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1

Maltsev, Leonid A. "Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview." Slovo.ru: Baltic accent 12, no. 4 (2021): 107–22. http://dx.doi.org/10.5922/2225-5346-2021-4-6.

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The article investigates a religious and philosophical dialogue of Miłosz and Dostoevsky. The antinomic content of Miłosz's poem “Theological Treatise” is analyzed in the context of Dostoevsky's Christocentric worldview, as well as religious and heretical teachings of early Christianity, which aroused Milosz's interest throughout his career. In their works, Dostoev­sky and Miłosz explored the theological problem of apoсatastasis and offered their interpreta­tion of it. The paper also examines Miłosz’s contribution as an essayist to the comparative study of Dostoevsky's works (Dostoevsky — Mick
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2

Dostoevsky, Alexey D., and Natalia V. Shwarts. "“My Husband's Lifelong Dream Was for Our Children to Get an Education...”: Gymnasium Students Lyuba and Fedya Dostoevsky." Неизвестный Достоевский 7, no. 2 (2020): 196–218. http://dx.doi.org/10.15393/j10.art.2020.4701.

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Dostoevsky's main concern was to educate his children, Lyuba and Fedya. After the writer's death, this desire was realized by his widow Anna Grigoryevna. Little was known about the education of Dostoevsky’s children, primarily from memoirs (penned by Anna and Lyubov Dostoevsky, Anna Ostroumova). The article presents previously unknown documents from the Central State Historical Archive of Saint Petersburg (name books, personal statements, etc.), containing information about the education of F. M. Dostoevsky's children: Lyuba — at the Foundry Gymnasium, Fedya — at the F. F. Bychkov Gymnasium (p
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3

Zavarkina, Marina. "Manufacturers, Printers and Booksellers in the 1872–1918 Records of F. M. and A. G. Dostoevsky." Неизвестный Достоевский 11, no. 1 (2024): 154–83. http://dx.doi.org/10.15393/j10.art.2024.7141.

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Abstract The Dostoevsky couple’s book trade is a separate, vast topic that has recently attracted increasingly greater attention of researchers. Starting in 1872 — the period of preparation of the novel “Demons” (1873) for publication — the Dostoevskys dealt with various publishers, printers, manufacturers and booksellers. The article is based on the 1872–1881 notebooks of F. M. Dostoevsky and the 1876–1918 notebooks of A. G. Dostoevskaya, as well as on scientific literature on publishing and book trade of 19th-century Russia, expanded comments and biographical references to such representativ
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4

Fokin, Pavel. "Forgotten Memoirs About F. M. Dostoevsky in the Collection of A. G. Dostoevskaya." Неизвестный Достоевский 8, no. 3 (2021): 136–55. http://dx.doi.org/10.15393/j10.art.2021.5601.

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In the 140 years that have passed since the death of F. M. Dostoevsky, almost all of his contemporaries’ memoirs about the writer have been published (in separate books and collections). To date, we can assume that the main corpus of Dostoevsky’s contemporaries’ accounts of him is publicly available. However, this does not mean that it is completely exhausted. A review of newspaper clippings collected by A. G. Dostoevskaya allowed us to identify several notes that were previously unaccounted for and missed by the publishers. For the most part, these are small fragments included by their author
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5

Dimitrova, N. I. "Types of philosophical reception of Dostoevsky in Bulgaria from the first half of the 20th century." Solov’evskie issledovaniya, no. 1 (2020): 123–36. http://dx.doi.org/10.17588/2076-9210.2020.1.123-136.

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The article is devoted to the philosophical interpretations of Dostoevsky's work in Bulgaria in the first half of the twentieth century. Dostoevsky's initial presence in Bulgaria was investigated as well the response of the Bulgarian intelligentsia to his ideas compared to those of Tolstoy. The beneficial influence on the image of the writer as a thinker, philosopher, exerted by the Russian emigration in Bulgaria since the beginning of the 1920s is noted. Particular emphasis is placed on the work of Petr Bitsill, one of the best experts in the field of Dostoevsky studies. The types of interpre
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6

Dementyeva, Tatyana. "Was the Dostoevsky Estate Profitable?" Неизвестный Достоевский 8, no. 1 (2021): 77–102. http://dx.doi.org/10.15393/j10.art.2021.5241.

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In August 1831, the parents of Fyodor Dostoevsky purchased an estate in the Kashirsky district of the Tula Province, consisting of the hamlet of Darovoe and the village of Darovaya. In February 1833, they bought the neighboring village of Cheremoshnya. The entire property, including the above-named villages and hamlet, also included land plots in the wastelands: Nechaeva, Trypillya, Harina, Shelepova and Chertkova. Having become the owners of 58 peasant souls and more than 500 dessiatines of land, the Dostoevskys were considered average local landowners. However, Darovoe, well-known as the chi
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7

Fedorova, Elena. ""My Most Influential and Friendly Teacher": D. V. Averkiev and F. M. Dostoevsky." Неизвестный Достоевский 12, no. 1 (2025): 145–78. https://doi.org/10.15393/j10.art.2025.7881.

