Relevant bibliographies by topics / Dramatic poem / Journal articles
To see the other types of publications on this topic, follow the link: Dramatic poem.

Journal articles on the topic 'Dramatic poem'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Dramatic poem.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Fondane, Benjamin, and Eric Freedman. "Philoctetes: A Dramatic Poem." Cardozo Studies in Law and Literature 6, no. 1 (1994): 1–50. http://dx.doi.org/10.2307/743377.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Fondane, Benjamin, and Eric Freedman. "Philoctetes: A Dramatic Poem." Cardozo Studies in Law and Literature 6, no. 1 (1994): 1–50. http://dx.doi.org/10.1525/lal.1994.6.1.02a00030.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Fondane, Benjamin. "Philoctetes A Dramatic Poem." Law & Literature 6, no. 1 (1994): 1–50. http://dx.doi.org/10.1080/1535685x.1994.11015744.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Sokolova, Natalia I. "The ancient poet and philosopher in M. Arnold’s dramatic poem “Empedocles on Etna”." Science and School, no. 4, 2020 (2020): 18–25. http://dx.doi.org/10.31862/1819-463x-2020-4-18-25.

Full text
Abstract:
„Empedocles on Etna”, called by Arnold „dramatic poem”, was not meant to be staged. In a work with three actors (Empedocles, his pupil Pausanias and the poet Callicles) there is almost no action, the predominant role is given to the monologues of the famous philosopher. The article analyzes the image of the main character of the poem. The state of the man of transition era in Ancient Greece, suffering from disappointments, doubts, loneliness, Arnold considered consonant with modernity. Lonely, disillusioned in the world Empedocles is contrasted in the poem with Callicles, who joyfully accepts
APA, Harvard, Vancouver, ISO, and other styles
5

Moulavi Nafchi, Asghar, Mitra Mirzayee, and Morteza Sobhani Zadeh. "Robert Browning: A Dramatic Monologue Marvel." International Letters of Social and Humanistic Sciences 63 (November 2015): 225–32. http://dx.doi.org/10.18052/www.scipress.com/ilshs.63.225.

Full text
Abstract:
One of the most effective literary devices within different didactic and aesthetic forms is the dramatic monologue. The dramatic monologue distinguishes the speaker’s character from that of the poet’s. The double meaning that lies at the heart of the dramatic monologue, conveys the speaker’s version or variety of meaning and intentions. The Dramatic monologue has been practiced for a very long time, but it was Robert browning who invested it with a deeper level of meaning giving it frequency in an attempt to support preexisting aesthetic values in favor of a poem that valued form over content.
APA, Harvard, Vancouver, ISO, and other styles
6

Dewan, Motikala Subba. "Language of Dramatic Monologue in Poe’s “The Raven”." Journal of NELTA 26, no. 1-2 (2021): 28–39. http://dx.doi.org/10.3126/nelta.v26i1-2.45193.

Full text
Abstract:
Dramatic monologue had been used as a powerful tool to express emotions and feelings through the characters in the ancient Greek drama. It received the proper recognition in the Victorian era as a new form of literary device when the various poets and writers started using it in their works. Edgar Allan Poe was not an exceptional. This article explores the language of dramatic monologue in Edgar Allan Poe’s poem “The Raven”. It aims to look at the poem through the three perceptible features of the dramatic monologue: speaker/narrator, audience/listener, and occasion. It examines how the speake
APA, Harvard, Vancouver, ISO, and other styles
7

Nassief, Muslihed-Dien. "Modern American Dramatization of Poetry: An Analytical Study of Selected Poems by Kenneth Koch." JOURNAL OF LANGUAGE STUDIES 3, no. 2 (2023): 32–45. http://dx.doi.org/10.25130/jls.3.2.3.

