Academic literature on the topic 'Drama, british and irish'

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Journal articles on the topic "Drama, british and irish"

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Ma, Qianqian. "John Singer's Comedic Drama and Western Culture." Journal of Education, Humanities and Social Sciences 4 (November 17, 2022): 61–63. http://dx.doi.org/10.54097/ehss.v4i.2723.

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The writing of the West in Irish drama began in the Irish Renaissance in the late 19th and early 20th centuries and continues to this day. During the Irish Renaissance, in order to resist British colonial rule, writers endowed the western frontier region of Ireland with romantic imagery and mythic qualities, seeing it as a cultural symbol embodying nationhood, poetic idyll and Irishness. The West of Ireland fits perfectly with the writers' construction of Irish culture during this period in terms of its colonial history, economic environment, sense of national identity, language and culture, a
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Freeman, Sandra, Michael Jamieson, Christopher Murray, et al. "Reviews and notices." Moderna Språk 88, no. 1 (1994): 96–120. http://dx.doi.org/10.58221/mosp.v88i1.10120.

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Includes the following reviews:pp. 96-97. Sandra Freeman. Griffiths, T.R. & Llewellyn, M. (eds.), British and Irish Women Dramatists Since 1958.
 pp. 97-98. Michael Jamieson. Esslin, M., Pinter the Playwright.
 pp. 98-100. Christopher Murray. Hodgson, T., Modern Drama: From Ibsen to Fugard. + Innes, C., Modern British Drama 1890-1990.
 pp. 100-103. Ulf Danatus. Russell, J.R., The Penguin Dictionary of the Theatre. + Wandor, M., Drama Today; A Critical Guide to British Drama. + Acheson, J. (ed.), British and Irish Drama since 1960. + Hilton, J. (ed.), New Directions in Theatr
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Wiśniewski, Tomasz. "Between languages. On bilingual issues in modern British and Irish drama." Tekstualia 3, no. 46 (2016): 111–20. http://dx.doi.org/10.5604/01.3001.0013.4208.

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The article concentrates on tensions between centres and peripheries in modern British and Irish drama. The research material encompases plays by GB Shaw, WB Yeats, JM Synge, Peter Shaffer and works by immigrant contemporary playwrights (e.g. H. Khalil, H. Abdulrazzak, and T. Štivičic), whose work introduces new perspectives to British stage. Among the topics that are scrutinised, the following seem important: London-based model of theatre as opposed to the models emerging from other cultural centres; British and Irish theatre traditions and their interrelations with artistic innovations arriv
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Andayani, Ambar, Edi Pujo Basuki, and Ali Mustofa. "Conflict of Irish Cultural Identity in Brian Friel’s Translation." JENTERA: Jurnal Kajian Sastra 12, no. 1 (2023): 169. http://dx.doi.org/10.26499/jentera.v12i1.6281.

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This research purposes to analyze Irish cultural identity conflict in Brian Friel’s Translation, namely by analyzing why it happens and how it impacts to Irish. The method applied to analyze is descriptive qualitative method by doing content analysis through data collecting technique in the form of library research. From the data source of Brian Friel’s Translation, the researcher does the technique of interpretation by using Homi K. Bhabha’s postcolonialism theory of mimicry concept to identify the conflict of Irish cultural identity found in the literary work. The result of the research show
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Bloom, Emily C. "Channel Paddlers: 1950s Irish Drama on the British Airwaves." Éire-Ireland 50, no. 1-2 (2015): 45–65. http://dx.doi.org/10.1353/eir.2015.0005.

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Meer, Sarah, and Nathaniel Zetter. "Andy Blake; or, the Irish Diamond." Nineteenth Century Theatre and Film 49, no. 2 (2022): 182–223. http://dx.doi.org/10.1177/17483727221128818.

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This scholarly edition of Andy Blake includes an introduction arguing for its claim to be Dion Boucicault’s first Irish drama. It also emphasises Agnes Robertson’s part in developing Boucicault’s comic heroes, while playing a boy. Consideration of the French source text reveals a connection with a revolutionary figure, the gamin de Paris, and demonstrates how Boucicault’s adaptation added a backdrop of British military imperialism.
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Watson, Ariel. "Cries of Fire: Psychotherapy in Contemporary British and Irish Drama." Modern Drama 51, no. 2 (2008): 188–210. http://dx.doi.org/10.3138/md.51.2.188.