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The playwright, publicist and theater critic D. V. Averkiev began his literary career in the journal published by the brothers Mikhail and Fyodor Dostoevsky “Epokha” (1864–1865). The young employee considered F. M. Dostoevsky his principal teacher. On many issues, he shared the beliefs of the editor of the “Epokha,” and Dostoevsky, in turn, gave the publicist the opportunity to express those ideas that he himself did not have the time to embody. The article traces the polemic of Averkiev, which represents the editorial point of view of the “Epokha”, with the opinions of N. M. Kostomarov and D.
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8

Proshchenko, Anastasia. "F. M. Dostoevsky in the Biased Opinions of the Feuilletonist and Critic V. P. Burenin." Неизвестный Достоевский 8, no. 3 (2021): 107–35. http://dx.doi.org/10.15393/j10.art.2021.5561.

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The influence of the critic V. P. Burenin on the public life of the 1860s — 1880s is great: his popularity was comparable to that of V. G. Belinsky in the 1840s. According to B. B. Glinsky, everyone has secretly read Burenin's feuilletons, even those who despised the newspaper Novoe Vremya (New Time) and personally hated its critical columnist for the sharpness and rudeness of his polemical style. The article examines the evolution of the critic's views of F. M. Dostoevsky’s work and his role in Russian journalism and literature. In the initial period of his activity, V. P. Burenin tended to a
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9

Andrianova, Irina. "Anna Dostoevskaya’s Notebooks: Published and Overlooked." Неизвестный Достоевский 10, no. 1 (2023): 188–203. http://dx.doi.org/10.15393/j10.art.2023.6601.

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The article presents an overview of a little-researched archival source — the notebooks of Anna Dostoevskaya. About 100 notebooks kept by the writer’s wife have been preserved in Moscow and St. Petersburg archives. They were created between 1875 and 1917, covering the last five years of Dostoevsky’s life and the time after his death. However, they did not arouse much interest among researchers due to the prevalence of economic and business records in them. Selected entries and pages were published by L. P. Grossman, I. L. Volgin, S. V. Belov, T. N. Ornatskaya, A. V. Arkhipova, I. S. Andrianova
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10

Zavarkina, Marina. "Publishing and Book Trade of the Dostoevskys." Неизвестный Достоевский, no. 1 (March 2023): 145–87. http://dx.doi.org/10.15393/j10.art.2023.6581.

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The article examines the publishing business and book trade of F. M. and A. G. Dostoevsky. Anna Grigoryevna has begun to actively participate in her husband’s creative process as a stenographer and copyist since 1866, and in the publishing business — since 1873. The publishing business of the Dostoevsky family is considered in the article against the background of the publishing process of the 19th century, which consisted of the author’s prepress work on the text together with the editor, publisher, typographer, printing factor, metranpage, proofreader, censor. Anna Grigorievna worked on the
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11

Fokin, Pavel, and Maria Zusmanovich. "F. M. Dostoevsky: Biography in Photographs." Неизвестный Достоевский 7, no. 3 (2020): 114–48. http://dx.doi.org/10.15393/j10.art.2020.4802.

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The collection of photographic materials of The Vladimir Dahl State Museum of the History of Russian Literature, related to the life and work of F. M. Dostoevsky, is the largest such collection and currently includes 2540 items. The collection of photographs is based on the memorial collection of A. G. Dostoevskaya from the Memorial Museum of F. M. Dostoevsky. In the 1930s, it was transferred to the F. M. Dostoevsky Museum, established in Moscow in 1928, and after its merge with the State Literary Museum in 1940 (since 2017 — The Vladimir Dahl State Museum of the History of Russian Literature)
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12

Fokin, Pavel, and Maria Zusmanovich. "F. M. Dostoevsky: Biography in Photographs." Неизвестный Достоевский 7, no. 3 (2020): 114–48. http://dx.doi.org/10.15393/j9.art.2020.4802.

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The collection of photographic materials of The Vladimir Dahl State Museum of the History of Russian Literature, related to the life and work of F. M. Dostoevsky, is the largest such collection and currently includes 2540 items. The collection of photographs is based on the memorial collection of A. G. Dostoevskaya from the Memorial Museum of F. M. Dostoevsky. In the 1930s, it was transferred to the F. M. Dostoevsky Museum, established in Moscow in 1928, and after its merge with the State Literary Museum in 1940 (since 2017 — The Vladimir Dahl State Museum of the History of Russian Literature)
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13

LEKEŠ, Patrik. "FOUR SELVES OF F. M. DOSTOEVSKY IN S. FREUD´S RECEPTION." Ezikov Svyat (Orbis Linguarum) 23.1, ezs.swu.v.23.1 (2025): 141–49. https://doi.org/10.37708/ezs.swu.bg.v23i1.13.

