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Journal articles on the topic 'Dostoyevsky'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Benamar, Abdelhadi. "Stylistic deviations in Dostoyevsky’s novels." International Journal of New Trends in Social Sciences 6, no. 1 (May 31, 2022): 24–33. http://dx.doi.org/10.18844/ijss.v6i1.6883.

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The use of stylistic deviations in writings by authors not only makes the novel enjoyable but also helps to expand the reader’s understanding of the language of the novel. However, a brief knowledge of the author’s background and the stylistic approach used by the author helps the reader to understand and appreciate the novel better. Novels authored by Dostoyevsky are known to follow stylistic deviations. This study aims to investigate the stylistic deviations in Dostoyevsky’s novels, his personality and what influenced his writing styles. The study followed a stylistic analysis approach in conducting a literature review. The novels of Dostoyevsky and previous literature were used to analyse Dostoyevsky’s writing methods and analysis style. It was established that Dostoyevsky’s life experiences were expressed in his novels through his stylistic deviations. Keywords: Deviations, Dostoyevsky, insanity, polyphony, stylistic analysis;

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2

Shchedrina, Tatiana G., and Boris I. Pruzhinin. "Semyon Frank and Yakov Golosovker: On Kantian Motives in the Works of Dostoyevsky." Kantian journal 42, no. 1 (2023): 92–106. http://dx.doi.org/10.5922/0207-6918-2023-1-5.

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Russian philosophy is “a sphere of conversation” in which thought is “divined”. It is a realm of search for “universal meaning” and “cultivation” of historical reality. Such a “conversation” around the work of Dostoyevsky took place in the 1920s among philosophers (including members of the Free Philosophical Association or Volfila in its abbreviated form). The theme takes on added significance at the hands of Ya. E. Golosovker and S. L. Frank whose intellectual affinity manifests itself today in the way they interpret Kantian motives in the work of Dostoyevsky. Reflecting on “the logic of imagination” Golosovker draws attention to the fact that the concrete-metaphysical method of seeing the world is not identical to the amphiboly of Kant’s reflexive concepts. He made it the central theme of his book, Dostoyevsky and Kant, immersing the philosophical component of the novel The Brothers Karamazov in the context of Kant’s antinomies. The later Frank took up the subject of Dostoyevsky’s worldview in response, as it were, to the discussion of the problem of cultural crisis at Volfila (including at meetings “In Memory of Dostoyevsky”). Following Yakov Golosovker, Andrey Bely, Aron Steinberg, Semyon Lurie and others, he continued the discussion of the crisis in its organised forms. In this context, too, Kant is a significant presence. For Frank, as for Golosovker, Dostoyevsky’s world view has a “concrete-metaphysical character”. They come to this conclusion reflecting on the problem of freedom as seen by Dostoyevsky who sought to overcome Kant’s antinomies.

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3

Barníková-Magganaris, Zuzana. "Ľudská duša v ideovej koncepcii Dostojevského." FILOSOFIE DNES 4, no. 2 (December 29, 2012): 45–62. http://dx.doi.org/10.26806/fd.v4i2.69.

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Článok analyzuje antropologicko-existencialistickú a etickú koncepciu človeka v diele F. M. Dostojevského a jej aktuálnosť v súčasnosti. Chce ukázať, že Dostojevského človek je zložitou, vnútorne protirečivou bytosťou, v ktorej sú nerozlučne spojené dobro a zlo, sebaobetavosť s egoizmom, čistota so zlomyseľnosťou. Je tiež pokusom o vymedzenie princípu etickej zodpovednosti a zmyslu života ako kľúčových princípov etiky Dostojevského.This article analyzes the anthropological - existential and ethical concept of man in the work of F. M. Dostoyevsky and its currentness. It aims to show that Dostoyevsky’s man is a complicated and internally ambivalent being, in which good and evil, selfishness and self-sacrifice, purity and mischievousness are inextricably connected. It also attempts to define the principle of ethical responsibility and meaning of life as key elements of Dostoyevsky's ethics.

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4

Barníková-Magganaris, Zuzana. "Ľudská duša v ideovej koncepcii Dostojevského." FILOSOFIE DNES 4, no. 2 (December 29, 2012): 45–62. http://dx.doi.org/10.26806/fd.v4i2.302.

