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Relevant bibliographies by topics / Drama productions / Dissertations / Theses

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Dissertations / Theses on the topic 'Drama productions'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Rice, Laura Elizabeth. "Productions of medieval drama in the 1951 Festival of Britain." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.723442.

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2

Freitas, Maria da GlÃria Feitosa. "Palcos together lives manufacturing - a nomadic skill to learn of dramistas." Universidade Federal do CearÃ, 2006. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=149.

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FundaÃÃo de Amparo Ã Pesquisa do Estado do CearÃ<br>ABSTRACT This paper reports registrations from about 50 writers, who can be drama-players, from the first generation in the 1940âs to the last one (up to 2001), or drama-players from GuriÃ, in the west coast of CearÃ and even its players who followed their famous presentations. Such intense collection of beginning drama-playersâ and drama mistressesâ life stories shows their productions were immortalized by outstanding inventiveness in each production and also for incursions very appreciated by the neighbouring communities, which appreciated

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3

Garde, Ulrike 1964. "The Australian reception of Austrian, German and Swiss drama : productions and reviews between 1945 and 1996." Monash University, German Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/8820.

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4

Lau, Yuk-wah Margaret, and 劉玉華. "The role of English in Hong Kong theatre and dance productions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26852792.

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5

Beal, Ara Grabaskas. "MISCASTING THE SPECTATOR: DRAMATURGS AND AUDIENCES IN TRANSCULTURAL PRODUCTIONS." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1114146896.

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6

Streeter, Joshua Aaron. "Greek Tragedy and Its American Choruses in Open Air Theaters from 1991 to 2014: The Cases of Gorilla Theatre Productions and The Classic Greek Theatre of Oregon." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu155534000939454.

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7

Chow, Po-fun Wendy, and 周寶芬. "Marketing of local drama production in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31268730.

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8

Chow, Po-fun Wendy. "Marketing of local drama production in Hong Kong /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19876555.

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9

Benson, Simon. "The production of early modern dramatic space : practices, places and perceptions." Thesis, University of Hull, 2010. http://hydra.hull.ac.uk/resources/hull:2719.

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From the introduction:This dissertation explores the nature and development of dramatic space in early modern England. Arguing that essential to its quality and character was the early modern player’s ability to produce highly creative and productive spatial textures and experiences, this dissertation examines some of the shifting attitudes to and uses of space from ca. 1516 (the date of publication of Thomas More’s Utopia) to the first decade of the 17th century for what they reveal about the spatial economies that common playing responded to, participated in, developed and sustained. The the

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10

Whitfield, Sarah. "Kurt Weill : the 'composer as dramatist' in American musical theatre production." Thesis, Queen Mary, University of London, 2011. http://qmro.qmul.ac.uk/xmlui/handle/123456789/657.

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The aim of this thesis is to critically examine Weill‘s negotiation of American cultural industries and his collaborative practice in making musicals there. It addresses the influence of the earlier, now discredited, concept of ‗Two Weills‘, which has engendered an emphasis on identity within the current literature. It proposes that Weill scholarship has been further constrained by problematic perceptions of Weill‘s position as both a European modernist composer and an exile in America. Each of these contexts suggests romanticised notions of appropriate behaviour, for a composer, and of autono

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11

Grundberg, Irène. "TV-produktion i Sverige : En studie av TV-producenter inom drama och samhällsprogram." Doctoral thesis, Uppsala universitet, Institutionen för informatik och media, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-220421.

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As television viewers we are used to watching television as a flow of programs with varying content, and usually do not think about how the programs are created. Who decides what should be produced and what the programs should contain? What role do the TV producers play? Who are the producers? Have their working conditions changed due to changes in society? The aim of this study was to answer questions about the TV producer’s background and career, and about how ideas for TV productions developed into actual TV programs. The study resulted in more than 90 “cases” or descriptions in drama and j

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12

Fairbrass, Valerie. "The production, purchase, and reading of drama in series 1770-1880." Thesis, University of London, 2013. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709838.

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13

Milne, Christina Lucy, University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Group devised performance: the study of a group devised performance piece as a rehearsal method in a high school environment." THESIS_FPFAD_XXX_Milne_C.xml, 1998. http://handle.uws.edu.au:8081/1959.7/264.