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The contribution examines the interconnections between Sigmund Freud and Fyodor M. Dostoevsky within the context of both authors' biographies. Freud, in his works, referred with Dostoevsky's literary oeuvre and personal life through the lens of psychoanalysis. In Dostoevsky and Parricide Freud presented a psychiatric perspective on Dostoevsky's writings, identifying four distinct aspects of his personality: the creative artist, the neurotic, the moralist, and the sinner. Freud suggested that certain elements of "Dostoevsky the human" are reflected in "Dostoevsky the artist". This study employs
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14

Burlakova, I. I. "Dostoevsky’s Italy." Язык и текст 6, no. 2 (2019): 10–16. http://dx.doi.org/10.17759/langt.2019060202.

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The theme “Dostoevsky and Italy” is extensive and diverse due to the fact that a number of researchers constantly turn to it, opening new pages in the life of the great writer. It includes the following areas of research: Dostoevsky's journey through Italy, the images of Italy in the pages of Dostoevsky's works, the reception of the writer's creativity in journalism, cinema and art, the problems of translating Dostoevsky's works into Italian. A special appeal to this topic shows that these four areas of research are connected in the works of Dostoevsky with such Italian cities as Rome, Florenc
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15

Zakharova, Olga. "The 1862 Case of the Writer F. M. Dostoevsky." Неизвестный Достоевский 8, no. 3 (2021): 72–93. http://dx.doi.org/10.15393/j10.art.2021.5621.

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Dostoevsky's first trip abroad in the summer of 1862 took place in the midst of an aggravated political situation in Russia, facilitated by radical revolutionary unrest in St. Petersburg, Moscow and other cities, fires that followed the proclamations and raised suspicions of arson. To combat radical propaganda, an Investigative Commission for the dissemination of revolutionary appeals was established under the chairmanship of Prince A. F. Golitsyn. F. M. Dostoevsky, who had met with Herzen in London in July 1862, came to its attention. The article examines materials from the investigation file
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16

Stepchenkova, Valentina. "Lessons in Pushkin Studies in the Editorial Practice of A. G. Dostoevskaya." Неизвестный Достоевский 11, no. 3 (2024): 176–202. http://dx.doi.org/10.15393/j10.art.2024.7501.

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A. S. Pushkin had a great influence on the development of Russian culture in the 19th century, including book publishing. Pushkin’s motifs and images have repeatedly appeared in the works of F. M. Dostoevsky. The last year of the writer’s life was marked by the triumphant “Pushkin’s Speech,” which turned the overall idea of Russian literature upside down. A. G. Dostoevskaya, who began an active bibliographic and publishing life after the death of her husband, followed the tradition of Pushkin’s publications in it. By the time the Complete Works of F. M. Dostoevsky were published, Pushkin studi
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17

Yuri V., Pushchaev. "Dostoevsky and Socialism: Ambivalent Relations." Almanac “Essays on Conservatism” 4 (October 30, 2022): 238–58. http://dx.doi.org/10.24030/24092517-2022-0-4-238-258.

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The article examines the ambivalent relationship between Dostoevsky and socialism, that is, both with a minus sign and with a plus sign. It is noted that for all Dostoevsky’s resolute rejection of socialism and criticism of it, he was characterized by certain hidden moments in which he assessed socialists and socialism positively. This, in turn, predetermined the fact that Dostoevsky, for all his anti-nihilism, was recognized as a classic in Soviet times and was never a banned author, even under Stalin. The decisive circumstance is that utopian socialist elements were interspersed and incorpor
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18

Skuridina, Svetlana A. "Doctors-foreigners in the Dostoevsky’s works: onomastic aspect." Neophilology, no. 18 (2019): 150–55. http://dx.doi.org/10.20310/2587-6953-2019-5-18-150-155.

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We reveal the specificity of anthroponymicon of doctors-foreigners in the Dostoevsky’s works. The writer’s appeal to the image of a doctor is due to the desire of F.M. Dostoevsky to answer the question whether a person of this profession is only a healer of the body or can act as a healer of the soul and even spirit. Reflections on the purpose of the doctor dictated by the F.M. Dostoevsky biography: in the field of medicine worked not only the writer's father – M.A. Dostoevsky, but also his great-uncle V.M. Kotelnitsky. The purpose of this study is to identify the features of anthroponymic voc
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19

Panyukova, Tatiana V., and Madina Kayumova. "Dostoevsky, the Writer’s Nephew." Неизвестный Достоевский 12, no. 1 (2025): 85–111. https://doi.org/10.15393/j10.art.2025.7883.

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Andrei Andreevich Dostoevsky, the youngest son of A. M. Dostoevsky, along with his father, widow, son and grandson of the writer, became one of the key figures in preserving the memory of F. M. Dostoevsky. He actively helped Anna Grigorievna in her search, genealogical and publishing work: from 1903 to 1908, he turned out to be the secret keeper of the rough proof of the unpublished chapter “At Tikhon’s” from the novel “Demons.” Later, in 1914–1915, after the publication of N. N. Strakhov’s slanderous letter, he took part in collecting signatures in defense of the memory of the deceased under
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20

Trukhan, Elena. "In Defense of Alexander Ivanovich Isaev (Using Materials of the State Archive of the Tomsk Region)." Неизвестный Достоевский 8, no. 2 (2021): 48–67. http://dx.doi.org/10.15393/j10.art.2021.5341.