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Článok analyzuje antropologicko-existencialistickú a etickú koncepciu človeka v diele F. M. Dostojevského a jej aktuálnosť v súčasnosti. Chce ukázať, že Dostojevského človek je zložitou, vnútorne protirečivou bytosťou, v ktorej sú nerozlučne spojené dobro a zlo, sebaobetavosť s egoizmom, čistota so zlomyseľnosťou. Je tiež pokusom o vymedzenie princípu etickej zodpovednosti a zmyslu života ako kľúčových princípov etiky Dostojevského.This article analyzes the anthropological - existential and ethical concept of man in the work of F. M. Dostoyevsky and its currentness. It aims to show that Dostoyevsky’s man is a complicated and internally ambivalent being, in which good and evil, selfishness and self-sacrifice, purity and mischievousness are inextricably connected. It also attempts to define the principle of ethical responsibility and meaning of life as key elements of Dostoyevsky's ethics.

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5

Skalińska, Ewangelina. "POLIFONIA POWIEŚCI DOSTOJEWSKIEGO A ZAGADNIENIE WIELOGŁOSOWOŚCI POEZJI NORWIDA." Colloquia Litteraria 13, no. 2 (November 19, 2012): 119. http://dx.doi.org/10.21697/cl.2012.2.06.

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Polyphony of Dostoyevsky’s Novels and the polyphony of Norwid’s poetry The article compares dominating strategies of writing in Norwid’s and Dostoyevsky’s literary output. The author presents the sources of the conversational concepts in the writings of both Norwid and Dostoyevsky. She also reflects upon the origins of the indicated affinity.

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6

Tsirkin-Sadan, Rafi. "The Art of Sincerity: Essayistic Mode in the Works of Yosef Ḥayyim Brenner and Fyodor Dostoyevsky." Prooftexts 40, no. 3 (2024): 43–73. http://dx.doi.org/10.2979/ptx.00002.

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Abstract: This article examines the complex of connections between Yosef Ḥayyim Brenner's work and Fyodor Dostoyevsky's art and thought. A writer, critic, editor, publicist, and translator, Brenner was a key figure in the Hebrew republic of letters in the first two decades of the twentieth century. Although Brenner's writings deal extensively with existential dilemmas of the Jewish people, his fiction and publicist writing demonstrate an obvious affinity for Russian literature, particularly Dostoyevsky's narrative art. The first part of this article discusses ideological and poetic aspects of Brenner's works that combine his experience of "recovering" from the ideas of universalist socialism during his service in the tsarist army with his affinity for Dostoyevsky's Notes from the House of the Dead and Winter Notes on Summer Impressions . The second part addresses the influence on Brenner's early conceptual novels of the artistic stratagems employed by Dostoyevsky to critique the Enlightenment in Notes from the Underground . The third part offers a comparative analysis of the artistic stratagems used in the publicist writings of Dostoyevsky and Brenner, particularly their attempts to incorporate fictional elements into journalistic texts.

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7

Rayfield, Donald, and John Jones. "Dostoyevsky." Modern Language Review 80, no. 3 (July 1985): 764. http://dx.doi.org/10.2307/3729358.

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8

Beveridge, Allan. "‘Is everyone mad?’ The depiction of mental disturbance in the work of Dostoyevsky." Advances in Psychiatric Treatment 15, no. 1 (January 2009): 32–39. http://dx.doi.org/10.1192/apt.bp.108.005496.

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SummaryThis article examines how madness is depicted in the work of Dostoyevsky. It gives a brief account of Dostoyevsky's life before looking at the many ways in which he portrayed insanity. It suggests that he provided a sophisticated and complex picture of mental illness which has relevance for how contemporary clinicians conceive of psychiatric illness.

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9

George, Sanju. "From the gambler within: Dostoyevsky's The Gambler." Advances in Psychiatric Treatment 18, no. 3 (May 2012): 226–31. http://dx.doi.org/10.1192/apt.bp.111.008995.