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Using the research methods from grounded theory and action research, the study examines a research method used for the development of a Group Devised Performance Piece. It details and analyses the process used in the transactional system of change and action/interaction resulting from the specific conditions that surrounded the Group Devised Performance, and examines the products of that process: the written script and the final performance. The study was conducted with a group of HSC 2 Unit Drama students at a non-government high school in March 1996. The performance formed part of an assessm

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14

Ma, Doog-Hoon. "Production of television drama serial : case study of YTV Emmerdale and MBC Chunwon." Thesis, University of Leeds, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364896.

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15

McFrederick, Matt. "Staging Beckett : a production history of Samuel Beckett's drama in London (1955-2010)." Thesis, University of Reading, 2017. http://centaur.reading.ac.uk/78067/.

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This study presents the first performance history of Samuel Beckett’s drama in London theatres. The study focuses on a selection of professional productions of Beckett’s dramatic canon and assesses the impact these performances had on London and British theatre cultures between 1955 and 2010. Since the British premiere of Waiting for Godot, Beckett’s oeuvre has been staged across a variety of London theatres and contexts, ranging from the Riverside Studios in Hammersmith to the Theatre Royal Stratford East. The performance histories of Beckett’s plays represent a neglected facet of Beckett stu

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16

GRAY, FRED ALLEN. "CHILDREN'S MUSICALS, 1973-1985: ANNOTATIONS WITH SOURCEBOOK FOR PRODUCTION (DRAMA, ELEMENTARY, HISTORY, VOICE, CHORAL)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188089.

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The purpose of this study was to collect and annotate the musical dramas for children of elementary school age published since 1972. Musical dramas selected were limited to those having a story line rather than just a narrator and chorus, having dialogue interaction between the characters, containing mostly original music, and written for grades kindergarten through six. This document is intended as a resource for elementary school teachers and church workers who are searching for appropriate material for performance or study. Annotations of 210 musicals for children, sacred and secular, are t

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17

Colbran, Marianne. "Watching the cops : a case study of production processes on television police drama "The Bill"." Thesis, London School of Economics and Political Science (University of London), 2011. http://etheses.lse.ac.uk/408/.

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This thesis examines the process of storytelling on television police drama, The Bill. It explores how factors such as commercial imperatives, working processes and artistic constraints affected representation of the police. The study argues that, in the early days of the show, stories originated with the freelance writers and were based on research and observation of police work. Representation of the police was favourable, partly due to the ideological views of the makers and partly due to the format: stories had to be resolved within a half-hour timeslot, which militated against writers bei

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18

Handall, Monique Elizabeth. "Translating Spanish language plays into English: A focus on the translation and production of Xavier Robles' Rojo amanecer." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2958.

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The purpose of this culminating project is to start translating quality Mexican and Latin American dramatic literature in order to provide to educators and theatrical directors a fundamental collection of plays. The author worked with her San Gorgonio High School students to conduct a dramaturgical study of the setting and political background of Rojo Amanecer by Xavier Robles, a play which outlines the events leading to the 1968 student massacre at Mexico City's Plaza de Tlatelolco. The author then directed the play in her role as San Gorgonio High School's new theater teacher.

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19

Schultz, Waldemar. "Training the student actor in the production process : a look at areas in which a director within a training institution can facilitate the learning process in a student actor." Thesis, Stellenbosch : Stellenbosch University, 1997. http://hdl.handle.net/10019.1/55769.

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Thesis (MDram)--Stellenbosch University, 1997.<br>ENGLISH ABSTRACT: A thesis in which the author examines ways in which the director within an acting training institution may use the full-scale theatre production as a means of intense training for the students involved. The author contends that much of the theory and practical work taught within a classroom situation cannot be fully comprehended and/or brought to fruition if it is not tested and experienced within as realistic (pertaining to professional theatre) as possible a scenario, in the form of the student production. For the pu

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20

Tai, Yuhui. "DEVELOPMENT OR DEPENDENCY? THE EMERGING CHINESE CULTURAL-LINGUISTIC TV MARKET AND IDOL TV DRAMA IN TAIWAN AND CHINA." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/dissertations/769.