Full text
Abstract:
The ingenuity is to employ the dramatic elements in dramatizing a poem. The present paper assumes that the correlation between drama and poetry may facilitate this literary touch. Another assumption is that this sensitive relationship between these two genres lies on different circumstantial forces and necessities that are impacted by time and culture. To verify the ingenuity of creating dramatic poetry by transferring the dramatic elements into a poem, and to confirm the assumptions mentioned above, the present paper is devoted to analyze representative poems.Kenneth Koch (1925 – 2002) was an
APA, Harvard, Vancouver, ISO, and other styles
8

Гребнева, Марина Павловна. "Reminiscences and Autoreminiscences in Three Early Editions of the Poem by M.Yu. Lermontov "Demon"." Philology & Human, no. 3 (September 20, 2023): 7–20. http://dx.doi.org/10.14258/filichel(2023)3-01.

Full text
Abstract:
The article is devoted to the first three early editions of the poem by M.Yu. Lermontov "Demon", in which the author uses reminiscences from the poetic stories of V.A. Zhukovsky and A.S. Pushkin, traditionally referred to as romantic poems, as well as non-genre poems (elegies) by V.A. Zhukovsky. Interest in non-genre poems is not accidental and extremely productive, since they include lyrical, epic, and dramatic beginnings. The comparative analysis carried out in the study showed that in connection with reminiscences in Lermontov's poem, we can talk not only about individual lines, motifs, ima
APA, Harvard, Vancouver, ISO, and other styles
9

Nazm, Us Saqib. "A Hidden Narrative: Examining the Emissary's Position in Browning's 'My Last Duchess'." Bodhi International Journal of Research in Humanities, Arts and Science 8, no. 4 (2024): 82–86. https://doi.org/10.5281/zenodo.14748434.

Full text
Abstract:
Dramatic Monologue was a prominent poetic form in the Victorian age, characterised by a single speaker addressing an unknown, silent audience. Robert Browning, who experimented much with the form and wrote remarkable dramatic monologues, “My Last Duchess” stands out for masterful use of the form and compelling subject matter. The interesting part of the monologue for this paper is the silent listener, the emissary who listens to what the speaker, the Duke, has to say. It does not speak throughout the poem. The Duke talks to the emissary of his previous marriage and how his former w
APA, Harvard, Vancouver, ISO, and other styles
10

Vivcharyk, Natalia. "Imagological Problems in Lesya Ukrainka's Dramatic Poem "Boyarynia"." Volyn Philological: Text and Context 32 (December 28, 2021): 87–100. https://doi.org/10.5281/zenodo.5942200.

Full text
Abstract:
The article examines the peculiarities of the coverage of imagological issues in Lesya Ukrainka's dramatic poem "Boyarynia". The analysis involved intelligence from both domestic and foreign scientists, who focused on the fundamental aspects of imagology. The theoretical and methodological basis of the study were the works of V. Budny, O. Veretyuk, N. Kior, J. Leerssen, D. Nalyvayko, D. H. Pageaux, V. Yakymovych, who touch on various aspects of imagology and imagological discourse. Based on them, the specifics of such concepts as literary i
APA, Harvard, Vancouver, ISO, and other styles
11

Maynard, John. "Speaker, Listener, and Overhearer: The Reader in the Dramatic Poem." Browning Institute Studies 15 (1987): 105–12. http://dx.doi.org/10.1017/s0092472500001863.

Full text
Abstract:
Robert Browning's poetry showed a special resistance to the text-oriented, aestheticizing tendencies of the New Criticism. It was easy, almost too easy, to find ways to talk about the speaker and his tone of voice; but difficulties arose the moment one tried to move from these statements, as one would in a poem by Keats or Frost, to statements about the poem. Something about the nature of the dramatic monologue itself seems to have been especially unreceptive to organic, unifying conceptions of art. It is not surprising that Roma King's broadly New Critical, The Bow and the Lyre, should have r
APA, Harvard, Vancouver, ISO, and other styles
12

Wiandari, Fadhillah. "DRAMATIC MONOLOGUE IN ROBERT BROWNING’S POEM “ANDREA DEL SARTO”." JL3T ( Journal of Linguistics, Literature and Language Teaching) 3, no. 1 (2018): 1–10. http://dx.doi.org/10.32505/jl3t.v3i1.326.

