Relevant bibliographies by topics / Dragones en el arte

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Dragones en el arte'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Dragones en el arte"

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Segura Zariquiegui, Ainhoa. "Los dragones en la cultura occidental y en la oriental: dos cuentos tradicionales, San Jorge y el dragón y La perla y el dragón." Pangeas. Revista Interdisciplinar de Ecocrítica, no. 1 (December 15, 2019): 44. http://dx.doi.org/10.14198/pangeas2019.1.04.

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Existen diversos seres mitológicos en todas las culturas del mundo. El dragón es uno de esos seres cuya representación surge en remotos tiempos. Además, se trata de la imagen tomada por China como representación de su poder, arte y cultura, y adorada desde hace miles de años. Este ser mitológico también surgió en Occidente. En la cultura occidental existe una variación a la hora de representar el dragón, en algunos momentos posee un significado negativo y en otros momentos positivo. En cambio, en Oriente, por influencia del taoísmo tiene características ambivalentes al mismo tiempo. En este ar
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Poli, DorothyBelle, and Lisa Stoneman. "Drawing New Boundaries: Finding the Origins of Dragons in Carboniferous Plant Fossils." Leonardo 53, no. 1 (2020): 50–57. http://dx.doi.org/10.1162/leon_a_01576.

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Dragons thrive in gaps between and beyond spatial boundaries. Can science help explain their existence? Did humans’ investigation of natural phenomena create bits and pieces of dragon lore across cultures? The researchers used a transdisciplinary lens to reveal data unique among extant dragon origin explanations, including fossil evidence and descriptions of Carboniferous-Period plants, dragon folklore descriptions and locations and geographic correlations between the fossils and folklore. The hypothesis is that early humans came across these fossils, constructed meaning for them contextualize
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Puentes Cala, Mauricio. "El reajuste del ejército neogranadino y la promulgación del Código de Milicia de 1794." Memorias, no. 18 (May 3, 2022): 1–53. http://dx.doi.org/10.14482/memor.18.574.5.

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Breve reseña introductoria y transcripción del documento: Reglamento para las Milicias Disciplinadas de Infantería y Dragones del Nuevo Reyno de Granada, y Provincias agregadas a este Virreinato, elaborado en 1794, y que reposa en el fondo Secretaria de Guerra del Archivo General de Simancas en la ciudad de Valladolid (España). / Brief introductory summary and transcript of the document: Reglamento para las Milicias Disciplinadas de Infantería y Dragones del Nuevo Reyno de Granada, y Provincias agregadas a este Virreinato, created in 1794, and that rests in the Fund Secretaria de Guerra del Ar
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De la Ossa, Iván Alexander. "De los poetas de la Antigüedad a la literatura fantástica: una historia general de los dragones en Occidente." Literatura: teoría, historia, crítica 22, no. 1 (2020): 13–49. http://dx.doi.org/10.15446/lthc.v22n1.82291.

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El presente artículo explora la evolución del dragón en la literatura occidental. Se exponen las obras más destacables de los antiguos poetas griegos y romanos, las hagiografías y poemas medievales y, finalmente, algunas obras de la literatura fantástica de los siglos xx y xxi. En cada periodo se examinan e interpretan los elementos simbólicos, incluyendo el matadragones, con el propósito de identificar los puntos en común de estas criaturas, pero también los cambios de significado. Este artículo permite considerar las historias de dragones como creaciones humanas que responden a un periodo hi
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Khalifa-Gueta, Sharon. "Mother of Dragons." Eikon / Imago 11 (March 1, 2022): 79–92. http://dx.doi.org/10.5209/eiko.76756.

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Daenerys Targaryen’s metamorphosis scene is analyzed in this article, with accordance to the millennia old structure of the motif of “the woman and the dragon.” It is suggested in this article, that the visual manifestation of Daenerys in the HBO series Game of Thrones, is a reception of ancient Greco-Roma, and Early modern art. This article follows the iconography of four examples: the Minoan figurine of a priestess or goddess that holds serpents in her hands, Medea’s apotheosis on dragons-driven chariot from a vase painting, Saint Margaret wooden relic statue with the tiny dragon, and Cleopa
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Tizón, Rocío. "Mitos y leyendas sobre los juegos de rol." Education in the Knowledge Society (EKS) 11, no. 3 (2010): 415–25. http://dx.doi.org/10.14201/eks.7448.