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Brannigan, John, Marcela Santos Brigida, Thayane Verçosa, and Gabriela Ribeiro Nunes. "Thinking in Archipelagic Terms: An Interview with John Brannigan." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (2021): 3–28. http://dx.doi.org/10.12957/palimpsesto.2021.59645.

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John Brannigan is Professor at the School of English, Drama and Film at University College Dublin. He has research interests in the twentieth-century literatures of Ireland, England, Scotland, and Wales, with a particular focus on the relationships between literature and social and cultural identities. His first book, New Historicism and Cultural Materialism (1998), was a study of the leading historicist methodologies in late twentieth-century literary criticism. He has since published two books on the postwar history of English literature (2002, 2003), leading book-length studies of working-c
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Rees, Catherine. "The Good, the Bad, and the Ugly: the Politics of Morality in Martin McDonagh's The Lieutenant of Inishmore." New Theatre Quarterly 21, no. 1 (2005): 28–33. http://dx.doi.org/10.1017/s0266464x04000314.

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The recent plays of Martin McDonagh have fascinated and repelled critics for nearly a decade. His idiosyncratic blend of rural Irish mythology and ‘in-yer-face’ aggression has both caused consternation and won high praise, but the motivations and inspirations of McDonagh's work have not been widely discussed. Here, Catherine Rees addresses some of the common critical assaults on one of his most contentious plays, The Lieutenant of Inishmore (2001), and seeks to rescue the playwright from misunderstanding and heavy-handed critical treatment. She also aims to clarify some of the issues surroundi
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Levay, Matthew, Francesca Bratton, Caroline Krzakowski, et al. "XIV Modern Literature." Year's Work in English Studies 98, no. 1 (2019): 858–1020. http://dx.doi.org/10.1093/ywes/maz011.

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Abstract This chapter has eight sections 1. General. 2 British Fiction Pre-1945; 3. British Fiction 1945 to the Present; 4. Pre-1950 Drama; 5. Post-1950 Drama; 6. British Poetry 1900–1950; 7. British Poetry Post-1950; 8. Irish Poetry. Section 1 is by Matthew Levay; section 2(a) is by Francesca Bratton; section 2(b) is by Caroline Krzakowski; section 2(c) is by Sophie Corser; section 2(d) is by Andrew Keese; section 2(e) is by Catriona Livingstone; section 3(a) is by Mark West; section 3(b) is by Samuel Cooper; section 4(a) is by Rebecca D’Monte; section 4(b) is by Gustavo A. Rodríguez Martín;
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Dissertations / Theses on the topic "Drama, british and irish"

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Grossman, Joanna Rebecah. "Shakespeare Grounded: Ecocritical Approaches to Shakespearean Drama." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064927.

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Using the "Great Chain of Being" -- which was integral to the Elizabethan understanding of the world -- as a starting point, this dissertation examines the sometimes startling ways in which Shakespeare's plays invert this all-encompassing hierarchy. At times, plants come to the forefront as the essential life form that others should emulate to achieve a kind of utopian ideal. Still other times, the soil and rocks themselves become the logical extension of a desire to remove man from the pinnacle of earthly creation. Over the course of this project, I explore plays that emphasize a) alternat
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Valley, Leslie Ann. "Replacing the Priest: Tradition, Politics, and Religion in Early Modern Irish Drama." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etd/1856.

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By the beginning of the twentieth century, Ireland's identity was continually pulled between its loyalties to Catholicism and British imperialism. In response to this conflict of identity, W. B. Yeats and Lady Augusta Gregory argued the need for an Irish theatre that was demonstrative of the Irish people, returning to the literary traditions to the Celtic heritage. What resulted was a questioning of religion and politics in Ireland, specifically the Catholic Church and its priests. Yeat's own drama removed the priests from the stage and replaced them with characters demonstrative of those lite
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Roscoe, Jane Anna Marie. "The Irish conflict as portrayed in British drama documentaries : an analysis of the television text and audience interpretations." Thesis, University of East London, 1994. http://roar.uel.ac.uk/1250/.

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The research was developed and conducted to analyse the way in which the conflict is represented in two British drama-documentaries, Who Bombed Birmingham? and Shoot to Kill, and to examine audience understandings of the events presented in the programmes. In doing it has raised issues concerning the social production of knowledge, the availability of discourses around the conflict and the processes by which viewers make sense of television presentations. This research has aimed to locate the representations and the audience interpretations in the wider social context. With the focus on discou
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Wyss, Rebecca. "Troubling Northern Irish Herstories: The Drama of Anne Devlin and Christina Reid." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429992523.