Full text
Abstract:
Robert browning and the form of poetry known as “dramatic monologue” inevitably go togather. It is already made known that dramatic monologue is esssentially a narrative spoken by a single character. We are to imagine that it is being listened to but never answered; it is a dialogue of which we are to hear only one side. It gains added effect and dimensions through the character’s comments on his own story and the circumtances in which he speaks. It is through the single character’s speech that Browning present the plot, characters and scenes. It is through the words of Andrea that the
APA, Harvard, Vancouver, ISO, and other styles
13

Zhukovska, H. M. "POETICS OF MYTH IN LESYA UKRAINKA’S DRAMATIC POEM “CASSANDRA”." Literary Studies, no. 61 (2021): 37–51. http://dx.doi.org/10.17721/2520-6346.2(61).37-51.

Full text
Abstract:
The article deals with the original author’s interpretation of the myth of the Trojan prophetess Cassandra in Lesya Ukrainka’s drama of the same name. It is observed that the reproduction of the ancient myth is based on the aesthetics of neo-romanticism, artistic tragedy and psychologism. It has been proved that Lesya Ukrainka’s dramatic poem “Cassandra” is a “drama of ideas” in which important issues of human existence are raised. The artistic embodiment of the myth of Cassandra occurs through the understanding of the problems of human destiny, choice, faith / despair, truth / falsehood, free
APA, Harvard, Vancouver, ISO, and other styles
14

Wang, Xueying. "Dramatic Encounter in Robert Frost’s “Dust of Snow”." Scholars International Journal of Linguistics and Literature 5, no. 10 (2021): 348–51. http://dx.doi.org/10.36348/sijll.2022.v05i10.005.

Full text
Abstract:
Robert Frost’s “Dust of Snow” is a marvelous poetic creature of simple and concise language, which conveys complex and profound philosophical insight. This article examines how the dramatic encounter between human and nature in this poem embodies Frost’s perspective on nature and human existence. By depicting the dramatic encounter, Frost reveals the therapeutic power of nature as well as its limitations, and expresses his existential concern on human predicament. The seemingly relaxing but perplexing reading experience generated by this poem, as a sort of dramatic encounter between the reader
APA, Harvard, Vancouver, ISO, and other styles
15

'Amil Hazza', Ahlam. "Abstract: The Dramatic Structure in Hakim Al-Dawudi's Poetry." JOURNAL OF LANGUAGE STUDIES 1, no. 2 (2023): 86–105. http://dx.doi.org/10.25130/jls.1.2.8.

Full text
Abstract:
The dramatic structure in poetry means theemployment of as much as possible of the elements ofdrama such as time, place, action, characters, conflict andthe actual use of dramatic verbs and poetic images. Thoughdramatic elements can be generally found in any poetictext, what is meant by the dramatic structure here is theconscious and intentional existence, i.e. the poetintentionally uses the dramatic values and makes themevidently functional to develope his poem's structure anddeepen its poetic expression. These dramatic elements mayappear in the poetic work without affecting the form of thepo
APA, Harvard, Vancouver, ISO, and other styles
16

Papadopoulos, Simos, and Lina Basoukou. "The folk song "The bridge of Arta". Bridging modern Greek literature and drama in an educational context." Epistēmēs Metron Logos, no. 10 (December 28, 2023): 42–47. http://dx.doi.org/10.12681/eml.36128.

Full text
Abstract:
This paper presents the creative use of dramatic tension techniques in teaching literature at secondary school level, with a specific focus on the folk song "The Bridge of Arta." The paper describes the main principles of the Curriculum for the teaching of Literature in Secondary Education in terms of expanding the teaching of texts within the field of dramatic art. It outlines the objectives of the proposal for employing dramatic techniques in this poem and analyzes the plot of the poem. The paper then suggests applications of experiential practice to enhance the elements of dramatic tension
APA, Harvard, Vancouver, ISO, and other styles
17

Moles, John. "The Dramatic Coherence of Ovid, Amores 1.1 and 1.2." Classical Quarterly 41, no. 2 (1991): 551–54. http://dx.doi.org/10.1017/s0009838800004766.

