Log in

Relevant bibliographies by topics / Drama Theater Theater / Journal articles

To see the other types of publications on this topic, follow the link: Drama Theater Theater.

Journal articles on the topic 'Drama Theater Theater'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Drama Theater Theater.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Morozova, Irina Pavlovna. "Theatre activity in the southern Urals at the initial period of the thaw." Samara Journal of Science 6, no. 4 (2017): 169–73. http://dx.doi.org/10.17816/snv201764211.

Full text

Abstract:

The paper deals with the problems of theatre activity development in the southern Urals at the initial period of the thaw. The research objective is to define what changes happened in the theatre activity in the Southern Urals after Stalins repressions in 1953-1964. For the research the author used periodicals, archival documents, books about the theater. The research has shown that after Stalins personality cult exposure there were big theater changes in the southern Urals. People became more interested in the theatre. It was in Bashkiria where the theater developed greatly. The paper examine

APA, Harvard, Vancouver, ISO, and other styles

2

Veksler, Asya F. "Nadezhda Bromley and Boris Sushkevich: Actors, Directors, Vakhtangov Followers (Materials for a Creative Biography)." Observatory of Culture 17, no. 5 (2020): 526–37. http://dx.doi.org/10.25281/2072-3156-2020-17-5-526-537.

Full text

Abstract:

Boris Sushkevich and Nadezhda Bromley (Sushkevich-Bromley) are remarkable theatrical figures, actors and directors whose lot was connected with the bright and dramatic periods of our country’s theatrical life from the beginning to the middle of the 20th century. They devoted a part of their professional life to the 1st Studio of the Moscow Art Theatre (from 1919 — Moscow Art Academic Theatre), which later became a separate theater (Moscow Art Academic Theatre II, 1924—1936). Since the middle of the 1930s, they worked in leading Leningrad theaters — the Leningrad State Academic Drama Theater (A

APA, Harvard, Vancouver, ISO, and other styles

3

Misirača, Marko. "50 Years of Drama from Bosnia & Herzegovina in Theater Festival of Bosnia and Herzegovina in Jajce: A Short History of Bosnian Theater Plays Through an Overview of Participation in the B&H Theater Festival in Jajce." Društvene i humanističke studije (Online) 6, no. 3(16) (2021): 59–70. http://dx.doi.org/10.51558/2490-3647.2021.6.3.59.

Full text

Abstract:

The text reviews the presence of Bosnian drama and prose literature on professional theater stages in BiH through performances that participated in the Theater Festival of BiH in Jajce in the last 50 years. Through an overview of the participation of performances at one of the most important state festivals, the presence of BiH plays in professional theaters in Bosnia is analyzed in the mentioned period - the treatment of BiH dramas by theaters as well as perceptions of them by the professional audience.

APA, Harvard, Vancouver, ISO, and other styles

4

Schewe, Manfred. "Drama und Theater in der Fremd- und Zweitsprachenlehre." Scenario: A Journal of Performative Teaching, Learning, Research I, no. 1 (2007): 142–53. http://dx.doi.org/10.33178/scenario.1.1.8.

Full text

Abstract:

Zwischen dem Bereich Drama/Theater und dem Bereich Fremdsprachenvermittlung gibt es seit jeher Verbindungslinien. Zumindest war der Lehrer immer schon ein Akteur, der den Schülern etwas so ‘vorzuspielen’ versuchte, dass die Aufmerksamkeit des Lernerpublikums gebannt blieb; und eigentlich haben Lehrer und Schüler im fremdsprachlichen Unterricht immer schon ‘Theater’ gespielt, indem sie so taten, als ob die Unterhaltung in der fremden Sprache für sie natürlich sei. Der folgende Beitrag zeichnet wichtige Entwicklungsetappen des Brückenbaus zwischen den Bereichen Drama/Theater und Fremd-/Zweitspra

APA, Harvard, Vancouver, ISO, and other styles

5

Xiang, Yu, and Irina V. Monisova. "Russian symbolist drama and theater in the Chinese scientific context." RUDN Journal of Studies in Literature and Journalism 24, no. 2 (2019): 235–44. http://dx.doi.org/10.22363/2312-9220-2019-24-2-235-244.

