, il sognatore, la struttura del racconto, le implicazioni della vita personale e gli influssi letterari. Infine si studierà l’interpretazione del racconto che Alfred Bem fornisce alla luce della nascente psicoanalisi, e che stabilisce l’origine del racconto nel vissuto dell’autore stesso.
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Somerwil-Ayrton, Shirley Kathlyn. "Poverty and power in the early works of Dostoevskij." Amsterdam : Rodopi, 1988. http://catalog.hathitrust.org/api/volumes/oclc/19071982.html.

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Chinellato, Veronica <1987&gt. "Fëdor Michajlovič Dostoevskij: l'uomo e la contemplazione degli abissi." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3813.

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Dostoevskij fu tormentato dal problema dell'uomo - come scrisse al fratello Michail: "l'uomo è un mistero. Un mistero che bisogna risolvere, e se trascorrerai tutta la vita cercando di risolverlo, non dire che hai perso tempo, io studio questo mistero perché voglio essere uomo". Dalle pagine dostoevskiane emerge un uomo indefinibile, contraddittorio, straziato da forze contrastanti. Un uomo libero, originariamente libero, il cui cuore è fin troppo vasto, tanto da far coesistere l'ideale della Madonna con l'ideale di Sodoma. Un uomo in grado di contemplare entrambi gli abissi nel medesimo tempo: "l' abisso degli ideali più alti" e "l'abisso della caduta più vile e fetida".
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Panzeri, Maddalena <1991&gt. "Pavese sulle tracce di Dostoevskij. Ipotesi per una lettura." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14721.

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«Ecco che incontri un altr’uomo e ti senti più uomo anche tu». Con queste parole Cesare Pavese descriveva l’esperienza del leggere. Partendo da tale presupposto che vede la lettura come luogo privilegiato per l'incontro con l’altro, in questo elaborato si espliciteranno quelle tracce che indicano come anche Fëdor Dostoevskij, finora poco associato a Pavese, sia stato uno degli autori con cui lo scrittore torinese ha 'interloquito' più a lungo nel corso della sua vita. Innanzitutto si ripercorreranno le tappe che hanno portato a tale ‘incontro’: si approfondirà dunque la storia della diffusione della letteratura russa in Italia che ha consentito che i libri di Dostoevskij arrivassero tra le mani di Pavese. Successivamente, si indagherà la presenza di Dostoevskij nella biblioteca, nelle carte e nel diario dello scrittore torinese. Infine, si cercherà di esplicitare come la funzione dialogica, individuata da Bachtin quale cifra compositiva dei romanzi dello scrittore russo, si realizzi in Pavese come drammatica tensione verso il ‘Tu’.
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Christensen, Henrik. "Hur Dostoevskij fick sin stjärna på Hollywood Boulevard : Adaption, dialogicitet och kronotop i Fёdor Dostoevskijs Spelaren och Robert Siodmaks Allt eller intet." Thesis, Stockholms universitet, Slaviska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-102190.

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Lary, Nikita M. "Dostoevsky and Dickens : a study of literary influence /." London : Routledge, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9780415482516.

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Books on the topic "Dostoevskij"

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Pacini, Gianlorenzo. Fëdor Michàjlovič Dostoevskij. [Milano]: B. Mondadori, 2002.

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Steiner, George. Tolstoj o Dostoevskij. 2nd ed. Milano: Garzanti, 2005.

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Givone, Sergio. Dostoevskij e la filosofia. Roma: Laterza, 2006.

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Mantia, Benito La. Hanno fatto fuori Dostoevskij. Piombino: TraccEdizioni, 1989.

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Dostoevskij e la tradizione. [Bari]: Stilo, 2010.

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Forlenza, Francesco. Dostoevskij profeta del Novecento. Udine: Segno, 2000.

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Università di Cagliari. Dipartimento di filologie e letterature moderne, ed. Dostoevskij e la Bibbia. Magnano (Biella): Qiqajon Comunità di Bose, 2000.

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Mantia, Benito La. Hanno fatto fuori Dostoevskij. Piombino: TraccEdizioni, 1989.

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Dostoevskij: Poetica e stilistica. Torino: Einaudi, 2002.

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Ciuffreda, Pasquale. Il Cristo di Dostoevskij. Foggia: Bastogi, 2004.

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Book chapters on the topic "Dostoevskij"

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Herlth, Jens. "Fedor Dostoevskij." In Die russische Erzählung, 324–40. Köln: Böhlau Verlag, 2018. http://dx.doi.org/10.7788/9783412506599.324.

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Gerigk, Horst-Jürgen. "Dostoevskij, Fëdor Michajlovič." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_340-1.