Full text
Abstract:
In his magisterial new commentary on the Amores J. C. McKeown alleges an ‘inconsistency’ or ‘flaw in the dramatic continuity’ between Amores 1.1 and 1.2: ‘whereas Ovid is fully aware in 1.1 that he is under Cupid's domination, he shows no such awareness in the opening lines of 1.2.’ Previously A. Cameron had used this ‘inconsistency’, together with the evident programmatic character of 1.2, as an indication that the second poem must in fact have been the first poem of one of the original five books of Amores; then when Ovid decided to reduce the number of books from five to three, he wanted to
APA, Harvard, Vancouver, ISO, and other styles
18

Llorens-Cubedo, Dídac. "The Waste Land: Potential Drama, Persistent Poetry." Revista Canaria de Estudios Ingleses, no. 85 (2022): 67–83. http://dx.doi.org/10.25145/j.recaesin.2022.85.05.

Full text
Abstract:
"Late in his career, when he was fully devoted to dramatic writing, T.S. Eliot made the provocative statement that his early poetry was “striving ... toward the condition of drama.” This paper examines dramatic elements in The Waste Land (1922): scenes, voices/characters, and dialogue. In analysing the poem as a proto-dramatic text, it also considers Eliot’s future career as a dramatist (mid-1930s-late 1950s), as well as his contemporary essays on drama, and the unfinished play Sweeney Agonistes (1926-1927). Finally, this study explores the pervading presence of “Waste Land” imagery, moods, an
APA, Harvard, Vancouver, ISO, and other styles
19

Левицька, Оксана. "Пророкувати зі сцени: огляд сценічних адаптацій драматичної поеми Лесі Українки «Кассандра»". Волинь філологічна: текст і контекст, № 37 (3 грудня 2024): 135–58. https://doi.org/10.29038/2304-9383.2024-37/lev.

Full text
Abstract:
A myth about lack of stageability has long been surrounding Lesya Ukrainka’s dramatic texts, including Cassandra. This sentiment has been echoed frequently and in different contexts – from the first literary critics to contemporary stage directors and theatre critics. Nonetheless, at the turn of the first and second decades of the 21st century, almost 100 years after it was written, Cassandra appears to be one of the most productive texts for understanding Ukrainian history and modernity. The article aims to provide an overview of the theatrical adaptations of Lesya Ukrainka’s dramatic poem Ca
APA, Harvard, Vancouver, ISO, and other styles
20

López González, Luis F. "El tiempo poético en el Cantar de mio Cid." Medievalia 54, no. 1 (2022): 87–108. http://dx.doi.org/10.19130/medievalia.2022.1.370x75.

Full text
Abstract:
Time and space are of foremost importance in the dramatic economy of medieval epic poems because they serve the important function of situating the reader spatially and chronologically. In the Cantar de Mio Cid, the poet places particular emphasis on the theme of time, enumerating the years, months, weeks, and days for his reader to present his narrative as a verisimilar, if not historic, chronicle. This study seeks to interrogate the time that elapses from the beginning of the poem to the end, arguing that the poet’s penchant for relative chronological precision betrays an effort to convey hi
APA, Harvard, Vancouver, ISO, and other styles
21

Shulga, O. O. "FEMALE IMAGES IN THE DRAMATIC POEM “BOYARYNYA” BY LESIA UKRAINKA." Collection of scientific works "Visnyk of Zaporizhzhya National University. Philological Sciences" 2, no. 1 (2020): 198–203. http://dx.doi.org/10.26661/2414-9594-2020-1-2-26.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Khabutdinova, Milyausha Mukhametsyanovna. "Ideological and artistic originality of r. kharis’s dramatic poem “Idegey”." Philology and Culture 64, no. 2 (2021): 207–13. http://dx.doi.org/10.26907/2074-0239-2021-64-2-207-213.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Villalba-Lázaro, Marta. "Fragmenting the Myth: Augusta Webster’s “Medea in Athens” and the Victorian Female Struggle." ES Review. Spanish Journal of English Studies, no. 43 (November 23, 2022): 39–62. http://dx.doi.org/10.24197/ersjes.43.2022.39-62.