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SummaryFyodor Dostoyevsky is widely regarded as the greatest 19th-century Russian writer and a giant in world literature. He is familiar to literary-inclined psychiatrists for his rich and accurate portrayal of mental illness in several of his works. But his own chronic addiction to gambling and its consequent perils are less well-known. This article discusses The Gambler, one of Dostoyevsky's early (1866) semi-autobiographical novellas, inspired by his own addiction to roulette, focusing on its depiction of gambling. To better understand Dostoyevsky the gambler, the article also presents brief excerpts from letters that he wrote to his wife in 1867, when his gambling addiction appears to have been at its worst. Finally, the relevance of the central theme of this work, gambling addiction, to the present-day psychiatrist is discussed.

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10

Pedro, Matheus Kahakura Franco, Thiago Ferreira Simões De Souza, and Francisco Manoel Branco Germiniani. "The Devil Is in the Details: Neurological Diseases Presenting as Religious Hallucinations in Two Literary Works." European Neurology 83, no. 2 (2020): 228–31. http://dx.doi.org/10.1159/000507697.

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Few authors in the Western literature have acquired such a monumental reputation as Thomas Mann and Fyodor Dostoyevsky; although with different backgrounds and aesthetic peculiarities, their writings converge thematically in their frequent relationship with disease. From Dostoyevsky’s struggle with epilepsy to Mann’s descriptions of tuberculosis and cholera, many are the examples found in their body of work describing medical afflictions. One noteworthy similarity in their works is the presence of hallucinations with Mephistopheles-like devilish entities, possibly caused by neurological diseases: in Mann’s case, concerning the main character of Doctor Faustus, caused by neurosyphilis, while for Dostoyevsky, concerning one of the titular Brothers Karamazov, by delirium tremens. In both cases, the authors leave room for ambiguity, with the characters themselves casting doubts on whether their experiences were indeed caused by their disease or by an actual supernatural being. In this, we may find an interesting intersection between neurology and the literature.

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11

Fortoul, Teresa I. "Lewis Carroll y Fiódor Dostoyevski: genios más allá de la epilepsia." Revista de la Facultad de Medicina 65, no. 6 (November 11, 2022): 43–49. http://dx.doi.org/10.22201/fm.24484865e.2022.65.6.08.

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Fyodor Dostoyevski, considered one of the best writers in history, not only wrote novels and short stories, he was also a journalist, a forerunner of philosophical and scientific trends such as existentialism or psychoanalysis, and also an epileptic. Dostoyevsky learned to live with epilepsy, and his first-hand accounts of the crises he suffered make it possible to delve into the reality of a patient with epilepsy, and learn about the best example that people with this disease should not be judged based on this pathology but of its nature, which in this case left us a legacy as valuable as that of its literature. Key words: Fyodor Dostoyevski, Lewis Carroll, writer, epilepsy, fatality

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12

Borisova, Valentina. "Modern Dostoyevsky." Quaestio Rossica, no. 2 (2015): 283–90. http://dx.doi.org/10.15826/qr.2015.2.108.

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13

Bagno, Vsevolod Evgenyevich. "HAMLET AND DON QUIXOTE, AN ESSAY BY I. S. TURGENEV, EXPANDED BY F. M. DOSTOEVSKY (TOWARDS THE HISTORY OF IDEAS IN RUSSIA)." Russkaya literatura 4 (2023): 5–11. http://dx.doi.org/10.31860/0131-6095-2023-4-5-11.

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The article analyzes F. M. Dostoyevsky’s pronouncements in his Diary of a Writer (1877) concerning the essence of the «Russian idea», those that are directly related to the Don Quixote idea. It is established, through the analysis of the creative history of I. S. Turgenev’s speech Hamlet and Don Quixote (1860) and of the context of its perception in the Russian criticism, that Dostoyevsky had derived his thoughts from the essay by Turgenev.

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14

Cabral, Jimmy Sudário. "AS SOMBRAS DOS SANTOS: estética e transcendência na narrativa de Dostoiévski - DOI 10.5752/P.1983-2478.2014v10n17p99." INTERAÇÕES 10, no. 17 (August 31, 2015): 99–112. http://dx.doi.org/10.5752/p.1983-2478.2015v10n17p99.

