Relevant bibliographies by topics / Dramatic monologue

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Academic literature on the topic 'Dramatic monologue'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Dramatic monologue"

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Booth, Marilyn, Nawal El Saadawi, and Sherif Hetata. "Dramatic Monologue." Women's Review of Books 20, no. 4 (2003): 11. http://dx.doi.org/10.2307/4024033.

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Qahtan Sulaiman, Maha. "Insanity and Murder in Robert Browning’ and Robert Lowell’s Dramatic Monologues." Arab World English Journal For Translation and Literary Studies 5, no. 1 (2021): 201–9. http://dx.doi.org/10.24093/awejtls/vol5no1.14.

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The study aims at fathoming Robert Browning’ and Robert Lowell’s intentions of choosing the dramatic monologue as a means of exploring human psyche. Significantly, the themes of insanity and murder are not ideal from an esthetic perspective, but for Browning and Lowell it provides the key to probe into human character and fundamental motives. This study examines Browning’ and Lowell’s dramatic monologues that address crime and the psyche of abnormal men. Browning’ and Lowell’s poetry in this regard unravels complicated human motivations and delineates morbid psychologies. Their monologues prob
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Segal, E. "The Dramatic Monologue." Poetics Today 22, no. 3 (2001): 703–4. http://dx.doi.org/10.1215/03335372-22-3-703.

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Wong, Stella. "Dramatic monologue as Clara Rockmore, and: dramatic monologue as Claire Rousay." Prairie Schooner 96, no. 3 (2022): 154–55. http://dx.doi.org/10.1353/psg.2022.a904599.

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Haltrin-Khalturina, Elena. "Revisiting the Brownings’ Poetry in the Pages of Neo-Victorian Novels and their Russian Translations." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 82, no. 5 (2023): 78. http://dx.doi.org/10.31857/s160578800028329-7.

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The neo-Victorian novels of our time (by A.S. Byatt, Maggie Power, Laura Fish, et.al) reverberate with echoes from English poetry of the 19th century, and not in the least, from famous dramatic monologues (the genre, which came into existence thanks to Robert Browning and Alfred Tennyson). According to the present-day scholarship, the term "dramatic monologue" denotes the versified speech of a character, who suffers from a mental disorder and tries to combine the frankness of confession with the art of argument and seduction. This monologue is usually addressed to another cha
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Shaw, W. David. "Lyric Displacement in the Victorian Monologue: Naturalizing the Vocative." Nineteenth-Century Literature 52, no. 3 (1997): 302–25. http://dx.doi.org/10.2307/2933997.

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Though a venerable lyric tradition of apostrophizing the breeze, the dawn, or the nightingale celebrates the Romantic poet's words of power, only inmates of mental hospitals actually talk to birds, trees, or doors-much less to holes in a wall, as Pound's speaker does in "Marvoil." This essay shows how Victorian dramatic monologues substitute human auditors for nonhuman ones in an effort to naturalize a convention that nineteenth-century poets find increasingly obsolete and archaic. Instead of talking to the dawn, Tennyson's Tithonus addresses a beautiful woman, the goddess who becomes the sile
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Tang, Ziqing. "The Thematic Interpretation of Robert Brownings Renaissance Dramatic Monologue." Communications in Humanities Research 19, no. 1 (2023): 141–47. http://dx.doi.org/10.54254/2753-7064/19/20231219.

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Robert Brownings dramatic monologue is a unique form in British Victorian literature. Its unique style reflects various characteristics of that time, and therefore, by analyzing Brownings dramatic monologues, various aspects of Victorian society and culture, as well as individual roles and struggles, can be deeply understood. Moreover, Brownings works provide rich materials and profound thinking for literary research, and hold an important position in the field of literature. In order to better explain the styles of his works, this article provides an in-depth analysis of Brownings two famous
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Stevens, Blake. "Monologue Conflicts: The Terms of Operatic Criticism in Pierre Estève and Jean-Jacques Rousseau." Journal of Musicology 29, no. 1 (2012): 1–43. http://dx.doi.org/10.1525/jm.2012.29.1.1.

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Jean-Jacques Rousseau's entry for “monologue” in his Dictionnaire de musique (1767) marks the first appearance of the term in French musical lexicography. This definition, which would exert an influence on later discussion of the form, synthesizes principles drawn from poetics and dramaturgy with stylistic arguments developed during the Querelle des Bouffons. The entry powerfully and succinctly conveys an Italianate conception of the form by promoting an idiom (récitatif obligé) associated with Italian practice as the exemplary realization of monologic discourse. This essay places Rousseau's a
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Wiandari, Fadhillah. "DRAMATIC MONOLOGUE IN ROBERT BROWNING’S POEM “ANDREA DEL SARTO”." JL3T ( Journal of Linguistics, Literature and Language Teaching) 3, no. 1 (2018): 1–10. http://dx.doi.org/10.32505/jl3t.v3i1.326.

