Relevant bibliographies by topics / Double in "The Horla"

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  2. Dissertations / Theses
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Academic literature on the topic 'Double in "The Horla"'

Author: Grafiati
Published: 5 June 2025
Last updated: 16 July 2025

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Journal articles on the topic "Double in "The Horla""

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Sourav, Ghosh. "The Trope of House: A Study of Freudian Uncanny in Guy de Maupassant's "The Horla"." Achievers Journal: Journal of English Language, Literature and Culture 9, no. 2 (2023): 1–13. https://doi.org/10.5281/zenodo.8173843.

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<strong>This Article is Peer-Reviewed. Originally published in &quot;The Achievers Journal&quot; by the author: Sourav Ghosh, Dept. of English &amp; Culture Studies, The University of Burdwan.</strong> <strong>Details of the author&mdash; ORC ID: <em>orcid.org/0000-0001-7812-5506</em>, E-Mail: <em>souravbueng@gmail.com</em></strong> <strong><em>URL:&nbsp;Click here to find the source where the Article is Published originally</em></strong> In literature and cultural studies, the idea of the home as a location for the uncanny has frequently appeared. The home as a familiar space can be interpreted as strangely familiar with uncanny manifestation. Familiar rooms suddenly feel foreign, and the line between the inside and outside could become hazy. Home in Guy de Maupassant&#39;s ―The Horla, acts as an active entity to create horror &mdash; initially a space of comfort. Also, the house serves as a symbol of the character&#39;s psychological state, and the uncanny elements within the house reflect anxieties. While the Horla (or the out there) is invariably read by scholars as the double, the projection in ―The Horla&nbsp;emphasizes the idea that the home can be both reassuring and unsettling, familiar yet strange. The present paper examines how the house creates the trope of horror, which leads to the narrator&#39;s burning down the house and also committing suicide.
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Jung, Johann. "Du paradoxe identitaire au double transitionnel : Le Horla de Guy de Maupassant." Revue française de psychanalyse 74, no. 2 (2010): 507. http://dx.doi.org/10.3917/rfp.742.0507.

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Golovacheva, Irina V., and Mikhail Ye Zhuravlev. "The doppelgänger topos through a quantitative comparative lens." Imagologiya i komparativistika, no. 23 (2025): 7–30. https://doi.org/10.17223/24099554/23/1.

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The paper discusses the quantitative comparison of the doppelganger topos by the elementary methods of graph theory. The range of selected texts ensured a large sample size to analyze the doppelganger poetics: Adelbert von Chamisso’s Peter Schlemihl’s Miraculous Story, Ernst T.A. Hoffmann’s Die Doppeltganger, Nikolai Gogol’s The Nose, Edgar A. Poe’s “William Wilson”, Theophile Gautier’s “The Two Actors for One Role”, Fyodor Dostoevsky’s The Double: A Petersburg Poem, Hans Ch. Andersen’s The Shadow, Fyodor I. Dostoevsky’s “The Devil. Ivan Fyodorovich’s Nightmare” (a chapter from The Brothers Karamazov), Henri A.R. Guy de Maupassant’s “The Horla”, Robert L. Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, Henry James’s “The Jolly Corner”, Joseph Conrad’s “The Secret Sharer”, and Vladimir Nabokov’s Despair. The study consisted of three stages. Firstly, the authors determined the features of the sampled texts to be quanitfied. Secondly, they built incidence matrices for each of the four specified groups of the doppel-ganger attributes: psychic attributes of the doppelganger topos, doppelganger physical manifestations, elements of biography of the doppelganger topos, and poetics of Gothic mystery associated with a doppelganger. The matrices demonstrated which texts contain which doppelganger attributes to calculate the degree of similarity between texts for each group of attributes. Thirdly, based on the full list of attributes for all the four groups, the authors analyzed the similarities and differences between the texts to assess the results in terms of the history and theory of literature. The quantitative method, having served as a kind of trigger for literary analysis, yielded high-quality poetological results. 1) The vivid and functional imagery of “The Horla” and Stevenson’s novella largely determined the genre of ’multiple personality’ thriller. 2) The Double, “The Secret Sharer” and “The Two Actors for One Role” apparently provided literature with fairly universal doppelganger imagery that turned out to be most adaptive for various artistic tasks. 3) High results of “The Secret Sharer” show that the doppelganger in the literature of the early 20th century no longer needed to be fantastic and “monstrous.” 4) Dostoevsky’s The Double appeared to be the most typical due to the total number of doppelganger attributes and its strong similarity with the other selected texts. The authors declare no conflicts of interests.
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Hadj-Naceur, Malika. "Double je... et double jeu ou « djeha » revisité." Horizons Maghrébins - Le droit à la mémoire 37, no. 1 (1999): 47–51. http://dx.doi.org/10.3406/horma.1999.1730.

