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1

Saberhagen, Fred. Bram Stoker's Dracula. New York: Signet, 1992.

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2

Dracula: The vampire legend on film. Key West, Fla: Fantasma Books, 1992.

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3

Joslin, Lyndon W. Count Dracula goes to the movies: Stoker's novel adapted, 1922-1995. Jefferson, N.C: McFarland & Co., 1999.

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4

The Dead That Walk: Dracula, Frankenstein, the Mummy, and Other Favorite Movie Monsters. New York: Continuum, 1988.

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5

ill, Carter Abby, ed. Great-Uncle Dracula. New York: Random House, 1992.

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6

1950-, Thompson Kristin, ed. Film art: An introduction. 4th ed. New York: McGraw-Hill, 1993.

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7

Bordwell, David. Film art: An introduction. New York: McGraw Hill, 2001.

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8

1950-, Thompson Kristin, and Peng Jixing, eds. Dian ying yi shu: Xing shi yu feng ge. 5th ed. Beijing: Beijing da xue chu ban she, 2003.

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9

Bordwell, David. Film art: An introduction. 7th ed. New York: McGraw-Hill, 2004.

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10

1950-, Thompson Kristin, ed. Film art: An introduction. 3rd ed. New York: McGraw-Hill, 1990.

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11

1950-, Thompson Kristin, ed. Film art: An introduction. New York: McGraw-Hill, 2012.

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12

Bordwell, David. Film art: An introduction. 2nd ed. New York: McGraw-Hill, 1985.

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13

Bordwell, David. Film art: An introduction. 2nd ed. New York: Knopf, 1986.

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14

Bordwell, David. Film art: An introduction. New York: McGraw-Hill Higher Education, 2009.

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15

Bordwell, David. Film art: An introduction. 3rd ed. New York: McGraw-Hill, 1990.

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16

1950-, Thompson Kristin, ed. Film art: An introduction/ seventh edition. 7th ed. Boston: McGraw-Hill, 2004.

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17

1950-, Thompson Kristin, ed. Film art: An introduction. 6th ed. New York: McGraw Hill, 2001.

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18

1950-, Thompson Kristin, ed. Film art: An introduction. New York: McGraw-Hill Higher Education, 2009.

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19

1950-, Thompson Kristin, ed. Film art: An introduction. 5th ed. New York: The McGraw-Hill Companies, 1996.

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20

1950-, Thompson Kristin, ed. Film art: An introduction. 8th ed. Boston: McGraw Hill, 2008.

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21

Tom, Badgett, ed. Official Sega Genesis and Game Gear strategies, 2ND Edition. Toronto: Bantam Books, 1991.

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22

Sandler, Corey. Official Sega Genesis and Game Gear strategies, 3RD Edition. New York: Bantam Books, 1992.

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23

Joslin, Lyndon W. Count Dracula goes to the movies: Stoker's novel adapted. 2017.

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24

Marrero, Robert. Dracula: The Vampire Legend: 70 Years On Film. Fantasma Books, 1992.

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25

Hudson, Dale. International Hollywood Vampires: Cosmopolitanisms of “Foreign Movies”. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423083.003.0005.

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After belated awareness of racism, specifically anti-Semitism within European fascism, not only did postwar US immigration policies change but so too did Hollywood’s vampire films. This chapter probes Hollywood’s international financing of films in the United Kingdom, runaway productions in Europe and the Philippines, and Mexican and Philippine films that were re-edited and dubbed for US markets. Deterritorialized from Los Angeles, Hollywood produces categories of foreign movies alongside domestically shot studio and independent films, evident in Horror of Dracula (1958), Samson Versus the Vampire Women (1962/1963) and Horror of the Blood Monsters (1970). Other films within this analytic parody in imperial-inflected cosmopolitanism of foreign movies, notably The Fearless Vampire Killers, or Pardon Me, Your Teeth Are in My Neck (1967) and Blood for Dracula (1974). Since film circulation operates according to ethnic/racial and national hierarchies in immigration and naturalization law, postwar films unsettle assumptions.
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26

Count Dracula Goes to the Movies: Stoker's Novel Adapted, 1922-2003. 2nd ed. McFarland & Company, Inc., Publishers, 2006.

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27

Jewel, John. Lips of Blood: An Illustrated Guide to Hammer's Dracula Movies Starring Christopher Lee. Glitter Books, 2002.

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28

Fright Night #15: The Resurrection of Dracula, Part 2. Chicago, Illinois: NOW Comics, 1990.

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29

Fright Night #14: The Resurrection of Dracula, Part 1. Chicago, Illinois: NOW Comics, 1989.