Full text

Abstract:

The article is based on the material, presented by the authors at the International Scientific Conference “Russia and China: History and Prospects of Cooperation”. It summarizes the experience of studying drama and theater of Russian symbolism in modern Chinese philological science, and discusses the promise of translating and presenting these dramas on the Chinese stage. One of the authors of this article is a translator and publisher with a number of plays by Russian symbolists, so the article focuses on problems, which concern about adaptation and reception of Russian symbolist drama in the

APA, Harvard, Vancouver, ISO, and other styles

6

Glosemeyer, Robin. "Yale Drama Theater." Journal of the Acoustical Society of America 115, no. 5 (2004): 2439. http://dx.doi.org/10.1121/1.4781766.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Kastleman, Rebecca. "16Performance, Theater, Drama." Year's Work in Critical and Cultural Theory 27, no. 1 (2019): 303–23. http://dx.doi.org/10.1093/ywcct/mbz016.

Full text

Abstract:

Abstract The year 2018 was an especially fruitful and wide-ranging one for theater and performance studies. Several major monographs deepened discussion in established subject areas within the field, while new methodological approaches emerged, opening fresh directions in scholarship. This review focuses on four major areas of conversation that shaped the field in 2018: 1. Expanding Performance Aesthetics; 2. Economic and Material Contexts of Performance; 3. Enacting Public Justice; and 4. Performance on the Move.

APA, Harvard, Vancouver, ISO, and other styles

8

Stefanova, Kalina. "When drama theatre meets puppetry: How a unique symbiosis brought about distinctive changes in Bulgaria’s theatre." Maska 31, no. 181 (2016): 120–28. http://dx.doi.org/10.1386/maska.31.181-182.120_1.

Full text

Abstract:

The text outlines the unique symbiosis between drama and puppetry that started taking shape on Bulgarian theatre stages in the mid-1990s and gradually became a distinctive new theatre reality that changed the face of Bulgarian theatre. It was created by Alexander Morfov, CREDO Theatre and Stefan Moskov, along with a number of actors – all of them puppet theatre graduates – in their collaboration with the Bulgarian National (and other drama) Theater(s).

APA, Harvard, Vancouver, ISO, and other styles

9

Fokin, Aleksandr. "Ilya Surguchev's theater in the history of Russian foreign theater." KANT Social Sciences & Humanities, no. 3 (July 2020): 40–51. http://dx.doi.org/10.24923/2305-8757.2020-3.5.

Full text

Abstract:

Drama is defined as the main phenomenon of Ilya Surguchev's creative biography. ON this basis, the main chronology of his life and work during the period of emigration is presented. Biographical and historical-functional methods of literary research are used. The plays of the 1910s and 1940s, their themes and problems are characterized. An overview of the main premiere performances based on Surguchev's plays in theaters in Russia and Europe is presented. Questions of I.D. Surguchev's poetics of drama are raised; the prevailing genres, plots, themes, and stylistic dominants are highlighted. The

APA, Harvard, Vancouver, ISO, and other styles

10

Kent, Brad. "Matthew Franks. Subscription Theater: Democracy and Drama in Britain and Ireland, 1880–1939." Modern Drama 64, no. 3 (2021): 375–78. http://dx.doi.org/10.3138/md.64.3.br2.

Full text

Abstract:

Matthew Franks’s Subscription Theater: Democracy and Drama in Britain and Ireland, 1880–1939 argues that subscription reflected and nurtured the democratic impulses of the late nineteenth and early twentieth centuries, both challenged and contributed to the commercial theatre, and established the canon of modern drama.

APA, Harvard, Vancouver, ISO, and other styles

11

Stănescu, Mirona, and Daniel Andronache. "The Importance of Theater Pedagogy from a Student's Perspective. An Empirical Study in a German-Speaking Elementary School in Romania." Educatia 21, no. 18 (May 21, 2020): 109–18. http://dx.doi.org/10.24193/ed21.2020.18.11.

Full text

Abstract:

Could school and theater be seen as a symbiosis? The roots of the school theater go back to the 15th century. Early on, the educators recognized the importance of drama for the development of the students. But what do the students think about the theatrical education for their own development? This paper presents the results of a qualitative research designed to explore the role of education through theater for the personal, social skills and aesthetic development of the students. For this purpose, a semi-structured interview was used. In our qualitative study we examined the effects of theatr

APA, Harvard, Vancouver, ISO, and other styles

12

Gorinova, N. V. "Plays by Alexey Popov: the experimenting beginning in modern Komi drama." Bulletin of Ugric studies 10, no. 3 (2020): 426–35. http://dx.doi.org/10.30624/2220-4156-2020-10-3-426-435.

Full text

Abstract:

Introduction: the article is devoted to the study of creativity of Alexey Popov, the well-known playwright in the modern theater world of Komi. In the context of the Komi drama, his plays are characterized by a desire for experiment, revealing new opportunities for the Komi theater art in disclosure and evaluating the contradictions of the changing reality. In the genre and style direction, his texts develop the trends of the so called «new drama» in Komi literature, which at the turn of the XX–XXI centuries is tightly rooted on the stage of Russian theaters. Objective: to present the analytic

APA, Harvard, Vancouver, ISO, and other styles

13

Waszkiel, Halina. "The Puppet Theatre in Poland." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 164–79. http://dx.doi.org/10.34064/khnum1-51.09.