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Schuler, Anne-Marie E. "Counsel, Political Rhetoric, and the Chronicle History Play: Representing Conciliar Rule, 1588-1603." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1321840691.

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Sen, Shiladitya. "Metatheatricality on the Renaissance Stage, the Audience and the Material Space." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/165652.

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English<br>Ph.D.<br>My dissertation examines how early modern metatheater enabled the Renaissance stage and its original audience to develop a complex and symbiotic relationship. Metatheater--by which I mean a particular mode of theatre, in which actors, playwrights, dramatic characters and/or (in particular) audiences express or share a perception of drama as a fictional and theatrical construct--pervaded Renaissance drama, not by simple happenstance but arising almost inevitably from the complex context within which it functioned. The early modern stage was a particularly conflicted forum, w
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Bowker, Gemma-Jane. "Explorations of the maternal and the mother-daughter dyad in plays by British and Irish women playwrights and comparative drama from 1945 to the present day." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508605.

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Najar, Daronkolae Esmaeil. "Pam Gems: Rethinking Her Life and the Impact of Her Plays on British Stage." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523487108676837.

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Hall, Lynn. "Unruly Subjects: Willful Women in Modernist Narratives." Miami University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1605813388828221.

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Wardell, Kathryn Brenna. "The rake's progress: Masculinities on stage and screen." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11457.

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viii, 261 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>My dissertation analyzes the rake, the libertine male, a figure whose liminal masculinity and transgressive appetites work both to stabilize and unsettle hegemony in the texts in which he appears. The rake may seem no more than a sexy bad boy, unconnected to wider social, political, and economic concerns. However, my project reveals his central role in reflecting, even shaping, anxieties and desires regarding gender and sexuality, race and ethnicity.
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Books on the topic "Drama, british and irish"

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Acheson, James, ed. British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4.

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1947-, Acheson James, ed. British and Irish drama since 1960. St. Martin's Press, 1993.

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Rabey, David Ian. British and Irish Political Drama in the Twentieth Century. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-21106-7.

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Holdsworth, Nadine, and Mary Luckhurst, eds. A Concise Companion to Contemporary British and Irish Drama. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470690987.

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Nadine, Holdsworth, and Luckhurst Mary, eds. A concise companion to contemporary British and Irish drama. Blackwell Pub., 2008.

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Luckhurst, Mary. A companion to modern British and Irish drama, 1880-2005. Wiley-Blackwell, 2010.

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Luckhurst, Mary, ed. A Companion to Modern British and Irish Drama 1880–2005. Blackwell Publishing, 2006. http://dx.doi.org/10.1002/9780470751480.

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Luckhurst, Mary. A companion to modern British and Irish drama, 1880-2005. Wiley-Blackwell, 2010.

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Mary, Luckhurst, ed. A companion to modern British and Irish drama, 1880-2005. Blackwell Pub., 2006.

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Wandor, Michelene. Post-War British Drama. Taylor & Francis Group Plc, 2004.

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Book chapters on the topic "Drama, british and irish"

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Glock, Tom. "Northern Irish Drama: Speaking the Peace." In A Concise Companion to Contemporary British and Irish Drama. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470690987.ch4.

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Gindin, James. "Freedom and Form in David Hare’s Drama." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_12.

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Huk, Romana. "Postmodern Classics: the Verse Drama of Tony Harrison." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_15.

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Acheson, James. "‘The Absolute Absence of the Absolute’: the Theory and Practice of Samuel Beckett’s Drama." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_1.

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Zeifman, Hersh. "Making History: the Plays of Howard Brenton." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_10.

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Wilson, Ann. "Forgiving History and Making New Worlds: Timberlake Wertenbaker’s Recent Drama." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_11.

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Wilcher, Robert. "Honouring the Audience: the Theatre of Howard Barker." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_13.

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Burkman, Katherine H. "The Plays of Pam Gems: Personal/ Political/ Personal." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_14.

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Fletcher, John. "Pinter and the Pinteresque." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_2.

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Hutchings, William. "Revitalised Ritual and Theatrical Flair: the Plays of Peter Shaffer." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_3.

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Conference papers on the topic "Drama, british and irish"

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Fernandez Laguna, Victor Manuel, Haymen Shams, and Marc Malagoli. "Optical interconnects in Airbus Space Systems: status, vision and challenges ahead." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.w2b.2.