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Los juegos de rol aparecen en la década de los años 70 en Estados Unidos, creados por Gary Gigax y Dave Arneson, padres del ya famoso Dragones & Mazmorras. 
 No obstante, fueron pocos los años de tranquilidad, ya que en su país natal se le consideró culpable de promover el suicidio de varios adolescentes que habían sido jugadores de Dragones & Mazmorras. Los engaños de la información y los prejuicios de las noticias sobre estos juegos de rol provocaron que varias personas se interesaran por este fenómeno, analizando dichos mitos y comprobando la verdad de estos rumores. Uno de est
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Aranegui Gascó, Carmen, and Emilia Hernández Hervás. "Un ara dedicada a los dracones hallada en Saguntum (Valencia)." Lucentum, no. 33 (December 15, 2014): 261. http://dx.doi.org/10.14198/lvcentvm2014.33.16.

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Stevenson, Robert G. "Dragons as amulets, dragons as talismans, dragons as counselors." Death Studies 18, no. 3 (1994): 219–28. http://dx.doi.org/10.1080/07481189408252655.

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Narro, Ángel. "Dragones y santos militares en la hagiografía bizantina." Byzantion nea hellás, no. 39 (December 2020): 255–79. http://dx.doi.org/10.4067/s0718-84712020000100255.

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Ceruti, María Constanza. "Udalaitz: la montaña del dragón en el País Vasco." del prudente Saber y el máximo posible de Sabor, no. 14 (julio-diciembre) (December 27, 2021): 9–21. http://dx.doi.org/10.33255/26184141/1087.

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El monte Udalaitz se yergue sobre el poblado vasco de Arrasate-Mondragón y es visitado por montañeros y senderistas con fines recreativos y conmemorativos. En sus alturas han sido erigidas dos cruces modernas y también se observan los basamentos de una antigua ermita cristiana. El presente trabajo procura ahondar en la comprensión de la montaña sagrada vasca desde la experiencia en el terreno en el pico Udalaitz, a través de una mirada antropológica que tiene en cuenta las presencias y ausencias de elementos rituales en el paisaje de altura, la apropiación recreativa y religiosa del ámbito mon
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Dissertations / Theses on the topic "Dragones en el arte"

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Ordoñez, Avalos Marlene Mirtha. "El Dragón: influencia China en los trajes de danzas puneñas actuales." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2010. https://hdl.handle.net/20.500.12672/3219.

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La figura del dragón aparece desde los más remotos tiempos y es una imagen universal de mayor representación en la cultura China, en su arte, filosofía y es tomada como emblema, que se explica en el primer capítulo, esta figura es adorada desde tiempos antiguos con un significado benéfico y se va difundiendo al Occidente a través del comercio entre los pueblos que ayudó al conocimiento y popularización de esta figura, siendo incorporada en otros lugares, tomando características de cada zona. En la Europa medieval es representado con un significado negativo y dibujado con formas más rígidas y s
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Walker, Kathleen. "Chasing the Dragon's Tale: Europe's Fascination and Representation of the Dragon from the Twelfth to the Seventeenth Century." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437605968.

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Plana, Espinet Gina. "Nueve dragones en pantalla: imágenes de China en el documental británico." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/287991.

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El espectacular crecimiento económico experimentado por China en los últimos veinticinco años ha transformado el país en una superpotencia mundial y en uno de los temas más recurrentes de nuestra época. Las televisiones de todo el mundo han demostrado reiteradamente su interés por dar cuenta de la naturaleza de las nuevas relaciones sino-europeas, y las noticias relacionadas con China inundan hoy las pantallas de los televisores de casi toda Europa. Pero las relaciones entre China y el viejo continente no son un fenómeno nuevo y las imágenes del país asiático han estado presentes en todos los
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Walther, Jacquelyn. "The Dragons in your Dreams." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2815.

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What if every craving that you ever felt stayed with you forever? Suppose facades couldn’t exist, and what should only be the deepest, densest core of a desire was formed into a mass, a body. Its will matching yours in its physical presence. I make creatures that are embodiments of emotions. In this study I mainly focus on desires and inhibitions surrounding romance. I explore anatomical structures and how material make-up can directly reflect emotional character. In this exploration, the materiality of clay allows for a thorough manipulation of the composition of the creatures. In this I am
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Strickland, Klaira. "Defining Fan Subcultures within Dungeons & Dragons." Thesis, Western Illinois University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10809137.