Full text

Abstract:

Background, problems and innovations of the study. The modern Puppet Theater in Poland is a phenomenon that is very difficult for definition and it opposes its own identification itself. Problems here start at the stage of fundamental definitions already. In English, the case is simpler: “doll” means a doll, a toy, and “puppet” is a theatrical puppet, as well as in French functions “poup&#233;e” and “marionette” respectively. In Polish, one word serves both semantic concepts, and it is the reason that most identify the theater of puppets with theater for children, that is a big mistake. Wa

APA, Harvard, Vancouver, ISO, and other styles

14

Žmak, Jasna. "Linguistics, poetics, theater and drama." Zbornik Akademije umetnosti, no. 7 (2019): 147–57. http://dx.doi.org/10.5937/zbakum1907147z.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Sumpeno, Sumpeno. "PROSES KREATIF SUTRADARA RACHMAN SABUR DARI TEATER PAYUNG HITAM BANDUNG." TONIL: Jurnal Kajian Sastra, Teater dan Sinema 18, no. 2 (2021): 120–33. http://dx.doi.org/10.24821/tnl.v18i2.5743.

Full text

Abstract:

Abstrak: Rachman Sabur adalah salah seorang sutradara teater dari kelompok Teater Payung Hitam Bandung. Sejak kecil ia sudah mulai suka menonton berbagai pertunjukan seperti sandiwara sunda, tari, wayang dan reog. Proses kreatif Rachman Sabur menyutradarai drama verbal dan teater non verbal mendapat pujian dari berbagai tokoh teater dan mempunyai banyak penonton. Penelitian ini menggunakan pendekatan proses kreatif Graham Wallas yang dikemukakan oleh Irma Damayanti dalam buku Psikologi Seni (2006) yang meliputi Preparation (persiapan), Incubation (pengeraman), Ilumination (ilham, inspirasi), v

APA, Harvard, Vancouver, ISO, and other styles

16

Bednarz, James P. "Jonson, Marston, Shakespeare and the Rhetoric of Topicality." Ben Jonson Journal 27, no. 2 (2020): 155–76. http://dx.doi.org/10.3366/bjj.2020.0282.

Full text

Abstract:

The revival of commercial “private” theater by the Children of Paul's in 1599 and the Children of the Chapel in 1600 transformed the culture of playgoing in London at the end of the sixteenth century. It was during this period that John Marston at Paul's and Ben Jonson at Blackfriars attracted attention at these theaters by ridiculing each other personally and denigrating each other's work. In doing so they converted these playhouses into forums for staging ideologically opposed interpretations of drama. Rather than aligning themselves with each other against the “public” theater, as Alfred Ha

APA, Harvard, Vancouver, ISO, and other styles

17

Kamenets, Aleksandr Vladlenovich, Irina Aleksandrovna Urmina, Elena Olegovna Kuznetsova, Lyubov Vladimirovna Molina, and Galina Ivanovna Gribkova. "The problems of fulfilling the culture formation potential of modern russian theater." LAPLAGE EM REVISTA 7, Extra-D (2021): 252–59. http://dx.doi.org/10.24115/s2446-622020217extra-d1090p.252-259.

Full text

Abstract:

The article focuses on the essential components of the contemporary theatrical process. The problems of drama and its recessionary trends are identified. Special attention is paid to the issue of values and ideals in dramaturgical work and significance for the further activity conducted by theaters. One of the pivotal aspects in the improvement of theaters’ work identified in the article is the task of optimization of the interaction between these institutions with the audience. The authors also examine the problems of modern theater directing that matter in terms of fulfilling the cultural an

APA, Harvard, Vancouver, ISO, and other styles

18

Bottoms, Stephen. "Putting the Document into Documentary: An Unwelcome Corrective?" TDR/The Drama Review 50, no. 3 (2006): 56–68. http://dx.doi.org/10.1162/dram.2006.50.3.56.

Full text

Abstract:

“Verbatim drama,” the current trend in British documentary theatre, capitalizes on the presumed authenticity of the voices represented and on the “unmediated” theatricalization of the truths they ostensibly reveal. The works of Moisés Kaufman and his Tectonic Theater Project present an alternative, appropriating avantgarde theatre techniques and acknowledging the presence of the artist in shaping the representation of the realities depicted.

