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Relevant bibliographies by topics / Drama Theater

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Journal articles
Dissertations / Theses
Books
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Academic literature on the topic 'Drama Theater'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Drama Theater"

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Ahmadova, Gulkhara. "WORLDLY SIGNIFICANCE OF THEATERS: IREVAN STATE AZERBAIJAN DRAMA THEATER." Scientific Journal of Polonia University 58, no. 3 (2023): 10–14. http://dx.doi.org/10.23856/5801.

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Historically and even now, the literary and cultural environment of Azerbaijan is known both in the East and in the West. As a result of the severe tragedies, deportations, and genocides inflicted on the people of Azerbaijan, scientific and educational institutions, state institutions, museums, natural monuments, and cultural centers created in our country have suffered as much as our people. Theaters were also forced to live the fate of refugees. Today Shusha Musical Drama Theater, Aghdam State Drama Theater, Fuzili State Drama Theater continue their activities in the field of refugees. All t

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Alhajri, Khalifah. "Ritual and Drama." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 2, no. 1 (2019): 8–26. https://doi.org/10.31866/2616-759x.2.1.2019.170745.

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The purpose of the article is to study the nature of the ritual relationship and theater on the example of the Muslim ceremonial theatrical performance of the Ta’zijah – the Shi’i passion play. The chosen problem caused the broad context of the study. In particular, the author draws attention to the peculiarities of the combination of ritual and theater in ancient Greece, as well as in the European and American culture of the twentieth century. In addition, the specificity of ritual and theater connections in other cultures, including Chinese and Japanese, is monitored. Consi

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Misirača, Marko. "50 Years of Drama from Bosnia & Herzegovina in Theater Festival of Bosnia and Herzegovina in Jajce: A Short History of Bosnian Theater Plays Through an Overview of Participation in the B&H Theater Festival in Jajce." Društvene i humanističke studije (Online) 6, no. 3(16) (2021): 59–70. http://dx.doi.org/10.51558/2490-3647.2021.6.3.59.

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The text reviews the presence of Bosnian drama and prose literature on professional theater stages in BiH through performances that participated in the Theater Festival of BiH in Jajce in the last 50 years. Through an overview of the participation of performances at one of the most important state festivals, the presence of BiH plays in professional theaters in Bosnia is analyzed in the mentioned period - the treatment of BiH dramas by theaters as well as perceptions of them by the professional audience.

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Lkhagvasuren, Damdinsuren, and Batsaikhan Dashdondog. "On the issue of establishing the origins of the State Academic Opera and Ballet Theater." Mongolian Journal of Arts and Culture 25, no. 49 (2024): 122–30. https://doi.org/10.69561/mjac.v25i49.3835.

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The State Central Theater, founded in 1931, was a traditional drama theater. In 1943, the theater was renamed the State Musical Drama Theater. In 1963, the party and government decided to reorganize the theater into two new professional theaters: the Opera and Ballet Theater and the Drama Theater, and the theater was divided into two independent theaters. The current Academic Opera and Ballet Theater (ADBOT) has been counting its age since 1963, which is a mistake. However, it is reasonable and historically significant to start counting its age from 1943, when the Musical Theater was founded.

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Xiang, Yu, and Irina V. Monisova. "Russian symbolist drama and theater in the Chinese scientific context." RUDN Journal of Studies in Literature and Journalism 24, no. 2 (2019): 235–44. http://dx.doi.org/10.22363/2312-9220-2019-24-2-235-244.

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The article is based on the material, presented by the authors at the International Scientific Conference “Russia and China: History and Prospects of Cooperation”. It summarizes the experience of studying drama and theater of Russian symbolism in modern Chinese philological science, and discusses the promise of translating and presenting these dramas on the Chinese stage. One of the authors of this article is a translator and publisher with a number of plays by Russian symbolists, so the article focuses on problems, which concern about adaptation and reception of Russian symbolist drama in the

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Misnawati Misnawati, Petrus Poerwadi, Apritha Apritha, Anwarsani Anwarsani, and Siti Rahmawati. "Kajian Semiotik Pertunjukan Dalam Performa Drama “Balada Sakit Jiwa”." PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA 1, no. 1 (2022): 110–24. http://dx.doi.org/10.55606/mateandrau.v1i1.148.

