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Dissertations / Theses on the topic 'Dramatic monologue'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Painter, Megan G. "The dramatic monologue aesthetic and the reader experience /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901268.

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2

Capp, Laura. "Dramatic audition: listeners, readers, and women's dramatic monologues, 1844-1916." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/3438.

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The "dramatic monologue" is curiously named, given that poems of this genre often feature characters not only listening to the speakers but responding to them. While "silent auditors," as such inscribed characters are imperfectly called, are not a universal feature of the genre, their appearance is crucial when it occurs, as it turns monologue into dialogue. The scholarly attention given to such figures has focused almost exclusively upon dramatic monologues by Robert Browning, Alfred Tennyson, and other male poets and has consequently never illustrated how gender influences the attitudes towa

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3

Garrett, Jennifer. "Reconceptualising the dramatic monologue : the interlocutory dynamics of Carol Ann Duffy's poetry." Thesis, Lancaster University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414957.

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4

Roche-Jacques, Shelley J. "Time, space and action in the dramatic monologue : men, women and mice." Thesis, Sheffield Hallam University, 2013. http://shura.shu.ac.uk/20287/.

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This thesis combines critical and creative writing in an inquiry into the presentation of time, space and action in the dramatic monologue, positing that the conventions surrounding the presentation of time and space in lyric poetry affect the interpretation of the communicative context of dramatic monologue. A critical discussion and analysis in five chapters is followed by a collection of original poetry, the production of which informed the critical investigation. The first chapter gives an overview of the critical field and is concerned with definitions of the genre. A definition of the Br

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5

Halbert, Steven Joseph Keirstead Christopher M. ""And yet God has not said a word" the dramatic monologue as inverted and secularized prayer /." Auburn, Ala, 2008. http://repo.lib.auburn.edu/EtdRoot/2008/SPRING/English/Thesis/Halbert_Steven_51.pdf.

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Thesis (M.A.)--Auburn University, 2008.<br>Abstract. Vita. Includes pictures of the Institut Catholique de Paris, a seminary which was formerly the monastery where Brother Lawrence lived and wrote. Includes bibliographical references.

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6

Walter, Lauren. "Anything Else." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/honors_theses/47.

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My honors senior thesis, a creative project entitled Anything Else, is a collection of fourteen poems that reflects on trauma, loss, interpersonal relationships, and nature. Many of the poems are dramatic monologues, allowing me to portray a range of extreme voices, including a survivor of the bombing of Hiroshima, a U.S. veteran of the Iraq War, and murderer Perry Smith. Although I consider myself a free verse writer, preferring to work without regular meter or rhyme, one of the poems is written in iambic pentameter. In addition, I took material from the Yahoo! Answers website and composed it

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7

Walter, Lauren. "New Rust." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2205.

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A poetry thesis exploring issues of loss, death, creation, imagination, family, interpersonal relationships, nature, sexuality, and writing. The manuscript includes a preface that discusses literary influences such as Ai, H.D., and Sharon Olds, as well as writing in forms such as the dramatic monologue, imagistic poem, and confessional poem. Three main sections organize the manuscript's poems.

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8

King, Cynthia Marie. "Ascensionist." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212179833.

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9

Pavani, Monica <1968&gt. "In the skin of another : Anne Michaels', Sujata Bhatt's and Adrienne Rich's dramatic monologues as embodiments of painter Paula Modersohn-Becker." Doctoral thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1159.

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This research aims at exploring the reasons for a multiple fascination: why does German painter Paula Modersohn-Becker (1876-1907) after her death haunt Rainer Maria Rilke (1875-1926) as a ghost that can find no peace in the hereafter? and, what is more, why does her experience as a woman artist go on haunting three women poets of the present time – Canadian Anne Michaels (1958), Indian Sujata Bhatt (1956) and American Adrienne Rich (1929) – who have written dramatic monologues giving voice to her? The reasons for an obsession cannot be grasped in rational terms. The three poets let Becker sp

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10

Anderson, Crystal Lee. "The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/the-coagulateandnot-simply-a-case-frank-bidarts-postconfessional-framing-of-mental-illness-typography-the-dramatic-monologue-and-feint-in-herbert-white-and-ellen-west(2408f29d-e56f-46fe-8301-0f10a463f901).html.

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This doctoral thesis involves two components, a book length collection of poems and a critical study of ‘Herbert White’ and ‘Ellen West’ by Frank Bidart. The collection of poems, The Coagulate, consists of four parts: 1) Semi-personal poems focusing on nature both in a general sense and in specific reference to the natural British landscape. 2) Poems that explore the nature-based myths and contemporary social idiosyncrasies of Japan.3) Poems that explore the social perception of mental illness and the individual voices that exist in spite psychological classification.4) Poems by an alter-ego a

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11

Haines, Dorothy Ina. "Rhetorical strategies in Old English prose, a study of three dramatic monologues." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0007/NQ35171.pdf.

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12

Javořík, Viktor. "Tvorba komediální a dramatické postavy." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-361713.

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The present thesis deals with the process of creating a comedy and drama character. The work is built upon comparing the similarities and differences of their creating. It is based on my previous acting experience and knowledge and skills acquired in the course of the training at the Theatre Faculty of the Academy of Performing Arts, during the rehearsals or final exams at the Department of Dramatic Theatre, or performances at professional theatres. I believe that I am a comedy actor, therefore I chose a topic which may help me sort out the approach to acting in general, but also realize my ow

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13

Ratcliffe, Sophie. "'Goodly creatures' : ideas of sympathy and theology in dramatic monologues by Browning, Auden, and Beckett." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419106.

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14

Rodriguez, Mia U. "Medea in Victorian Women's Poetry." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355934808.