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<p> First created in 1974, the largest table-top role-playing game (RPG) <i> Dungeons &amp; Dragons</i> (D&amp;D) started out as a war game where multiple players could join in and fight monsters. Grounded in fantasy conventions and as a way to explore fantasy genres, <i>Dungeons &amp; Dragons</i> popularity continued through new editions and add-ons. In addition, <i> Dungeons &amp; Dragons</i> legacy has lived on in the gaming world as the father of most RPGs and fantasy games with a large fan following across various editions and over multiple decades. The fan following is still evident toda
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Blass-Simmen, Brigit. "Sankt Georg Drachenkampf in der Renaissance : Carpaccio, Raffael, Leonardo /." Berlin : Gebr. Mann Verl, 1991. http://catalogue.bnf.fr/ark:/12148/cb35519812h.

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Chen, Lilly. "The heart of the dragon /." Online version of thesis, 1993. http://hdl.handle.net/1850/12146.

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Ginoux, Nathalie. "Le thème symbolique de "la paire de dragons" sur les fourreaux celtiques (IVe-IIe siècles avant J.-C.) : étude iconographique et typologie /." Oxford : J. and E. Hedges, 2007. http://catalogue.bnf.fr/ark:/12148/cb41160524d.

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Proßowsky, Bjela. "“How to Talk to Dragons” Insights into the Praxis of an Inter-Cultural Shadow Puppet Theatre Play." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22271.

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Cultural diversity in a global community demands our tolerant understanding of one another. Participatory art projects can be instrumental in facilitating equal-footing en­counters and creative communication between people from different cultures that transcend language barriers. Used as a methodology for synergistic exchange and exploration, they represent a useful tool for the study and advancement of alternative solutions to development-related themes, particularly where non-verbal communication is either essential or advantageous.This report considers an independent arts-based project, “Ho
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Ford, Sarah. "Fire and Gold." Youngstown State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1559072363615141.

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Books on the topic "Dragones en el arte"

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El arte de matar dragones. Algaida Editores, 2009.

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Parra, Antonio Rodríguez. El arte de matar dragones. Libertarias/Prodhufi, 1996.

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El arte de matar dragones. Algaida Editores, 2003.

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Dragones y dioses: El arte y los símbolos de la civilización maya. Editorial Trotta, 2010.

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Trevijano, Pedro José González. Dragones de la política. Galaxia Gutenberg, 2010.

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Netto, Mario Adrados. Dragons, witches, and other fantasy creatures in origami. Dover, 2005.

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Dragones. Susaeta, 2007.

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Razzi, Jim. Dragones! Timun Mas, 1987.

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Sueño de dragones. Ediciones El Milagro, 2011.

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Saracino, Luciano. Antes había dragones. UnaLuna, 2011.

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Book chapters on the topic "Dragones en el arte"

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Adhikarla, Vikram, Daniel Abler, Russell Rockne, Davide Maestrini, and Prativa Sahoo. "Rising Dragons." In The Art of Theoretical Biology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_7.

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Hill, Anthony N. "Are Dragons Real?" In Art and Technology. SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-863-1_2.

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Luger, Jason. "‘Awaken the Dragon’." In Public Art Encounters. Routledge, 2017. http://dx.doi.org/10.4324/9781315602837-3.

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Brown, Kendall H. "Powerful dragons and radiant suns." In The Routledge Companion to Art Deco. Routledge, 2019. http://dx.doi.org/10.4324/9780429032165-15.

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Tooze, Roger, and Christopher May. "‘Cave! Hic Dragones: A Critique of Regime Analysis’, 1982." In Authority and Markets. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1007/978-1-349-66651-5_15.

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Ogden, Daniel. "Scripture and Shape." In The Dragon in the West. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198830184.003.0006.

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The culture of hagiography, that of the saints’ Lives, was deeply conservative, and there was little fundamental change in the way in which it represented dragons and their stories across the one and a half millennia in which it thrived. One consequence of this is that dragon’s physical evolution in the wider Christian world outside the Lives (as documented in Chapter 4) had relatively little impact on its representation within them, and for the most part the hagiographical dragon remains worm-style in form. The story-types in which the dragon is engaged in the Lives are strongly shaped by an agenda established by the representation of dragons, serpents, and sea-monsters in scripture, e.g. the Old Testament’s treatments of Leviathan, Rahab, the Serpent of Eden, Jonah’s fish, the Apocrypha’s treatment of the Dragon of Babylon, and the New Testament’s treatment of the Dragon of Revelation.
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Ogden, Daniel. "The Etiquette of the Saintly Dragon Fight (ii)." In The Dragon in the West. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198830184.003.0008.

