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Academic literature on the topic 'Dostoevsky'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 March 2023

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Journal articles on the topic "Dostoevsky"

1

Maltsev, Leonid A. "Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview." Slovo.ru: Baltic accent 12, no. 4 (2021): 107–22. http://dx.doi.org/10.5922/2225-5346-2021-4-6.

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The article investigates a religious and philosophical dialogue of Miłosz and Dostoevsky. The antinomic content of Miłosz's poem “Theological Treatise” is analyzed in the context of Dostoevsky's Christocentric worldview, as well as religious and heretical teachings of early Christianity, which aroused Milosz's interest throughout his career. In their works, Dostoevsky and Miłosz explored the theological problem of apoсatastasis and offered their interpretation of it. The paper also examines Miłosz’s contribution as an essayist to the comparative study of Dostoevsky's works (Dostoevsky — Mickiewicz and Dostoevsky — Swedenborg). The ideological basis of “Theological Treatise” is the dialectical relationship between faith and truth, which is associated with Miłosz's appeal to Dostoevsky's ‘creed’ from his famous letter to Fonvisina. Like Dostoevsky, Miłosz criticizes the natural-scientific concept of truth in its depersonalized and, therefore, dehumanized version, which seems to the author of “Theological Treatise” as an instrument of ‘devilish theology’. In a dialogue with the traditions of Russian religious philosophy, and above all with Dostoevsky’s legacy, Miłosz turns to the Apocalypse, in which the most aesthetically significant the idea for him is that of restoring paradisiacal existence. However, unlike Dostoevsky, the concept of life after death in “Theological Treatise” is not free from pessimism and skepticism. Miłosz is inclined towards the ideological paradigm of the West, and the concept of “Theological Treatise” includes the ideas of Dostoevsky's unbelieving heroes.

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Dostoevsky, Alexey D., and Natalia V. Shwarts. "“My Husband's Lifelong Dream Was for Our Children to Get an Education...”: Gymnasium Students Lyuba and Fedya Dostoevsky." Неизвестный Достоевский 7, no. 2 (June 2020): 196–218. http://dx.doi.org/10.15393/j10.art.2020.4701.

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Dostoevsky's main concern was to educate his children, Lyuba and Fedya. After the writer's death, this desire was realized by his widow Anna Grigoryevna. Little was known about the education of Dostoevsky’s children, primarily from memoirs (penned by Anna and Lyubov Dostoevsky, Anna Ostroumova). The article presents previously unknown documents from the Central State Historical Archive of Saint Petersburg (name books, personal statements, etc.), containing information about the education of F. M. Dostoevsky's children: Lyuba — at the Foundry Gymnasium, Fedya — at the F. F. Bychkov Gymnasium (purchased by Ya. Gurevich in 1883). Letters related to the education of Dostoevsky's children were introduced into scientific circulation: Lyuba’s and Fedya’s to their mother, teacher V. Ivanova’s to A. G. Dostoevskaya. In the course of commenting on archival documents, the author emphasizes the continuity between home education and the education of the writer and his children, and reveals the role of A. G. Dostoevskaya in fulfilling Fyodor Mikhailovich's dream: to provide them with a quality education. Home education, first and foremost, the established tradition of family reading, which the Dostoevskys always heeded great attention to, allowed Lyuba to enter the gymnasium at the age of thirteen, bypassing two primary classes, and successfully reach the second, pre-graduation, class. Her classmates were A. P. Ostroumova (Lebedeva) and N. Ya. Polonskaya (Yelachich), who later became famous figures in Russian history. The education received at the gymnasium helped the writer's daughter to prove herself in literature during the years in emigration, to become a Russian writer in Italy, to represent the legacy of Dostoevsky in Europe, and to successfully conduct educational and cultural activities in Italy. The writer’s son Fedya, who studied at the St. Petersburg F. F. Bychkov Gymnasium in 1882-1889, entered the law faculty of the St. Petersburg Imperial University in 1890, became interested in horse breeding, and in the latter years of his life paid great attention to the preservation of his father's handwritten heritage. Thus, the children of F. M. Dostoevsky fulfilled his legacy: “Do not forget to study, both of you”.

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Fokin, Pavel. "Forgotten Memoirs About F. M. Dostoevsky in the Collection of A. G. Dostoevskaya." Неизвестный Достоевский 8, no. 3 (September 2021): 136–55. http://dx.doi.org/10.15393/j10.art.2021.5601.