APA, Harvard, Vancouver, ISO, and other styles

19

Babenko, Valeriia. "PREVENTION OF TRADITION, REGULARITY OF POSITIVE RECEIVES, DELL’ARTE CANONICAL CODE REVALUATION. COMMANDARY TRANSFORMATION OF COMMEDIA CIVILE RUSTICALE INTO COMMEDIA DELL’ARTE (ITALIAN DRAMATURGY)." LITERARY PROCESS: methodology, names, trends, no. 13 (2019): 63–69. http://dx.doi.org/10.28925/2412-2475.2019.1310.

Full text

Abstract:

The author of the article studies the peculiarities of comedy dell’arte, regularities of its poetic techniques. Particular attention is drawn to the style and genre of the dramatic works. The masks of dell’arte (mainly zan), having gone from the notion of a dual creature that is on the verge of a funny and terrible, profane and sacred («spirits and ghosts» of the cult of the crops of fertility, devils of the mysterious action), to the mask types of comedy del arte and further - masks-characters in the work of Goldoni, at the turn of the 19–20 centuries, turned into a symbol of the ancient thea

APA, Harvard, Vancouver, ISO, and other styles

20

Hidaka, Takayuki, and Leo L. Beranek. "Drama Theater of the New National Theater (NNT), Tokyo, Japan." Journal of the Acoustical Society of America 115, no. 5 (2004): 2439. http://dx.doi.org/10.1121/1.4781835.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Matthias, Bettina. "Thomas Müller (2008). Dramapädagogik und Deutsch als Fremdsprache. Eine Bestandsaufnahme. Saarbrücken. VDM Verlag." Scenario: A Journal of Performative Teaching, Learning, Research III, no. 2 (2009): 71–73. http://dx.doi.org/10.33178/scenario.3.2.6.

Full text

Abstract:

Over the past decade, theater-and drama-related activities in the foreign language classroom have enjoyed increasing popularity. More and more foreign language programs have added theater-based literature classes to their course offerings, and theater- and drama-pedagogical workshops, offered through organizations such as the Goethe Institute or the Alliance Française, have helped teachers and students access this creative approach to foreign language instruction. Publications based on “eher subjektive Eindrücke und Erfahrungen” (9) abound; but, so far, a synthesizing account of these methods’

APA, Harvard, Vancouver, ISO, and other styles

22

Bentley, Eric, Robert Brustein, and Stanley Kauffmann. "The Theatre Critic as Thinker: a Round-Table Discussion." New Theatre Quarterly 25, no. 4 (2009): 310–23. http://dx.doi.org/10.1017/s0266464x09000608.

Full text

Abstract:

In 1946, Eric Bentley published The Playwright as Thinker, a revolutionary study of modern drama that helped to create the intellectual climate in which serious American theatre would thrive in the second half of the twentieth century. In 1964 Robert Brustein published an equally influential study of modern drama entitled The Theatre of Revolt. And in 1966, Stanley Kauffmann began a brief, combative stint as first-string theatre critic for the New York Times. Kauffmann's short-lived tenure at the Times dramatized the enormous gap that had arisen between mainstream taste and the alternative vis

APA, Harvard, Vancouver, ISO, and other styles

23

Kaidi, Wang. "CULTURAL CONTACTS BETWEEN RUSSIA AND CHINA IN THE FIELD OF MUSIC AND DRAMA THEATER (50s of the XXth century)." Arts education and science 1, no. 2 (2021): 99–106. http://dx.doi.org/10.36871/hon.202102012.

Full text

Abstract:

The article is devoted to the cultural cooperation between the USSR and the People's Republic of China in the field of musical theater. The Treaty of Friendship, Alliance and Mutual Assistance between these two countries, signed in Moscow on February 14, 1950, became a starting point in the development of cultural contacts. The most productive period was from 1949 to early 1960s. An important marker of the development of Soviet-Chinese cultural relations was the tour of theater troupes from both countries to the Soviet Union and the Celestial Empire. The Stanislavsky and Nemirovich-Danchenko M

APA, Harvard, Vancouver, ISO, and other styles

24

Eligator, Ronald T., David W. Kahn, and Nicholas Edwards. "Recent drama theater design experience." Journal of the Acoustical Society of America 128, no. 4 (2010): 2274. http://dx.doi.org/10.1121/1.3507953.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Stalter-Pace, Sunny. "Underground Theater." Transfers 5, no. 3 (2015): 4–22. http://dx.doi.org/10.3167/trans.2015.050302.

