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Dissertations / Theses on the topic 'DRAK Theatre'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Kopecká, Aneta. "Divadlo DRAK a jeho vliv na divadlo Spare Parts Puppet Theatre." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96651.

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This diploma thesis is dealing with two theatres: a Czech Puppet theatre called Theatre DRAK and an Australian theatre called Spare Parts Puppet Theatre. The thesis describes the influence of Czech Puppet Theatre at the Australian Puppet Theatre. The first chapter talks about the development of the DRAK Theatre, including the characteristics of chosen plays for the past few years. The next chapter gathers some information about Australian Puppet Theatre general from the 60s of 20th century. The third chapter outlines development of the Spare Parts Puppet Theatre as well as the plays for the pa
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2

Lasik, Franklin James. "Documentary theatre: dramatizing history and historicizing dram." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407236436.

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3

Galipeau, Stephanie Rosa. "Victorian rebellion in drag Cushman and Menken act out celebrity /." Connect to this title online, 2003. http://etd.lib.fsu.edu/theses/available/etd-11182003-224332/.

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4

DeBoer, John Kenneth. "Camping in the Classroom: Ridiculous Theatre as Serious Drama." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/874.

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My first semester pursuing my MFA in Voice and Speech Pedagogy I vocal-coached an openly gay student playing a straight character who would mask his sexual identity in such a manner that his performance became stiff and uninteresting. Rather than using his personal identity as an asset in the pursuit of a successful performance, his chosen vocal tactics removed any sense of theatricality from his performance. I confronted the student and suggested such extreme vocal suppression diminished the quality of his overall performance. He replied, "So you want me to get the gay out."His use of the p
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5

Santana, Renato Tavares. "Desenho, teatro e educa??o: interpreta??es da a??o dram?tica atrav?s do tra?o." Universidade Estadual de Feira de Santana, 2014. http://localhost:8080/tede/handle/tede/106.

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Submitted by Verena Bastos (verena@uefs.br) on 2015-07-27T22:11:48Z No. of bitstreams: 1 Renato Tavares Santana. DESENHO TEATRO E EDUCACAO.pdf: 4147917 bytes, checksum: 129812850cc37a09e0c5a3b857886564 (MD5)<br>Made available in DSpace on 2015-07-27T22:11:48Z (GMT). No. of bitstreams: 1 Renato Tavares Santana. DESENHO TEATRO E EDUCACAO.pdf: 4147917 bytes, checksum: 129812850cc37a09e0c5a3b857886564 (MD5) Previous issue date: 2014-08-13<br>The proposal of this work involves the interaction-integration between Design and Theatre and its implication to Education, recognizing and exploiting t
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6

Davenport, Jeremiah Ryan PhD. "From the Love Ball to RuPaul: The Mainstreaming of Drag in the 1990s." Case Western Reserve University School of Graduate Studies / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=case1499363704491381.

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7

Lyle, Timothy Scott. ""Check with Yo' Man First; Check with Yo' Man": Perry Appropriates Drag as a Tool to Recirculate Patriarchal Ideology." Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/english_theses/52/.

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Thesis (M.A.)--Georgia State University, 2009.<br>Title from title page (Digital Archive@GSU, viewed June 8, 2010) Shirlene Holmes, Kameelah Martin Samuel, committee co-chairs; Chris Kocela, committee member. Includes bibliographical references(p. 85-87).
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8

Prince, Lindy-Lee. "Above gender : doing drag, performing authentically, and defying the norms of gender through performance in Cape Town." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80074.

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Thesis (MA)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: The thesis that is to be presented discusses the performance of drag and gender in Cape Town – namely Bubbles Bar. I argue that the performance of gender on stage through the performance of drag challenges the norms and ideas of gender in South Africa. Through the act of non-normative staged gendered performance, the participants of this study also challenge stereotypes and stigma around this in relation to the social norms and regulations that are asserted on the individual presentation and performance of gender and sexuali
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9

Steck, Rachel Kinsman 1974. "Laughing lesbians: Camp, spectatorship, and citizenship." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10532.

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xi, 158 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This study, set in the context of the feminist sex wars, explores the performances of Holly Hughes, Carmelita Tropicana, and Split Britches throughout the 1980s and early 1990s. The purpose of this study is to better understand the implications of a specific style of lesbian comedic performance, found at the WOW Café and defined here as lesbian camp, throughout a contentious era in feminist politics. The motivating questions for this study are: How can
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10

Oliveira, Felipe Henrique Monteiro. "Corpos diferenciados e o processo de cria??o da performance Kahlo em Mim Eu E(m) Kahlo." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12454.