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In the 140 years that have passed since the death of F. M. Dostoevsky, almost all of his contemporaries’ memoirs about the writer have been published (in separate books and collections). To date, we can assume that the main corpus of Dostoevsky’s contemporaries’ accounts of him is publicly available. However, this does not mean that it is completely exhausted. A review of newspaper clippings collected by A. G. Dostoevskaya allowed us to identify several notes that were previously unaccounted for and missed by the publishers. For the most part, these are small fragments included by their authors in articles on other topics, nevertheless, they are also of interest to the biographers of F. M. Dostoevsky. The article publishes and comments on the memoirs of A. A. Sokolov, S. Atava, Vogue, V. G. Avseenko, V. F. Putsykovich. They are related to the final years of Dostoevsky's life, capturing distinct features of his everyday behavior, specific phrases and statements. Of interest is the story related by V. G. Avseenko about Dostoevsky's attitude to the political events in Europe, as well as Dostoevsky's commentary on his “The Grand Inquisitor,” was recorded by V. F. Putskovich after a meeting in Berlin in 1879.

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Dimitrova, N. I. "Types of philosophical reception of Dostoevsky in Bulgaria from the first half of the 20th century." Solov’evskie issledovaniya, no. 1 (2020): 123–36. http://dx.doi.org/10.17588/2076-9210.2020.1.123-136.

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The article is devoted to the philosophical interpretations of Dostoevsky's work in Bulgaria in the first half of the twentieth century. Dostoevsky's initial presence in Bulgaria was investigated as well the response of the Bulgarian intelligentsia to his ideas compared to those of Tolstoy. The beneficial influence on the image of the writer as a thinker, philosopher, exerted by the Russian emigration in Bulgaria since the beginning of the 1920s is noted. Particular emphasis is placed on the work of Petr Bitsill, one of the best experts in the field of Dostoevsky studies. The types of interpretations of Dostoevsky as a philosopher are distinguished as follows: Dostoevsky as a Nietzschean. Dostoevsky and Nietzsche (opposition and identification) – bearing in mind the strong influence of Nietzsche in Bulgaria since the beginning of the twentieth century; Dostoevsky as one of the founders of Russian religious philosophy – considering the penetration of the Silver Age ideas in Bulgaria; Dostoevsky and psychoanalysis; Dostoevsky as a religious philosopher and innovator. The author concludes that the study of the peculiarities of the reception of Dostoevsky’s work in Bulgarian culture of the first half of the twentieth century reveals not only the variety of world views but also the specifics of the national spiritual tradition.

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Dementyeva, Tatyana. "Was the Dostoevsky Estate Profitable?" Неизвестный Достоевский 8, no. 1 (March 2021): 77–102. http://dx.doi.org/10.15393/j10.art.2021.5241.

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In August 1831, the parents of Fyodor Dostoevsky purchased an estate in the Kashirsky district of the Tula Province, consisting of the hamlet of Darovoe and the village of Darovaya. In February 1833, they bought the neighboring village of Cheremoshnya. The entire property, including the above-named villages and hamlet, also included land plots in the wastelands: Nechaeva, Trypillya, Harina, Shelepova and Chertkova. Having become the owners of 58 peasant souls and more than 500 dessiatines of land, the Dostoevskys were considered average local landowners. However, Darovoe, well-known as the childhood place of the writer Fyodor Dostoevsky, remains poorly studied from an economic point of view. One of the reasons is that today there are very few documents that could reliably indicate the economic condition of the estate for the memorial period. An exception is the monograph of V. S. Nechaeva “In the Dostoevsky family and estate,” published in 1939, where, based on the correspondence of M. F. Dostoevskaya and M. A. Dostoevsky, the author claims that the estate they acquired was not merely unprofitable, but also caused a family tragedy. The opinion of V. S. Nechaeva became fundamental for researchers of the writer's biography. However, this issue can be revised today, which is what the presented work is devoted to. The correspondence of Fyodor Dostoevsky's parents, the letters of his older brother M. M. Dostoevsky, who was the guardian over the estate and the Memoirs of the younger brother of A. M. Dostoevsky in the aggregate allow to take a fresh look at the estate and the income it brought. In the context of this problem, it is of interest to refer to the newly published “Report of the headman of the village of Darovoe Savin Makarov to Mikhail Mikhailovich Dostoevsky” dated October 8, 1850. The document was discovered in the Russian State Archive of Literature and Art and complements the well-known sources on the economic condition of the Dostoevsky estate.