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The article introduces into scientific circulation official documents dated 1853‒1855, preserved in the State Archive of the Tomsk region and recreating the last months of the life of Alexander Ivanovich Isaev — a friend of F. M. Dostoevsky in Semipalatinsk, the first husband of Maria Dmitrievna Constant (Isaeva, Dostoevskaya). These documents include: A. I. Isaev's certificate of service, issued on September 27, 1853, and 6 reports and 12 official letters dated February‒November 1855. Until recently, the corpus of biographical literature about Dostoevsky offered an image of A. I. Isaev as a b
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21

Puschaev, Yuriy V. "Soviet Dostoevsky: Dostoevsky in Soviet culture, ideology, and philosophy." Philosophy Journal 13, no. 4 (2020): 102–18. http://dx.doi.org/10.21146/2072-0726-2020-13-4-102-118.

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The article aims to analyze how Dostoevsky’s works were perceived and presented in the Soviet ideology and philosophy. Contrary to some commonly held views, it is shown that despite the restrictions, there was never any talk of a complete ban or non-publication of Dostoevsky’s works in the Soviet times including the Stalinist years. Indi­vidual works of Dostoevsky as well as collections of his works were actively published in those years. The author explores the presence of Dostoevsky in the school literature program as well as the perception of Dostoevsky’s legacy by the Soviet leaders – V. L
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22

Cicovacki, Predrag. "On the Central Motivation of Dostoevsky's Novels." Janus Head 10, no. 1 (2007): 277–91. http://dx.doi.org/10.5840/jh200710118.

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This essay analyzes Marcel Proust's claim that "Crime and Punishment" could be the title of all of Dostoevskys novels. Although Proust reveals some important points regarding the motivation for Dostoevskys writings, his account is also inadequate in some relevant respects. For example, while Proust calls our attention to what happens to victimizers, he ignores the perspective of victims; thus Ivan Karamazovs challenge remains unaccounted for in Proust's interpretation. More importantly Proust does not account for Dostoevsky's optimism, which, in connection with his realism, is the central aspe
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23

Siddiqi, Bilal. "Existentialism, Epiphany, and Polyphony in Dostoevsky’s Post-Siberian Novels." Religions 10, no. 1 (2019): 59. http://dx.doi.org/10.3390/rel10010059.

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Dostoevsky can be meaningfully read as a defender of Russian Orthodoxy; a psychologist; a polemicizing anti-nihilist ideologue; a Schillerian romantic; a Solovyovian believer in love, goodness, and beauty; a prophet. I approach Dostoevsky through a new lens—Dostoevsky as an existential phenomenologist. Although writers such as Kauffman, Camus, and Shestov have cast Dostoevsky as an existentialist, their readings often focus too heavily on the critique of rationalist thinking in Dostoevsky’s The Underground Man and explore Dostoevsky’s existentialism largely in ethical rather than in existentia
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24

Vassena, Rafaella. "Dostoevsky’s Repertoire for Children." Неизвестный Достоевский 8, no. 1 (2021): 183–205. http://dx.doi.org/10.15393/j10.art.2021.5181.

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The article is devoted to two collections of works for children by F. M. Dostoevsky, compiled by his widow Anna Grigorievna: “A selection from the works of F. M. Dostoevsky for secondary school-age children (over 14 years of age),” edited by V. Ya. Stoyunin in 1887, and “Dostoevsky for school-age children,” published in 1897 under A. V. Kruglov’s editorship. Dostoevskaya’s collaboration with two professionals and experts in child psychology, Stoyunin and Kruglov, allowed her to overcome the failure of the 1883 volume “To Russian children” and consolidate the foundations of Dostoevsky’s “repert
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25

Rachman, Stephen. "Ellison and Dostoevsky: A Critical Reassessment of the Aesthetics and Politics." Literature of the Americas, no. 11 (2021): 34–81. http://dx.doi.org/10.22455/2541-7894-2021-11-34-81.

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After an overview of the well-known aspects of Ralph Ellison’s interest in and connections to the works and literary ideas of the Russian novelist Fyodor Dostoevsky, this paper reveals the hitherto unknown depths of Ellison’s research into and usage of the works and aesthetic theories of the Russian writer as he applied them to American and African American literary and social contexts. Making use of archival materials (including Ellison’s correspondence, draft of his unfinished novel Three Days Before the Shooting..., highlighting and marginalia in the books from his personal library, which i
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26

Makhlin, V. L. "Dostoevsky in Dostoevsky. M. Bakhtin and the methodological turnaround in the 1910s–1920s." Voprosy literatury, no. 5 (October 11, 2023): 83–104. http://dx.doi.org/10.31425/0042-8795-2023-5-83-104.

