Relevant bibliographies by topics / Dramatic poem

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Dramatic poem'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Dramatic poem"

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Fondane, Benjamin, and Eric Freedman. "Philoctetes: A Dramatic Poem." Cardozo Studies in Law and Literature 6, no. 1 (1994): 1–50. http://dx.doi.org/10.2307/743377.

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Fondane, Benjamin, and Eric Freedman. "Philoctetes: A Dramatic Poem." Cardozo Studies in Law and Literature 6, no. 1 (1994): 1–50. http://dx.doi.org/10.1525/lal.1994.6.1.02a00030.

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Fondane, Benjamin. "Philoctetes A Dramatic Poem." Law & Literature 6, no. 1 (1994): 1–50. http://dx.doi.org/10.1080/1535685x.1994.11015744.

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Sokolova, Natalia I. "The ancient poet and philosopher in M. Arnold’s dramatic poem “Empedocles on Etna”." Science and School, no. 4, 2020 (2020): 18–25. http://dx.doi.org/10.31862/1819-463x-2020-4-18-25.

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„Empedocles on Etna”, called by Arnold „dramatic poem”, was not meant to be staged. In a work with three actors (Empedocles, his pupil Pausanias and the poet Callicles) there is almost no action, the predominant role is given to the monologues of the famous philosopher. The article analyzes the image of the main character of the poem. The state of the man of transition era in Ancient Greece, suffering from disappointments, doubts, loneliness, Arnold considered consonant with modernity. Lonely, disillusioned in the world Empedocles is contrasted in the poem with Callicles, who joyfully accepts
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Moulavi Nafchi, Asghar, Mitra Mirzayee, and Morteza Sobhani Zadeh. "Robert Browning: A Dramatic Monologue Marvel." International Letters of Social and Humanistic Sciences 63 (November 2015): 225–32. http://dx.doi.org/10.18052/www.scipress.com/ilshs.63.225.

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One of the most effective literary devices within different didactic and aesthetic forms is the dramatic monologue. The dramatic monologue distinguishes the speaker’s character from that of the poet’s. The double meaning that lies at the heart of the dramatic monologue, conveys the speaker’s version or variety of meaning and intentions. The Dramatic monologue has been practiced for a very long time, but it was Robert browning who invested it with a deeper level of meaning giving it frequency in an attempt to support preexisting aesthetic values in favor of a poem that valued form over content.
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Dewan, Motikala Subba. "Language of Dramatic Monologue in Poe’s “The Raven”." Journal of NELTA 26, no. 1-2 (2021): 28–39. http://dx.doi.org/10.3126/nelta.v26i1-2.45193.

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Dramatic monologue had been used as a powerful tool to express emotions and feelings through the characters in the ancient Greek drama. It received the proper recognition in the Victorian era as a new form of literary device when the various poets and writers started using it in their works. Edgar Allan Poe was not an exceptional. This article explores the language of dramatic monologue in Edgar Allan Poe’s poem “The Raven”. It aims to look at the poem through the three perceptible features of the dramatic monologue: speaker/narrator, audience/listener, and occasion. It examines how the speake
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Nassief, Muslihed-Dien. "Modern American Dramatization of Poetry: An Analytical Study of Selected Poems by Kenneth Koch." JOURNAL OF LANGUAGE STUDIES 3, no. 2 (2023): 32–45. http://dx.doi.org/10.25130/jls.3.2.3.

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The ingenuity is to employ the dramatic elements in dramatizing a poem. The present paper assumes that the correlation between drama and poetry may facilitate this literary touch. Another assumption is that this sensitive relationship between these two genres lies on different circumstantial forces and necessities that are impacted by time and culture. To verify the ingenuity of creating dramatic poetry by transferring the dramatic elements into a poem, and to confirm the assumptions mentioned above, the present paper is devoted to analyze representative poems.Kenneth Koch (1925 – 2002) was an
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Гребнева, Марина Павловна. "Reminiscences and Autoreminiscences in Three Early Editions of the Poem by M.Yu. Lermontov "Demon"." Philology & Human, no. 3 (September 20, 2023): 7–20. http://dx.doi.org/10.14258/filichel(2023)3-01.

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The article is devoted to the first three early editions of the poem by M.Yu. Lermontov "Demon", in which the author uses reminiscences from the poetic stories of V.A. Zhukovsky and A.S. Pushkin, traditionally referred to as romantic poems, as well as non-genre poems (elegies) by V.A. Zhukovsky. Interest in non-genre poems is not accidental and extremely productive, since they include lyrical, epic, and dramatic beginnings. The comparative analysis carried out in the study showed that in connection with reminiscences in Lermontov's poem, we can talk not only about individual lines, motifs, ima
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Nazm, Us Saqib. "A Hidden Narrative: Examining the Emissary's Position in Browning's 'My Last Duchess'." Bodhi International Journal of Research in Humanities, Arts and Science 8, no. 4 (2024): 82–86. https://doi.org/10.5281/zenodo.14748434.