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Proshchenko, Anastasia. "F. M. Dostoevsky in the Biased Opinions of the Feuilletonist and Critic V. P. Burenin." Неизвестный Достоевский 8, no. 3 (September 2021): 107–35. http://dx.doi.org/10.15393/j10.art.2021.5561.

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The influence of the critic V. P. Burenin on the public life of the 1860s — 1880s is great: his popularity was comparable to that of V. G. Belinsky in the 1840s. According to B. B. Glinsky, everyone has secretly read Burenin's feuilletons, even those who despised the newspaper Novoe Vremya (New Time) and personally hated its critical columnist for the sharpness and rudeness of his polemical style. The article examines the evolution of the critic's views of F. M. Dostoevsky’s work and his role in Russian journalism and literature. In the initial period of his activity, V. P. Burenin tended to adhere to common moods and assessments, and scolded Dostoevsky. Gradually, he realized the scale of Dostoevsky's writing gift. Already a famous and influential author of the Novoe Vremya (New Time), V. P. Burenin became a great admirer, friend and defender of the writer. He was one of the few critics who appreciated the Writer's Diary. After Dostoevsky's death, Burenin maintained good communication with the writer's widow. Their correspondence makes it clear that A. G. Dostoevskaya considered Burenin her colleague in preserving the legacy of her late husband. The letters contain previously unknown information, namely, that the correspondence of the Novoe Vremya (New Time) about the fire in Staraya Russa were penned by A. G. Dostoevskaya herself, as well as some other information about Dostoevsky and the fate of his legacy.

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Fokin, Pavel, and Maria Zusmanovich. "F. M. Dostoevsky: Biography in Photographs." Неизвестный Достоевский 7, no. 3 (September 2020): 114–48. http://dx.doi.org/10.15393/j10.art.2020.4802.

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The collection of photographic materials of The Vladimir Dahl State Museum of the History of Russian Literature, related to the life and work of F. M. Dostoevsky, is the largest such collection and currently includes 2540 items. The collection of photographs is based on the memorial collection of A. G. Dostoevskaya from the Memorial Museum of F. M. Dostoevsky. In the 1930s, it was transferred to the F. M. Dostoevsky Museum, established in Moscow in 1928, and after its merge with the State Literary Museum in 1940 (since 2017 — The Vladimir Dahl State Museum of the History of Russian Literature), it became a part of its photography collection. The compendium of photographs related to the life and work of Fedor Dostoevsky continued to grow in the following years. The article provides a comprehensive description of the collection of photos based on two main criteria: by the type of material — original photos, reshot photos, duplicate photos; by genre and thematic content of the images — portraits of F. M. Dostoevsky, portraits of relatives, portraits of children of F. M. Dostoevsky, nephews, descendants, portraits of friends, acquaintances, сontemporaries, sights of places related to the biography of F. M. Dostoevsky. The article analyzes the accompanying inscriptions and autographs on the photographs, specifies the dating and location of the images, which allows to make corrections and additions to the Chronicle of the life and work of F. M. Dostoevsky. Based on a comparative analysis of the translator’s gift autograph on his photo, the facts of F. M. Dostoevsky’s biography, and the analysis of F. M. Dostoevsky’s letter to an unidentified person dated December 5, 1863, an assumption is made that the addressee of the letter is W. Wolfzon.

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Fokin, Pavel, and Maria Zusmanovich. "F. M. Dostoevsky: Biography in Photographs." Неизвестный Достоевский 7, no. 3 (September 2020): 114–48. http://dx.doi.org/10.15393/j9.art.2020.4802.

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The collection of photographic materials of The Vladimir Dahl State Museum of the History of Russian Literature, related to the life and work of F. M. Dostoevsky, is the largest such collection and currently includes 2540 items. The collection of photographs is based on the memorial collection of A. G. Dostoevskaya from the Memorial Museum of F. M. Dostoevsky. In the 1930s, it was transferred to the F. M. Dostoevsky Museum, established in Moscow in 1928, and after its merge with the State Literary Museum in 1940 (since 2017 — The Vladimir Dahl State Museum of the History of Russian Literature), it became a part of its photography collection. The compendium of photographs related to the life and work of Fedor Dostoevsky continued to grow in the following years. The article provides a comprehensive description of the collection of photos based on two main criteria: by the type of material — original photos, reshot photos, duplicate photos; by genre and thematic content of the images — portraits of F. M. Dostoevsky, portraits of relatives, portraits of children of F. M. Dostoevsky, nephews, descendants, portraits of friends, acquaintances, сontemporaries, sights of places related to the biography of F. M. Dostoevsky. The article analyzes the accompanying inscriptions and autographs on the photographs, specifies the dating and location of the images, which allows to make corrections and additions to the Chronicle of the life and work of F. M. Dostoevsky. Based on a comparative analysis of the translator’s gift autograph on his photo, the facts of F. M. Dostoevsky’s biography, and the analysis of F. M. Dostoevsky’s letter to an unidentified person dated December 5, 1863, an assumption is made that the addressee of the letter is W. Wolfzon.

