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Dissertations / Theses on the topic 'Dostoevsky'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Horst, Stephen Scott. "Dostoevsky as apologist." Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683031.

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2

Taylor, Eric J. "Dostoevsky and his kingdom vision." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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3

Woodson, Lisa Elaine. "Dostoevsky as theologian in The idiot." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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4

Berry, Robert James. "Conrad and Dostoevsky : an unsuspected brotherhood." Thesis, University of Stirling, 1993. http://hdl.handle.net/1893/2015.

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This thesis attempts a comparative study of Conrad and Dostoevsky. In doing so, it proposes a significant relationship between the ideological, political and literary worlds of both authors. The work is undertaken in eight chapters. Chapter One explores Conrad and Dostoevsky's respective national and cultural identities. It reflects on Conrad's recorded reactions to Dostoevsky and his work, and speculates on the latter's likely response to Conrad. Chapter Two challenges established critical formulae that suggest Dostoevsky is a purely 'Dionysian' writer. The view that Conrad is a consummate 'A

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5

Burgess, David Fred. "Narrative fits : Freud's essay on Dostoevsky /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6659.

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6

Fung, Kai Yeung. "Dostoevsky and the epileptic mode of being." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/dostoevsky-and-the-epileptic-mode-of-being(cc8d3ece-3ac8-48bd-93d2-a706b78407e4).html.

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This thesis explores the relationship between Dostoevsky and epilepsy, suggesting that his works can be characterized by a mode of existence which is epileptic by nature. An attack of epilepsy is depicted in two phases: immense anxiety of the outbreak of a seizure; and its sudden attack, during which consciousness completely collapses. I suggest that Dostoevsky's writings can be understood in terms of these two phases: an infinite alternation between the desire to seize upon a critical moment and the impossibility of experiencing it. The thesis examines five of Dostoevsky's post-Siberian novel

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7

Lary, Nikita M. "Dostoevsky and Dickens : a study of literary influence /." London : Routledge, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9780415482516.

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8

Prown, Katherine Hemple. "Flannery O'Connor, Fyodor Dostoevsky and the Antimodernist Tradition." W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539625432.

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9

Yee, Sin-cheung. "Sleepwalkers in the cities of Dostoevsky and T.S. Eliot." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31579541.

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10

余善翔 and Sin-cheung Yee. "Sleepwalkers in the cities of Dostoevsky and T.S. Eliot." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31579541.

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11

McCoubrey, Sam. "Suffering and Redemption in the Works of Fyodor Dostoevsky." Thesis, Boston College, 2004. http://hdl.handle.net/2345/449.

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Thesis advisor: Peter Kreeft<br>In The Brothers Karamazov, Ivan Karamazov was convinced it is not right that there is so much suffering in the world, and was convinced nothing could make it right. As a result he was left with no choice but to reject the ticket for this world, or to be indignant toward the world, which means he was indignant toward life in it. If we listen closely to what Fyodor Dostoevksy had to say in five of his works, The Brothers Karamazov, Crime and Punishment, The Idiot, The Insulted and Injured, and Notes from the Underground, we will find a way in which we can accept t

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12

Banta, Bonnie L. "Melville and Dostoevsky a comparision [sic] of their writings /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2000. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2000.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2822. Typescript. Abstract precedes thesis as preliminary leaves I-V. Includes bibliographical references (leaves 104-106).

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13

Woodford, Maria Vladimirovna. "Dreams in Dostoevsky's early works." Thesis, University of Birmingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369338.

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14

Barron, Antony Howard. "A secret sharing : a comparative study of Conrad and Dostoevsky." Thesis, University of Kent, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432829.

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15

Kaplan, Richard Edward. "Dostoevsky, Melville and the conventions of the novel fictional alliances /." Diss., Restricted to subscribing institutions, 1993. http://proquest.umi.com/pqdweb?did=746557821&sid=5&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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16

Rewinski, Zachary D. "Dostoevsky and Tolstoy's Oblique Responses to the Epidemic of Chernyshevskian Philosophy." Oberlin College Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1277852390.