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Barré, Véronique. "Abdallah Sadouq - La quiétude et le double regard." Horizons Maghrébins - Le droit à la mémoire 20, no. 1 (1993): 186–91. http://dx.doi.org/10.3406/horma.1993.1189.

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Dufour-El Maleh, Marie-Cécile. "Art et artisanat, figure double de la créativité." Horizons Maghrébins - Le droit à la mémoire 33, no. 1 (1997): 33–44. http://dx.doi.org/10.3406/horma.1997.1592.

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Dieguez, Sebastian. "Le Horla." Cerveau & Psycho N° 82, no. 10 (2016): 94–97. http://dx.doi.org/10.3917/cerpsy.082.0094.

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Gellis, André Luiz, and Juliana Araujo Nascimento. "Le horla." Remate de Males 42, no. 2 (2023): 494–520. http://dx.doi.org/10.20396/remate.v42i2.8667224.

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Prenunciando aspectos da realidade humana investigados por Sigmund Freud, Le Horla de Maupassant retrata a possessão do protagonista anônimo ou por um monstro desconhecido ou por uma desordem psíquica, os quais parecem transpor a estrutura mental maior que governa a sociedade da época e o regime de pensamento que se impõe com a secularização dos costumes, em uma narrativa em forma de diário, permitindo outras tantas aproximações com a psicanálise. Com isso, encontram-se aberturas e meandros para um estudo comparado de literatura e psicanálise: percorrendo suas zonas fronteiriças, novas significações e interpretações surgem; entretanto, deve-se ter em vista os limites dessa abordagem, na qual a literatura pode ilustrar a psique humana, e a psicanálise, auxiliar na análise do texto literário. Aplicando metodologias diferentes a um mesmo objeto de estudo, literatura e psicanálise produzem um saber a respeito desse objeto, cuja inter-ação pode ser observada em Le Horla. Ambos autores confrontavam uma sociedade fascinada por fenômenos sobrenaturais e paranormais ao mesmo tempo, preocupada em apreender o espírito humano em seu funcionamento e em sua perturbação e distúrbios: os alienistas da época mais consagrados a descrever a doença, alienavam o doente em nosografias, julgando-se seguramente distanciados de seu objeto de estudo e imparciais, (re)produzindo exclusões e preconceitos. Crentes de tamanho equívoco, de um lado Freud funda a psicanálise, de outro, Maupassant faz da literatura seu laboratório. Ambos criticam a ilusão de uma neutralidade no campo científico e trazem, ainda hoje, outra visão dos limites dos processos do inconsciente, mostrando que diferentes áreas podem dialogar sem que uma se reduza ou se imponha à outra para prosperar e impulsionar novas perspectivas de estudos e crítica.
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Gontard, Marc. "La double réception du texte maghrébin et le système du texte mixte." Horizons Maghrébins - Le droit à la mémoire 17, no. 1 (1991): 58–59. http://dx.doi.org/10.3406/horma.1991.1093.

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Rijkschroeff, P. "A PhD completed. Neutrophils in the oral cavity. A double-edged sword." Nederlands Tijdschrift voor Tandheelkunde 126, no. 03 (2019): 153–56. http://dx.doi.org/10.5177/ntvt.2019.03.18229.