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Burlakova, I. I. "Dostoevsky’s Italy." Язык и текст 6, no. 2 (2019): 10–16. http://dx.doi.org/10.17759/langt.2019060202.

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The theme “Dostoevsky and Italy” is extensive and diverse due to the fact that a number of researchers constantly turn to it, opening new pages in the life of the great writer. It includes the following areas of research: Dostoevsky's journey through Italy, the images of Italy in the pages of Dostoevsky's works, the reception of the writer's creativity in journalism, cinema and art, the problems of translating Dostoevsky's works into Italian. A special appeal to this topic shows that these four areas of research are connected in the works of Dostoevsky with such Italian cities as Rome, Florence and Naples. This determines the problematic of this article. The author assumes that there is a special integrity in all the disparate impressions and plots of Dostoevsky connected with Rome, Naples, and Florence. Dostoevsky's great novels are born in Rome against the backdrop of the great creations of Italian architecture. Naples is a city of dreams, a city where “noise, thunder, life” is intertwined with Dostoevsky’s fatal love, with truly Italian passions that defined the love story of the writer and Apollinaria Suslova. Florence is a city of quiet family happiness and comfort, which the writer needed so much during his creative dawn.

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Zakharova, Olga. "The 1862 Case of the Writer F. M. Dostoevsky." Неизвестный Достоевский 8, no. 3 (September 2021): 72–93. http://dx.doi.org/10.15393/j10.art.2021.5621.

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Dostoevsky's first trip abroad in the summer of 1862 took place in the midst of an aggravated political situation in Russia, facilitated by radical revolutionary unrest in St. Petersburg, Moscow and other cities, fires that followed the proclamations and raised suspicions of arson. To combat radical propaganda, an Investigative Commission for the dissemination of revolutionary appeals was established under the chairmanship of Prince A. F. Golitsyn. F. M. Dostoevsky, who had met with Herzen in London in July 1862, came to its attention. The article examines materials from the investigation file of the III Department “On the writer Fyodor Dostoevsky,” which have not been previously published and which allow to clarify both the facts of the writer’s biography, and the significance of this historical and literary event. The register of books and papers seized from Dostoevsky at the border is of particular interest. An analysis allows to understand what concerned the writer, what he read and deliberated. The first issue of the magazine "Russische Revue", published in May 1862, is of particular importance. Its editor V. Wolfson witnessed Dostoevsky's literary success in 1845. He witnessed Dostoevsky’s triumph at the salon of Prince Odoevsky, and was an admirer and translator of his works. The article establishes new facts of German-Russian literary contacts in 1840-1860 and Dostoevsky’s biography.

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Dissertations / Theses on the topic "Dostoevsky"

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Horst, Stephen Scott. "Dostoevsky as apologist." Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683031.

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Taylor, Eric J. "Dostoevsky and his kingdom vision." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Woodson, Lisa Elaine. "Dostoevsky as theologian in The idiot." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Berry, Robert James. "Conrad and Dostoevsky : an unsuspected brotherhood." Thesis, University of Stirling, 1993. http://hdl.handle.net/1893/2015.