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Dramatic Monologue was a prominent poetic form in the Victorian age, characterised by a single speaker addressing an unknown, silent audience. Robert Browning, who experimented much with the form and wrote remarkable dramatic monologues, “My Last Duchess” stands out for masterful use of the form and compelling subject matter. The interesting part of the monologue for this paper is the silent listener, the emissary who listens to what the speaker, the Duke, has to say. It does not speak throughout the poem. The Duke talks to the emissary of his previous marriage and how his former w
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Vivcharyk, Natalia. "Imagological Problems in Lesya Ukrainka's Dramatic Poem "Boyarynia"." Volyn Philological: Text and Context 32 (December 28, 2021): 87–100. https://doi.org/10.5281/zenodo.5942200.

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The article examines the peculiarities of the coverage of imagological issues in Lesya Ukrainka's dramatic poem "Boyarynia". The analysis involved intelligence from both domestic and foreign scientists, who focused on the fundamental aspects of imagology. The theoretical and methodological basis of the study were the works of V. Budny, O. Veretyuk, N. Kior, J. Leerssen, D. Nalyvayko, D. H. Pageaux, V. Yakymovych, who touch on various aspects of imagology and imagological discourse. Based on them, the specifics of such concepts as literary i
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Dissertations / Theses on the topic "Dramatic poem"

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Dernis, Beatrice. "La voix des revenants dans l'oeuvre de Patrick Kermann : étude d'une écriture contemporaine dans son rapports à la scène." Thesis, Grenoble, 2011. http://www.theses.fr/2011GRENL027/document.

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L'étude de l'œuvre de Patrick Kermann permet de dresser les contours d'un théâtre où la parole des morts met en péril la mimésis et devient un véritable pari sur l'absence. Les différentes voix donnent une présence aux disparus, constituant la charpente du drame à travers un matériau sonore très dense, discontinu et hétérogène. La composition rythmique ouvre sur une polyphonie de voix qui génère un appel désespéré des morts n'ayant pas trouvé de place parmi les vivants. Une première partie traite de la dramaturgie de l'après où les disparus reviennent pour dire leur désastre intime et la barba
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Sturgeon, Shawn (Shawn Jay). "This Sad Kingdom." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc500904/.

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Corkins, Jacob. "Paired Poems in Robert Browning's Men and Women." University of Toledo Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1386930323.

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Slagle, Judith Bailey. "Joanna Baillie and the Poetry of Intellectual and Historical Romanticism." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/459.

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Book Summary: The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works,
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Slagle, Judith Bailey. "Joanna Baillie." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/458.

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Book Summary: Poetry Criticism assembles critical responses to the writings of the world's most renowned poets and provides supplementary biographical context and bibliographic material to guide the reader to a greater understanding of the genre and its creators. Each entry includes a set of previously published reviews, essays and other critical responses from sources that include scholarly books and journals, literary magazines, interviews, letters and diaries, carefully selected to create a representative history and cross-section of critical responses. Although poets and poetry are also co
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Walter, Lauren. "New Rust." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2205.

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A poetry thesis exploring issues of loss, death, creation, imagination, family, interpersonal relationships, nature, sexuality, and writing. The manuscript includes a preface that discusses literary influences such as Ai, H.D., and Sharon Olds, as well as writing in forms such as the dramatic monologue, imagistic poem, and confessional poem. Three main sections organize the manuscript's poems.
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ALAIA, Nicoletta. "The Value of a Poet: i plays di Shakespeare nei Remarks for The British Theatre di Elizabeth Inchbald." Doctoral thesis, Università degli studi di Cassino, 2021. http://hdl.handle.net/11580/84727.

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Focusing on a close reading of Elizabeth Inchbald’s Remarks to Shakespeare’s plays (included in The British Theatre: or, a Collection of Plays, which are acted at the Theatres Royal, Drury Lane, Covent Garden, and Haymarket, 1806-1809) this study argues that in a transitional aesthetic system between XVIII and XIX century these prefaces mark the transition from the Neoclassical norms to the new horizons of the critical act. Two aspects of the Remarks have been examined: firstly, adopting a comparative perspective, i.e. both historical and literary, recurring themes have been selected and comb
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Stonehouse, Alison A. "The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21318.pdf.

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Stonehouse, Alison A. "The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371220817.

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Benassi, Alessandro. "«L'ultima meta de’ simboli» : poetica e retorica delle imprese nel XVI secolo in Italia." Doctoral thesis, Scuola Normale Superiore, 2016. http://hdl.handle.net/11384/86104.

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Books on the topic "Dramatic poem"

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Barka, Vasylʹ. Kavkaz: Dramatychna poema = Caucasus : dramatic poem. Oriĭ, 1993.

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Ibsen, Henrik. Peer Gynt: A dramatic poem. Harrap, 1985.

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Ibsen, Henrik. Peer Gynt: A dramatic poem. Oxford University Press, 2009.

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Mason, William. Elfrida, a Dramatic Poem. HardPress, 2020.

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Rose, George B. Sebastian: A Dramatic Poem. Kessinger Publishing, LLC, 2007.