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17

Christmas, Simon. "Ideal motives : self-perfection and self-knowledge in the work of Dostoevsky." Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/265428.

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I offer a read ing of Dostoevsky's eth ical philosophy, Jrawing on his fiction and non-fiction work. I argue that coJ1cepts of human oalure and flouri shing are central to Dostoevsky's ethical thought ~d underpin his argum entative strategy in the fiction. ln Part I, l set oul Dostoevsky's ethical philosophy. Dostoevsky rejects the role of reason in ethics and insists that moral action is motivated by spontaneous moral feelin gs . The goal of ethical activity is to develop the se spontaneous feelings and to perfect oneself in the im age of the ideally virtuous agent, Christ. To strive to do so

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18

Paine, Jonathan. "Buying the story : transaction and narrative value in Balzac, Dostoevsky and Zola." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:90b4d56d-ee10-463e-96fc-0cf2fe927ea4.

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This thesis explores narrative as a self-reflexive commentary on the conditions of its own production. It argues that the need for narratives to perform economic functions, such as to provide an income for the author or to promote subscription to a host publication, affects how texts are written. It suggests that this approach is particularly suited to nineteenth-century prose fiction. It proposes a methodology for approaching this analysis based on treating the text as an exchange commodity in a transaction between author and reader whose economic function can be investigated and analysed. Th

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19

Breidenbach, Birgit. "Stimmung and modernity : the aesthetic philosophy of mood in Dostoevsky, Beckett and Bernhard." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/95560/.

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This study investigates how the aesthetic concept of Stimmung [‘mood’ or ‘attunement’] informs the affective and experiential dimension of the reading process through the lens of modern philosophy and literature. It seeks to establish ‘mood’ as a key concept in literary theory and to outline the modes and articulations of this aesthetic phenomenon as an integral part of the modern discourse on existentialism and aesthetics. Modernity, I propose, fundamentally redefined Stimmung as an intersubjective phenomenon, and has sparked a sustained exploration of this concept in pivotal philosophical an

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20

Hudspith, Sarah. "Dostoevsky and the idea of Russianness : a new perspective on unity and brotherwood /." New York : RoutledgeCurzon, 2004. http://catalogue.bnf.fr/ark:/12148/cb39268768p.

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21

Macleod, N. J. "Fictions of authenticity : Dostoevsky's Notes from Underground, Rilke's Notebooks of Malte Laurids Brigge, and Sartre's Nausea." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233571.

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Bloshteyn, Maria R. "The pornographers and the prophet, Henry Miller, Anaïs Nin, and Lawrence Durrell reading Dostoevsky." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0018/NQ27280.pdf.

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23

Antoniacci, Aliandra. "The crisis of the Russian family in the works of Dostoevsky, Tolstoy and Chekhov." Thesis, University of Canterbury. Department of Global, Cultural and Language Studies, 2015. http://hdl.handle.net/10092/10858.

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This thesis examines the crisis of the Russian family through the eyes of the key Russian writers of the second half of the 19th century: Tolstoy (1828-1910), Dostoevsky (1821-1881), and Chekhov (1860-1904). The purpose of this thesis is to demonstrate that the works of these authors are not just novels or short stories about the crisis of the family, but representative of the societal situation in Russia at the time. The aim of this study is also to show the continuity in ideas between these authors in the context of family life and marriage and to explore what kind of solutions they envisi

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24

Cenedese, Marta Laura. "Russian Suite : the influence of Tolstoy, Dostoevsky and Chekhov on the work of Irène Némirovsky." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648159.

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25

Orr, Meital. "God and the Devil in the Human Heart: The Dialogic Vision of Abramovitch and Dostoevsky." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10091.