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Robert browning and the form of poetry known as “dramatic monologue” inevitably go togather. It is already made known that dramatic monologue is esssentially a narrative spoken by a single character. We are to imagine that it is being listened to but never answered; it is a dialogue of which we are to hear only one side. It gains added effect and dimensions through the character’s comments on his own story and the circumtances in which he speaks. It is through the single character’s speech that Browning present the plot, characters and scenes. It is through the words of Andrea that the
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Dewan, Motikala Subba. "Language of Dramatic Monologue in Poe’s “The Raven”." Journal of NELTA 26, no. 1-2 (2021): 28–39. http://dx.doi.org/10.3126/nelta.v26i1-2.45193.

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Dramatic monologue had been used as a powerful tool to express emotions and feelings through the characters in the ancient Greek drama. It received the proper recognition in the Victorian era as a new form of literary device when the various poets and writers started using it in their works. Edgar Allan Poe was not an exceptional. This article explores the language of dramatic monologue in Edgar Allan Poe’s poem “The Raven”. It aims to look at the poem through the three perceptible features of the dramatic monologue: speaker/narrator, audience/listener, and occasion. It examines how the speake
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Dissertations / Theses on the topic "Dramatic monologue"

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Painter, Megan G. "The dramatic monologue aesthetic and the reader experience /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901268.

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Capp, Laura. "Dramatic audition: listeners, readers, and women's dramatic monologues, 1844-1916." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/3438.

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The "dramatic monologue" is curiously named, given that poems of this genre often feature characters not only listening to the speakers but responding to them. While "silent auditors," as such inscribed characters are imperfectly called, are not a universal feature of the genre, their appearance is crucial when it occurs, as it turns monologue into dialogue. The scholarly attention given to such figures has focused almost exclusively upon dramatic monologues by Robert Browning, Alfred Tennyson, and other male poets and has consequently never illustrated how gender influences the attitudes towa
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Garrett, Jennifer. "Reconceptualising the dramatic monologue : the interlocutory dynamics of Carol Ann Duffy's poetry." Thesis, Lancaster University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414957.

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Roche-Jacques, Shelley J. "Time, space and action in the dramatic monologue : men, women and mice." Thesis, Sheffield Hallam University, 2013. http://shura.shu.ac.uk/20287/.

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This thesis combines critical and creative writing in an inquiry into the presentation of time, space and action in the dramatic monologue, positing that the conventions surrounding the presentation of time and space in lyric poetry affect the interpretation of the communicative context of dramatic monologue. A critical discussion and analysis in five chapters is followed by a collection of original poetry, the production of which informed the critical investigation. The first chapter gives an overview of the critical field and is concerned with definitions of the genre. A definition of the Br
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Halbert, Steven Joseph Keirstead Christopher M. ""And yet God has not said a word" the dramatic monologue as inverted and secularized prayer /." Auburn, Ala, 2008. http://repo.lib.auburn.edu/EtdRoot/2008/SPRING/English/Thesis/Halbert_Steven_51.pdf.

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Thesis (M.A.)--Auburn University, 2008.<br>Abstract. Vita. Includes pictures of the Institut Catholique de Paris, a seminary which was formerly the monastery where Brother Lawrence lived and wrote. Includes bibliographical references.
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Walter, Lauren. "Anything Else." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/honors_theses/47.

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My honors senior thesis, a creative project entitled Anything Else, is a collection of fourteen poems that reflects on trauma, loss, interpersonal relationships, and nature. Many of the poems are dramatic monologues, allowing me to portray a range of extreme voices, including a survivor of the bombing of Hiroshima, a U.S. veteran of the Iraq War, and murderer Perry Smith. Although I consider myself a free verse writer, preferring to work without regular meter or rhyme, one of the poems is written in iambic pentameter. In addition, I took material from the Yahoo! Answers website and composed it
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Walter, Lauren. "New Rust." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2205.

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A poetry thesis exploring issues of loss, death, creation, imagination, family, interpersonal relationships, nature, sexuality, and writing. The manuscript includes a preface that discusses literary influences such as Ai, H.D., and Sharon Olds, as well as writing in forms such as the dramatic monologue, imagistic poem, and confessional poem. Three main sections organize the manuscript's poems.
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King, Cynthia Marie. "Ascensionist." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212179833.

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Pavani, Monica <1968&gt. "In the skin of another : Anne Michaels', Sujata Bhatt's and Adrienne Rich's dramatic monologues as embodiments of painter Paula Modersohn-Becker." Doctoral thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1159.

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This research aims at exploring the reasons for a multiple fascination: why does German painter Paula Modersohn-Becker (1876-1907) after her death haunt Rainer Maria Rilke (1875-1926) as a ghost that can find no peace in the hereafter? and, what is more, why does her experience as a woman artist go on haunting three women poets of the present time – Canadian Anne Michaels (1958), Indian Sujata Bhatt (1956) and American Adrienne Rich (1929) – who have written dramatic monologues giving voice to her? The reasons for an obsession cannot be grasped in rational terms. The three poets let Becker sp
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Anderson, Crystal Lee. "The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/the-coagulateandnot-simply-a-case-frank-bidarts-postconfessional-framing-of-mental-illness-typography-the-dramatic-monologue-and-feint-in-herbert-white-and-ellen-west(2408f29d-e56f-46fe-8301-0f10a463f901).html.