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This thesis attempts a comparative study of Conrad and Dostoevsky. In doing so, it proposes a significant relationship between the ideological, political and literary worlds of both authors. The work is undertaken in eight chapters. Chapter One explores Conrad and Dostoevsky's respective national and cultural identities. It reflects on Conrad's recorded reactions to Dostoevsky and his work, and speculates on the latter's likely response to Conrad. Chapter Two challenges established critical formulae that suggest Dostoevsky is a purely 'Dionysian' writer. The view that Conrad is a consummate 'Apollonian' artist is similarly brought into question. Chapter Three considers Conrad and Dostoevsky as major literary innovators. To support my argument, Bakhtin's critical concepts of 'polyphony' and 'monology' are introduced, and applied in a Dostoevskyan and Conradian context. Especially highlighted is my debate on Conrad's 'polyphonic' narrative technique in Lord Jim (1900). The notable fusion of disparate literary genres in Conrad and Dostoevsky's novels is explored in Chapter Four. Elements of 'adventure', 'thriller', 'romance', and 'detective' fiction are identified in each novelist's world. My argument, however, restricts itself to an extensive analysis of the surprising importance of the 'Gothic' elements in both writers' worlds. Chapters Five and Six, concentrate on Conrad and Dostoevsky's profound insights into the fundamental character of the human personality. Chapter Five considers their parallel interpretations of mankind's quintessentially materialist nature. Chapter Six looks at their strikingly similar visions of man's violent and carnal identity, and his primary urge to dominate other weaker individuals. Chapters Seven and Eight consider two central themes in Conrad and Dostoevsky's fiction, that of anarchist politics and nihilism respectively. Their political and ideological responses to these issues are investigated in some detail, and significant interpretive parallels established. Finally, the conclusion undertakes to once again assure the reader of the surprising and unsuspected bonds that exist between these two seemingly alien writers.

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Burgess, David Fred. "Narrative fits : Freud's essay on Dostoevsky /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6659.

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Fung, Kai Yeung. "Dostoevsky and the epileptic mode of being." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/dostoevsky-and-the-epileptic-mode-of-being(cc8d3ece-3ac8-48bd-93d2-a706b78407e4).html.

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This thesis explores the relationship between Dostoevsky and epilepsy, suggesting that his works can be characterized by a mode of existence which is epileptic by nature. An attack of epilepsy is depicted in two phases: immense anxiety of the outbreak of a seizure; and its sudden attack, during which consciousness completely collapses. I suggest that Dostoevsky's writings can be understood in terms of these two phases: an infinite alternation between the desire to seize upon a critical moment and the impossibility of experiencing it. The thesis examines five of Dostoevsky's post-Siberian novels to illuminate this particular existence, this epileptic mode of being. Chapter 1 looks at Humiliated and Insulted to show that the seemingly selfless pursuit of moral ideals is a form of egoism. Vanya (Ivan Petrovich) sacrifices his personal interests and strictly binds himself to the moral law, incarnating Kantian moral imperatives. Discussing Freud on masochism and Jacques Lacan on Kantian ethics, this chapter shows that philanthropy is a form of idealism which privileges the ascetic ideal and despises the body. The chapter also shows how moral idealism is mocked and suspended under the power of epilepsy. Chapter 2, on Crime and Punishment, demonstrates how Dostoevsky's Petersburg is depicted as enigmatic, even 'epileptic', disconfirming subjectivity. The eclectic style of the city's architecture - specifically St. Isaac's Cathedral - makes the Petersburger disoriented and decentred. Similarly, the chapter demonstrates that the meanings of 'crime' and 'punishment' are pluralized in Raskolnikov's dreams, revealing a splitting of identity. Due to this schizophrenic nature of the urban subject, there can be no single knowledge of why Raskolnikov commits the murder. Chapter 3 explores the split subject in The Idiot. Prince Myshkin wants to reflect on the final moment just before consciousness collapses. He likes to freeze that moment and contemplate the possibility of an afterlife. But this wish is eclipsed by the seizure or, in the case of a guillotine execution, the immediate arrival of death, which continues to create a contradictory existence. Chapter 4 examines Kirilov and his suicide plan in Demons to show that the epileptic has a will to master death: he has a will to the knowledge of death. But paradoxically, death is something ungraspable and cannot be appropriated into the realm of experience. Death as well as epilepsy eludes the self who wants to grasp it. This chapter also discusses Nietzsche on nihilism and Maurice Blanchot's comments on Kirilov's suicide. Chapter 5 suggests a form of 'feminine' epilepsy in The Brothers Karamazov, which I link with the hysterics who suffer from their reminiscences. I show that epilepsy is a moment of rupture of repressed violence. Epilepsy not only disrupts Vanya's moral idealism, Petersburg's pure architectural style, the Prince and Kirilov's wishes for an eternal life, but it also evokes what is repressed beneath these thoughts. This chapter ends with Walter Benjamin's angel of history, showing how the novel unveils a family history which is violent and silenced. The thesis concludes with Blanchot's The Instant of My Death, suggesting that the epileptic mode of being demands the Dostoevsky's heroes to live in infinite postponement, which necessitates a Dostoevskian subject which is infinitely deferred and unfinalized.

