Relevant bibliographies by topics / Drama, Provençal

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Academic literature on the topic 'Drama, Provençal'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Drama, Provençal"

1

Altshuller, Mark G. "Alexander Blok’s “The Rose and the Cross” and Charles Robert Maturin’s “Melmoth the Wanderer”." Literary Fact, no. 4 (30) (2023): 148–61. http://dx.doi.org/10.22455/2541-8297-2023-30-148-161.

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This article deals with Alexander Blok’s symbolist drama “The Rose and the Cross” (1913), the main idea of which is the tragedy of love and death. There is no doubt that this play reflected the writer’s own experiences, national literary associations connected with the fate of poets of the 19th century (for example, Vasily Zhukovsky, or Apollon Grigoryev), and Western European literary reminiscences: storylines, themes, and motifs of the Old Provençal courtly “Romance of Flamenca,” 12th-century Codex Campostellanus, “The Book of Sir Launcelot and Queen Guinevere,” etc. As is known, Blok was en
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2

Cho, Hyowon. "Vergangene Vergängnis: Für eine Philologie des Stattdessen." arcadia 52, no. 1 (2017): 74–94. http://dx.doi.org/10.1515/arcadia-2017-0005.

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AbstractBetween Erich Auerbach and Walter Benjamin, there existed a remarkable friendship, which on the one hand manifested itself as an unobtrusive disputation, and yet which on the other hand could be considered an unintended collaboration toward an old-new ideal of philology. Auerbach claims that with the Divine Comedy of Dante Alighieri, Western European literature reached the climax of the figuralism that Auerbach, if belatedly, wants to bring to the fore. Benjamin, in contrast, finds energy for the revolution in the surrealistic love that traces back not to Dante, but to the Provençal po
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3

Grégoire, Pierre. "Les enjeux du souvenir collectif : événement et représentations historiques en Provence, XVIIe‑XXe siècles." Historical Papers 22, no. 1 (2006): 67–85. http://dx.doi.org/10.7202/030965ar.

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Résumé Jusqu'à quel point la condamnation et l'exécution d'un ermite pour crime de « malversation au faict de la peste » à Aix-en-Provence en 1588, permettent-elles de comprendre les enjeux du souvenir collectif liés à la reprise régulière de ce fait divers par l'historiographie provençale ? C'est à cette problématique que le texte qui suit tente d'apporter quelques éléments de réponses. D'une part, en établissant le « fait » sur la base des informations d'archives qui signalent, en l'occurrence, le rôle important de l'ermite dans la lutte contre l'épidémie. D'autre part, en repérant ce que la
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4

Sikorski, Tomasz. "„Klatka Ezry”. Między poezją a polityką." Studia nad Autorytaryzmem i Totalitaryzmem 38, no. 3 (2017): 53–73. http://dx.doi.org/10.19195/2300-7249.38.3.4.

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EZRA’S CAGE”. BETWEEN POETRY AND POLITICSEzra Pound 1885–1975 was, next to Thomas Stearns Eliot, the most prominent American poet of modernist. He was considered the creator of vorticism and imagism — modern trends in art and world culture. In his works he reached to different eras and cultural trends. He was as well fascinated by medieval Provençal, Spanish and Italian literature, and Japanese art of haiku. On his work also had an impact scholasticism, Confucianism and Far East literature. In addition to poetry, Pound was also involved in literary criticism, painting and sculpture, he wrote h
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5

Plotquin, Silvio. "Buenos Aires 1962. Proyecto para la Biblioteca Nacional." Teks del Sud 4, no. 1 (2022): 13–24. https://doi.org/10.53794/tds.v4i1.471.

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La cuestión de la imagen no debe ser dada por sentada en arquitectura. Durante gran parte de su historia moderna, de las vanguardias a la Posguerra, los arquitectos dejaron de lado no ya la figuración, sino todo tipo de mímesis, excepto por la representación de cierto ideal estético abstracto objetivo. La forma constituyó una cualidad sin rango, derivada de lo que el concepto “función” significara: la lucha por la supervivencia de la especie, la organicidad de un sistema de vísceras, el movimiento eficaz y letánico de una máquina (Behne, 1923; De Fusco, 1967). Desde tal perspectiva, la emoción
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6

Pilter, Lauri. "Jüri Talvet maailmaluule tõlgendajana / Jüri Talvet’s Interpretations of World Poetry." Methis. Studia humaniora Estonica 14, no. 17/18 (2017). http://dx.doi.org/10.7592/methis.v14i17/18.13211.

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Teesid: Tartu Ülikooli maailmakirjanduse professori, luuletaja, kirjandusteadlase ja hispaaniakeelse kirjanduse spetsialisti Jüri Talveti tõlketegevuse viljade hulka kuulub luulet ja proosat nii sajandeid vanast Hispaania klassikast kui ka 20. sajandil või tänapäeval romaani keeltes või inglise keeles loodud teostest. Käesolev artikkel keskendub sellele, kuidas professor Talvet on tõlgendanud luule ja poeetika, kuid ka kirjandusajaloo, iseäranis barokk-kirjanduse alaseid küsimusi oma kirjandusteaduslikes esseedes. Vaadeldakse ka tema tõlketegevuse mahtu ja tõlketöö põhimõtteid. Jüri Talvet (bo
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Books on the topic "Drama, Provençal"

1

Bellone, Luca. Moralitas Sancti Heustacii: Mistero provenzale. Ledizioni, 2013.

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2

vaticana, Biblioteca apostolica, and Biblioteca apostolica vaticana, eds. Il Mistero provenzale di sant'Agnese: Edizione critica con traduzione e trascrizione delle melodie. Viella, 2016.

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3

Rouffiange, Robert. Le parler paysan dans les romans de Marcel Aymé. Association bourguignonne de dialectologie et d'onomastique, 1989.

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4

La serenade - La provencale. eBooksLib, 2005.

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5

Zola, Émile, and Patrick McGuinness. The Conquest of Plassans. Translated by Helen Constantine. Oxford University Press, 2014. http://dx.doi.org/10.1093/owc/9780199664788.001.0001.

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‘Abbé Faujas has arrived!’ The arrival of Abbé Faujas in the provincial town of Plassans has profound consequences for the community, and for the family of François Mouret in particular. Faujas and his mother come to lodge with François, his wife Marthe, and their three children, and Marthe quickly falls under the influence of the priest. Ambitious and unscrupulous, Faujas gradually infiltrates into all quarters of the town, intent on political as well as religious conquest. Intrigue, slander, and insinuation tear the townsfolk apart, creating suspicion and distrust, and driving the Mourets to
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6

Sepulveda, Rafael. La Granjera de Arlés: Drama Lírico, de Ambiente Provenzal, en Dos Actos, el Segundo Dividido en Dos Cuadros, en Prosa (Classic Reprint) (Spanish Edition). Forgotten Books, 2018.

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