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The history of Dostoevsky’s reception knows a relatively brief but extremely intense and productive period of ‘paradigm shifting:’ displacing the philosophical journalism of Rozanov, Merezhkovsky, Shestov and others in the 1910s and 1920s was literary criticism proper. The paper is concerned with this methodological turnaround in Dostoevsky studies. Inspired by V. I. Ivanov’s article ‘Dostoevsky and the novel-tragedy’ [‘Dostoevsky i roman-tragediya’] (1911), young scholars of the day (V. Komarovich, L. Grossman, B. Engelgardt, and M. Bakhtin, among others) attempted to comprehend ‘Dostoevsky i
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27

Andrianova, Irina. "“Don’t Be Abashed Reading This”: Shadow of Barkov in the Texts of Dostoevsky." Неизвестный Достоевский 8, no. 1 (2021): 42–60. http://dx.doi.org/10.15393/j10.art.2021.5161.

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The subject of research in this article is a partially crossed out portion of a letter from Fyodor Dostoevsky to his brother Mikhail dated September 30, 1844. This letter communicates his decision to leave the military service and devote himself to professional literary work. The entry was first reproduced in the edition of Dostoevsky's correspondence prepared by A. S. Dolinin, and then in the academic Complete Works. However, this was done with distortions and without proper commentary. As a result, the entry was perceived by readers as a rude expletive, which included slang, obscene vocabula
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28

Fokin, Pavel E., and Anna V. Petrova. "Pushkin Speech by Fedor Dostoevsky as an Event (Based on the Materials of the Manuscript Fund of the Vladimir Dahl State Museum of the History of Russian Literature)." Неизвестный Достоевский 7, no. 2 (2020): 162–95. http://dx.doi.org/10.15393/j10.art.2020.4681.

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140 years ago, on June 8 (20), 1880, on the occasion of the celebrations associated with the opening of the monument to Alexander Pushkin, F. M. Dostoevsky gave a speech at the second meeting of the Society of Connoisseurs of Russian Literature at the Moscow Noble Assembly hall. It was immediately recognized as a social and cultural event. This episode in Dostoevsky's biography has repeatedly attracted the attention of researchers. The manuscript collection of The V. I. Dahl State Museum of the History of Russian Literature contains a significant set of materials related to Dostoevsky’s partic
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Murzina, Svetlana V., and Elena G. Novikova. "The Image of Garibaldi in Fyodor Dostoevsky’s Works." Vestnik Tomskogo gosudarstvennogo universiteta, no. 460 (2020): 37–45. http://dx.doi.org/10.17223/15617793/460/4.

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The study is the first to collect, describe and analyze the main body of Fyodor Dostoevsky’s comments related to Giuseppe Garibaldi. The image of the Italian political figure is reconstructed in the creative works of the Russian writer. The image is analyzed from historical and political perspectives of the nineteenth-century Russia (1860–1870) and the Italian Risorgimento. The relevance of the study is due to the modern perception of Dostoevsky as an original political thinker and the wide context of Russian-Italian relations. Giuseppe Garibaldi is one of the most distinguished political figu
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WESTERMAN, RICHARD. "FROM MYSHKIN TO MARXISM: THE ROLE OF DOSTOEVSKY RECEPTION IN LUKÁCS'S REVOLUTIONARY ETHICS." Modern Intellectual History 16, no. 3 (2017): 927–60. http://dx.doi.org/10.1017/s1479244317000373.

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For European literati of the early twentieth century, Fyodor Dostoevsky represented a mythically Russian spirituality in contrast to a soulless, rationalized West. One such enthusiast was Georg Lukács, who in 1915 began a never-completed book about Dostoevsky's work, a model of spiritual community that could redeem a fallen world. Though framing his analysis in the language and themes of broader Dostoevsky reception, Lukács used this idiom innovatively to go beyond the reactionary implications this model might connote. Highlighting similarities with Max Weber's account of political ethics, I a
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Zakharova, Olga. "Fyodor Dostoevsky’s Pseudonyms. Insertion by F. M. Dostoevsky in the Feuilleton by N. N. Strakhov." Неизвестный Достоевский 8, no. 1 (2021): 21–41. http://dx.doi.org/10.15393/j10.art.2021.5221.

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Identification of pseudonyms is one of the key tasks of attribution of many articles in the Vremya and Epokha magazines, and the Grazhdanin weekly. I. F. Masanov's article on Dostoevsky in the authoritative Dictionary of Pseudonyms contains errors and repetitions. Fyodor Dostoevsky signed his literary works with his personal name: Fyodor Dostoevsky, F. M. Dostoevsky, or, more often, F. Dostoevsky. On the contrary, the writer preferred to work as a journalist anonymously, more rarely — under pseudonyms. The range of Fyodor Dostoevsky's pseudonyms should be clarified. It is necessary to exclude
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Akhmetshin, Ruslan. "E. N. Konshina and Her Work on the Publication of Dostoevsky’s Notebooks." Неизвестный Достоевский 9, no. 1 (2022): 80–98. http://dx.doi.org/10.15393/j10.art.2022.6001.