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ResumoComo sugeriu J. Catteau, a recepção da obra de Dostoiévski experimentou uma “decapitação do seu elemento transcendental”, sintoma de uma ruptura com o elemento religioso que estruturou uma abordagem estética e polifônica de suas obras, como encontramos, por exemplo, em M. Bakhtin. No presente artigo, refletimos sobre os fundamentos do “universo religioso de Dostoiévski”, compreendendo o espaço de transcendência religiosa que encontramos em suas obras e que se traduziu na epifania dos seus personagens ícones. A partir da tematização do conteúdo religioso que determinou as antinomias das suas personagens literárias, procuramos compreender os filtros dialéticos que organizaram a sua forma particular de cristianismo.Palavras-chave: Dostoievski. Religião. Estética. Transcendência,AbstractAs J. Catteau suggested, the reception of the Dostoyevsky's workexperimented a “decapitation of its transcendental element”, a symptom of rupture with the religious element that structured an esthetical and polyphonic approach of his work, which can also be found, for example, inMikhail Bakhtin. In this present work we aim to think over the fundamentals of “Dostoyevsky’s religious universe”, considering the space of religious transcendence found in his literature, which was translated into an epiphany of his icon characters. From the thematisation of the religious content that determinated the antinomy of Dostoyevsky's literary characters, we seek to comprehend the dialectical filters that organize his particular form of christianity.Keywords: Dostoyevsky. Religion. Esthetical. Transcendence.

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15

Yahyapour, Marzieh, Janolah Karimi-Motahhar, and Faezeh Mohammadnia-Hanai. "The influence of Dostoevsky's tradition on Sadegh Hedayat (“The Blind Owl” and “Notes from The Underground”)." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 71 (2024): 112–24. http://dx.doi.org/10.37816/2073-9567-2024-71-112-124.

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Sadegh Hedayat, who is known as one of the intellectuals of his era, was one of the first Iranian writers who used an expressionism style in his works. Sadegh Hedayat’s mental perspective and existentialist thoughts are clearly visible in his works. Since Sadegh Hedayat was familiar with foreign literature, especially the works of Fyodor Dostoyevsky, he got influenced by him in some subjects. This study compares the two works “The Blind Owl” by Hedayat and “Notes from The Underground” by Dostoyevsky. Both works have a psychological feature – they both depicted their story’s protagonist similarly. Both Dostoevsky and Hedayat, with the help of the isolation and loneliness motifs (“Corner”, “Underground”), make the characters’ protest against the state of society comprehensible to the reader. But the main difference between the two works is the difference in the religious perspective of the two authors. Dostoyevsky’s main character suffers from unbelief, while Sadiq Hedayat’s hero is suffering by the misunderstanding of those around him and considers people who are bigots to be superstitious. Regardless of cultural and linguistic differences, as well as place and time of life, Dostoyevsky and Hedayat are equally concerned with belief issues and social vices. They lived in a suffocating social environment that made both writers protesting and unsatisfied. This dissatisfaction with the social situation is also reflected in the characteristics of the “Notes from The Underground” and “The Blind Owl” main characters.

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16

Wójciak, Monika. "Unde malum? Czesław Miłosz on Fyodor Dostoyevsky and Vladimir Solovyov." Tekstualia 4, no. 67 (November 25, 2021): 69–76. http://dx.doi.org/10.5604/01.3001.0015.5279.

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This article discusses Czesław Miłosz’s essays on Grand Inquisitor by Fyodor Dostoyevsky and A Tale of the Anti-Christ by Vladimir Solovyov. These essays focus on the essence, genesis, and forms of evil, and seek an answer to the unde malum question. Miłosz believes that in world literature there are no other works that show the nature of evil in a similar way. Dostoyevsky’s work, when read from various philosophical perspectives, reveals very complex meanings, as Solovyov demonstrates. Through his engagement with the two great Russian writers, Miłosz’s own work resonates more strongly in the debate about the condition of the modern man.

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17

Isaev, Sergei Alexandrovich. "Dostoyevsky and Lutheranism." Христианское чтение, no. 4 (2021): 44–49. http://dx.doi.org/10.47132/1814-5574_2021_4_44.

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18

Trimmer, Eric. "The Dostoyevsky Diktat." International Journal of Clinical Practice 45, no. 1 (March 1991): 68. http://dx.doi.org/10.1111/j.1742-1241.1991.tb08837.x.