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Dissertations / Theses on the topic "Double in "The Horla""

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Nolin, Isabelle. "La critique génétique du Horla de Maupassant /." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83134.

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The result of formal and thematic research undertaken by the author in the1880s, Maupassant's Le Horla (1887), owing to its originality, became a fantastic literature classic. Constituted from the recycling of several passages of independent texts among which La Lettre d'un fou (1885) and Le Horla published in 1886, the tale, built by recoveries and variations, offers a completely relevant exploratory way for genetic research. By studying the differences between the Horla manuscript (1887) and short stories which present themselves as genesis elements of the text, we will perform the genetic rise of the famous text in order to refine our knowledge of Maupassant's thematic and stylistic evolution as well as clarifying the poetics of his fantastic.
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Neves, Angela das. "A volta do Horla: a recepção de Guy de Maupassant no Brasil." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-04122007-104232/.

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A dissertação A volta do Horla estuda a recepção crítica e criativa de Guy de Maupassant (1850-1893) no Brasil, o contista francês mais representativo do século XIX. Esse escritor foi lido, traduzido e comentado nos jornais Gazeta de Noticias, Correio Paulistano, Jornal do Commercio, O Estado de São Paulo (A Provincia de São Paulo, até 1889), de 1880 a 1921, bem como nos principais estudos críticos e bibliográficos de historiadores da Literatura Brasileira, os quais compõem o corpus desta pesquisa. Sua presença é também encontrada em obras ficcionais no período que compreende o Realismo-Naturalismo e o Pré-Modernismo brasileiros, de que são exemplos os livros de contos de Monteiro Lobato (1882-1948). Esse corpus, aqui analisado e interpretado, mostra-nos as diversas leituras feitas pelas variadas correntes críticas em voga no Brasil. Tomam por base critérios literários ou não-literários, estimulados pela vasta produção e particular variedade da obra em questão e pelo conhecimento difundido da vida do autor. Permite-se aqui, portanto, mais um momento de releitura crítica desse escritor, revelado por olhares ora esquecidos e não raro desconhecidos dos estudiosos de Guy de Maupassant.<br>The dissertation The Horla Return studies the critical and creative reception of Guy de Maupassant (1850-1893) in Brazil, the most representative French storyteller of the 19th century. This writer was read, translated and commented in newspapers Gazeta de Noticias, Correio Paulistano, Jornal do Commercio, O Estado de São Paulo (A Provincia de São Paulo, up to 1889), between 1880 and 1921, as well as in the main critical and bibliographical studies of Brazilian Literature historians, which compose the corpus of this research. Its presence is also found in ficcional works in the period which includes Brazilian Realism-Naturalism and Pre-Modernism, of which the story books of Monteiro Lobato (1882-1948) are examples. This corpus, here analysed and interpreted, discloses diverse readings made for the various critical current in vogue in Brazil. It has as background literary or nonliterary criteria, stimulated for the vast production and internal variety of the work itself and by the knowledge difusion of author\'s life. It is allowed here, therefore an additional moment of critical reading of this writer, depicted through the eyes either forgotten or unknown of Guy de Maupassant\'s scholars.
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Levesque, Pierre C. "Théorie et lectures du fantastique, Gaspard de la nuit, La Venus d'ille et Le horla." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0004/MQ42651.pdf.

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Hedenmalm, Li. "Un discours persuasif : Étude narrative de L'Auberge et Le Horla – deux contes fantastiques de Guy de Maupassant." Thesis, Högskolan Dalarna, Franska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-23248.

