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Books on the topic 'Drama, british and irish'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Acheson, James, ed. British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4.

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2

1947-, Acheson James, ed. British and Irish drama since 1960. St. Martin's Press, 1993.

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3

Rabey, David Ian. British and Irish Political Drama in the Twentieth Century. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-21106-7.

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4

Holdsworth, Nadine, and Mary Luckhurst, eds. A Concise Companion to Contemporary British and Irish Drama. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470690987.

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5

Nadine, Holdsworth, and Luckhurst Mary, eds. A concise companion to contemporary British and Irish drama. Blackwell Pub., 2008.

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6

Luckhurst, Mary. A companion to modern British and Irish drama, 1880-2005. Wiley-Blackwell, 2010.

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7

Luckhurst, Mary, ed. A Companion to Modern British and Irish Drama 1880–2005. Blackwell Publishing, 2006. http://dx.doi.org/10.1002/9780470751480.

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8

Luckhurst, Mary. A companion to modern British and Irish drama, 1880-2005. Wiley-Blackwell, 2010.

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9

Mary, Luckhurst, ed. A companion to modern British and Irish drama, 1880-2005. Blackwell Pub., 2006.

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10

Wandor, Michelene. Post-War British Drama. Taylor & Francis Group Plc, 2004.

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11

McAuliffe, Nichola. A British subject. Oberon Books, 2009.

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12

McAuliffe, Nichola. A British subject. Oberon Books, 2009.

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13

Kimball, King, ed. Modern dramatists: A casebook of major British, Irish and American playwrights. Routledge, 2001.

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14

Langhans, Edward A. Eighteenth century British and Irish promptbooks: A descriptive bibliography. Greenwood Press, 1987.

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15

Sam, Wil. Deg drama Wil Sam. Gwasg Carreg Gwalch, 1995.

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16

Kimball, King, ed. Modern dramatists: A casebook of the major British, Irish, and American playwrights. Routledge, 2001.

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17

Kosok, Heinz. The theatre of war: The First World War in British and Irish Drama. Palgrave Macmillan, 2007.

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18

John, O'Donovan. Jonathan, Jack, and GBS: Four plays about Irish history and literature. University of Delaware Press, 1993.

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19

R, Griffiths Trevor, and Llewellyn-Jones Margaret 1938-, eds. British and Irish women dramatists since 1958: A critical handbook. Open University Press, 1993.

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20

Éadaoin, Ní Mhuircheartaigh, and Mac Congáil Nollaig, eds. Drámaí thús na hathbheochana. Arlen House, 2008.

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21

John, Fairleigh, ed. The tiger in winter: Six contemporary Irish plays. Methuen Drama, 2006.

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22

1955-, Worthen William B., ed. The Wadsworth anthology of drama. 4th ed. Thomson/Wadsworth, 2004.

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23

Acheson, James. British and Irish Drama Since 1960. Palgrave Macmillan, 1993.

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24

Acheson, James. British and Irish Drama since 1960. Palgrave Macmillan, 1993.

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25

Acheson, James. British and Irish Drama Since 1960. Palgrave Macmillan Limited, 1993.

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26

Sternlicht, Sanford. Masterpieces of Modern British and Irish Drama. Greenwood Publishing Group, Inc., 2005. http://dx.doi.org/10.5040/9798400683619.

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Modern British and Irish dramatic works are among the plays most widely read by students. This volume conveniently introduces 10 major plays by British and Irish dramatists. Each chapter is devoted to a particular play and includes a brief biography, a plot synopsis, a discussion of major themes and characters, an overview of the play's historical background, an analysis of the work's dramatic style, an overview of the play's critical reception, and a list of works for further reading. Modern British and Irish dramatic works are widely enjoyed by general readers and high school students. But because they are rooted in literary Modernism and generally reflect particular historical and cultural concerns, they can also be difficult for students to understand. This volume concisely and conveniently introduces 10 masterpieces of British and Irish drama in an accessible manner.