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AN ABSTRACT OF THE DISSERTATION OF Yuhui Tai, for the Doctor of Philosophy degree in Mass Communication and Media Arts, presented on October 31, 2013, at Southern Illinois University Carbondale. TITLE: DEVELOPMENT OR DEPENDENCY? THE EMERGING CHINESE CULTURAL-LINGUISTIC TV MARKET AND IDOL TV DRAMA IN TAIWAN AND CHINA MAJOR PROFESSOR: John Downing and Jyotsna Kapur The global expansion of neo-liberalism and the new development of media technology have opened up national TV markets worldwide and the changing structure--a weakened local TV industry, multiple TV channels, and the increasing

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21

Al-Bassam, Sulayman. "Adapting Shakespearean drama for and in the Middle East : process and product." Thesis, University of Hertfordshire, 2018. http://hdl.handle.net/2299/21087.

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This dissertation chronicles the development of a series of plays, collectively referred to as The Arab Shakespeare Trilogy, from the perspective of their playwright Sulayman Al-Bassam. Together, The Al-Hamlet Summit (2002-2005), Richard III, An Arab Tragedy (2007-2009), and The Speaker's Progress (2011-2012) register the eruptive social, political, and cultural contexts of the Arab world during the first decade of the twenty-first century while negotiating the adaptation of Shakespeare's plays to a form thought-provoking and entertaining to audiences both within and outside the Middle East. T

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22

Triegaardt, Allison Laura. "One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/11199.

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Title on accompanying disc: Zindzi<br>Television drama demands a strong sense of story to sustain a viewer’s engagement, and fictional characters are key dramatic vehicles in story construction, yet it remains an area that is severely neglected in terms of both theory and practice at this time in South Africa. I have discovered that the ‘death’ of the South African television character can be attributed (at least in part) to a unique set of challenges facing practitioners. My aim is to discover if the moribund television character can perhaps be resuscitated through the application of a concep

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23

Arvaniti, Ekaterini. "The representation of women in contemporary production of Greek tragedies based on the myth of Orestes, with special reference to the theme of matricide." Thesis, University of Kent, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308830.

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24

Cain, Julia. "Understanding film and video as tools for change : applying participatory video and video advocacy in South Africa." Thesis, Stellenbosch : Stellenbosch University, 2009. http://hdl.handle.net/10019.1/1431.

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Thesis (DPhil (Drama))--Stellenbosch University, 2009.<br>The purpose of this study is to examine critically the phenomenon of participatory video and to situate within this the participatory video project that was initiated as part of this study in the informal settlement area of Kayamandi, South Africa. The overall objective of the dissertation is to consider the potential of participatory video within current-day South Africa towards enabling marginalised groups to represent themselves and achieve social change. As will be shown, the term ‘participatory video’ has been used broadly and a

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25

Maysonet, Joel R. "Wine & Beer." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4951/.

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Wine & Beer tells the story of childhood friends Brian and Vic who, after spending some time apart, deal with the tensions of sexual orientation after they attempt to renew their friendship. At the beginning it seems that Vic's sexuality will not be a problem, but after the two friends hang out in a local bar, Brian realizes his hometown is not as tolerant as he is. The couple is faced with family and social concerns, which goes from the argumentative to the violent. As the main characters try to mingle with the conservative town, they soon find themselves looked upon by a small town resistant

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26

Copeland, Kendra G. "Bodies Without Blemish." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/972.

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A struggling actress and single mother is cast in a leading role by a renowned director seeking women who have bodies without blemish, triggering a harrowing on-set odyssey that reaches a predatory boiling point.

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27

Ibarra, Jillian. "Aliento." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/973.

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28

Byard, Victoria Roisin. "Watching the box of delights : production, site and style in British school-age children's television fantasy drama, 1950-1994." Thesis, University of Leicester, 2016. http://hdl.handle.net/2381/42535.

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This thesis examines the uses and purpose of the fantastic in British children’s television between 1950 and 1994. While telefantasy for primetime schedules has been mapped out by Catherine Johnson, no such study has been attempted for children’s television drama, primarily due to the academic and institutional marginalisation which has traditionally afflicted children’s television. This thesis attempts to address this gap in research by recovering a history of children’s television fantasy across the regulated duopoly within the twentieth century. Using archival research drawn from the BBC Wr

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29

Potter, Anna. "Internationalising Australian Children's Television Drama: The Collision of Australian Cultural Policy and Global Market Imperatives." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16016/.