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Ce mémoire se compose d’une analyse narrative de deux nouvelles fantastiques par Guy de Maupassant : L’Auberge et la seconde version du Horla. La narration du premier de ces contes est extradiégétique, ce qui signifie que le narrateur se trouve en dehors de l’univers fictif. Le deuxième texte, en revanche, est un exemple d’une narration intradiégétique – le narrateur est donc un personnage du récit. Le but principal de l’étude est d’examiner comment le discours du narrateur, selon qu’il est extradiégétique ou intradiégétique, influence la perception des récits et des protagonistes. Pour atteindre cet objectif, nous identifions d’abord quelques stratégies narratives qui sont employées dans les nouvelles afin d’évoquer l’hésitation du lecteur et ainsi créer l’effet fantastique. Nous observons que, suivant le mode de la narration, extradiégétique ou intradiégétique, les stratégies narratives utilisées sont de différentes natures. Elles coopèrent toutefois pour créer un sentiment d’hésitation au lecteur et conduisent donc celui-ci à considérer l’existence du surnaturel dans le monde diégétique. Enfin, nous montrons de plus près comment le discours du narrateur influence la manière dont le lecteur considère le comportement des personnages principaux ainsi que leur santé mentale. Nous voyons que dans tous les deux textes, il n’y a aucun doute que le protagoniste devient finalement fou. Cependant, tandis que le savoir du narrateur omniscient aide enfin le lecteur à résoudre le mystère fantastique dans L’Auberge, le mystère n’est jamais résolu dans Le Horla. Cela semble être attribué à la perception et au savoir limité du narrateur intradiégétique.<br>This essay consists of a structural narrative analysis of two fantastic short stories by Guy de Maupassant: The Inn and the second version of The Horla. In the first of these stories the narration is extradiegetic, meaning that the narrator is positioned outside the fictional world. The second text, on the other hand, is an example of an intradiegetic narration – the narrator is thus a character in the story. The overall aim of the study is to investigate how the discourse of the narrator, whether he is extradiegetic or intradiegetic, influences the perception of the stories and the protagonists. In order to meet this aim, we start by identifying some narrative strategies which are applied in the stories in order to evoke the reader’s hesitation and, thereby, create the fantastic effect. Depending on whether the narration is extradiegetic or intradiegetic, it is observed that these strategies differ from each other. Nevertheless, they work together to awaken the reader’s hesitation, leading him thus to consider the existence of the supernatural in the diegetic world. Finally, it is revealed how the discourse of the narrator influences the way the reader perceives the behavior of the protagonists as well as their sanity. In both texts, there is no doubt that the protagonist eventually loses his mind. However, while the knowledge of the omniscient narrator finally helps the reader to solve the fantastic mystery in The Inn, the mystery is never resolved in The Horla. This seems to be a consequence of the limited perception and knowledge of the intradiegetic narrator.
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Sewell, Tess. "Quand le Réalisme Ne Suffit Pas : Le Mystère et l’Incertitude dans "Le Horla" et "Le Chef-d’œuvre Inconnu"." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/961.

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Le Horla de Guy de Maupassant et Le Chef-d’œuvre inconnu d’Honoré de Balzac sont deux nouvelles françaises du dix-neuvième siècle. C’était une époque de grands bouleversements où des changements sociaux, politiques et scientifiques ont transformé le pays. Il y avait une tension extrême entre le nouveau et le vieux, la science et la religion, la rationalité et les choses qui restaient inexplicables. Balzac et Maupassant étaient tous les deux des écrivains dans la tradition réaliste, mais dans ces deux histoires on voit des éléments mystérieux, fantastiques, et même surnaturels. La perspective réaliste ou naturaliste est représentée dans ces nouvelles, mais elle s’avère insuffisante dans tous les deux. Dans cette thèse j’examine la contraste entre la rationalité et l’inexplicable, et je tente de répondre à cette question : Pourquoi, dans deux histoires des grands réalistes, y a-t-il tant de mystère ?
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Schmiegelow, Margaret Leigh. "A Double Pain, A Double Cure." The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1618988485414121.

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Dupont, Stéphanie. "Les Spectres du texte ou le Calcul poétique de la prose : A rebours (Huysmans), Le horla (Maupassant), La jongleuse (Rachilde), Le rêve (Zola)." Paris 8, 2003. http://www.theses.fr/2003PA082284.