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Scholarship on the founder of modern Jewish literature, Sholem Abramovitch (1836-1917), is a rich field of study, yet it has been largely abandoned today, and the author has hardly been studied at all in nineteenth-century comparative European context. This study uses an unprecedented comparison between Abramovitch and his contemporary, Fyodor Dostoevsky (1821-1881), to reveal the complexity with which Abramovitch pioneered the integration of European and Russian literary trends into Jewish literature. These writers came from very different cultures and literary situations; however, they also

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26

Katz, Elena M. "Representations of 'the Jew' in the writings of Nikolai Gogol, Fyodor Dostoevsky and Ivan Turgenev." Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50605/.

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The image of 'the Jew' in nineteenth-century Russian literary texts is traditionally viewed as a paradigm of anti-Semitic discourse. Critics have typically accentuated the presence and continuity of negative stereotypes of the Jews. Yet anti-Semitic discourse is not the only approach to the representation of the Jews in Russian literature. This study explores the manifold nature of the portrayal of 'the Jew' in the works of three Russian writers of the highest calibre: Gogol, Dostoevsky and Turgenev. Literature at the time was highly politicized and a writer was expected to examine the issues

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27

Garske, Kevin T. "Society and Suffering: City as Character in 19th Century Realism." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1219.

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The aim of this thesis is to investigate the relationship between the city and the individual in literature, thereby acknowledging the anthropomorphic qualities we endow with our cities and in turn, how these qualities consolidate into the trope of the city character. We build this understanding by discussing the social, moral, political, literary, etc. associations of the city, and how these lend themselves to expressions of human energy or reflections of human character. These understandings are then given form through close readings of Gustave Flaubert’s Sentimental Education and Fyodor Dos

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28

Park, Ji Hyun. "An existential reading of Camus and Dostoevsky focusing on Camus's notion of the absurd and Sartrean authencity." Thesis, Texas A&M University, 2005. http://hdl.handle.net/1969.1/5015.

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Albert Camus (1913-1960) describes morally corrupted society in his later fiction, The Fall (1956), yet, seeks to find authenticity to share the suffering of others to establish communal bonds and responsibility, specifically revealed in "The Growing Stone" (1957). Camus frequently denies his alignment with existentialism; yet, in his major novels, he frequent portrays a dark side of human existence: a sense of weariness with the habitual aspects of daily life and a keen awareness of the absurd lead Camusian heroes to complete nihilism and utter despair, which shows Camus's strong affinity wit

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29

Simitopol, Anca Eliza. "Ideas of Community in the Thought of Pierre Leroux and of Feodor Dostoevsky: Agape, Philia and Eros." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23280.

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In this thesis I compare Pierre Leroux, a French utopian socialist (1797 – 1871), with Feodor Dostoevsky, the well-known Orthodox Russian novelist (1821 – 1881). I argue that both authors reacted against what they considered to be the dissolution of the social order, brought about by the increasing nineteenth-century bourgeois individualism. On the other hand, they reacted as well against the opposite phenomenon, the idea of a universal socialist state, which was, in fact, according to them, the outcome of bourgeois individualism. My purpose is to bring close and to compare Leroux’s republican

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30

Brazier, Paul Henry. "'Die Freiheit in der Gefangenschaft Gottes' : the nature and content of the influence of Dostoevsky on the Swiss theologian Karl Barth 1915 to 1922 : a study of the influence of the Russian novelist Fydor Mikhailovich Dostoevsky on the Swiss theologian Ka." Thesis, King's College London (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420880.

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31

Chadwick, Philip. "The ethics of the novel in the life of the town : provincial communities in the works of Fyodor Dostoevsky and George Eliot." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:22c60742-d0e1-4570-9360-b6b90e1abeaa.

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This thesis analyses the function of the provincial town in the novels of Fyodor Dostoevsky (1821-1881) and George Eliot (1819-1880). It demonstrates that the small town, far from being a neutral backdrop to their narratives, functions as a sociological space in which to appropriate or challenge the discourses of modernity with which Dostoevsky and Eliot were explicitly preoccupied. The first chapter examines how their provincial communities negotiate biblical narrative in a world in which, thanks to nineteenth-century attempts to historicise the Bible, an acceptance of the Bible's authoritati

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32

Kirkman, Mackenzie Raine. ""Man, the Creature": A Dramaturgically Driven Adaptation of Dostoevsky's "Notes from a Dead House"." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami156450135543229.