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Performance Semiotics in Dramatic Performance is a study of the semiotics of theater or stage performances related to the theory of signs and sign systems in the performing arts called theater. Theater semiotics tries to understand the components of theater and establishes the assumption that everything within the framework of theater is a sign or sign. Theatrical performances are essentially a series of sign systems. This study aims to: (1) reveal the process of creating and presenting the performance art of the Mental Ill Ballad Drama, (2) reveal signs related to the activities of the

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Schewe, Manfred. "Drama und Theater in der Fremd- und Zweitsprachenlehre." Scenario: A Journal of Performative Teaching, Learning, Research I, no. 1 (2007): 142–53. http://dx.doi.org/10.33178/scenario.1.1.8.

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Zwischen dem Bereich Drama/Theater und dem Bereich Fremdsprachenvermittlung gibt es seit jeher Verbindungslinien. Zumindest war der Lehrer immer schon ein Akteur, der den Schülern etwas so ‘vorzuspielen’ versuchte, dass die Aufmerksamkeit des Lernerpublikums gebannt blieb; und eigentlich haben Lehrer und Schüler im fremdsprachlichen Unterricht immer schon ‘Theater’ gespielt, indem sie so taten, als ob die Unterhaltung in der fremden Sprache für sie natürlich sei. Der folgende Beitrag zeichnet wichtige Entwicklungsetappen des Brückenbaus zwischen den Bereichen Drama/Theater und Fremd-/Zweitspra

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Susandro, Susandro, Afrizal H, Saaduddin Saaduddin, and Edy Suisno. "PARABOLIC DRAMA: PENYANGKALAN TEORETIK TERHADAP TEATER ABSURD." Melayu Arts and Performance Journal 3, no. 1 (2020): 49. http://dx.doi.org/10.26887/mapj.v3i1.1342.

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ABSTRACTSamuel Beckett's Waiting for Godot is one of the dramas that Martin Esslin calls the Absurd Theater. Furthermore, For Esslin, Theater of the Absurd is not only a term but a theater theory to know conventions and understand the meaning of a drama. In this way, Esslin puts the Absurd Theater into the trajectory of the development of the world's theater arts style, as well as leading the reader or audience to a perception that the life or routine that humans live in is meaningless, pointless and futile. However, the Theater of the Absurd, in the view of Michael Y. Bennett, a term that is

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Turčilo, Lamija, and Mersiha Kolčaković. "Informalno obrazovanje i pozorišna drama." Obrazovanje odraslih/Adult Education 9, no. 2 2009 (2009): 105–14. http://dx.doi.org/10.53617/issn2744-2047.2009.9.2.105.

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This article analyses how theater drama can help in adult education. It is pointed that in the theater we see informal education, that is gaining new knowledge, skills, values... Research made in Sarajevo suggests that theater is in the function of adult education, but this function should be developed better in the future.

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Gorinova, N. V. "Plays by Alexey Popov: the experimenting beginning in modern Komi drama." Bulletin of Ugric studies 10, no. 3 (2020): 426–35. http://dx.doi.org/10.30624/2220-4156-2020-10-3-426-435.

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Introduction: the article is devoted to the study of creativity of Alexey Popov, the well-known playwright in the modern theater world of Komi. In the context of the Komi drama, his plays are characterized by a desire for experiment, revealing new opportunities for the Komi theater art in disclosure and evaluating the contradictions of the changing reality. In the genre and style direction, his texts develop the trends of the so called «new drama» in Komi literature, which at the turn of the XX–XXI centuries is tightly rooted on the stage of Russian theaters. Objective: to present the analytic

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Dissertations / Theses on the topic "Drama Theater"

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Harris, John Rogers Sr. "The performance of black masculinity in contemporary black drama." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1054742668.