Full text

Abstract:

This article begins from the premise that modern American drama provides a useful and understudied archive of representations of mobility. It focuses on plays set on the New York City subway, using the performance studies concept of “restored behavior” to understand the way that these plays repeat and heighten the experience of subway riding. Through their repetitions, they make visible the psychological consequences of ridership under the historical and cultural constraints of the interwar period. Elmer Rice's 1929 play The Subway is read as a particularly rich exploration of the consequences

APA, Harvard, Vancouver, ISO, and other styles

26

Eriks Cline, Lauren. "The Long Run of Victorian Theater." Victorian Literature and Culture 48, no. 3 (2020): 623–31. http://dx.doi.org/10.1017/s106015032000025x.

Full text

Abstract:

It's March 2020 as I write this, and the theaters are closed. Broadway is dark, and the Globe is once again shut due to a plague. Perhaps “self-isolation” is a strange condition under which to be thinking about crowded Victorian playhouses. As I make dates to watch movies with friends hundreds of miles away on the Netflix Party app, the media environment in which I pursue entertainment has perhaps never felt more dissimilar to that of nineteenth-century theatergoers. But, then again, maybe the photos of empty auditoria and deserted streets are the best demonstration of the space that public cu

APA, Harvard, Vancouver, ISO, and other styles

27

Gatti, Luciano. "Choreography of Disobedience: Beckett's Endgame." Journal of Beckett Studies 23, no. 2 (2014): 222–43. http://dx.doi.org/10.3366/jobs.2014.0105.

Full text

Abstract:

The article discusses Beckett's staging of Endgame at the Schiller Theater in Berlin in 1967. The starting point is the debate between the reassertion of the autonomy of drama, proposed by Christoph Menke's theory of tragedy, and Hans-Thies Lehmann's theory of post-dramatic theatre. The article argues that neither of these positions provides a proper understanding of Beckett's work as a theatre director because his stagings demand the analysis both of the stage materiality, which does not appear in studies on the autonomy of drama, as the elements of epic and dramatic genres, which are hardly

APA, Harvard, Vancouver, ISO, and other styles

28

Bašović, Almir. "Bosnian Drama and Theater: Some Literary and Theatrical Aspects." Društvene i humanističke studije (Online) 6, no. 3(16) (2021): 15–24. http://dx.doi.org/10.51558/2490-3647.2021.6.3.15.

Full text

Abstract:

This text is an introduction to the thematic block of the journal Social Sciences and Humanities Studies on the literary and theatrical aspects of Bosnian drama and theater. It recalls the presence of theatrical and sub-theatrical phenomena on the territory of Bosnia and Herzegovina in antiquity, and then lists the specifics of Bosnian culture in the Middle Ages, from which arises a specific relationship to drama and theater. The attitude of Islamic culture towards theater and drama significantly influenced the status that drama has even after the departure of the Ottoman Empire from Bosnia an

APA, Harvard, Vancouver, ISO, and other styles

29

Schmitt, Natalie Crohn. "Theorizing about Performance: Why Now?" New Theatre Quarterly 6, no. 23 (1990): 231–34. http://dx.doi.org/10.1017/s0266464x0000453x.

Full text

Abstract:

This article continues NTQ's recent exploration of the interaction between the study of theatrical performance and other disciplines – in this case, relating in particular to ‘Quantum Physics and the Language of Theatre’, published in NTQ 18 (1989). Schmitt argues that there is a correspondence between the contemporary interest in performance theory and the view of nature provided by modern physics. The analysis of nature in terms of events rather than objects, the perception of reality as a network of non-teleological, non-hierarchical relations, the interest in the interplay between nature a

APA, Harvard, Vancouver, ISO, and other styles

30

Krutova, Marina S. "“An Actor Is a Priest in Buffoon’s Clothes”." Observatory of Culture 16, no. 3 (2019): 278–89. http://dx.doi.org/10.25281/2072-3156-2019-16-3-278-289.

Full text

Abstract:

The article raises the actual questions: if the theater can be Christian and who in that case the actor is — “a priest” or “a buffoon”. The purpose of this article is to consider the issue of “Christian theater” at different levels: historical, psychological, social. The article analyzes the issues of actors’ personalities formation and their religious searches. There are considered the conditions of Christian upbringing in families and faith preservation in the complex historical period of the Russian history of the late 19th — mid-20th century. The novelty of this study lies in the fact th

APA, Harvard, Vancouver, ISO, and other styles

31

Prykowska-Michalak, Karolina. "Teatr niemiecki i teatr polski w początkowym okresie transformacji ustrojowej." Miscellanea Posttotalitariana Wratislaviensia 4 (April 26, 2016): 25–35. http://dx.doi.org/10.19195/2353-8546.4.3.