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30

Fright Night 3-D Fall Special: The Resurrection of Dracula. Chicago, Illinois: NOW Comics, 1992.

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31

Smith, Sarah. Children, Cinema and Censorship: From Dracula to Dead End (Turner Classic Movies British Film Guides). I. B. Tauris, 2005.

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32

Nightmare, USA: The Untold Story of the Exploitation Independents. Surrey, England: FAB Press Ltd, 2008.

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33

Nightmare, USA: The Untold Story of the Exploitation Independents. FAB Press, 2007.

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34

Hofer, Charles. Meet Dracula (Famous Movie Monsters). Rosen Publishing Group, 2004.

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35

The Q Guide to Classic Monster Movies: Stuff You Didn't Even Know You Wanted to Know...about Dracula, the Mummy, and Other Scary Creatures (Pop Culture Out There Q Guide). Alyson Books, 2007.

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36

Spotlight, Simon. Hotel Transylvania 2 Movie Novelization. Simon Spotlight, 2015.

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37

Hudson, Dale. Blood, Bodies, and Borders. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423083.003.0002.

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This chapter compares two films that reinterpret Bram Stoker’s 1897 novel Dracula and its vampire in different ways. Francis Ford Coppola’s Bram Stoker’s Dracula (1992) parodies a nostalgic and orientalist perspective on debates about the place of the Middle East in the formation of US transnational identity and history, whereas Ana Lily Amirpour’s A Girl Walks Home Alone at Night (2014) moves towards this history’s radical revision. Coppola imagines a “vampire ayatollah” during the first US invasion of Iran’s neighbor Iraq; Amirpour, as a feminist hijabi in the sonic space of Tehrangeles. The filmmakers’ familial trajectories underscore Hollywood’s transnational constitution as linked to US policy. The comparison develops a critical approach for how vampires serve as both object and mode of analysis throughout the book. Stoker’s tropes of blood, bodies, and borders map onto US laws concerning race, immigration, and assimilation.
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38

Dracula: Everything You Always Wanted to Know About the Man, the Myth and the Movie. Bison Group, 1992.

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39

Sutherland, Doris V. The Mummy. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325956.001.0001.

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Released in 1932, The Mummy moved Universal horror away from the Gothic Europe of Dracula and Frankenstein and into a land of deserts, pyramids, and long-lost tombs. In doing so, the film continued a tradition of horror fiction that is almost as old as the Western pursuit of Egyptology, as numerous European and American authors from the nineteenth and early twentieth centuries had portrayed Egypt as a place of mystery and magic. This book examines the roots of The Mummy. It shows how the film shares many of its motifs with the work of writers such as Bram Stoker, Arthur Conan Doyle, and H. Rider Haggard, whose tales of living mummies, immortal sorcerers, and Egyptian mysticism bear strong resemblances to Universal's movie. In addition, the book discusses how The Mummy drew upon a contemporary vogue for all things ancient Egyptian: the tomb of Tutankhamun was discovered the decade before the film was released, prompting sensationalistic rumours of a curse. This is the story of what happened when Hollywood horror went to Egypt.
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40

Ehrlichmann, Marcel. Composition Notebook: Dracula Classic Horror Film Fan Film Movie Notebook Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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41

Schmitt, Daniel. Composition Notebook: Billy the Kid vs. Dracula Fan Film Movie Notebook Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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42

Thompson, Kristin, and David Bordwell. Film Art: An Introduction with Tutorial CD-ROM. McGraw-Hill Humanities/Social Sciences/Languages, 2006.

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43

Thompson, Kristin, and David Bordwell. Film Art: An Introduction. 4th ed. Mcgraw-Hill College, 1992.

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44

Film Art: An Introduction. McGraw-Hill Education, 2019.

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45

Thompson, Kristin, and David Bordwell. Film Art w/ Film Viewer's Guide and Tutorial CD-ROM. 7th ed. McGraw-Hill Humanities/Social Sciences/Languages, 2003.

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46

D. & THOMPSON BORDWELL. Film Art: An Introduction. 2nd Edition. Random House USA Inc, 1988.

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47

Film Art: An Introduction. McGraw-Hill Education (ISE Editions), 1993.

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48

Thompson, Kristin, and David Bordwell. Film Art: An Introduction. McGraw-Hill Companies, 2003.

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49

1950-, Thompson Kristin, ed. Film Art: An Introduction/ Second Edition. 2nd ed. New York: Knopf, 1986.

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50

Thompson, Kristin, and David Bordwell. Film Art: An Introduction with Tutorial CD-ROM. 8th ed. McGraw-Hill Humanities/Social Sciences/Languages, 2006.

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