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19

Iskhakova, Z. Z., L. K. Gyulbyakova, and M. V. Zhuravleva. "Emotive codes in Dostoevsky's "The Gambler"." Язык и текст 3, no. 3 (2016): 18–25. http://dx.doi.org/10.17759/langt.2016030303.

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This article is devoted to encoding and decoding the emotional image of F.M Dostoyevsky through the variant emotive deictic field with its emotive codes in the sphere. The object is the emotional speech of the characters in the works of F.M. Dostoyevsky. The subject of the study are the emotive signs in the emotional speech of the characters of F.M. Dostoyevsky. The aim of the article is to identify the most frequent emotive signs in Dostoevsky's "The Gambler", reflecting the emotional state of the characters, through which Russian writer expresses himself.

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20

Anoshkina, V. N., and N. V. Kasatkin. "PLATON and DOSTOEVSKIY." Язык и текст 4, no. 4 (2017): 12–29. http://dx.doi.org/10.17759/langt.2017040402.

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The article examines the significance of F. Dostoyevsky for Russian literature, the philosophical views of F.Dostoyevsky, the basis of the philosophy of his views. The influence of Plato's ideas on the works of F. Dostoyevsky is also considered.

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21

Leatherbarrow, W. J., Malcolm V. Jones, and Garth M. Terry. "New Essays on Dostoyevsky." Modern Language Review 80, no. 1 (January 1985): 248. http://dx.doi.org/10.2307/3729477.

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22

COROIU, Petruța-Maria. "Fyodor Dostoyevsky and music." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 14(63), no. 2 (January 20, 2022): 41–48. http://dx.doi.org/10.31926/but.pa.2021.14.63.2.4.

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23

Kováč, Ladislav. "Darwin and Dostoyevsky: twins." EMBO reports 11, no. 11 (November 2010): 815. http://dx.doi.org/10.1038/embor.2010.163.

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24

Adelman, Gary. "Reading Dostoyevsky Post-Holocaust." Shofar: An Interdisciplinary Journal of Jewish Studies 14, no. 4 (1996): 85–115. http://dx.doi.org/10.1353/sho.1996.0109.

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25

George, Sanju. "Excerpts from The Letters of Dostoyevsky to His Wife, by Fyodor Dostoyevsky." Advances in Psychiatric Treatment 17, no. 2 (March 2011): 103. http://dx.doi.org/10.1192/apt.17.2.103.

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26

KUNILSKIY, А. Е. ""VITALISM" APOLLON GRIGORYEV AND DOSTOYEVSKY." Учёные записки Петрозаводского государственного университета 170, no. 1 (January 2018): 7–12. http://dx.doi.org/10.15393/uchz.art.2018.21.

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27

Davison, R. M., and Geir Kjetsaa. "Fyodor Dostoyevsky: A Writer's Life." Modern Language Review 84, no. 2 (April 1989): 534. http://dx.doi.org/10.2307/3731665.

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28

Senanayake, N. "The Idiot, Dostoyevsky, and epilepsy." Ceylon Medical Journal 45, no. 4 (February 18, 2014): 160. http://dx.doi.org/10.4038/cmj.v45i4.6588.

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29

Peace, R. A., and W. J. Leatherbarrow. "Fyodor Dostoyevsky: 'The Brothers Karamazov'." Modern Language Review 89, no. 3 (July 1994): 811. http://dx.doi.org/10.2307/3735227.

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30

Лысюк, А. И. "DOSTOYEVSKY AND MODERN RUSSIAN CONSERVATISM." Odesa National University Herald. Sociology and Politics 23, no. 2(31) (October 13, 2018): 193–203. http://dx.doi.org/10.18524/2304-1439.2018.2(31).144306.

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31

Telloni, Agnese Ilaria, and Carlo Toffalori. "Dostoyevsky as mathematician (part I)." Lettera Matematica 3, no. 3 (August 22, 2015): 147–55. http://dx.doi.org/10.1007/s40329-015-0087-z.

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Telloni, Agnese Ilaria, and Carlo Toffalori. "Dostoyevsky as mathematician (part II)." Lettera Matematica 3, no. 4 (December 2015): 197–204. http://dx.doi.org/10.1007/s40329-015-0097-x.