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Van, Zyl Yolandé. "Hoekom drama? : 'n ondersoek na enkele persepsies van drama en drama-opleiding aan die Universiteit van Stellenbosch /." Link to the Internet, 2008. http://hdl.handle.net/10019/798.

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Narasaki, Roxanne. "Drama." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/220.

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Schmidt, Wolf Gerhard. "Zwischen Antimoderne und Postmoderne : das deutsche Drama und Theater der Nachkriegszeit im internationalen Kontext /." Stuttgart : J.B. Metzler, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783476023094.

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Warnock, Jeanie E. "Kind tyranny: Brother-sister relationships in Renaissance drama." Thesis, University of Ottawa (Canada), 2000. http://hdl.handle.net/10393/9116.

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The study focuses on the social, literary, and psychological significance of the brother-sister relationship to a broad range of Renaissance tragedy and tragicomedy. After a brief historical analysis of siblings, the thesis considers the brother-sister relationship as an important means for dramatists to explore questions of identity, of gender conflict, and of differing understandings of family. It also examines the relationship as a developing literary tradition in the drama of the Stuart period, a tradition which culminates in the works of John Ford. The first half of the study surveys a la

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Van, Heerden Johann. "Theatre in a new democracy : some major trends in South African theatre from 1994 to 2003." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/917.

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Kogut, Kate Berneking. "Connections and confluences the personal and artistic journeys in the writing of Survival dance /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4781.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 26, 2007) Vita. Includes bibliographical references.

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Taub, Lora E. "Enterprising drama : the rise of commercial theater in early modern London /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9835408.

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Przytulski, Gerhard. ""Die wahre Wiege unseres modernen Theaters" religiöse Elemente im Theater Max Reinhardts /." Trier : WVT, Wissenschaftlicher Verlag Trier, 2004. http://catalogue.bnf.fr/ark:/12148/cb39946364h.

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Foster, Jimm. "Articles on Drama and Theatre in Selected Journals Housed in the North Texas State University Libraries: a Bibliography." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500768/.

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The continued publication of articles concerning drama and theatre in scholarly periodicals has resulted in the "loss" of much research due to the lack of retrieval tools. This work is designed to partially fill this lack by cassifying the articles found in fourteen current periodicals using Trussler's taxonomy. This bibliography could also be updated on a regular basis. The issues that are presently not available through the North Texas State University Libraries could be ordered, classified and appended to this work. In short, this thesis is a start toward the opening of the source material

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Books on the topic "Drama Theater"

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Newiger, Hans-Joachim, ed. Drama und Theater. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-04231-6.

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Brauneck, Manfred. Drama und Theater. C. C. Buchners, 1987.

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Brauneck, Manfred. Drama und Theater. C. C. Buchner, 1987.

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Roets, Lois F. Reader's theater. Leadership Publishers, 1992.

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Brita, Granström, ed. Drama school. Kingfisher, 1999.

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1955-, Carstensen Uwe B., and Lieven Stefanie von, eds. Theater, Theater: Anthologie, aktuelle Stücke 6. Fischer, 1996.

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1955-, Carstensen Uwe B., and Lieven Stefanie von, eds. Theater, Theater: Anthologie, aktuelle Stücke 8. Fischer, 1998.

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(Singapore), National Library, ed. Traditional drama. National Library, 1988.

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Newiger, Hans-Joachim. Drama und Theater: Ausgewählte Schriften zum griechischen Drama. M & P Verlag für Wissenschaft und Forschung, 1996.

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Dieter, Kafitz, and Johannes Gutenberg-Universität, eds. Drama und Theater der Jahrhundertwende. Francke, 1991.

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Book chapters on the topic "Drama Theater"

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Drewes, Miriam. "Theater jenseits des Dramas: Postdramatisches Theater." In Handbuch Drama. J.B. Metzler, 2012. http://dx.doi.org/10.1007/978-3-476-00512-0_6.