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A number of recurring sets of motifs of an elaborate kind and with a degree of independence from the principal narrative course (charted in Chapter 6) are documented and analysed here: the dragon and its great brood of serpents; the sacrifice of virgins to the dragon; the attempt to compel the saint to make sacrifice before an idol inhabited by a dragon; the saint’s revival of the boy that had been the dragon’s last victim; the sending of dragons back against the magicians that had unleashed them; and female dragon-fighting saints. Consideration is also given to some matters of ‘meta-narrative’ interest, namely the impact of the attribution of multiple dragon-fights to a single saint (e.g. Silvester and Fronto) and, more intriguingly, the impact of the attribution of fights against what is effectively the same dragon to different saints, as most notably in the case of the Dragon of Rome.
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Purtle, Jennifer. "The Pictorial Form of a Zoomorphic Ecology: Dragons and Their Painters in Song and Southern Song China." In The Zoomorphic Imagination in Chinese Art and Culture. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824846763.003.0008.

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This essay studies painted dragons, zoomorphic tools of human intervention in the water cycle without correlative in empirical science. By demonstrating the relation of pictorial form to meteorological phenomena in dragon paintings used to summon rain, by arguing that the process of painting dragons mimicked, and thus effected, atmospheric events, and by suggesting how artistic repetition and repeated spectatorship of efficacious dragon paintings produced predictable meteorological outcomes, this essay shows how iconology and ecology converged in dragon painting during the Song and Yuan dynasties. This essay reveals that artistic and meteorological correspondences of form, process, and repetition aligned representational and climatological concerns, the shared language of art-historical description and ritual prescription establishing the painter as rainmaker and the rainmaker as painter. Ultimately, this essay suggests that control over the production, reproduction, and viewing of dragon images constituted the power to produce atmospheric events on demand.
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Ogden, Daniel. "To the River and Back." In The Dragon in the West. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198830184.003.0012.

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An idealized principal narrative course is reconstructed for the medieval Germanic dragon fight. The motifs reviewed include: the transformation of a man into a dragon whilst lying on treasure; the generation of a dragon from a corpse; the development of a tiny worm into a vast dragon; the offering of a princess’s hand to a champion; the champion’s protective clothing; his ambushing of the dragon between its cave-lair and a water-source; the dragon’s uniquely vulnerable spot; the champion’s named sword; the special properties of the dragon’s blood. A pair of recurring narrative subroutines are also investigated: in one the champion intervenes on a lion’s behalf upon coming across it engaged in a fight with a dragon, and after killing the dragon has lifelong loyal pet in the lion; in the other the champion is cast into a snake pit, with varying outcomes.
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Ogden, Daniel. "Draco." In The Dragon in the West. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198830184.003.0003.

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The Romans loved their dragons (dracones, serpentes). Their narratives of the great dragon fights of Greek myth are more expansive, more detailed, and richer than any earlier accounts on the Greek side itself. These narratives typically focalize large parts of their accounts of the fights through the figure of the dragon himself, who is often anthropomorphized, endowed with a feisty personality and with the dignity and nobility of a warrior, and treated with a certain degree of sympathy. Paradoxically, the Romans had little interest in developing new dragon-traditions of their own. The single significant exception is the tale of the Dragon of the river Bagrada, which is defeated by distinctively Roman means, namely by their army with its ballistas. But the Roman world was full of the imagery of kindly dragons, including the genii loci that embellished every home.
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Conference papers on the topic "Dragones en el arte"

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Buonocunto, Pasquale, Alessandro Biondi, Marco Pagani, Mauro Marinoni, and Giorgio Buttazzo. "ARTE." In SAC 2016: Symposium on Applied Computing. ACM, 2016. http://dx.doi.org/10.1145/2851613.2851672.

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Wyvill, Geoff. "Dragon gate." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.312908.

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Navarro, Juan F. "EL ARTE COMO AXIOMA DEL ARTE." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4617.