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Toute tentative de catégorisation tend à réduire les œuvres. La preuve en est qu'une lecture attentive, faisant corps avec le texte, permet que surgisse ce qu'occulte un tel système, l'invisible textuel et l'illisible narratif résultant du calcul poétique de la prose. Ce travail se propose d'interroger, au travers d'œuvres comme À Rebours de Huysmans, Le Horla de Maupassant, La Jongleuse de Rachilde et Le Rêve de Zola, les catégories jusqu'ici admises dont, entre autres, celle du fantastique, ré-inventée au XIXème siècle, laquelle n'a finalement servi qu'à désigner des écrits au statut ambigu, aux formes inqualifiables. Ce travail offre une méthode de lecture utilisant le prisme, la spectroscopie, autrement dit des outils capables de modulation, de souplesse, découvrant ce qu'il y a de spectral et donc d'interprétabilité dans les textes. Enfin, une telle réflexion révèle la séparation abusive réalisée entre des œuvres dites réalistes et des œuvres placées sous le signe de l'artificiel<br>Any attempt of categorisation reduces the works. The proof is that a careful reading, forming one's body with the text, allows to reveal the literal invisible and the narrative illegible which result from the counting of poetics in prose. This work proposes to question, through works such as "Against the grain" from Huysmans, "The Horla" from Maupassant, "The Juggler" from Rachilde and "The Dream" from Zola, the up-to-now admitted categories, among which the one of the fantastic, re-invented in the 19th century, which, in the end, only served to point to pieces of writing with ambiguous status, with unspeakable forms. This work offers a method of reading using the prism, the spectroscopy, in other words tools capable of modulation, of suppleness, revealing what is spectral in the texts and leaves therefore room for interpretation. Finally, such way of thinking shows the abusive separation realised between works known as realistic and works placed under the sign of the artificial
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Boberg, Jonas. "Counting Double-Descents and Double-Inversions in Permutations." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-54431.

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In this paper, new variations of some well-known permutation statistics are introduced and studied. Firstly, a double-descent of a permutation π is defined as a position i where πi ≥ 2πi+1. By proofs by induction and direct proofs, recursive and explicit expressions for the number of n-permutations with k double-descents are presented. Also, an expression for the total number of double-descents in all n-permutations is presented. Secondly, a double-inversion of a permutation π is defined as a pair (πi,πj) where i&lt;j but πi ≥ 2πj. The total number of double-inversions in all n-permutations is presented.
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Bentley-Baker, Dan. "Double Fortune." FIU Digital Commons, 1996. http://digitalcommons.fiu.edu/etd/1609.

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Double Fortune is a novel relating events taking place in Miami, Central America, and The Bahama Bank in October and November, 1983. The main character, Michael Hayden, is a free-lance music producer who has become jaded and impotent. A chance encounter on the Bay with Marisol, a Salvadoran heiress, and Hector, her brother, propels him into a complex plot to expatriate money through U.S. government channels. Willy, a brooding Cuban bodyguard hired to protect and instruct the Salvadorans, emerges as both nemesis and key to the duplicities of the scheme. The final showdown involves the four of them on the water above the Cay Sal Bank, a part of the Bahamas equidistant to their disparate worlds.
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Thornton, Bernard Christopher Buchanan. "Double Star." AUT University, 2010. http://hdl.handle.net/10292/958.

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The work is situated in a literary and theoretical context by working with the concepts of authenticity and realism, and within that the story/world distinction. The literary context is examined in terms of realism, naturalism, and the novel of character or psychological novel. The associated research is then discussed. Finally, the novel’s societal context is analysed in terms of some prevailing philosophical views and the existing socio-political structure.
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Books on the topic "Double in "The Horla""

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Maupassant, Guy de. Le Horla. Belin, 2011.

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Maupassant, Guy de. The horla. Melville House, 2005.

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Maupassant, Guy de. Le Horla. Bookking International, 1994.