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In this talk, we will review the on-going developments on optical interconnects and microwave photonics for geostationary orbit telecommunication satellite payloads and platforms at Airbus, the vision beyond 2030 and the challenges ahead to overcome.
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Kumar, Bhupesh, Sebastian A. Schulz, and Patrick Sebbah. "Solid-State Polymer based 1D and 2D Tunable Random Laser in visible spectrum." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.ps.15.

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We report tunable random lasing in 2D and 1D solid-state polymer-based dye-doped random lasers. In 2D configuration, we show that the laser emission can be red-shifted by either decreasing scatterer density or increasing pump area. In 1D system, we demonstrate temperature-controlled spectral tunability of a partially-pumped single-wavelength random laser.
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Lee, Heng Loong, Ryan Vallance, Yang Chen, and King-Fu Hii. "MQC - High Performance Metallic QPIC Coupler." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.th5a.2.

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The paper report on the latest development of a high performance Metallic QPIC Coupler (MQC) which offers, low-loss, fibre-optic connections for quantum photonic integrated circuits (QPICs). The MQC is constructed from metallic optical benches that hold arrays of single-mode optical fibres, and they couple light to/from QPICs via reflective, freeform mirrors. They are compatible with multiple PIC platforms, including silicon-on-insulator and silicon nitride. Low losses are obtained with the customised mirror design that increases the efficiency of the coupling between the optical fibre and the
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Avazpour, Mahrokh, Marcos Delgado Blanco, Anil Raj Gautam, and Liam P. Barry. "440 GHZ Bandwidth Frequency Comb via Fiber Loop Modulation." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.ps.6.

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Jayawardena, Imanda, Rekha Gautam, and Stefan Andersson-Engels. "Spectroscopic Evaluation of PEGDM Hydrogels for Osteogenic Progression Monitoring." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.f6b.2.

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To mitigate bone implant failure, PEGDM hydrogels were evaluated for their suitability for osteogenesis with the aid of Raman spectroscopy. Ability to detect hydroxyapatite as a spectral marker in hydrogels was also evaluated via Raman.
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Duplinskiy, Alexander, Jernej Frank, Kaden Bearne, and A. I. Lvovsky. "Hermite-Gaussian image scanning." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.ps.10.

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We experimentally demonstrate how combining a recently developed super-resolution Hermite-Gaussian imaging technique with a traditional image scanning approach yields superior lateral resolution and image quality compared to either method alone.
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Salter, Brook, Nathan Roberts, Anton Souslov, and Peter J. Mosley. "The Topology of Twisted Fibres." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.ps.5.

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We explore methods for designing and analytically characterising supermodes in twisted topological photonic crystal fibre (topoPCF). We show that geometrical twist induces a pseudo-vector potential, leading to topological chiral edge states.
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Stancu, Radu-F., Manuel J. Marques, Ross Henry, et al. "Improvements in Optical Fiber Based Distance Sensor Fabrication for Ophthalmic Micro-Surgery Integration." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.ps.14.

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When microsurgery tools are employed in invasive intraocular procedures, the confined space inside the eye represents a patient safety challenge. We propose an integrated fiber sensor, which measures micrometer resolution spacing between tool and tissue.
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Horan, Laura Elizabeth, and Sebastian Skacel. "Low-Loss Photonic Wire Bonds and Facet-Attached Micro-Lenses: from Telecom to Quantum Applications." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.th5a.4.

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Photonic wire bonds and facet-attached micro-lenses are 3D freeform structures that enable high design flexibility while maintaining losses below 2 dB, crucial for high-volume production of compact optical integration platforms in advanced photonics packaging.
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Jasaitis, Audrius, Bérénice Renard, Rafael Porcar, and Xavier Levecq. "Laser metrology and beam diagnostic: a new approach to ISO 11146 standard." In British and Irish Conference on Optics and Photonics. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/bicop.2023.f6a.4.

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M-Squared parameter is frequently used by laser manufacturers and users to test laser quality. Conventional approach is tedious due to alignment and measurement cycle duration. We propose a new approach addressing these issues.
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Reports on the topic "Drama, british and irish"

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Heatherly, Christopher J. Cogadh na Saoirse: British Intelligence Operations During the Anglo-Irish War (1916-1921). Defense Technical Information Center, 2010. http://dx.doi.org/10.21236/ada523173.

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Paradis, S. Carbonate-hosted Zn-Pb deposits in southern British Columbia - potential for Irish-type deposits. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2007. http://dx.doi.org/10.4095/224161.

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