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Kittstein, Ulrich. "Episches Theater." In Handbuch Drama. J.B. Metzler, 2012. http://dx.doi.org/10.1007/978-3-476-00512-0_31.

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Odegaard, Marianne. "Science Theater/Drama." In Encyclopedia of Science Education. Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-6165-0_336-3.

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Niefanger, Dirk. "Drama und Theater." In Barock. J.B. Metzler, 2012. http://dx.doi.org/10.1007/978-3-476-00796-4_6.

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Niefanger, Dirk. "Drama und Theater." In Barock. J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-02744-3_5.

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Alt, Peter-André. "Drama und Theater." In Aufklärung. J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-02801-3_4.

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Alt, Peter-André. "Drama und Theater." In Aufklärung. J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-02802-0_4.

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Aust, Hugo. "Drama und Theater." In Realismus. J.B. Metzler, 2006. http://dx.doi.org/10.1007/978-3-476-05033-5_4.

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Schößler, Franziska. "Drama und Theater." In Einführung in die Dramenanalyse. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05285-8_1.

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Brauneck, Manfred, and Christine Müller. "Drama und Theater." In Manifeste und Dokumente zur deutschen Literatur 1880–1900. J.B. Metzler, 1987. http://dx.doi.org/10.1007/978-3-476-03229-4_8.

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Conference papers on the topic "Drama Theater"

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Ivanova, K. S. "ORGANIZATION OF PUBLISHING ACTIVITIES IN REGIONAL THEATERS (ON THE EXAMPLE OF SIBERIAN THEATERS)." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2023. https://doi.org/10.17223/978-5-907572-02-7-2023-129.

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The organization of publishing activities in Siberian theaters is considered in the example of the Tomsk Drama Theater, the Novosibirsk Musical Theater, and the Seversky Musical Theater. The purpose is to review the editorial and publishing process in cultural institutions. The study reveals the theater as a special space engaged in the publication of printed products; there is a comparison of the theater with «small» publishing houses.

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Nair, Anushka, and Lauryn Anthony. "Period Drama." In SIGGRAPH '23 Electronic Theater: Special Interest Group on Computer Graphics and Interactive Techniques Conference: Electronic Theater. ACM, 2023. http://dx.doi.org/10.1145/3577024.3588593.

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Koroliova, Elfrida. "The book on theater – an element of cultural heritage." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.07.

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The article “The book on theater – an element of cultural heritage” includes publications on Moldovan Drama Theater, from the late 60s of the XX century to the 20s of the XXI century. Books signed by D. Prilepov, L. Cemortan, E. Coroliova, N. Bătrânu, V. Tăzlăuanu, N. Rojkovskaia, B. Zavatin, P. Proca, P. Pelin, A. Manoil, A. Ghilaș, A. Roșca, I. Nechit, L. Ungureanu, V. Fedorenco, T. Kotovici and others analyze the evolution processes of the Moldovan theater during the decades, of personalities – directors, actors, who worked in the theaters of the republic “Mihai Eminescu” National Theater,

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Khalil-Butucioc, Dorina. "Stimulating dramaturgy in the Republic of Moldova: from art education to theater festivals." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.22.

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Starting with the 90s, realizing the need to support and promote the new national drama, at the Writers’ Union was set up a Drama Section, AMTAP introduced the Dramaturgy and Screenwriting specialty, the Ministry of Cultures and UNITEM initiated a National Drama Competition. In this context, Dramaturgy Workshops were created at the „Luceafărul” and „M. Eminescu” Theaters, at the Center for Contemporary Dramaturgy (CDC) (2012—2013), at the School of Contemporary Dramaturgy of the Center for Cultural Projects „Arta Azi” (2017, 2018, 2020); Dramaturgy camps were organized at the „Codru” Sanatoriu

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Vasileva, Radka, Poliksena Hardalova, and Sonia Barbosa. "Some aspects in the construction of a drama context for the application of Theater in Education (TiE)." In 10th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade - Serbia, 2024. https://doi.org/10.32591/coas.e-conf.10.08069v.