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27

Sternlicht, Sanford. Masterpieces of Modern British and Irish Drama. ABC-CLIO, LLC, 2005.

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28

Masterpieces of modern British and Irish drama. Greenwood Press, 2005.

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29

Holdsworth, Nadine, and Mary Luckhurst. Concise Companion to Contemporary British and Irish Drama. Wiley & Sons, Incorporated, John, 2013.

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30

Holdsworth, Nadine, and Mary Luckhurst. Concise Companion to Contemporary British and Irish Drama. Wiley & Sons, Incorporated, John, 2008.

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31

Holdsworth, Nadine, and Mary Luckhurst. Concise Companion to Contemporary British and Irish Drama. Wiley & Sons, Incorporated, John, 2013.

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32

Holdsworth, Nadine, and Mary Luckhurst. Concise Companion to Contemporary British and Irish Drama. Wiley & Sons, Incorporated, John, 2008.

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33

Looking through gender: Post-1980 British and Irish drama. Cambridge Scholars Pub., 2011.

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34

Luckhurst, Mary. Companion to Modern British and Irish Drama, 1880 - 2005. Wiley & Sons, Incorporated, John, 2008.

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35

Luckhurst, Mary. Companion to Modern British and Irish Drama, 1880 - 2005. Wiley & Sons, Incorporated, John, 2008.

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36

Holdsworth, Nadine, and Mary Luckhurst. A Concise Companion to Contemporary British and Irish Drama. Wiley-Interscience, 2013.

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37

Luckhurst, Mary. Companion to Modern British and Irish Drama, 1880-2005. Wiley & Sons, Limited, John, 2008.

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38

Wallace, Clare. Irish Drama since the 1990s. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.34.

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While writers such as Friel and Murphy seemed to provide a certain continuity in the closing years of the twentieth century, a new generation of writers emerged in the 1990s for whom the Irish dramatic tradition seemed less an inheritance than a foil to be played against (or with) or, in some cases, an irrelevance. For instance, while Martin McDonagh’s work was sometimes associated with British ‘in-yer-face’ theatre of the 1990s, to some commentators his work made more sense as a subversion of an earlier Irish tradition. In the case of Conor McPherson, the breakdown of a community that made a shared theatre culture possible was registered in a turn to monologue, while writers such as Mark O’Rowe and Enda Walsh showed a freedom of dramatic form and a set of dramatic concerns reflecting immersion in a mediatized, globalized late modernity.

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39

Bronk, Katarzyna. Autumnal Faces: Old Age in British and Irish Dramatic Narratives. Lang AG International Academic Publishers, Peter, 2017.

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40

Bronk, Katarzyna. Autumnal Faces: Old Age in British and Irish Dramatic Narratives. Lang AG International Academic Publishers, Peter, 2017.

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41

Autumnal Faces: Old Age in British and Irish Dramatic Narratives. Lang AG International Academic Publishers, Peter, 2017.

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42

(undifferentiated), Tom Murphy, and Methuen Drama. The Sanctuary Lamp (Methuen Drama). Methuen Publishing, 2003.

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43

Bronk, Katarzyna. Autumnal Faces: Old Age in British and Irish Dramatic Narratives. Lang AG International Academic Publishers, Peter, 2017.

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44

Bible and Modern British Drama. Taylor & Francis Group, 2019.

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45

Brewer, Mary F. Bible and Modern British Drama. Taylor & Francis Group, 2021.

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46

Burwick, Frederick. British Drama of the Industrial Revolution. Cambridge University Press, 2015.

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47

Burwick, Frederick. British Drama of the Industrial Revolution. Cambridge University Press, 2015.

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48

Burwick, Frederick. British Drama of the Industrial Revolution. Cambridge University Press, 2015.

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49

British and Irish political drama in the twentieth century: Implicating the audience. Palgrave Macmillan, 1986.

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50

Kosok, H. Theatre of War: The First World War in British and Irish Drama. Palgrave Macmillan Limited, 2007.

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