Full text
Abstract:
Augusta Webster’s poem “Medea in Athens” offers a dramatic interpretation of Medea’s psychological responses to Jason’s death. Using the technique of broken dramatic monologue, this poem allows the poet to offer a personal vision of a Medea in contention with her repressed emotions. Whilst the poem has been much studied by feminist scholars as a remarkable example of the struggle of the New Woman in Victorian England, this paper highlights the role played by the voice of Jason’s ghost that represents Medea’s unconscious, and that despite her desperate attempts reveals a strong patriarchal imag
APA, Harvard, Vancouver, ISO, and other styles
24

Romashkova, Olga Nikolaevna, and Ekaterina Aleksandrovna Sorokina. "Genre transformations in A. V. Tchaikovsky’s musical-dramatic illustrations (2023) to M. Yu. Lermontov’s poem “The Tambov Treasurer’s Wife”." Pan-Art 4, no. 3 (2024): 228–32. http://dx.doi.org/10.30853/pa20240034.

Full text
Abstract:
The aim of the study is to identify the genre specificity in A. V. Tchaikovsky’s musical-dramatic illustrations (2023) to M. Yu. Lermontov’s poem “The Tambov Treasurer’s Wife”. The article analyzes the genre origins of this work. The study focuses on such genre phenomena as musical-dramatic illustrations, vaudeville, comedy, and also examines the influence of the opera genre. The modern composer’s work becomes the object of study for the first time, which accounts for its scientific novelty. As a result, the influence of the literary source, M. Yu. Lermontov’s poem, on A. V. Tchaikovsky’s work
APA, Harvard, Vancouver, ISO, and other styles
25

ВАРЕЦЬКА, Софія, Світлана МАЦЕНКА, Діана МЕЛЬНИК та Ярина ТАРАСЮК. "Медійність голосу у драматичному тексті Лесі Українки". Studia Ucrainica Varsoviensia, № 11 (4 грудня 2023): 75–93. http://dx.doi.org/10.31338/2299-7237suv.11.5.

Full text
Abstract:
Based on the theory of mediative nature of writing the article analyzes the dramatization of voices in Lesya Ukrainka’s dramatic poem Cassandra (1907). The analysis of the text revealed that the author uses voices to create unique characters’ portraits, she skillfully introduces voice gestures, plays with voice masks. Different types of voices have been outlined in Lesya Ukrainka’s text and characterized in the article: the author’s voice, voice of the text, voice of silence, prophetic voice, cry voice, singing voice. Considering the ideas expressed by the researchers in the fi eld of the theo
APA, Harvard, Vancouver, ISO, and other styles
26

Wilmer, Clive. "Language as Experience in “Gerontion” and The Waste Land." Revista Canaria de Estudios Ingleses, no. 85 (2022): 51–65. http://dx.doi.org/10.25145/j.recaesin.2022.85.04.

Full text
Abstract:
"This essay attempts some answers to the question, “How do we read The Waste Land?” It is a poem of many fragments and many voices, but the experiencing consciousness is one, symbolized by the impotent prophet Tiresias. The dramatic method, with its limited viewpoints and fragmented identities, derives from the Victorian dramatic monologue, filtered through the ironies of Jules Laforgue and the innovative versification of the Jacobean playwrights. This way of reading the poem is demonstrated through readings, first, of the monologue “Gerontion,” and then of key passages in The Waste Land itsel
APA, Harvard, Vancouver, ISO, and other styles
27

Schevera, Nicholas. "Instructional Note · Using Performance as an Interpretative Strategy in Teaching Robert Browning’s "My Last Duchess"." Teaching English in the Two-Year College 24, no. 3 (1997): 216–19. http://dx.doi.org/10.58680/tetyc19973827.

Full text
Abstract:
Uses role-playing, dramatic monologues, and "tableaux vivant" to interpret Robert Browning’s poem "My Last Duchess" in an introductory literature class at Westchester Community College. Notes that performative strategies illustrate connections in the poem that often remain unnoticed on a first reading.
APA, Harvard, Vancouver, ISO, and other styles
28

Wazzan, Suzanne A. "Dramatic Monologue in Bidart’s Work “Half-Light” (2017)." Al-Adab Journal 1, no. 144 (2023): 97–116. http://dx.doi.org/10.31973/aj.v1i144.3957.