Full text

Abstract:

German and Polish theatre in the initial period of the political transformation.During the first theatre seasons of the nineties, German drama focused on the analysis of the social traumas following the fall of the Berlin Wall, German reunification and perestroika. However, it soon became apparent that the theatre was not able to keep pace with the political changes of the times, and it failed to do justice to their internal complications and discrepancies.The fascination with the new dramatic scenic forms originating in Germany, which could be observed in Poland in the second half of the nine

APA, Harvard, Vancouver, ISO, and other styles

32

Đuričić, Mila. "The film and the theater of panpsychism in 'Letters About the Theater' of L.N. Andreyev." Reci Beograd 12, no. 13 (2020): 56–70. http://dx.doi.org/10.5937/reci2013056d.

Full text

Abstract:

In our research, we saw that Andreyev's assumptions were fulfilled - the film perfected the technique of depicting the action and the scene. The truth theater has replaced the incomprehensible naturalist theater with the new viewer. Enchanted theater is what makes everyone involved in a play - the writer, the stage, the theater and the audience. New Age viewers have to play offstage. In order for viewers to participate in a play, it must be responsive to new challenges - a more developed intellect, which gives the theater a representation of "intellectual experiences", or as Andreyev puts it:

APA, Harvard, Vancouver, ISO, and other styles

33

Zimnica-Kuzioła, Emilia, and Ewelina Wejbert-Wąsiewicz. "Female directors of contemporary Polish theater and cinema (selected examples)." Acta Universitatis Lodziensis. Folia Sociologica, no. 71 (December 30, 2019): 121–37. http://dx.doi.org/10.18778/0208-600x.71.09.

Full text

Abstract:

The issue of artistic careers is rarely tackled by Polish sociologists. The article is an analysis of the work of selected contemporary Polish female film and theater directors. The present study exploits secondary sources (monographs and scientific studies, press and internet publications, interviews with directors) and primary sources: interviews with creators of Polish drama theaters conducted as part of the authors’ own research. Women in Polish theater and film are slowly breakingthe glass ceiling and they are taking their rightful place in the pantheon of artists who have a lot to say ab

APA, Harvard, Vancouver, ISO, and other styles

34

Krouk, Dean. "The Montage Rhetoric of Nordahl Grieg’s Interwar Drama." Humanities 7, no. 4 (2018): 99. http://dx.doi.org/10.3390/h7040099.

Full text

Abstract:

This essay explains the modernist montage rhetoric of Nordahl Grieg’s 1935 drama Vår ære og vår makt in the context of the playwright’s interest in Soviet theater and his Communist sympathies. After considering the historical background for the play’s depiction of war profiteers in Bergen, Norway, during the First World War, the article analyzes Grieg’s use of a montage rhetoric consisting of grotesque juxtapositions and abrupt scenic shifts. Attention is also given to the play’s use of incongruous musical styles and its revolutionary political message. In the second part, the article discusse

APA, Harvard, Vancouver, ISO, and other styles

35

Senici, Emanuele, Gilles De Van, and Gilda Roberts. "Verdi's Theater: Creating Drama through Music." Modern Language Review 96, no. 1 (2001): 223. http://dx.doi.org/10.2307/3735796.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Barnett, David, and Jeanette Malkin. "Memory-Theater and Post-Modern Drama." German Quarterly 73, no. 2 (2000): 230. http://dx.doi.org/10.2307/407974.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

De Oliveira, José Luís. "A relação da literatura de cordel na antroponímia dos fantoches populares portugueses." Jangada: crítica | literatura | artes, no. 10 (April 7, 2018): 4–18. http://dx.doi.org/10.35921/jangada.v0i10.77.

Full text

Abstract:

RESUMO: O mundo do teatro de bonecos em Portugal está envolto numa bruma, devido, em parte, a algum desinteresse da classe teatreira, mas principalmente, à escassa documentação sobre esta arte ancestral. O teatro de marionetas popular era pouco palavroso, em oposição ao teatro de atores de carne e osso, onde o verbo era fundamental. O repertório de texto diminuto, transmitido por via oral, levou à perda substancial de um entretenimento que fez os encantos de miúdos e graúdos ao longo dos séculos. Uma das lacunas é a génese dos próprios apodos pelos quais os bonifrates eram conhecidos. Atualmen

APA, Harvard, Vancouver, ISO, and other styles

38

Komilova, Shahnoza. "Themes Of Chinese Dramas (30-40 Years In The First Half Of Thetwentieth Century)." American Journal of Social Science and Education Innovations 02, no. 10 (2020): 189–94. http://dx.doi.org/10.37547/tajssei/volume02issue10-31.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Saivetz, Deborah. "‘What Counts is the Landscape’: the Making of Pino DiBuduo's ‘Invisible Cities’." New Theatre Quarterly 16, no. 1 (2000): 50–64. http://dx.doi.org/10.1017/s0266464x00013452.