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33

DeToledo, John C. "The Epilepsy of Fyodor Dostoyevsky." Archives of Neurology 58, no. 8 (August 1, 2001): 1305. http://dx.doi.org/10.1001/archneur.58.8.1305.

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34

Whitlock, Sara Elizabeth. "Bowing for Forgiveness in The Brothers Karamazov." Journal of Student Research 5, no. 1 (April 14, 2016): 1–3. http://dx.doi.org/10.47611/jsr.v5i1.275.

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The Eastern Orthodox tradition of bowing heavily influences the work of Fyodor Dostoyevsky, and his final novel, The Brothers Karamazov, contains many instances of bowing at developmental moments for protagonists. By setting the novel’s action during the Lenten season, Dostoyevsky allows the characters to participate vicariously in the Sunday of Forgiveness, an Orthodox service of bowing and forgiveness. When viewed in light of the book’s narrative timeline and the Sunday of Forgiveness traditions, the major bows in The Brothers Karamazov can be interpreted as requests for forgiveness.

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35

Konkina, N. "Associative text field of spatial limit (on the material of the “Dostoevsky Language Dictionary”)." Rhema, no. 1, 2019 (2019): 20–35. http://dx.doi.org/10.31862/2500-2953-2019-1-20-35.

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The paper offers the textual associative field reconstruction method using the “Dostoyevsky Language Dictionary”. The logic of modelling the textual associative field of spatial border is applied to the Dictionary’s data. The idioglosses described in the paper are included in the same symbolic paradigm so the more detailed symbolic meaning description is possible by comparing the contexts of their use. Besides, the comparison of “Dostoyevsky Language Dictionary” and “Russian Associative Dictionary” data allows finding some peculiarities of the words with the spatial border meaning functioning in Russian linguistic world-image.

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36

Sönmez, Semih. "Fyodor Mikhailovich Dostoyevsky: Hayatı Farklı Şekilde Algılamak." ÜNİVERSİTEPARK Bülten 2, no. 2 (December 30, 2013): 35–37. http://dx.doi.org/10.12973/unibulletin.22.8.

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37

Sharapova, D. D. "“THE IDIOT” BY F. M. DOSTOYEVSKY AND “LES MYSTERES DE PARIS” BY EUGENE SUE: COMMON GROUNDS." Bulletin of Kemerovo State University, no. 4 (November 26, 2016): 228–32. http://dx.doi.org/10.21603/2078-8975-2016-4-228-232.

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The article is about the influence of the “roman-feuilleton” on the novel “The Idiot” by F. M. Dostoyevsky. The article features a number of selected heroes (Nastasiya Filippovna and prince Myshkin) and situations which have analogues with the novel “Les mysteres de Paris” by Eugene Sue and the genre of “romanfeuilleton” (for example, repeated scandals, which are very important for the story, coincidences, parentlessness of the main heroes, love triangles, numerous dramatic scenes and storylines). Also, the author of the article analyzes the genesis of the feuilleton motifs and the varieties that were left by Dostoyevsky as plans and drafts only.

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38

Osipova, Elvira. "Salinger, Dostoyevsky, and the Orthodox Tradition." Literature of the Americas, no. 4 (2018): 184–94. http://dx.doi.org/10.22455/2541-7894-2018-4-184-194.

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39

Bhattacharyya, KalyanB. "Fyodor Mikhailovich Dostoyevsky and his epilepsy." Neurology India 63, no. 4 (2015): 476. http://dx.doi.org/10.4103/0028-3886.161979.

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40

FRANK, JOSEPH. "DOSTOYEVSKY AND THE “IDEALS OF MANKIND”." Yale Review 98, no. 4 (2010): 1–13. http://dx.doi.org/10.1353/tyr.2010.0074.

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41

Earnest, Steve. "The Brothers Karamazov by Fyodor Dostoyevsky." Theatre Journal 68, no. 3 (2016): 468–69. http://dx.doi.org/10.1353/tj.2016.0087.

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FRANK, JOSEPH. "DOSTOYEVSKY AND THE “IDEALS OF MANKIND”." Yale Review 98, no. 4 (September 27, 2010): 1–13. http://dx.doi.org/10.1111/j.1467-9736.2010.00649.x.