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One of the most notable literary textual critics of the XX century is Elizaveta Nikolaevna Konshina (1890-1972), who studied and published A. P. Chekhov’s, and subsequently F. M. Dostoevsky’s notebooks and books. "Notebooks of F. M. Dostoevsky" were published in 1935 under her editorship. The article presents the main facts of the professional path of E. N. Konshina, analyzes the part of her considerable archive that is associated with the preparation of Dostoevsky's notebooks for publication, and notes the unique features of the researcher’s textual work. In the 1920s and 30s, E. N. Konshina
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Besschetnova, Elena. "The Holy See and Fyodor Dostoevsky: Mutual Attraction and Repulsion." Arts 12, no. 2 (2023): 76. http://dx.doi.org/10.3390/arts12020076.

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The article analyzes the attitude of Fyodor Dostoevsky toward the Roman Catholic Church. The author shows how Dostoevsky comes to the Slavophile idea of unity and the impossibility of salvation outside church communion, while speaking of the Church as an ecclesia, that is, an assembly of believers. At the same time, the reception of Dostoevsky from the side of the Vatican is presented. In the article, special attention is paid to the perception of Dostoevsky’s ideas by Pope Francis. The author notes that the point of attraction and repulsion between Dostoevsky and Catholic culture lies in the
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Buchneva, Daria. "“He Massacred the Article”: How Dostoevsky Edited an Article About Tyutchev in “Grazhdanin” (“Citizen”)." Неизвестный Достоевский 8, no. 3 (2021): 94–106. http://dx.doi.org/10.15393/j10.art.2021.5641.

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The problem of attribution of the article “In fresh memory of F. I. Tyutchev” ("Grazhdanin", 1873, No. 31) was posed for the first time by N. F. Belchikov in 1925. N. F. Belchikov referred to F. M. Dostoevsky's letter to A. G. Dostoevskaya dated 29 July 1873, in which the editor of "Grazhdanin" referred to a strong revision of Meshchersky's article. A. V. Arkhipova, citing counterarguments, believed that “In fresh memory of F. I. Tyutchev” cannot be attributed to Dostoevsky, since he limited himself to editorial revision. Taking into account N. F. Belchikov's attribution, the editorial board o
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Panyukova, T. V. "Publishing Activity of F.M. Dostoevsky: Business Books of A.G. Dostoevskaya as a Source." Язык и текст 8, no. 3 (2021): 19–30. http://dx.doi.org/10.17759/langt.2021080303.

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The complex of materials related to the publishing activities of F.M. Dostoevsky includes several business notebooks of A.G. Dostoevskaya, preserved in her archive and dedicated to sales accounting, as well as containing records of subscribers' addresses. 7 similar documents were systematized and described, as well as 6 additional sources adjacent to them for the dissemination of "A Writer`s Diary". The work on the preparation for publication of two similar books by subscribers allowed us to identify the possibilities of their use in textual or biographical research: to disclose the names (ini
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Andrianova, Irina, and Daria Buteneva. "“A Word About the Great Artist” by Fyodor Dostoevsky: the Beginning of the Literary Path of Lawyer Anatoly Koni." Неизвестный Достоевский 11, no. 3 (2024): 203–34. http://dx.doi.org/10.15393/j10.art.2024.7481.

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Anatoly Koni was not only a judicial, state, public and scientific figure, a teacher, but also a writer who left his memoirs of figures of Russian culture and deserved the recognition of his contemporaries. They nominated him for the Nobel Prize in Literature, elected him a member of the jury of the Pushkin Prize in Literature, an honorary academician of the Imperial Academy of Sciences in the category of fine literature, an honorary member of the Pushkin Lyceum Society and a freelance employee of the Pushkin House. The article pays special attention to the beginning of the literary activity o
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Ulbrecht, Siegfried. "Ernst Jünger and his Reception of Fyodor Dostoevsky." Dostoevsky Journal 22, no. 1 (2021): 45–71. http://dx.doi.org/10.1163/23752122-02201007.

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Abstract This contribution aims to present those aspects of the literary and intellectual legacy of F. M. Dostoevsky (1821–1881) that motivated Ernst Jünger (1895–1998) in formulating his own literary and essayistic work. Dostoevsky’s impact on Jünger has so far been researched only fragmentarily and sporadically. This builds on previous research and complements it with new findings. Ernst Jünger inquired into Dostoevsky’s works throughout his life. He perceived Dostoevsky as a foreteller of crises and disasters. Many of Jünger’s motifs, literary images, characters, and symbols were either inf
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Darensky, V. Yu. "Dostoevsky as an Artist of the Godless World." Orthodoxia, no. 3 (September 18, 2022): 269–90. http://dx.doi.org/10.53822/2712-9276-2021-3-269-290.