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When considering the effects of cultural policy on international trade in television programming there is an area that is frequently overlooked, that of classification and censorship. The role that classification and censorship play as tools of cultural policy is poorly understood, as is their impact on the ease with which television programs can be traded. A broad definition of cultural policy has been used here, in order to encompass both its theoretical and practical elements. Cultural policy as expressed through television classification and censorship is seen here as having three layers.

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30

Mullins, Shena. "Alien on a Savage Planet." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1934.

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This paper details the process of creating the UNO Graduate thesis film Alien on a Savage Planet. Each major step in the filmmaking process is covered: screenwriting, producing, directing, cinematography, sound, production design, costumes, hair and makeup, workflow, editing, color correction, music and post- sound. A comprehensive assessment of the filmmaking process and the successes and failures of the project are discussed in length.

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31

Leman, Joy. "The politics of the production process : a comparison of television drama in France and Britain during the 1950s and 1960s." Thesis, University of Westminster, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.576097.

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32

Cruz, Rosemarie. "The Lighting Design for The 2009 Kent State University School of Theatre and Dance Production of Jane Eyre A Musical Drama." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1239634356.

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33

Bettarello, De Oliveira Emanuella. "Fallmore." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/989.

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After a nightmare where her best friend is killed by a terrifying creature, a teenager girl, wakes up to find that not only is he missing in real life, but no one in the perfect town of Fallmore seems to remember he ever existed...

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34

Readman, Geoffrey. "What does the Applied Theatre Director do? : directorial intervention in theatre-making for social change." Thesis, University of Northampton, 2013. http://nectar.northampton.ac.uk/7848/.

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This thesis critically interrogates the practice of artistic directors within applied theatre companies in the United Kingdom. ‘Applied theatre’ describes the process of theatre-making in which commitment to ethical, pedagogical, philosophical and social priorities are integral dimensions of theatre-making designed for specified participants, communities and locations. The research views the term director as encompassing any individuals with designated responsibility for the artistic coherence of theatre in both community and rehearsal room contexts. It argues that directorial processes in app

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35

Taussig, Patricia L. "The effects of teacher participation and probing on language production during sociodramatic play of Head Start students." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/558367.

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An experimental comparison was made of the effects of teacher participation, teacher probing behavior, and nonparticipation by teachers during the sociodramatic play sessions of three groups of Head Start preschool students (twelve subjects). A combination of the multiple baseline and multielement single-subject designs was employed to study the effects of teacher participation in sociodramatic play on the amount of language production exhibited by Head Start students. A Placheck method was utilized to record student language production at the end of each 10-second interval throughout each 10-

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36

Johnson, Mario E. "Whittier." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/961.

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37

White, Nicholas John. "In the absence of memory? : Jewish fate and dramatic representation : production and critical reception of Holocaust drama on the London stage 1945-1989." Thesis, City University London, 1999. http://openaccess.city.ac.uk/7748/.

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Plays representing some aspect of the Holocaust produced in both the commercial and subsidised sectors of the London theatre throughout the Cold War period variously but consistently sought to evade, diminish or inappropriately qualify the cardinal fact that, in the formulation which was the Nazi's own, 'the Final Solution was that 'of the Jewish question in Europe'. Such dramatic distortions hinder perceptions of the identity and fate of the chief victims of the Holocaust. Playwrights', directors', managements', and to a marginally lesser degree, critics' failure to question or challenge thes

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38

Fatzinger, Stefanie Abbott. "Weaving Together the Curriculum Through the Integration of Drama in the Classroom: Presenting Spoon River Anthology." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1271007280.

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39

Green, Bryony Rose Humphries. "A book history study of Michael Radford's filmic production William Shakespeare's The Merchant of Venice." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1710/.

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40

Skordis, Ranza (Ranza Nora-J). "Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53461.

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Thesis (MDram)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: In this thesis the author investigates aspects of the use of improvisation and improvisational methods, techniques and exercises by modem practitioners. The study commences with a look at the beginnings of modem improvisation in the nineteenth century, when improvisation was used only tentatively by performers as a preproduction aid to the exploration of character and personal response. In more recent times the process has become one of collaboration and research; as a means of selfdiscovery, as a means of text creation

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41

Cheng, ShaoChun. "Popular Cultural Production and Exchange in the Greater China Regional Media Market: A Case Study of Taiwan Symbol Creator Chiungyao's Huanzhu Gege TV Drama Trilogy." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1169143193.