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33

Critchley, Lucinda Caroline. "The Russian woman is not a human being': female subjectivity in the works of F. M. Dostoevsky, 1846-1864." Thesis, University of Bristol, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687272.

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Dostoevsky's female characters are among the most under-studied in his fiction. They are frequently seen as templates for Dostoevsky's agenda, and very little else. This study contends otherwise, and will attempt to apply my own framework to the female characters, to understand both how they are depicted and what role(s) they play in his novels. I argue that Dostoevsky treats the female characters as subjects: • in a historically accurate manner • through narration and other textual devices • based on a belief in the value of the human person regardless of gender, which takes precedence over c

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34

O'Neill, Victoria Ruth Woodgate. "The role of the feminine in masculine cycles of death, rebirth and new life : Dostoevsky, Tolstoy, Babel, Bulgakov and Pasternak." Thesis, Keele University, 2015. http://eprints.keele.ac.uk/2352/.

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This thesis uses the narrative framework developed by Theresa de Lauretis’ essay ‘Desire in Narrative’ (1984) to shed new light on the development of male and female characters in texts by Fyodor Dostoevsky, Leo Tolstoy, Isaac Babel, Mikhail Bulgakov and Boris Pasternak. De Lauretis’ narratological framework is based on work by Vladimir Propp and Yury Lotman. She draws attention to the inherently masculine identification of heroes, and argues that it is the development of these masculine heroes that drives narrative. I apply this insight to nineteenth-century texts including Crime and Punishme

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35

Levai, Ruth [Verfasser]. "The concept of truth. Four Works by Annette von Droste Hülshoff, Harriet Beecher Stowe, Fyodor Dostoevsky and Georges Bernanos / Ruth Levai." München : GRIN Verlag, 2021. http://d-nb.info/1228537305/34.

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36

Ball, Jonathan. "Themes of Self-Laceration Towards a Modicum of Control in Nineteenth Century Russia as Expressed by Dostoevsky in The Brothers Karamazov." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2516.

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The majority of the academic discourse surrounding Dostoevsky and his epic, The Brothers Karamazov, has been directed toward the philosophic and religious implications of his characters. Largely overlooked, however, is the theme of laceration. In the greater scope of laceration stands the topic of self-laceration. Self-laceration refers to the practice of causing harm to the self in a premeditated and specifically emotionally destructive fashion. The cause of this experience is varied and expressed in as many ways as there are individuals. The struggle in the Russian psyche between viewing the

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Canto, Flavio Ricardo Vassoler do. "Dialética do labirinto: a polifonia amordaçada de Fiódor Dostoiévski." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-23112010-121337/.

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A dissertação em questão procura analisar O sonho de um homem ridículo (1877), de Fiódor Dostoiévski, fundamentalmente a partir de uma aproximação crítica em relação à teoria polifônica erigida por Mikhail Bakhtin, em Problemas da Poética de Dostoiévski. O teórico russo buscou desvelar a poética dostoievskiana não por meio de uma síntese parcial em função do discurso ideológico do escritor ou de uma de suas personagens expediente tradicional da crítica partidária, segundo Boris Schnaiderman e Paulo Bezerra , mas através do modo pelo qual o diálogo deixaria de ser contingente para assumir um p

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38

Randall, Samuel. "Stellvertretung as vicarious suffering in Dietrich Bonhoeffer." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/287466.

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Stellvertretung represents a consistent and central hermeneutic for Bonhoeffer. This thesis demonstrates that, in contrast to other translations, a more precise interpretation of Bonhoeffer's use of Stellvertretung would be 'vicarious suffering'. For Bonhoeffer Stellvertretung as 'vicarious suffering' illuminates not only the action of God in Christ for the sins of the world, but also Christian discipleship as participation in Christ's suffering for others; to be as Christ: Schuldübernahme. In this understanding of Stellvertretung as vicarious suffering Bonhoeffer demonstrates independence fr

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Vieira, Carolina Detoni Marques. "Eros e Ágape: o desejo e o amor cristão em Dostoiévski." Universidade Federal de Juiz de Fora (UFJF), 2010. https://repositorio.ufjf.br/jspui/handle/ufjf/3833.