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Maupassant, Guy de. Le Horla. Michel, 1986.

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Maupassant, Guy de. Le horla. Gallimard, 1986.

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Maupassant, Guy de. Le Horla. CNRS, 1993.

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Maupassant, Guy de. Le Horla. Larousse, 1993.

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Maupassant, Guy de. Les deux Horla. Magnard, 2002.

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Panufnik, Roxanna. Hora Bessarabia: For violin and double bass. 2017.

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Maupassant, Guy de. Horla: Le Horla. Independently Published, 2020.

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Book chapters on the topic "Double in "The Horla""

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Bruyere, Vincent. "Epidemiological Realism (The Horla 1887)." In Palgrave Studies in Literature, Science and Medicine. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-68517-0_2.

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McGuire, Philip C. "Macbeth: ‘Double, Double’." In Shakespeare: The Jacobean Plays. Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23405-9_6.

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Gagné, Michel Jacques. "“Double-cross! Double-cross!”." In Thinking Critically About the Kennedy Assassination. Routledge, 2022. http://dx.doi.org/10.4324/9781003222460-8.

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Tillett, Wade A. "Double." In Navigating the Postmodern Condition. Routledge, 2024. http://dx.doi.org/10.4324/9781003471882-15.

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Smidt, Kristian. "Double, Double, Toil and Trouble." In Unconformities in Shakespeare’s Tragedies. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11120-6_9.

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Yoon, James Hye Suk. "Double Nominative and Double Accusative Constructions." In The Handbook of Korean Linguistics. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118371008.ch5.

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Ghorpade, Sudhir R., and Balmohan V. Limaye. "Double Series and Improper Double Integrals." In A Course in Multivariable Calculus and Analysis. Springer New York, 2009. http://dx.doi.org/10.1007/978-1-4419-1621-1_7.

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Williams-van Klinken, Catharina, and John Hajek. "Chapter 8. Double agent, double cross?" In Typological Studies in Language. John Benjamins Publishing Company, 2020. http://dx.doi.org/10.1075/tsl.129.08kli.

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Stone, Lyn. "To double or not to double?" In Spelling for Life, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003125686-24.

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Dineen, Seán. "Double Integration." In Springer Undergraduate Mathematics Series. Springer London, 2014. http://dx.doi.org/10.1007/978-1-4471-6419-7_9.

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Conference papers on the topic "Double in "The Horla""

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ALHALBOOSI, Hussein Ali, Sefer Kurnaz, and Ahmed Muhi Shantaf. "Design of Double H-Slot Microstrip Patch Triple-Band for C-Band." In 2020 International Congress on Human-Computer Interaction, Optimization and Robotic Applications (HORA). IEEE, 2020. http://dx.doi.org/10.1109/hora49412.2020.9152877.

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Kwok, B., A. Katz, J. M. Hagedorn, S. B. Brosnahan, N. E. Amoroso, and R. M. Goldenberg. "Double the tPA, Double the Fun." In American Thoracic Society 2021 International Conference, May 14-19, 2021 - San Diego, CA. American Thoracic Society, 2021. http://dx.doi.org/10.1164/ajrccm-conference.2021.203.1_meetingabstracts.a3493.

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Ghavaminejad, Mahdi, Ebrahim Afjei, and Masoud Meghdadi. "Double-Input/Double-Output Buck-Zeta Converter." In 2021 29th Iranian Conference on Electrical Engineering (ICEE). IEEE, 2021. http://dx.doi.org/10.1109/icee52715.2021.9544131.

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Ghavaminejad, Mahdi, Ebrahim Afjei, and Masoud Meghdadi. "Double-Input/Double-Output Buck-Zeta Converter." In 2021 29th Iranian Conference on Electrical Engineering (ICEE). IEEE, 2021. http://dx.doi.org/10.1109/icee52715.2021.9544131.