Full text

Abstract:

In October 1998 the Italian director Pino DiBuduo visited the Newark, New Jersey, campus of Rutgers University on the occasion of the major international conference, ‘Arts Transforming the Urban Environment’ For the occasion, he transformed a bleakly concrete teaching block on the Newark campus into a site for the latest of his Invisible Cities projects. These had originated in his Teatro Potlach company's residency in the Italian village of Fara Sabina in 1991, where DiBudo's intention – as in a number of site-specific variations on Invisible Cities since – was to render ‘visible’ aspects of

APA, Harvard, Vancouver, ISO, and other styles

40

Djaha, Siti Susanti Mallida. "THE EMERGENCE OF NEW MEDIUM." Notion: Journal of Linguistics, Literature and Culture 1, no. 1 (2019): 21. http://dx.doi.org/10.12928/notion.v1i1.712.

Full text

Abstract:

This study aims at finding the development of new medium of drama in English literary history. From the very first emergence of drama, the plays that have been written were performed in the theater and in many kinds of theater were appears to represent some ideas from the society. As time passing by, these kind of theater had a kind of transformation to be the new medium that we called motion picture. This motion picture began with the silent movie, then it became the talking picture, and it was improved to be the cinema. In its development until today, which we had been known as the movie. Th

APA, Harvard, Vancouver, ISO, and other styles

41

Lazarev, P. S. "MULTIMEDIA TECHNOLOGIES IN MODERN PERFORMANCE: "A WOMAN FROM THE PAST" IN THE SARATOV DRAMA THEATRE." Arts education and science 1, no. 1 (2021): 141–47. http://dx.doi.org/10.36871/hon.202101016.

Full text

Abstract:

Innovative directorial solutions in modern drama theater are still the subject of active study. Researchers are particularly interested in introducing multimedia technologies in theatre production. However, despite the fact that such performances have already become a common theater practice, many issues and aspects remain poorly understood. One of the most important questions is the functionality of multimedia stage techniques in a theatrical play. On the example of Saratov Drama Theatre's production "A Woman from the Past", staged in 2017 by director A. Sozonov, the author of the article ana

APA, Harvard, Vancouver, ISO, and other styles

42

Poliakova, Yu Yu. "Researches of Kharkiv’s Theater Culture of the 19th and the first half of the 20th cc.: Problems of Historiography." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 142–63. http://dx.doi.org/10.34064/khnum1-51.08.

Full text

Abstract:

Background. Recently, specialists in drama studies have displayed growing interest to the problems of historiography concerning theaters. One of its most urgent tasks is to reveal just how much the scientific approach is applied to creating a historical paper. This goes hand in glove with studies into sociopolitical and scientific worldview of authors of the researches, the sources used, the interpretation of facts as well as the style of material’s presentation. Objectives, methods and materials of the research. The purpose of this study is to outline the circle of the most important sources,

APA, Harvard, Vancouver, ISO, and other styles

43

Shiau, Yan Chyuan, Ron Chen, and Cheng Wei Dan. "Renovation and Maintenance of Theater Dimmer Systems: Case Study on the Experimental Theater of the National Drama Theater." Applied Mechanics and Materials 174-177 (May 2012): 2036–41. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.2036.

Full text

Abstract:

Many performing venues in Taiwan are historical. After long-time use, both the structure and equipment system of these venues have aged, thus causing critical impact on the stage, lighting, and sound effects. Based on the case of the Experimental Theater at the National Theater, this study investigated what should be noticed when renovating the theater lighting system, in order to provide an innovation guide for the management. This study also gathered the relevant information for maintaining the theater lighting system, in order to provide a reference for maintenance personnel to ensure the u

APA, Harvard, Vancouver, ISO, and other styles

44

BLEEKER, MAAIKE. "Look who's Looking!: Perspective and the Paradox of Postdramatic Subjectivity." Theatre Research International 29, no. 1 (2004): 29–41. http://dx.doi.org/10.1017/s0307883303001238.

Full text

Abstract:

In his Postdramatisches Theater Lehmann compares the effect of the dramatic theatre to that of perspective in painting. Both are structured according to an aesthetic logic that can be characterized as teleological. On the contemporary post-dramatic stage, this logic is deconstructed or rejected. In my text, I take a closer look at this comparison of drama and perspective in Lehmann's text. I confront Lehmann's account of the postdramatic theatre with the work of Dutch theatre director Gerardjan Rijnders. Rijndesr's work draws attention to the inevitably of the subjectivity involved in every vi

APA, Harvard, Vancouver, ISO, and other styles

45

Jannarone, Kimberly. "Jarry's Caesar Antichrist and the Theatre of the Book." New Theatre Quarterly 25, no. 2 (2009): 121–36. http://dx.doi.org/10.1017/s0266464x09000220.