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Lary, Nikita M. "Dostoevsky and Dickens : a study of literary influence /." London : Routledge, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9780415482516.

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Prown, Katherine Hemple. "Flannery O'Connor, Fyodor Dostoevsky and the Antimodernist Tradition." W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539625432.

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Yee, Sin-cheung. "Sleepwalkers in the cities of Dostoevsky and T.S. Eliot." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31579541.

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余善翔 and Sin-cheung Yee. "Sleepwalkers in the cities of Dostoevsky and T.S. Eliot." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31579541.

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Books on the topic "Dostoevsky"

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Dostoevsky. Princeton, N.J: Princeton University Press, 1995.

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John, Jones. Dostoevsky. Oxford: Oxford University Press, 1985.

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Joseph, Frank. Dostoevsky. London: Robson Books, 2002.

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John, Jones. Dostoevsky. Oxford [Oxfordshire]: Oxford University Press, 1985.

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Freeborn, Richard. Dostoevsky. London: Haus Pub., 2003.

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Joseph, Frank. Dostoevsky. Princeton, N.J: Princeton University Press, 2002.

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Dostoevsky. Princeton, N.J: Princeton University Press, 1986.

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Peter, Conradi. Fyodor Dostoevsky. New York: St. Martin's Press, 1988.

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Harold, Bloom, ed. Fyodor Dostoevsky. Philadelphia: Chelsea House, 2003.

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Conradi, Peter J. Fyodor Dostoevsky. New York: St. Martin's Press, 1988.

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Book chapters on the topic "Dostoevsky"

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Pattison, George. "Dostoevsky." In The History of Evil in the Eighteenth and Nineteenth Centuries, 222–35. 1 [edition]. | New York : Routledge-Taylor & Francis, 2016.: Routledge, 2018. http://dx.doi.org/10.4324/9781351138406-16.

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Orekhova, Polina D. "Annotations in the Margin: Thomas Mann’s Reading of Dostoevsky’s Notes from Underground." In “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America, 407–16. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-407-416.

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The article focuses on Thomas Mann’s reception of Dostoevsky‘s Notes from Underground and is based on materials (books and annotations) from Thomas Mann’s personal library (Thomas-Mann-Archiv, ETH-Zurich). The annotated passages can be assigned to two complexes of themes: first, human nature’s inherent inclination to destruction and chaos versus the concept of civilization, second, the narrator’s self-characterization. The annotations will be compared with quotes from Mann‘s essay Dostoevsky — in Moderation, which illuminates the importance of the Notes from Underground for the reception of Dostoevsky by Mann and also shows the characteristics of its later interpretation by Mann. Features of the Underground Man he attributes himself with, Mann partially transfers onto his image of Dostoevsky by using quotes from Dostoevsky’s text to describe its author. The Underground Man’s polemic against positivsm is read as a strongly related to Mann’s contemporary historic discourses and contexts — German National Socialism, the Second World War and its consequences. Of many mediators for Dostoevsky’s reception by Mann, two will be examined in this article: Merezhkovsky, who also uses Notes from Underground to characterize Dostoevsky, and Hermann Rohl, whose translation of Dostoevsky’s novel serves Mann as a source for his essay.

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"Dostoevsky:." In Selling the Story, 99–182. Harvard University Press, 2019. http://dx.doi.org/10.2307/j.ctvk12t6z.6.

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"Dostoevsky:." In Dostoevsky, 109–44. The Lutterworth Press, 2018. http://dx.doi.org/10.2307/j.ctvhrd1mv.12.

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Tihanov, Galin. "Dostoevsky." In The Master and the Slave, 164–215. Oxford University Press, 2000. http://dx.doi.org/10.1093/acprof:oso/9780198187257.003.0008.

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"Dostoevsky." In Akim Volynsky, 81–98. BRILL, 2017. http://dx.doi.org/10.1163/9789004335325_007.

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Gottfried, Paul. "Dostoevsky." In Religion from Tolstoy to Camus, edited by Walter Kaufmann, 137–59. Routledge, 2017. http://dx.doi.org/10.4324/9781315128382-3.

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"Dostoevsky." In An Introduction to the Russian Novel, 104–20. Routledge, 2015. http://dx.doi.org/10.4324/9781315673530-9.