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The guiding idea is that constructing a drama context is a process in which students actively participate with their own suggestions. The specific drama constructs are introduced and managed throughout the process by the drama leader of the session. The authors’ concept is based on theater and drama practices used for the first time in Edward Bond’s drama theory and their own theoretical and applied training experience. The aspects that are assumed to build an effective drama context for educational purposes focus around two constructs: the central line of the character and the central line of

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Duta, Florica. "I.L.Caragiale, important precursor and creator of the modern theatre concept." In Universitas Europaea: Towards a Knowledge Based Society Through Europeanisation and Globalisation. Free International University of Moldova, 2025. https://doi.org/10.54481/uekbs2024.v2.10.

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Thanks to the content, to the form of his plays and to the technique used, I.L. Caragiale is considered one of the precursors of the absurd theater and one of the creators of the modern concept of theater because he abandoned the traditional romantic forms of a literary theater in favor of a theatrical theater, revising the original constitutive elements of dramatic art: movement, pantomime, mimicry, puppetry, masks, the plastic element, the play of lights and shadows, the theatrical word. Caragiale's comedies, like the later theater of the absurd, suffer from a crisis of action, his theater i

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Bryleva, Natalia. "CHINESE XIQU THEATER ON THE PAGES OF DREAM OF THE RED CHAMBER: THE PHENOMENON OF “HOME THEATER” IN THE QING PERIOD." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.15.

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The Dream of the Red Chamber by Cao Xueqin, being the pinnacle of Chinese classical literature, has been studied and commented on for several centuries. Being a recognized encyclopedia of old Chinese life, this novel provides the reader with numerous information about various aspects of the life of the aristocracy of Qing China. The theme of the theatre is one of the most interesting aspects of traditional culture, reflected in the pages of “Hongloumen”. The novel provides information about the peculiarities of the social status of actors, the composition of theatre troupes and their varieties

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Molnar, Angelika. "CONTEMPORARY HUNGARIAN PRODUCTIONS OF MAXIM GORKY'S PLAYS “AT THE BOTTOM”." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3692.rus_lit_20-21/49-52.

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The text of the paper presents the most important modern productions of Maxim Gorky's drama “At the Bottom” (The Lower Depths) on the Hungarian theater stage. The author examines new solutions with the help of which Hungarian scriptwriters and directors theatrically implement a verbal work. The play is present in the repertoire of Hungarian theaters to this day, as one can feel the spiritual kinship between Russian and Hungarian people, the commonality between Russian and Hungarian life, the urgency of the problem of the impossibility of getting from the bottom of society to the top. The popul

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Zeglin, Garth, Aaron Walsman, Laura Herlant, et al. "HERB's Sure Thing: A rapid drama system for rehearsing and performing live robot theater." In 2014 IEEE Workshop on Advanced Robotics and its Social Impacts (ARSO). IEEE, 2014. http://dx.doi.org/10.1109/arso.2014.7020993.

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Zhanguzhinova, Meruyert, Bagdat Akylbekova, Sabit Kurmanbekov, Nazerke Kumargaliyeva, and Nazerke Kairbekkyzy. "Innovative Trends in Ethno-Costumology in the Modern Theater Process." In 15th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2022. http://dx.doi.org/10.22616/reep.2022.15.023.

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This article examines the topicality of ethno-costumes in the context of the modern theatrical process. The aim of the study is to conduct a theoretical and methodological study of the problems of ethno-costumeology in the context of the modern theatrical process. The scientific and theoretical methodology of the research include the theoretical foundations of ethno-costumes, concepts of the modern theatrical process, methodological aspects of ethno-costumes, innovative directions of ethno-costumes, artistic principles of creating an ethnocostume. Scientific and theoretical methods were used:

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