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Made available in DSpace on 2014-12-17T14:00:17Z (GMT). No. of bitstreams: 1 FelipeHMO_DISSERT.pdf: 3354962 bytes, checksum: a758acb9f2bb7a31cde2e3bc40a8bacb (MD5) Previous issue date: 2013-03-04<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>The dissertation intends to develop an investigation on the artistic existence in human beings with different bodies in society at different historical moments. In this regard and based on this scenario, the study develops a description of the stigmas production and how they are established, spread and interfere with the sociability a
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11

Stentz, Barbara. "Les représentations de la douleur dans les arts graphiques en France au XVIIIè siècle." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG032.

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Notre thèse interroge les formes et les enjeux des représentations de la douleur au XVIIIe siècle dans les arts graphiques, les dessins et les gravures revêtant à la fois un caractère d’expérimentation et d’indice dans la diffusion des thèmes. L’étude tient compte des conventions, des débats et des codifications dont elles faisaient alors l’objet dans le domaine esthétique, médical, social et politique. À l’heure où l’on estime que la douleur doit s’effacer, il nous paraît important d’évaluer ses occurrences et ses mises en scène passées. À cet égard, les arts figurés de la seconde moitié du X
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12

Kotisová, Sandra. "1973 - 1982 Divadlo DRAK a počátky společenské emancipace českého loutkářství (Vrcholné inscenace Josefa Krofty)." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313721.

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This diploma thesis remarks on the beginning of the equality of rights and the complete social recognition of the puppetry in Czech theatres in the years 1973 - 1982. The thesis deals with the history of the East Bohemian theatre DRAK in Hradec Kralove from its foundation, it describes the arrival of the director Josef Krofta, Prague's performances of DRAK in 1977, the first tours abroad, it observes DRAK in the context of totality, it outlines Krofta's directorial principles and the perspective of the DRAK's Theatre poetics within a decade. Significant attention is dedicated to the reconstruc
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13

Trinidad, Gaven D. "Queer Temporality and Aesthetics in Taylor Mac's The Lily's Revenge: a Dramaturgical Exploration of the Play at UMass Amherst." 2018. https://scholarworks.umass.edu/masters_theses_2/704.

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This master’s thesis documents the dramaturgical exploration of the spring 2018 University of Massachusetts Amherst Department of Theater’s production of gender non-conforming performance artist Taylor Mac’s The Lily’s Revenge. The thesis is separated into two parts. The first half focuses on my dramaturgical analysis of Mac’s play and its exploration of queer temporality and queer embodiment, asserting the importance of queer aesthetics in American drama and its vital role in shaping the future of LGBTQIA+ politics in the United States. The second half includes reflections on rehearsal proces
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14

Shoemaker, Deanna Beth Jones Joni L. "Queers, monsters, drag queens, and whiteness unruly femininities in women's staged performances /." 2004. http://repositories.lib.utexas.edu/bitstream/handle/2152/2202/shoemakerdb042.pdf.

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15

Harris, Tamara. "Shattering Visual Narratives through Lighting Design: A Reflection of Taylor Mac's The Lily's Revenge." 2018. https://scholarworks.umass.edu/masters_theses_2/648.

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The following thesis will explore and evaluate the lighting design behind Taylor Mac’s The Lily’s Revenge produced by the UMass Amherst Department of Theater as part of their 2017-2018 season. It will cover the entire lighting design process from reading the script to producing the world on stage. It will reflect early conversations, the collaboration process, design goals and executions, and the successes and failures reflecting on our art.
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16

Shoemaker, Deanna Beth. "Queers, monsters, drag queens, and whiteness: unruly femininities in women's staged performances." Thesis, 2004. http://hdl.handle.net/2152/2202.

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17

"Vintage drag: Female impersonators performing resistance in Cold War New Orleans." Tulane University, 2004.

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Post-World War II New Orleans was home to several famous and successful venues for female impersonators. In the white club My-O-My, situated in a lightly policed border-space on the fringe of New Orleans, men performed women to a largely heterosexual audience of locals and tourists in a fast-paced nightclub review. Black clubs included the Dew Drop Inn and the Caledonia. On all stages, the female impersonators, utilizing sex, humor, talent and falsies, acted to undermine the basis of patriarchy During this Cold War period, patriarchy was the law of the land. Women, confined to the home and rel
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18

Provázková, Jana. "Postavení travesti show v mediální kultuře." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-392955.

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The diploma thesis The Role of Travesty Show in Media Culture is concerned with a question if we can find some similarities between the way how media presents travesty show and the way how people think and talk about this kind of entertainment. As a research method I chose qualitative content analysis and questionnaire. Theoretical part focuses on explanation of technical terms, history of homosexuality, queer culture, queer theory, travesty show and history. In practical part I will create concrete codes from qualitative content analysis and from these codes I will make categories. Part of pr
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