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Article off ers an unconventional view of Dostoevsky as an artist of the godless world. The author separates Dostoevsky’s Christian worldview from the artistic image of the world he created in his works. In Dostoevsky’s imaginative world, Christianity is only a dream and hope, which is not manifested in real life. While only a few of his characters are focused on it, the absolute majority live their lives as if Christ never existed. The Christian dimension transcends the godless world created by Dostoevsky, only occasionally touching it from the outside as a kind of revelation. The external in
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Sosnovskaya, Oksana A., and Irina S. Andrianova. "“...After Waiting 23 Years, It Is Unthinkable to Wait Again for 20 Years”: An Unknown Transcript on the Fate of the Dostoevsky Family’s Ryazan Estate." Неизвестный Достоевский 7, no. 1 (2020): 168–83. http://dx.doi.org/10.15393/j10.art.2020.4461.

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This publication introduces into scientific circulation one of the previously untranscribed shorthand documents of the wife of F. M. Dostoevsky. According to our transcript, the contents of this draft of her letter is related to the inheritance that the writer's family received after the death of a rich Moscow relative, A. F. Kumanina. Dostoevsky did not have the time to use the inherited estate in the village of Spas-Klepiki of the Ryazan province, and the writer’s widow and children became the owners of the Ryazan estate. On these three pages, A. G. Dostoevskaya encrypted a message to an unk
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Zakharov, Vladimir. "“Death Itself May be Overcome…” (Thanatological Plot in “The Brothers Karamazov” by Dostoevsky)." Неизвестный Достоевский 9, no. 4 (2022): 30–43. http://dx.doi.org/10.15393/j10.art.2022.6361.

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The article reveals how the writer’s personal drama was reflected in his novel “The Brothers Karamazov.” The unexpected death of their three-year-old son on May 16, 1878 was a tragic shock for the Dostoevskys. The causes of his death have not yet been clarified: there is no critical analysis of documentary sources, no diagnosis has been made, the described symptoms (fever, diarrhea, vomiting) may be related to several childhood diseases, family legends about the disease are unreliable. Dostoevsky’s pilgrimage to the Optina Hermitage had a personal reason along with his creative interest in the
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Amusin, M. F. "Is Dostoevsky immortal?" Voprosy literatury, no. 2 (June 17, 2021): 161–93. http://dx.doi.org/10.31425/0042-8795-2021-2-161-193.

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The article sets out to trace F. Dostoevsky's presence in Russian literature over a broader period: from the 1960s until the present time. According to Amusin, his article especially focuses on the more empirically evident forms of such presence, namely film adaptations of Dostoevsky's works, critical reviews devoted to the writer, and, lastly, the dialogue between Dostoevsky and Russian writers of the late 20th — early 21st cc. Amusin argues that Dostoevsky's ‘background' influence (mostly of the philosophical or religious variety) was most perceived in the Russian village prose movement, whe
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Shugaylo, Irina. "XXVII International Readings “The Art Works of F. M. Dostoevsky in the Reception of Readings of the XXI Century”: Reflections, Discussions, Methodology of Readings Texts (Staraya Russa, April 08–10, 2025)." Art Logos – The Art of Word 2, no. 31 (2025): 232–38. https://doi.org/10.35231/25419803_2025_2_232.

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The article describes literary readings that have become regular in Staraya Russa, the city of Fyodor Dostoevsky, for philologists and fans of the writer's works. In 2025, they were mainly devoted to the novel "White Nights". The Chairman of the organizing committee and the moderator of the conference was Tatiana Alexandrovna Kasatkina, Doctor of Philology, editor-in-chief of the magazine “Dostoevsky and World Culture. Philological journal”. For three days, the presenters of the readings, teachers of Russian literature, museum workers, students, and even school students proposed concepts for r
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Zavarkina, Marina. "Litigation Against F. T. Stellovsky in the Correspondence of F. M. Dostoevsky and V. I. Gubin 1871–1874." Неизвестный Достоевский 11, no. 4 (2024): 45–117. http://dx.doi.org/10.15393/j10.art.2024.7401.

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F. M. Dostoevsky’s epistolary legacy includes more than 2000 letters from the writer and his correspondents. One of Dostoevsky’s correspondents in 1871‒1874 was V. I. Gubin, a lawyer, Dostoevsky’s attorney in the case against the publisher F. T. Stellovsky. He also advised the writer at the initial stage of the Kumanin inheritance case. One letter from Dostoevsky to Gubin and 15 letters from Gubin to Dostoevsky are known. V. I. Gubin’s letters allow us to complete the image of Stellovsky, a notorious speculator in the publishing business and reveal how the writer’s trial against his publisher
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Borisova, Valentina V., and Irina S. Andrianova. "What Is He Like, the “Japanese Dostoevsky”? About the XVIII Symposium of the International Dostoevsky Society." Dostoevsky and World Culture. Philological journal, no. 4 (24) (2023): 284–304. http://dx.doi.org/10.22455/2619-0311-2023-4-284-304.