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42

Cheng, ShaoChun. "Popular culture production and exchange in the greater China regional media market a case study of Taiwan symbol creator Chiungyao's Huanzhu gege TV drama trilogy /." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3263055.

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43

Rough, William W. "Walter Richard Sickert and the theatre c.1880-c.1940." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1962.

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Prior to his career as a painter, Walter Richard Sickert (1860-1940) was employed for a number of years as an actor. Indeed the muse of the theatre was a constant influence throughout Sickert’s life and work yet this relationship is curiously neglected in studies of his career. The following thesis, therefore, is an attempt to address this vital aspect of Sickert’s œuvre. Chapter one (Act I: The Duality of Performance and the Art of the Music-Hall) explores Sickert’s acting career and its influence on his music-hall paintings from the 1880s and 1890s, particularly how this experience helps to

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44

Flowers, Aminah K. "The Plug." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/926.

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The Plug project is a pilot presentation for a series that explores the life of a local drug dealer as she ventures into the world of designer drugs. Poppy is the local “Plug" on campus, meaning that is a procurer of things that are impossible to get without the right connections. Sold out tickets to the lakers game? Adderall for those long nights? You name it she can get it. However, when her father gets into some serious trouble due to gambling debts, she goes from selling rare goods to selling rare drugs. She soon realizes that the riches of her new career comes with unforeseen consequences

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45

Sierra, Simon. "99¢ Dreams." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/978.

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Desperate to post bail after the love of his life is seized by ICE, an undocumented dishwasher descends into the underbelly of California’s Central Valley and a bloody bidding war for the severed head of a man everyone is looking for.

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46

Reel, Irem Secil. "Translation/Adaptation, Direction and Production of Ambling Riders, a Turkish Play by Özen Yula." Fogler Library, University of Maine, 2010. http://www.library.umaine.edu/theses/pdf/ReelIS2010.pdf.

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47

Hemmerlé, Marie-Aude. "Représentations et figurations des dramaturgies québécoises contemporaines de Normand Chaurette à Daniel Danis." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030144.

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Examiner la dramaturgie québécoise contemporaine, c’est travailler la singularité et emprunter d’autres voies de la mise en crise du drame. Cette thèse montre comment des auteurs opèrent un double mouvement de représentation et de figuration qui renouvelle le drame. Malgré une décomposition de celui-ci, cette dramaturgie maintient une prégnance de la fable et du personnage grâce à la permanence de la fiction. Les auteurs continuent d’être des raconteurs d’histoires, mais les stratégies narratives ne vont plus de soi et engendrent un questionnement sur le personnage qui se transforme en agent e

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48

Ingvarsson, Helgi R. "Opening opera : developing a framework that allows for the interactive creative processes of improvised theatre in the productions of new music-dramas." Thesis, Guildhall School of Music and Drama, 2018. http://openaccess.city.ac.uk/21324/.

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Opening Opera explores creative collaboration and dramatic improvisation in new music-dramas. Looking towards the art of improvised theatre, the aim is to achieve a dramatic process in opera which facilitates a flexible kind of dramaturgy, enabling singers and directors to lead and inform certain creative processes that are normally in the hands of the operatic composer and/or librettist alone. By developing particular unorthodox scoring methods, along with specific rehearsal schedule considerations that support these flexible processes, the composer attempts to create not improvised opera, bu

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49

Deaton, Michaela. "Coney Island." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/981.

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50

Schebetta, Dennis Christian. "From Darkness to Light: Examining the Role of Playwright/Director on Obscura." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1428.

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The aim and scope of my thesis is to examine the process of playwrights directing their own work, using the production of my play Obscura as an example of personal research, as well as examples of other dramatists. I will examine the advantages and disadvantages that playwrights face when directing their own work. I will compare several methods to my own production of Obscura. I wrote the play in the Spring of 2005 which culminated in a reading in April, followed by a workshop production in the Fall of 2005 in the Newdick Theater at Shafer Street Playhouse.

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