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Fernandes, Arlene Aparecida. "O solo sagrado: crítica da modernidade em Dostoiévski." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/6755.

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Hebbeler, Michael H. "The Sister Karamazov: Dorothy Day's Encounter with Dostoevsky's Novel." Dayton, Ohio : University of Dayton, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1250126537.

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Barros, Douglas Rodrigues [UNIFESP]. "O jovem Lukàcs e Dostoiévski." Universidade Federal de São Paulo (UNIFESP), 2015. http://repositorio.unifesp.br/handle/11600/39236.

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Submitted by Andrea Hayashi (deachan@gmail.com) on 2016-06-20T15:28:30Z No. of bitstreams: 1 dissertacao-douglas-rodrigues-barros.pdf: 1428960 bytes, checksum: 754d38097bf6239ffd40dda46a1c8ff5 (MD5)<br>Approved for entry into archive by Andrea Hayashi (deachan@gmail.com) on 2016-06-20T16:44:31Z (GMT) No. of bitstreams: 1 dissertacao-douglas-rodrigues-barros.pdf: 1428960 bytes, checksum: 754d38097bf6239ffd40dda46a1c8ff5 (MD5)<br>Made available in DSpace on 2016-06-20T16:44:31Z (GMT). No. of bitstreams: 1 dissertacao-douglas-rodrigues-barros.pdf: 1428960 bytes, checksum: 754d38097bf6239ffd40

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Abdulmassih, Fabio Brazolin. "Aulas de literatura russa - F.M. Dostoiévski por N. Nabókov: por que tirar Doistoiévski do pedestal?" Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-29092010-112244/.

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Este trabalho é composto pela tradução anotada do texto original em inglês Fyodor Dostoevski (1821 1881), que faz parte das aulas de literatura russa que o autor russo Vladímir Nabókov ministrou em universidades americanas de 1941 a 1959, bem como por uma introdução biobibliográfica e crítica sobre o autor, de um modo geral, e de um ensaio crítico sobre suas opiniões a respeito das principais obras de Fiódor Dostoiévski, em particular. Para tanto, serão comentadas as principais opiniões críticas de Nabókov sobre os romances Crime e Castigo, Memórias do Subsolo, O Idiota, Os Demônios e os Irmã

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Almeida, Giuliana Teixeira de. "Pelo prisma biográfico: Joseph Frank e Dostoiévski." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-25062013-095450/.

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Muitas biografias foram escritas sobre Fiódor Dostoiévski, nome central da literatura russa do século XIX. Dentre os títulos dedicados à vida do escritor russo destaca-se Dostoiévski de Joseph Frank, um grande esforço de investigação elaborado ao longo de quase três décadas. A obra escrita pelo scholar norte-americano consiste em uma síntese da história cultural da Rússia no século XIX, contexto no qual Dostoiévski viveu, além de um esforço de interpretação da ficção do romancista. Essa pesquisa visa analisar a biografia de autoria de Joseph Frank, assim como efetuar uma comparação entre essa

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45

Fraga, José Donizete. "A ESTÉTICA DA DISSONÂNCIA EM FIÓDOR DOSTOIÉVSKI, OS IRMÃOS KARAMÁZOV." Pontifícia Universidade Católica de Goiás, 2018. http://tede2.pucgoias.edu.br:8080/handle/tede/3911.