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"Acknowledgments." In Dostoevsky Beyond Dostoevsky, ix. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781644690291-001.

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"Introduction: Fiction beyond Fiction: Dostoevsky’s Quest for Realism." In Dostoevsky Beyond Dostoevsky, 1–32. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781644690291-002.

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Conference papers on the topic "Dostoevsky"

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Dayan, Niv, and Stratos Idreos. "Dostoevsky." In SIGMOD/PODS '18: International Conference on Management of Data. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3183713.3196927.

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Almería, Luis Beltrán. "Dostoevsky Readings." In Spain: Comparative Studies oт History and Culture. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1247-5-42-47.

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Nilova, Anna. "ANCIENT TRAGEDY IN DOSTOEVSKY�S WORKS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s27.059.

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Lipatov, Eduard. "F.M. Dostoevsky And Freedom Of State Discretion." In International Forum «Freedom and responsibility in pivotal times». European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.03.21.

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Marchenko, Valeriya K. "THE ROLE OF THE QUESTION-ANSWER FORM OF WRITING IN THE «WRITER'S DIARY»." In Люди речисты - 2021. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2021. http://dx.doi.org/10.33065/978-5-907216-49-5-2021-315-328.

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Kuzmina, Luiza, and Elena Remchukova. "RUSSIAN CLASSICAL LITERATURE TEXT AS A PRECEDENT PHENOMENON OF THE MODERN MEDIA SPACE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/18.

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The article is devoted to the functioning features of precedent texts in modern media discourse. Texts by F.M. Dostoevsky, namely, fiction, journalism and epistolary heritage, served as the research material. The relevance of the study is explained by the intertextual nature of the modern media space. The article shows that along with the use of Dostoevsky's precedent texts as signs of high culture, the modern media space also actively manifests the features of the postmodern cultural paradigm. The specifics of the latter include metatextuality, irony, various kinds of transformation, e.g., in headlines, which indicates their game foregrounding. Special attention is paid, firstly, to various types of intertextuality and ways of precedent phenomena foregrounding; secondly, to their use in various media areas (advertising, urban naming) and genres (interviews, internet blogs, etc.). The problem of recoding precedent phenomena is considered against the background of the use of signs of high culture as a form of reflection of modern mass consciousness in modern media communication, which is of research interest from an axiological point of view.

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Artyushkov, I. V. "The“Disease” Concept In The Literature Of F.M. Dostoevsky." In Humanistic Practice in Education in a Postmodern Age. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.9.

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Motorin, Alexander. "Dostoevsky And The Image Of Frost In Russian Literature." In International Scientific and Practical Conference «MAN. SOCIETY. COMMUNICATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.02.55.

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Volkova, E. A., V. I. Pletnѐv, and E. V. Frolova. "The role of F. M. Dostoevsky in historical science." In Наука России: Цели и задачи. LJournal, 2019. http://dx.doi.org/10.18411/sr-10-04-2019-20.

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Shatin, Yurii V. "“Bobok” by Dostoevsky: fiction phenomenon in the journalistic context." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-21-23.

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Reports on the topic "Dostoevsky"

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AKHADOVA, R. A., and M. L. SHTUKKERT. ‘THE DREAM OF A RIDICULOUS MAN’ F.M. DOSTOEVSKY AND A. PETROV: POETICS OF THE FEAR. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/978-0-615-67323-3-8-21.

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The purpose of the study is to determine the features of the structure and functioning of the fear motive in F.M. Dostoevsky’s “fantastic story” “The Dream of a Ridiculous Man” and in A. Petrov’s cartoon of the same name. The report first examines the images, details, etc., with which the fear motive is created in the story, and then analyzes the ways of embodying this motive and transmitting a certain frightening atmosphere in the cinema. There is revealed and determined the ontological significance and the main character of fear in the “The Dream of a Ridiculous Man”, which, in our opinion, manifests itself in the fundamental nature and primacy of this feeling in human nature. It can be observed in the transition from the dream world, not defiled by the fall, to the terrible reality of St. Petersburg, described in the story. The scientific novelty lies in the fact that a comprehensive analysis of the fear motive in the story of F. M. Dostoevsky and the peculiarities of the interpretation of this motive in the animated film by A. Petrov has not been carried out before. The study revealed, firstly, a number of repetitive means by which the fear motive is formed in both works (and their functions were determined), and secondly, there was noted the originality of the representation of the analyzed motive in the cinema.

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