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Desde que las primeras mujeres comenzaron a representar escenas de caza en las paredes de las cuevas, el Arte se ha valido de los métodos y procesos de la Ciencia. En la postmodernidad, su discurso se ha vuelto cada vez más complejo, autorreferencial y, en cierto sentido, axiomático: el Arte se presenta como un axioma del Arte. Expresado en términos análogos a los planteados en el teorema de incompletitud de Gödel, podemos afirmar que hay proposiciones del sistema del Arte que no son decidibles dentro del propio sistema. El objeto de AXIOMA es construir una teoría axiomática del sistema del Ar
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Iwata, Kenichi, Shuji Hiramatsu, Takahiro Fuji, et al. "The legend of dragon." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.312996.

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Castelli, Donatella, Pasquale Pagano, and Manuele Simi. "eLibrary and ARTE." In the 2004 joint ACM/IEEE conference. ACM Press, 2004. http://dx.doi.org/10.1145/996350.996480.

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Cruz, Sandra Mara de Oliveira, Marta Regina Perissotto Dellai, and Milena Ferreira Guatelli. "Projeto Fazendo Arte." In Simpósio de Profissionais da UNICAMP. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/sinteses.v0i7.10250.

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Corrêa, Glaucinei Rodrigues, and Lucas Rossi. "DESIGN É ARTE?" In 12º Congresso Brasileiro de Pesquisa e Desenvolvimento em Design. Editora Blucher, 2016. http://dx.doi.org/10.5151/despro-ped2016-0006.

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Constância Santos Boccia, Emanuela. "Arte e Instagram." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. ACM, 2021. http://dx.doi.org/10.1145/3483529.3483669.

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Hernández Muñoz, Alejandra. "Arte Latino-Americana: percursos e Omissões na Historiografia da Arte." In Encontro da História da Arte. Universidade Estadual de Campinas, 2005. http://dx.doi.org/10.20396/eha.1.2005.3574.

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Alves Garcia, Leandro, Atena Pontes de Miranda, and Thérèse Hofmann Gatti Rodrigues da Costa. "TEORIA ATOR-REDE: ESTADO DA ARTE E AS PESQUISAS EM ARTE." In 30º Encontro Nacional da ANPAP - (RE)EXISTÊNCIAS. Even3, 2022. http://dx.doi.org/10.29327/30enanpap2021.382356.

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Reports on the topic "Dragones en el arte"

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Barbosa Ortiz, Sonia Alexandra. Arte y Escuela. Universidad Nacional Abierta y a Distancia, 2017. http://dx.doi.org/10.22490/ecsah.2107.

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Acero Galindo, Olga Marlén. Comienzos del arte digital. Universidad Nacional Abierta y a Distancia, 2018. http://dx.doi.org/10.22490/ecsah.2851.

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Guaca, Nancy Amparo, Yudith Caicedo, and Juan Carlos Díaz Dávila. Estado del arte de Teletrabajo. Universidad Nacional Abierta y a Distancia, 2018. http://dx.doi.org/10.22490/ecacen.2568.

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Souza, Geysa G. R. de, and Américo Grisotto. QUANDO HÁ ARTE? APRENDIZADO ESTÉTICO EM WITTGENSTEIN. Editora Blucher, 2016. http://dx.doi.org/10.5151/sosci-xisepech-gt18_249.

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Vanegas Lotero, Carmen Elisa, Javier Baena Espinel, Jorge Alberto Lozano Valencia, and María del Carmen Falcón Tomé. Maestría en Educación y Arte. Documento Maestro. Universidad Tecnológica de Pereira, 2019. http://dx.doi.org/10.22517/documentomaestro.

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Camps Gamundi, Isaac. GeoloSketchers: una iniciativa para aunar Geología y Arte. ILUSTRE COLEGIO OFICIAL DE GEOLOGOS, 2017. http://dx.doi.org/10.21028/icg.2017.04.26.

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Martínez Espinosa, Raúl Alejandro. Estrategia pedagógica y de Comunicación: Arte en Contexto. Universidad Nacional Abierta y a Distancia, 2017. http://dx.doi.org/10.22490/ecsah.2106.

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Pound, Grant. Aldo and Leonardo: Una colaboración de ciencia silvestre y arte. U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, 2019. http://dx.doi.org/10.2737/rmrs-gtr-397es.

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Pound, Grant. Aldo and Leonardo: Una colaboración de ciencia silvestre y arte. U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, 2019. http://dx.doi.org/10.2737/rmrs-gtr-397es.

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Sotomayor, Juan, and Vidal Torres. Estado da arte: Efeito das vibrações em barragens de rejeito. ITV, 2020. http://dx.doi.org/10.29223/prod.tec.itv.mi.2020.16.sotomayor.

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