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Submitted by admin tede (tede@pucgoias.edu.br) on 2018-04-11T17:23:55Z No. of bitstreams: 1 JOSÉ DONIZETE FRAGA.pdf: 875290 bytes, checksum: 3b6860a5791718cc3b4d6d196ab6eade (MD5)<br>Made available in DSpace on 2018-04-11T17:23:55Z (GMT). No. of bitstreams: 1 JOSÉ DONIZETE FRAGA.pdf: 875290 bytes, checksum: 3b6860a5791718cc3b4d6d196ab6eade (MD5) Previous issue date: 2018-02-20<br>This dissertation aims at the study of dissonance as one of the characters forming the poetics of Fyodor Dostoevsky in the corpus The Brothers Karamazov. Its internal structure is based on the dialogue between the

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Marques, Priscila Nascimento. "Polifonia e emoções: um estudo sobre a construção da subjetividade em Crime e castigo de Dostoiévski." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-26082010-144511/.

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O presente trabalho consiste num esforço de aproximação entre literatura e psicologia que procurou manter a integridade de ambas as pontas do diálogo. O objetivo foi estudar o romance Crime e castigo de Dostoiévski, com foco na análise do protagonista, Rodion Raskólnikov. Para uma satisfatória compreensão da construção da subjetividade deste personagem fez-se necessário visualizá-lo em suas relações intersubjetivas. Assim, a análise foi estruturada em capítulos, cada qual destacando o diálogo entre duas \"vozes\", a do protagonista e a de outra personagem para que fossem explicitadas as contra

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Golin, Luana Martins. "O Evangelho segundo Dostoiévski: uma abordagem intertextual da imagem de Cristo no ro-mance “O Idiota”." Universidade Metodista de Sao Paulo, 2015. http://tede.metodista.br/jspui/handle/tede/1687.

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Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2017-10-24T19:02:55Z No. of bitstreams: 1 LuanaGolin.pdf: 1810450 bytes, checksum: 7a19811664efc3cef82740c8bae4fa40 (MD5)<br>Made available in DSpace on 2017-10-24T19:02:56Z (GMT). No. of bitstreams: 1 LuanaGolin.pdf: 1810450 bytes, checksum: 7a19811664efc3cef82740c8bae4fa40 (MD5) Previous issue date: 2015-09-29<br>Dostoevsky creates in his novel The Idiot with Prince Myshkin a character with Christ's attributes. The author always had the Bible by his side, specially the New Testament, from childhood to his death. A theoretical framewor

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VISINONI, Alessandra Elisa (ORCID:0000-0003-2826-1934). "L’“Impero” di Stavrogin: motivi tacitiani nel romanzo I demòni di F.M. Dostoevskij." Doctoral thesis, Università degli studi di Bergamo, 2014. http://hdl.handle.net/10446/30717.

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The aim of my work is to show the results of my research about the influence exerted by the Tacitus' Annals on the composition of Dostoevsky's novel The Devils. This research is part of the debate on the relations between Dostoevsky and Classical literature raised by V. Ivanov, L. Shestov, S. Bulgakov, N.Berdjaev. This field of study has been recently renewed, among the others, by T. Molchukova and Hyung Goo Lee as regards the passion of the novelist to the Homeric epics, by T. Popovich and G. Rosenshield on the similarities with Aeschilean and Sophoclean tragedy, by V. Dudkin on the similarit

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Schimelpfenig, Sharla J. (Sharla Jan). "A Comprehensive View of Faith in "The Brothers Karamozov" Through the Collective Personality." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc501023/.

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In examining Dostoevsky's treatment of faith in The Brothers Karamazov, critics often focus solely on "The Grand Inquisitor." Dostoevsky, however, refutes the Inquisitor's views through the movement of the three Karamazov brothers toward faith. The three Karamazov brothers, as a collective personality, represent the fundamental needs of man and the corresponding aspects of faith, each brother being an individual study of the necessity of integrating soul, heart and mind into faith. The crises that each brother faces force each one to develop a fuller dimension of faith. The final effect of int

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Pranger, Diana. "Dostoevsky and Joyce write the transcendent soul, the artist forging anew in his workshop out of the sluggish matter of the earth a new souring impalpable imperishable being, Portrait 169." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ57680.pdf.

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