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Nash, John Henry. Lilith: A Dramatic Poem. Kessinger Publishing, LLC, 2007.

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Heywood, Joseph C. Antonius: A Dramatic Poem. Kessinger Publishing, LLC, 2007.

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Nash, John Henry. Lilith: A Dramatic Poem. Kessinger Publishing, LLC, 2007.

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Heywood, Joseph C. Antonius: A Dramatic Poem. Kessinger Publishing, LLC, 2007.

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Series, Michigan Historical Reprint. Miriam; a dramatic poem. Scholarly Publishing Office, University of Michigan Library, 2006.

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Book chapters on the topic "Dramatic poem"

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Davison, Peter. "The play as dramatic poem." In Othello. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19430-8_6.

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Mason, Nicholas, and Tom Mole. "John Wilson1 ‘Manfred. A Dramatic Poem. By Lord Byron'." In Blackwood's Magazine, 1817-25, Volume 5. Routledge, 2022. http://dx.doi.org/10.4324/9781003312574-2.

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Nash, Walter. "Historic event, creative effort: the making of a dramatic poem." In An Uncommon Tongue. Routledge, 2021. http://dx.doi.org/10.4324/9781003157861-10.

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Finneran, Richard J. "Narrative and Dramatic." In The Poems. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-12506-7_2.

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[Ossian], Oisín, and James Macpherson. "Comála: A Dramatic Poem." In James Macpherson: The Poems of Ossian and related works, edited by Howard Gaskill. Edinburgh University Press, 1996. http://dx.doi.org/10.1093/oseo/instance.00220907.

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"COMALA: A DRAMATIC POEM." In The Poems of Ossian and Related Works. Edinburgh University Press, 2021. http://dx.doi.org/10.1515/9781474468374-009.

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Paulin, Roger. "Introduction." In Wallenstein: A Dramatic Poem. Open Book Publishers, 2017. http://dx.doi.org/10.11647/obp.0101.01.

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Schiller, Friedrich. "Wallenstein’s Camp." In Wallenstein: A Dramatic Poem, translated by Flora Kimmich. Open Book Publishers, 2017. http://dx.doi.org/10.11647/obp.0101.02.

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Schiller, Friedrich. "The Piccolomini. In five acts." In Wallenstein: A Dramatic Poem, translated by Flora Kimmich. Open Book Publishers, 2017. http://dx.doi.org/10.11647/obp.0101.03.

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Schiller, Friedrich. "The Death of Wallenstein. A tragedy in five acts." In Wallenstein: A Dramatic Poem, translated by Flora Kimmich. Open Book Publishers, 2017. http://dx.doi.org/10.11647/obp.0101.04.

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Conference papers on the topic "Dramatic poem"

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Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог
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Rotari, Dorina. "The eighty Bessarabeans poetry: between „reflexivity” and „transitivity”." In Conferința științifică națională cu participare internațională "Integrare prin cercetare și inovare" dedicată Zilei Internaționale a Științei pentru Pace și Dezvoltare. Moldova State University, 2025. https://doi.org/10.59295/spd2024u.20.

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The present article approaches the poetry of the Bessarabian eighties, who try to overcome the well-known literary stereotypes, being under the sign of artistic experiments both in terms of poetic modalities and, more importantly, regarding the new attitude, the fresh pathos, the new ideas, the vehemence of the polemical options. We propose to argue, by referring to two reference authors, Andrei Țurcanu and Eugen Cioclea, that this poem is marked by an unusual language, sometimes “reflexive”, opaque, marked by ambiguity and dissonance, other times “transitive”, oralizing, syncopated , thus est
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Ahmed SALIH, Sura. "TIME IN THE POETRY OF JAMIL BUTHAINA." In III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-3.

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Then Believing in the need of our Arab heritage for a second reading that shows its creativity and originality, we chose Jamil Buthaina, who is considered one of the most important poets of virgin Spinning in the Umayyad era, where his name was associated with the name of his beloved. The Arab in general and beautiful poetry in particular. We notice the dominance of time over Arab poetry and the poets’ gaze. The research is divided into several axes:. - Time in Arabic poetry: which we talked about about the element of time in poetry as it is one of the elements of forming the dramatic structur
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Reports on the topic "Dramatic poem"

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Pesis, Edna, Elizabeth J. Mitcham, Susan E. Ebeler, and Amnon Lers. Application of Pre-storage Short Anaerobiosis to Alleviate Superficial Scald and Bitter Pit in Granny Smith Apples. United States Department of Agriculture, 2013. http://dx.doi.org/10.32747/2013.7593394.bard.

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There is increased demand for high quality fruit produced and marketed with reduced chemical inputs to minimize toxic effects on human health and the environment. Granny Smith (GS) apple quality is reduced by two major physiological disorders, superficial scald and bitter pit (BP). These disorders cause great loss to apple growers worldwide. Superficial scald is commonly controlled by chemical treatments, mainly the antioxidant diphenylamine (DPA) and/or the ethylene action inhibitor, 1-methylcyclopropene (1–MCP). Both chemicals are ineffective in controlling bitter pit incidence. We proposed
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