Full text
Abstract:
This paper aims at investigating dramatic monologue in Frank Bidart’s poems. It discusses the way Bidart was affected by certain poets in terms of the implication of the dramatic monologue device and the power that affected his implementation and his application of this particular genre. Bidart proposes that a poet has a lot of inner consciousness. He receives various voices so he can visualize how to begin from varied places and keep a certain distance from the voice that expresses out of its sense, agony, or annoyance. Bidart has to examine the reasons for definite feelings at a particular p
APA, Harvard, Vancouver, ISO, and other styles
29

Jose, Annu. "Exploring the Construction of Self: An Ironic Gaze Towards Robert Browning’s My Last Duchess." International Journal of English Literature and Social Sciences 8, no. 1 (2023): 253–55. http://dx.doi.org/10.22161/ijels.81.32.

Full text
Abstract:
Dramatic monologue can be considered as a lyrical- dramatic narrative hybrid and the flagship genre of Victorian poetry. It is the most significant poetic innovation of the Victorian era that helped to increase the dignity of Victorian poetry and especially the poems of Robert Browning to a very sophisticated level in the genre of literature. The lengthy speech delivered by the speaker expresses his/her private thoughts intentionally or not. It leads to the uncovering of the intentions and emotions deep within the self of a person. A dramatic monologue reveals the speaker’s temperament and cha
APA, Harvard, Vancouver, ISO, and other styles
30

ZHVANIA, Liudmyla. "The Bible code in Lesya Ukrainka’s dramatic poem “In the Wilderness”." Humanities science current issues 1, no. 39 (2021): 196–203. http://dx.doi.org/10.24919/2308-4863/39-1-32.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

ChoHeejeong. "From the Conversation Poem to the Dramatic Monologue: Robert Browning's Pauline." Journal of English Cultural Studies 11, no. 1 (2018): 259–84. http://dx.doi.org/10.15732/jecs.11.1.201804.259.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

염, 혜원. "A Study on the Dramatic Technique of W.B. Yeats's Later Poem." Yeats Journal of Korea 3 (December 31, 1994): 73–90. http://dx.doi.org/10.14354/yjk.1993.3.73.

Full text
APA, Harvard, Vancouver, ISO, and other styles
33

Zhvania, L. V. "THE BIBLICAL CODE OF LESYA UKRAINKAʼS DRAMATIC POEM “THE BABYLONIAN CAPTIVITI”". Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism 2, № 4 (2022): 65–70. http://dx.doi.org/10.32782/2710-4656/2022.4.2/11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
34

Scheitler, Irmgard. "Neujahrsgeschenk mit Gesang." Artes 2, no. 1 (2023): 60–92. http://dx.doi.org/10.30965/27727629-20230003.

Full text
Abstract:
Abstract At the turn of the year 1623/24, Martin Opitz published the Song of praise about the joyous birthday of our Lord and Saviour Jesus Christ in German Alexandrine verse. Being a gift for the New Year the work combines high erudition with a very personal stance. The poem concludes with a Latin Sapphic ode which derives its full meaning from the intended well-known melody. Amazingly many poets copied Opitz in writing epic-dramatic poems including song(s) as New Year’s dedication; they imitated his motifs and even his title by way of aemulatio. When Opitz’ tendency towards dramatic represen
APA, Harvard, Vancouver, ISO, and other styles
35

Grynyshyna, Maryna. "The Stone Master by Lesya Ukrainka: The Imagology of Don Juan’s Image in the Context of Ukrainian Gender Issues of the Early 20th Century." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 134–43. http://dx.doi.org/10.31866/2410-1915.24.2023.287670.

Full text
Abstract:
The aim of the article is to analyse the genesis of Don Juan’s image and substantiate the imagology of the legendary character in the context of Ukrainian gender issues at the time Lesya Ukrainka wrote The Stone Master. Results. The article presents the basic principles of imagology as a comprehensive direction of cultural research and defines the meaning of using its tools in contemporary theatre studies. Attention is also paid to the gender studies of Ukrainian scholars, which are at the intersection with imagological issues. The study focuses on the image of Don Juan from the dramatic poem
APA, Harvard, Vancouver, ISO, and other styles
36

Naienko, Mykhailo. "SHEVCHENKO'S "HAYDAMAKS" AND STANISLAV ZINCHUK'S POEM "CALL"." Shevchenko Studies, no. 1 (27) (2024): 24–36. https://doi.org/10.17721/2410-4094.2024.1(27).2/24-36.