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Kouya, Tomonori. "Acceleration of LU decomposition supporting double-double, triple-double, and quadruple-double precision floating-point arithmetic with AVX2." In 2021 IEEE 28th Symposium on Computer Arithmetic (ARITH). IEEE, 2021. http://dx.doi.org/10.1109/arith51176.2021.00021.

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Prietch, Soraia Silva, and Lucia Vilela Leite Filgueiras. "Double testing." In the 2013 Chilean Conference. ACM Press, 2013. http://dx.doi.org/10.1145/2535597.2535598.

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Chavey, Darrah P. "Double sorting." In the 41st ACM technical symposium. ACM Press, 2010. http://dx.doi.org/10.1145/1734263.1734392.

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Xu, Yi, Jared Heinly, Andrew M. White, Fabian Monrose, and Jan-Michael Frahm. "Seeing double." In the 2013 ACM SIGSAC conference. ACM Press, 2013. http://dx.doi.org/10.1145/2508859.2516709.

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Kawasaki, Takeo, Osamu Yasuda, Naba Mondal, and Chihiro Ohmori. "Double Chooz." In NEUTRINO FACTORIES, SUPERBEAMS AND BETABEAMS: 9th International Workshop on Neutrino Factories, Superbeams, and Betabeams. AIP, 2008. http://dx.doi.org/10.1063/1.2898933.

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"DOUBLE LAYERS." In Proceedings of the Fifth Symposium. WORLD SCIENTIFIC, 1998. http://dx.doi.org/10.1142/9789814529112.

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Reports on the topic "Double in "The Horla""

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Silk, J., and M. S. Turner. Double inflation. Office of Scientific and Technical Information (OSTI), 1986. http://dx.doi.org/10.2172/5857280.

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Bacow, Lawrence, and William Bowen. Double Trouble. Ithaka S+R, 2015. http://dx.doi.org/10.18665/sr.273603.

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Allwein, Gerard, and Ira S. Moskowitz. Double Rail Tests. Defense Technical Information Center, 2009. http://dx.doi.org/10.21236/ada505365.

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Elliott, Steven R. Double Beta Decay. Office of Scientific and Technical Information (OSTI), 2012. http://dx.doi.org/10.2172/1049998.

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Carver, G. P., D. B. Novotny, R. Hershey, and J. E. Luther. Double-level metallization :. National Bureau of Standards, 1987. http://dx.doi.org/10.6028/nbs.ir.87-3579.

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Elliott, Steven R. Double Beta Decay. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1068199.

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Moroz, P. E. Double-helix stellarator. Office of Scientific and Technical Information (OSTI), 1997. http://dx.doi.org/10.2172/537394.

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Dorr, Brian S., Kristi L. Sullivan, Paul D. Curtis, Richard B. Chipman, and Russell D. McCullough. Double-crested Cormorants. U.S. Department of Agriculture, Animal and Plant Health Inspection Service, 2016. http://dx.doi.org/10.32747/2016.7207735.ws.

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Abstract:
The history of conflict between double-crested cormorants and human interest in fisheries is long and convoluted. Overall, double-crested cormorants are not major consumers of commercial and sportfish species. However, exceptions have been recorded at specific sites with documented impacts on local fisheries. Double-crested cormorants can have a significant impact on vegetation at breeding sites through normal nesting activities. Their guano is acidic and can change soil chemistry, killing ground vegetation and irreversibly damaging nest trees. Humans should avoid direct contact with excrement from wildlife, including droppings from cormorants. The U.S. Fish and Wildlife Service (USFWS) has the primary responsibility and authority for managing migratory bird populations in the U.S. This publication will focus on the double-crested cormorant, which is the most numerous and widely dispersed of the species.
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LaConti, Anthony B., and Philip Lessner. Advanced Double Layer Capacitor. Defense Technical Information Center, 1988. http://dx.doi.org/10.21236/ada203059.

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LaConti, Anthony B., Philip Lessner, and S. Saragapani. Advanced Double Layer Capacitor. Defense Technical Information Center, 1989. http://dx.doi.org/10.21236/ada211977.

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