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15

Hýča, Martin. "MONOLOG JAKO AUTENTICKÁ VÝPOVĚD V KONTEXTU MODERNÍHO DRAMATU." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-263148.

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The thesis deals with the notion of monologue and monologicity as a peculiar means of expression of the modern drama. The concept of monologue is defined within the frame of its relation towards dialogue, in the context of theoretical thinking about drama and theater, and in terms of the application of these concepts in everyday life.It is based on the theoretical works by Jan Mukařovský and Jiří Veltruský. The concept of monologue as a lack of dialogicity is being challenged with understanding monologue as a haven of authenticity, a space for authentic testimony. Through the general reflectio

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16

Sines, Benjamin P. "Letters of a Ruined House." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2007.

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17

Marinakou-Matsa, Evgenia. "L'occupation italo-allemande et le parcours de l'identité féminine dans "Η μητέρα του σκύλου" de Pavlos Matessis". Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30069/document.

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Cette étude, intitulée « Représentations de l’Occupation et le parcours de l’identité féminine dans Η μητέρα του σκύλου de Pavlos Matessis », examine la collaboration sexuelle de la femme avec l’ennemi au cours de l’Occupation italo-allemande, son châtiment à la Libération et sa protestation envers la punition infligée. L’analyse des techniques narratives combinée à celle du contexte historique permettent d’approfondir les représentations de l’Occupation élaborées par ce roman et cernent la question centrale qui concerne la position tenue par ce dernier face à un événement que l’Histoire offic

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18

Hýl, Petr. "Slovinské národní divadlo v Lublani." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-215582.

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19

Baker, Kasey Bass. "Gender, Genre, and the Victorian Dramatic Monologue." 2008. http://trace.tennessee.edu/utk_graddiss/326.

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Gender, Genre, and the Victorian Dramatic Monologue describes how female and male poets used the dramatic monologue to create a dialogue about gender and subjectivity. I first chart the evolution of the dramatic monologue by explaining changing Victorian literary critical values as evident in the use of the terms subjective and objective. As opposed to earlier literary interest in objectivity, later Victorian poets use the monologue to experiment with new subject positions, valuing individual perspectives most. I trace this pattern in the way Victorian poets across the period use the developin

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20

Luu, Helen. "Impossible Speech: 19th-century women poets and the dramatic monologue." Thesis, 2008. http://hdl.handle.net/1974/1262.

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This study seeks to redress the continued exclusion of women poets from the theorization of the dramatic monologue. I argue that an unacknowledged consensus on the definition of the dramatic monologue exists, in spite of the oft-proclaimed absence of one, and that it is the failure to recognize this consensus which has in part debarred women poets from the theorization of the form. In particular, the failure to acknowledge this consensus has led recent feminist critics attempting to “rethink” the dramatic monologue, such as Cynthia Scheinberg and Glennis Byron, to reinscribe the very model t

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21

Lan, Wen-lin, and 藍文玲. "The Male Narrators in Robert Browning’s Dramatic Monologues." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/04232050201154094444.

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碩士<br>國立中山大學<br>外國語文學系研究所<br>100<br>The present thesis is a study of Robert Browning’s male narrators in his dramatic monologues that deal with problematic man-woman relationships. Being a renovator of the poetic genre of dramatic monologue, Browning employs it to present men’s innermost struggle and obscure emotions in love. While the Victorian gender stereotype emphasizes men’s preoccupation with the business world, he demonstrates men’s intense relation with love. In his poems depicting man-woman relationships, men’s struggles are mainly caused by their eagerness to retain their masculinity

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22

Celárková, Michaela. "Poetika vybraných her Ronalda Schimmelpfenniga uvedených na českých scénách v kontextu současného německojazyčného divadla." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-324798.

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This thesis presents the work of a contemporary German playwright Roland Schimmelpfennig in a wider context. In the main chapter, the author focuses on the analysis of five Schimmelpfennig's plays that have been performed also on Czech theatre stages. The analysis emphasizes the elements of a dramatic structure that Schimmelpfennig uses in an innovative way: epization of texts, unrealistic treatment of dramatic time, elements of magic realism etc. The author also pays attention to a general characteristic of a contemporary German-speaking theatre with respect to the topics that it deals with.

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23

Boloka, Gibson Mashilo Simon. "A pragmatic approach to C.L. Leipoldt's early dramatic monologues / Gibson Mashilo Simon Boloka." Thesis, 1998. http://hdl.handle.net/10394/14628.

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This mini-dissertation is a pragmatic analysis of C.L. Leipoldt' s early dramatic monologues. The term pragmatics refers to the "study of language in use" (Sell 1991: 193). Levinson (1983:7) defines pragmatics as "the study of language from a functional perspective". In brief, pragmatics is concerned with how communication takes place in a particular situation. C. Louis Leipoldt's dramatic monologues are characterized by a conversational technique. A dramatic monologue, to use the Abrams' words, "is a speech by a single individual" (1988:46), which makes it unlikely that a dramatic monologue c

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24

Tsambo, T. L. (Theriso Louisa). "The theme of protest and its expression in S. F. Motlhake's poetry." Diss., 1999. http://hdl.handle.net/10500/16225.

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In the Apartheid South Africa, repression and the heightening of the Blacks' struggle for political emancipation, prompted artists to challenge the system through their music, oral poetry and writing. Most produced works of protest in English to reach a wider audience. This led to the general misconception that literatures in the indigenous languages of South Africa were insensitive to the issues of those times. This study seeks firstly to put to rest such misconception by proving that there is Commitment in these literatures as exemplified in the poetry of S.F. Motlhake. Motlhake not o

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