Full text
Abstract:
This article deals with the thematic affinity, but also differences, of T. Shevchenko's poems "Haydamaky" and Stanislav Zinchuk's "Sklyk". The author analyzes the historical basis of the poems and at the same time discusses the dissimilar treatment of certain plot motifs in them. He uniquely reveals the view of historical and artistic truth in both poems, and also draws attention to the genre and style features of the works as lyric-dramatic poems and their belonging to the romantic wing in Ukrainian epic poetry.
APA, Harvard, Vancouver, ISO, and other styles
37

MONRÓS-GASPAR, LAURA. "‘¡No quiero!’ Staging Alfonso Reyes's Ifigenia cruel in Francoist Spain (1958)." Theatre Research International 47, no. 2 (2022): 111–25. http://dx.doi.org/10.1017/s0307883322000037.

Full text
Abstract:
Alfonso Reyes's Ifigenia cruel has long been recognized as a personal hymn of liberation, which adapts Euripides’ Iphigenia in Tauris to the convulsed Mexican shore of the early twentieth century. The dramatic poem Ifigenia cruel by Alfonso Reyes was first performed in Mexico in 1934. The next documented performance, by the company Teatro de Ensayo Escena and directed by Aitor Goiricelaya, took place at the Instituto de Cultura Hispánica in April 1958 − during Franco's regime. The purpose of this article is to put the 1958 production on the map of performances of Reyes's dramatic poem, and thu
APA, Harvard, Vancouver, ISO, and other styles
38

M. Fahmi, Assist Prof Dr Ismael, and Dr Lanja A. Dabbagh. "“I Have Killed My Son”: Delving into Key- Utterances in Tennyson’s Dora (1842)." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 226, no. 1 (2018): 61–74. http://dx.doi.org/10.36473/ujhss.v226i1.174.

Full text
Abstract:
Dora (Composed in 1835. Published in 1842) is one of Tennyson’s least anthologized poems, even though it incorporates a number of distinctive utterances scarcely found elsewhere in his oeuvre. Apart from the original collection of 1842, and the poet’s Complete Works, the poem is absent from the anthologies. This poem has received minimum attention from the critics. There are expressions in this dramatic poem unique to it only. It is intriguing that this work has attracted only a few passing remarks from the specialists, even though it was found good enough to put on the stage in the United Sta
APA, Harvard, Vancouver, ISO, and other styles
39

M. Fahmi, Assist Prof Dr Ismael, and Dr Lanja A. Dabbagh. "“I Have Killed My Son”: Delving into Key- Utterances in Tennyson’s Dora (1842)." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES, no. 226(1) (September 1, 2018): 61–74. http://dx.doi.org/10.36473/ujhss.v0i226(1).174.

Full text
Abstract:
Dora (Composed in 1835. Published in 1842) is one of Tennyson’s least anthologized poems, even though it incorporates a number of distinctive utterances scarcely found elsewhere in his oeuvre. Apart from the original collection of 1842, and the poet’s Complete Works, the poem is absent from the anthologies. This poem has received minimum attention from the critics. There are expressions in this dramatic poem unique to it only. It is intriguing that this work has attracted only a few passing remarks from the specialists, even though it was found good enough to put on the stage in the United Sta
APA, Harvard, Vancouver, ISO, and other styles
40

Kovalev, Yu. "UNDECODED TRAGEDY OF THE NATION IN THE DRAMA POEM “CASSANDRA” FOREST UKRAINIAN." Literary Studies, no. 61 (2021): 70–78. http://dx.doi.org/10.17721/2520-6346.2(61).70-78.