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43

Milder, Robert. "Crimes and Punishments: Hawthorne and Dostoyevsky." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 72, no. 3 (2016): 99–131. http://dx.doi.org/10.1353/arq.2016.0016.

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44

Hindus, Milton. "Dostoyevsky and Malthus: Debunkers of Utopianism." Humanitas 7, no. 1 (1994): 51–61. http://dx.doi.org/10.5840/humanitas1994717.

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45

Farkas, Aliz. "Existential Concerns in Anton Chekhov’s Short Stories." Acta Universitatis Sapientiae, Philologica 14, no. 1 (December 1, 2022): 83–95. http://dx.doi.org/10.2478/ausp-2022-0007.

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Abstract Existential philosophy addressed questions that either had been overlooked by traditional philosophy for a long period of time (e g the individual’s experience of anxiety in the face of death, the failure of rational thinking and science to inquire essential aspects of human life) or had resurfaced again following the disappointment caused by the destructions and absurdity of the two world wars in the first half of the twentieth century (e g questions pertaining to the meaningfulness/meaninglessness of the human endeavour and of human life in general) Russian realist novelists Fyodor Dostoyevsky and Leo Tolstoy are often invoked among the earliest existentialist thinkers, along with philosophers Søren Kierkegaard and Friedrich Nietzsche Drawing on the works of philosophers Kierkegaard and Nietzsche and cultural anthropologist Ernest Becker, this paper will examine how the existentialist preoccupation with death anxiety, ethics, and authenticity is represented in two short stories by Anton Chekhov, one of Dostoyevsky’s and Tolstoy’s younger contemporary writers

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46

Zhekova, Desislava, Robert Zangenfeind, Alena Mikhaylova, and Tetiana Nikolaienko. "Sentence-Alignment and Application of Russian-German Multi-Target Parallel Corpora for Linguistic Analysis and Literary Studies." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 4, no. 1 (February 28, 2015): 45–61. http://dx.doi.org/10.14195/2182-8830_4-1_3.

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This paper presents the application of multi-target parallel corpora consisting of a single source text and multiple target translations of it for linguistic analysis. We discuss the alignment, interactive search and visualization of this type of data within a specific tool called ALuDo (Alignment with Lucene for Dostoyevsky). This is a Java implementation that uses local grammars, ontological information, bilingual dictionaries and statistical approaches for alignment and search. The data set in use is the Russian novel Crime and Punishment by Fyodor Dostoyevsky and three German translations of it. With this bilingual corpus quite a number of investigations in the field of linguistics and of literary studies are possible. Additionally, we release part of the resulting parallel corpus.DOI: http://dx.doi.org/10.14195/2182-8830_4-1_3

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Suyono, Seno Joko. "TINDAKAN DAN MORALITAS DALAM NOVEL-NOVEL DOSTOYEVSKY." Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan 15, no. 28 (October 28, 2016): 18–28. http://dx.doi.org/10.32795/ds.v15i28.57.

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This study may be an attempt to open the new perspectives and possibilities regarding the close relationships between the literature and the philosophy. This study aims at providing a clarification about the basic problems of the philosophy (in this case: morality and actions) within the literature. The new understanding may not be reachable through certain linguistic or literary analyses. In accordance with the action and the morality found within the novels of Dostoyevsky, it can be concluded: (1) There would always be a disproportion in various levels within the characters of the novels and their actions; (2) there is a development in one of the concepts, e.g. freedom – that from one novel to another qualitatively the sense become more mature and easier to define; (3) the dynamics of the actions and the morality made from one novel to another increasingly lay in the extreme poles.

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Pursglove, Michael, Jacques Catteau, and Audrey Littlewood. "Dostoyevsky and the Process of Literary Creation." Modern Language Review 86, no. 3 (July 1991): 807. http://dx.doi.org/10.2307/3731139.

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Leatherbarrow, W. J., and Gary Adelman. "Retelling Dostoyevsky: Literary Responses and Other Observations." Modern Language Review 97, no. 3 (July 2002): 780. http://dx.doi.org/10.2307/3737585.

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Dana-Cohen, Thomas. "Reading a Blind "Parataxis" Dostoyevsky (Nietzsche) Bakhtin." boundary 2 15, no. 3 (1988): 45. http://dx.doi.org/10.2307/303249.

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