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This doctoral thesis involves two components, a book length collection of poems and a critical study of ‘Herbert White’ and ‘Ellen West’ by Frank Bidart. The collection of poems, The Coagulate, consists of four parts: 1) Semi-personal poems focusing on nature both in a general sense and in specific reference to the natural British landscape. 2) Poems that explore the nature-based myths and contemporary social idiosyncrasies of Japan.3) Poems that explore the social perception of mental illness and the individual voices that exist in spite psychological classification.4) Poems by an alter-ego a
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Books on the topic "Dramatic monologue"

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Howe, Elisabeth A. The dramatic monologue. Twayne Publishers, 1996.

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Christmas, John. Inishbofin: A dramatic monologue. Tri-State Printing, 2004.

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1946-, Roy Irène, Garand Caroline 1972-, Borello Christine, and Bochow Jörg, eds. Figures du monologue théâtral, ou, Seul en scène. Nota bene, 2007.

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Langbaum, Robert Woodrow. The poetry of experience: The dramatic monologue in modern literary tradition. University of Chicago Press, 1985.

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Painter, Megan Gribskov. The aesthetic of the Victorian dramatic monologue. Edwin Mellen Press, 2000.

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Stewart, Nancy Branner. Angel of the Shenandoah: A dramatic monologue. New Market History, 1993.

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Pearsall, Cornelia D. J. Tennyson's rapture: Transformation in the Victorian dramatic monologue. Oxford University Press, 2007.

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L, Blevins James, ed. Dramatic monologues: Making the Bible live. Broadman Press, 1990.

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Langbaum, Robert. The poetry ofexperience: The dramatic monologue in modern literary tradition. University of Chicago Press, 1985.

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Hughes, Linda K. The manyfacèd glass: Tennysons's dramatic monologues. Ohio University Press, 1987.

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Book chapters on the topic "Dramatic monologue"

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Slinn, E. Warwick. "Dramatic Monologue." In A Companion to Victorian Poetry. Blackwell Publishers Ltd, 2008. http://dx.doi.org/10.1002/9780470693537.ch4.

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Tucker, Herbert F. "Dramatic Monologue." In The Palgrave Encyclopedia of Victorian Women's Writing. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_84-1.

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Tucker, Herbert F. "Dramatic Monologue." In The Palgrave Encyclopedia of Victorian Women’s Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_84.

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Smith, Barbara. "Dramatic Monologue." In The Portable Poetry Workshop. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60596-2_19.

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Hartvig, Gabriella. "The Dramatic Monologue." In An Introduction to Poetic Forms. Routledge, 2022. http://dx.doi.org/10.4324/9781003244004-13.

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Biagini, Enza. "L’io nello sguardo dell’altra. L’arte del monologo di Claudio Magris." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.20.

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The current essay aims to highlighting a few aspects of the fine ‘art of the monologue’ practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), in particular, on his most compelling play, Lei dunque capirà (2006). On one hand, the play highlights his masterly use of the stylistic/dialogic capacity of the monologue on stage and, on the other, it offers an unprecedented and extraordinary (parodic) re-actualization of the myth of Orpheus.
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Martens, Britta. "The Dramatic Monologue: Causes and Context." In The Poetry of Robert Browning. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-349-92874-3_5.

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Martens, Britta. "The Dramatic Monologue: Form and the Reader." In The Poetry of Robert Browning. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-349-92874-3_4.

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Wang, Bo, and Yuanyi Ma. "Re-presenting textual meaning in dramatic monologue 1." In Lao She’s Teahouse and Its Two English Translations. Routledge, 2020. http://dx.doi.org/10.4324/9780429291920-3.

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Pypeć, Magdalena. "“Outlaw Emotions”: Carol Ann Duffy’s “Eurydice”, Dramatic Monologue and Victorian Women Poets." In Second Language Learning and Teaching. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-21994-8_9.

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Conference papers on the topic "Dramatic monologue"

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Triboi, Olga, and Svetlana Țârțău. "THEORETICAL AND EVOLUTIONARY ASPECTS OF MONODRAMA." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.20.

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In the 21st century, monodrama opens new perspectives for theater, being one of the most complex art forms. But until now there are not enough multidimensional researches of the specifics and particularities of this dramatic form. The article contains an analysis of the theoretical and evolutionary aspects of the monodrama. We find several definitions of monodrama in various sources, one of them — is a theatrical performance involving an actor. It is similar to a dramatic monologue by the fact that the audience witnesses the thoughts and actions of a single character. This type of performance
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DARIE, Andreea. "Festival d’Avignon – The Challenges of a Doctoral Documentation." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0017.

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In my doctoral research, even though I chose the scientific route and not the professional one, I sought to expand the theoretical discourse in various applicative areas. In order to understand the springs of clowning and the psychosomatic structure of the clown actor, I conducted a non-verbal monologue study about the trickster, I participated in physical and online workshops with clowning teachers from the UK and Spain and, last but not least, I conducted together with an interdisciplinary team a niche theatrical laboratory with the theme: the clown condition of some dramatic characters. Aft
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You might also be interested in the extended bibliographies on the topic 'Dramatic monologue' for particular source types:
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