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At the end of August 2023, the XVIII Symposium of the International Dostoevsky Society (IDS), dedicated to the 150th anniversary of the novel Demons, was held at the Nagoya University of Foreign Studies (Japan). The symposium took place in Asia for the first time and found wide resonance in the academic world. Scholars from 17 different countries participated with papers at the forum, showing a variety of approaches to research Dostoevsky’s works and life and raising a wide range of research issues, such as: “Current questions of research in Dostoevsky’s studies,” “Demons in its time and 150 y
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Kapustina, Svetlana. "The Wedding in Simferopol (F. F. Dostoevsky and E. P. Tsugalovskaya)." Неизвестный Достоевский 12, no. 1 (2025): 195–209. https://doi.org/10.15393/j10.art.2025.7821.

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Crimea played an important role in the fates of F. M. Dostoevsky’s closest relatives. For almost two years (July 1858 — May 1860), the writer’s brother Andrei Mikhailovich Dostoevsky was on duty on the peninsula (Simferopol, Feodosia, Yalta, Sevastopol, Balaklava). The novelist’s widow, Anna Grigoryevna Dostoevskaya, who died in 1918 in German-occupied Yalta (Hotel “France”) the owner of the dacha on the South Coast. An important milestone in the life of the son of the classic writer Fyodor Fyodorovich Dostoevsky is connected with Simferopol: not only did he realize his dream of his own stud f
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Myakinchenko, Mariya A. "Varvara Karepina, née Dostoevskaya – sister and heroine of Fyodor Dostoevsky." Vestnik of Kostroma State University 26, no. 4 (2021): 113–19. http://dx.doi.org/10.34216/1998-0817-2020-26-4-113-119.

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The article discusses various aspects of the relationship between Fyodor Dostoevsky with his sister Varvara Karepina, née Dostoevskaya, and their reflection in the writer's work. Varvara Karepina served as the prototype for the writer's various characters. The author of the article dwells in detail on the image of Varvara Karepina, collected from her memoirs; the author states that the history of Varvara Karepina’s marriage and the image of her husband were also vividly reflected in the work of Fyodor Dostoevsky. The article provides some valuable comparisons of Varvara Karepina with Varvara D
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Zakharov, Vladimir. "The Relevance of Dostoevsky." Неизвестный Достоевский 8, no. 1 (2021): 5–20. http://dx.doi.org/10.15393/j10.art.2021.5321.

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The year 2021 marks the 200th anniversary of Dostoevsky’s birth and the 140th anniversary of his immortality. Literary anniversaries became a part of the Russian culture relatively recently. The celebration is usually held in memory of those who had already found eternity. The attempt to celebrate the tercentenary of Shakespeare (1864) and the centenary of Pushkin’s birth in 1899 marked the beginning of a new cultural tradition. The dates of literary anniversaries in the 20th century reflect the struggle between these trends: birthdays are gradually replacing memorial days. Anniversaries tend
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Drobyshevskaya, Inga, and Boris Tikhomirov. "“…She’s a Sweet Sister and a Wonderful Person:” Varvara Mikhailovna Dostoevskaya-Karepina and Her Family (Additions to “The Chronicle of the Generations of Dostoevskys”)." Неизвестный Достоевский 11, no. 2 (2024): 74–120. http://dx.doi.org/10.15393/j10.art.2024.7261.

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The article introduces the results of archival research devoted to the family of the eldest of F. M. Dostoevsky’s sisters, V. M. Karepina. Vital records (records of birth, wedding, death) of Varvara Mikhailovna herself, her husband Pyotr Andreevich Karepin, their children and grandchildren, discovered by the authors of the article in the funds of the Central State Archive of the City of Moscow (CSA of Moscow), are published. The materials of the archival “Case of the Moscow Noble Deputy Assembly” are introduced into scientific circulation, including documents related to the inclusion in the 3r
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Zakharov, Vladimir. "Dostoevsky’s Great Pentateuch: Concept, Translation, Interpretation." Неизвестный Достоевский 11, no. 2 (2024): 5–15. http://dx.doi.org/10.15393/j10.art.2024.7321.

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Dostoevsky has been successfully translated into different languages. He remains himself even in unsuccessful translations. Every translation is an interpretation. Interpretations include not only critical publications, but also theatrical productions and screen adaptations. Translations and interpretations expand the corpus of Dostoevsky’s texts. Translation is universal. Dostoevsky is in demand for translations not only into foreign languages, but also from Russian into Russian: manuscript to printed text, printed text to multimedia format. Over the last hundred years, the graphics, orthogra
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Gevorkyan, Tatiana M. "‘I live as long as I work…’." Voprosy literatury, no. 6 (December 20, 2019): 133–50. http://dx.doi.org/10.31425/0042-8795-2019-6-133-150.

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The essay is devoted to the memory of the critic, philologist and Dostoevsky scholar Karen Stepanyan. His long-time friend T. Gevorkyan carefully reconstructs their encounters as well as episodes of Stepanyan’s personal and scholarly biography: from their first meeting as first-year philology students of Yerevan university to their city walks in Moscow in the 2000s; from Stepanyan’s early student papers and essays on theatre to his later books – To Realize and to Say: ‘Realism in the Highest Sense’ as Dostoevsky’s Creative Method [ Soznat i skazat: ‘Realizm v vysshem smysle’ kak tvorcheskiy me
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