Full text

Abstract:

The familiarity bred by the notoriety in its own times of Alfred Jarry's Ubu Roi has been accompanied by neglect for his other work, especially that which seems of peripheral interest to the theatre practitioner. In this article, Kimberly Jannarone argues that his earlier Caesar Antichrist falls into the unusual category of ‘a piece of theatre not intended for the stage’ – apparently unstageable, yet not a closet drama since, in Jarry's scrupulous care for its published form, he created his own ‘theatre of the book’, anticipating the later modernist use of collage while also demonstrating in w

APA, Harvard, Vancouver, ISO, and other styles

46

Bloch, René. "Part of the Scene." Journal of Ancient Judaism 8, no. 2 (2017): 150–69. http://dx.doi.org/10.30965/21967954-00802003.

Full text

Abstract:

This article points to the complexities of Jewish engagement with theater; thus, despite frequent condemnation of the theater by rabbis we find also more nuanced voices. The article reviews the evidence for Jewish theater attendance in ancient Palestine and the Diaspora, outlines the views on theater in the works of Philo of Alexandria and Flavius Josephus, discusses evidence for Jewish actors and actresses, and takes a look at Ezekiel’s Exagoge, the clearest case of a Jewish drama handed down from antiquity.

APA, Harvard, Vancouver, ISO, and other styles

47

Gerdova, T. S. "Theater Art in Oleksandrivsk (Zaporizhzhya): end of the 19th – beginning of the 20th сenturies". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, № 57 (2020): 228–45. http://dx.doi.org/10.34064/khnum1-57.14.

Full text

Abstract:

Introduction. Theoretical background. The territorial formation and economic development of Оlexandrivsk and the district is associated with the activation of social, including artistic, life all aspects in the Russian Empire. The creative potential of small towns, including Olexandrivsk, has become a fertile ground for the development of the principles and means of theatrical and stage creativity. Theater, as the most democratic form of art, is directly connected with changes in public life. The theater significant social role and insufficient knowledge on it in the Olexandrivsk conditions an

APA, Harvard, Vancouver, ISO, and other styles

48

Budaeva, T. B. "Svetlana A. Serova on Life, Science and Chinese Traditional Theater." Journal of the Institute of Oriental Studies RAS, no. 1 (11) (2020): 186–97. http://dx.doi.org/10.31696/2618-7302-2020-1-186-197.

Full text

Abstract:

The names of specialists in Russian Sinology associated with independent research area are rare. This short list includes Svetlana A. Serova, a sinologist, theater historian, and theater expert, who devoted her academic endeavor to Chinese traditional theater. Deep historical roots of the Chinese theater, specifics in the simultaneous coexistence of dozens of its regional varieties, completely different from Western aesthetic views, stage embodiment and perceptions of this theatrical art — these are just some of the common features inherent in the genre of traditional theater. In Svetlana A. S

APA, Harvard, Vancouver, ISO, and other styles

49

Veksler, Asya F. "Ippolit Novsky and Vladimir Pollak: In Love with Theatre (Biographical Materials)." Observatory of Culture 16, no. 6 (2019): 628–39. http://dx.doi.org/10.25281/2072-3156-2019-16-6-628-639.

Full text

Abstract:

Ippolit Novsky and Vladimir Pollak are the names that will say nothing to modern theatergoers, and even those experts who know the theatrical past of our country well may hardly recollect them. Nevertheless, these two made their contribution to the development of Russian theatrical art. Educated, multi-talented, antiquity experts, they, unfortunately, did not leave any memoirs. Even their letters are almost not survived to our days. The Soviet history of the 1930s knows many similar examples. That time, when people had to destroy their priceless records, personal correspondence, their own memo

APA, Harvard, Vancouver, ISO, and other styles

50

Arpaia, Maria. "Sounds on Stage: Musical and Vocal Languages and Experiences." Greek and Roman Musical Studies 7, no. 2 (2019): 346–69. http://dx.doi.org/10.1163/22129758-12341355.

Full text

Abstract:

Abstract The twenty-four papers delivered at the graduate conference entitled “Sounds on Stage: Musical and Vocal Languages and Experiences” (L’Aquila, 14-16 November 2018) investigated the relationship between music and theatrical performances from a comparative perspective. The presentations dealt with the role of music in several theatrical genres from different cultures and times: ancient Greek drama, musical theater (especially opera), modern and contemporary theater and ancient ritual Sanskrit drama.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!