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Geier, Swetlana, Horst-Jürgen Gerigk, Ludolf Müller, Matthias Freise, and Rainer Grübel. "Fëdor Michajlovič Dostoevskij." In Kindler Kompakt: Russische Literatur, 19. Jahrhundert, 152–69. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05525-5_17.

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Müller, Ludolf. "Fëdor Michajlovič Dostoevskij." In Kindler Kompakt Kriminalliteratur, 74–76. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05537-8_15.

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Geier, Swetlana. "Dostoevskij, Fëdor Michajlovič: Dvojnik." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_342-1.

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Gerigk, Horst-Jürgen. "Dostoevskij, Fëdor Michajlovič: Chozjajka." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_343-1.

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Geier, Swetlana, and Horst-Jürgen Gerigk. "Dostoevskij, Fëdor Michajlovič: Igrok." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_349-1.

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KLL and Matthias Freise. "Dostoevskij, Fëdor Michajlovič: Idiot." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_350-1.

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Freise, Matthias. "Dostoevskij, Fëdor Michajlovič: Besy." In Kindlers Literatur Lexikon (KLL), 1–4. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_352-1.

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Geier, Swetlana, and Horst-Jürgen Gerigk. "Dostoevskij, Fëdor Michajlovič: Bobok." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_353-1.

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Conference papers on the topic "Dostoevskij"

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Dayan, Niv, and Stratos Idreos. "Dostoevsky." In SIGMOD/PODS '18: International Conference on Management of Data. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3183713.3196927.

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Almería, Luis Beltrán. "Dostoevsky Readings." In Spain: Comparative Studies oт History and Culture. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1247-5-42-47.

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Nilova, Anna. "ANCIENT TRAGEDY IN DOSTOEVSKY�S WORKS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s27.059.

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Beyer Jr., Thomas R. "Literature Instruction in the 21st Century Tolstoi, Dostoevski, Nabokov." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.58.

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Marchenko, Valeriya K. "THE ROLE OF THE QUESTION-ANSWER FORM OF WRITING IN THE «WRITER'S DIARY»." In Люди речисты - 2021. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2021. http://dx.doi.org/10.33065/978-5-907216-49-5-2021-315-328.

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Lipatov, Eduard. "F.M. Dostoevsky And Freedom Of State Discretion." In International Forum «Freedom and responsibility in pivotal times». European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.03.21.

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Shatokhina, Anastasia O. "Semantics of the emotive nouns in the mature novels by F.M. Dostoevsky." In Lexicography of the digital age. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-19-1-2021-103.

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The report focuses on the semantics of such emotive nouns as “fever” (goriachka), “delirium” (bred) and “febrility” (likhoradka) in the mature novels by F.M. Dostoevsky. The author’s interpretation of the mentioned lexical units is elicited, their role in formation of the characters’ psychological portraits and the meaning of the text as a whole is described.
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Artyushkov, I. V. "The“Disease” Concept In The Literature Of F.M. Dostoevsky." In Humanistic Practice in Education in a Postmodern Age. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.9.

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Motorin, Alexander. "Dostoevsky And The Image Of Frost In Russian Literature." In International Scientific and Practical Conference «MAN. SOCIETY. COMMUNICATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.02.55.

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Volkova, E. A., V. I. Pletnѐv, and E. V. Frolova. "The role of F. M. Dostoevsky in historical science." In Наука России: Цели и задачи. LJournal, 2019. http://dx.doi.org/10.18411/sr-10-04-2019-20.

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Reports on the topic "Dostoevskij"

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AKHADOVA, R. A., and M. L. SHTUKKERT. ‘THE DREAM OF A RIDICULOUS MAN’ F.M. DOSTOEVSKY AND A. PETROV: POETICS OF THE FEAR. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/978-0-615-67323-3-8-21.

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The purpose of the study is to determine the features of the structure and functioning of the fear motive in F.M. Dostoevsky’s “fantastic story” “The Dream of a Ridiculous Man” and in A. Petrov’s cartoon of the same name. The report first examines the images, details, etc., with which the fear motive is created in the story, and then analyzes the ways of embodying this motive and transmitting a certain frightening atmosphere in the cinema. There is revealed and determined the ontological significance and the main character of fear in the “The Dream of a Ridiculous Man”, which, in our opinion, manifests itself in the fundamental nature and primacy of this feeling in human nature. It can be observed in the transition from the dream world, not defiled by the fall, to the terrible reality of St. Petersburg, described in the story. The scientific novelty lies in the fact that a comprehensive analysis of the fear motive in the story of F. M. Dostoevsky and the peculiarities of the interpretation of this motive in the animated film by A. Petrov has not been carried out before. The study revealed, firstly, a number of repetitive means by which the fear motive is formed in both works (and their functions were determined), and secondly, there was noted the originality of the representation of the analyzed motive in the cinema.
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