Full text
Abstract:
The article highlights Lesya Ukrainka’s authorial interpretation of the ancient Greek plot of the Trojan War through the worldview of the soothsayer Cassandra, which foresaw the tragedy of her hometown, doomed to die by the Achaean invaders. In her dramatic poem, the author did not emphasize battle scenes, but psychological conflicts related to the problem of adequate vision and decoding of reality as it is, and not as it is thought or imagined, so the main character inevitably comes into conflict with others. characters who tend to be manipulated while living in an illusory world, unable to v
APA, Harvard, Vancouver, ISO, and other styles
41

Pavlova, Tatiana, Alena Aleksandrovna Ustinovskaya, Ekaterina Aleksandrovna Drozdova, and Ol'ga Geral'dovna Belousova. ""I'm some kind of anti-Browning": the counterpoint of the English pretext and subtext in the "Poem without a Hero" of A. Akhmatova." Филология: научные исследования, no. 5 (May 2022): 21–31. http://dx.doi.org/10.7256/2454-0749.2022.5.37960.

Full text
Abstract:
The subject of the study is the intertextual dialogue of the "Poem without a Hero" by A. Akhmatova with texts by Robert Browning: the poetic diptych "Porphyria's Lover" and "My last Duchess". The object of the study is the counterpoint of the pretext and subtext of English literature in the multilayered and polysemantic text of the "Poem without a Hero", to which Akhmatova herself attributed the "triple bottom". The authors consider in detail the overlap of the motives of Browning's poems with the text of the "Poem without a Hero" and demonstrate the systemic "mirroring" of the reflection of s
APA, Harvard, Vancouver, ISO, and other styles
42

STEPANOVA, Svitlana Ie. "ANTONYMY AS A MEANS OF PORTRAITING SOCIAL INEQUALITY IN THE DRAMATIC POEM "IN THE CATACOMBS" BY LESYA UKRAINKA." Мова, no. 37 (July 13, 2022): 60–66. http://dx.doi.org/10.18524/2307-4558.2022.37.261463.

Full text
Abstract:
The purpose of the scientific research, the results of which are described in this article, is to identify and analyze the facts of antonymy, by using which Lesya Ukrainka creates a contractive image of social inequality between persons who are characters in the dramatic poem "In the Catacombs", and to determine the specificity of this language and artistic medium in the author's picture of the world. The object of study are lexemes and replicas that illuminate the social background of relations between representatives of the ancient Roman society during the era of persecution of Christians. T
APA, Harvard, Vancouver, ISO, and other styles
43

Dagovych, Tetyana. "Law and religion in “Martian the Lawyer”, the dramatic poem by Lesia Ukrainka." Слово і Час, no. 1 (February 2, 2021): 39–55. http://dx.doi.org/10.33608/0236-1477.2021.01.39-55.

Full text
Abstract:
The paper explains the attitudes towards law and religion in Lesia Ukrainka’s dramatic poem “Martian the Lawyer” (1911). The poem depicts the life of early Christians under the Roman law in the third century and obtains new relevance in the context of the movement ‘Law and Literature’, as the focus on law in this oeuvre allows a deeper exploration of its meaning. Law is connected with religion in two ways in the poem: as a part of the civil religion and as a system of prohibitions and punishments within the Christian community.
 Analysis of the text shows that Martian is a carrier of a so
APA, Harvard, Vancouver, ISO, and other styles
44

Choriyeva, Madina A. "EPICS OF THE SHOHNOMA. DESCRIPTION AND ANALYSIS OF FIRDAVSI’S POEM “SHOHNOMA”." Oriental Journal of Philology 01, no. 02 (2021): 1–8. http://dx.doi.org/10.37547/supsci-ojp-01-02-01.

Full text
Abstract:
World history knows bright times full of horrific events, which Stefan Zweig called figuratively “the most beautiful hours of humanity”. During this period, the most advanced representatives of their time, the so-called just people's conscience, experienced the dramatic events of their time in a sharp and powerful way, creating great creators of the human psyche. Such works, which reflect the spiritual and social development of nations in a highly artistic form, include the Mahabharata and the Ramayana, the Iliad and the Odyssey, and the Divine Comedy of the tragedies of Dante and Shakespeare.
APA, Harvard, Vancouver, ISO, and other styles
45

Zhvaniia, L. V. "DIALOGUE WITH THE BOOK OF BOOKS IN LESYA UKRAINKA’S DRAMATIC POEM “OBSESSED”." Тrаnscarpathian Philological Studies, no. 16 (2021): 287–92. http://dx.doi.org/10.32782/tps2663-4880/2021.16.52.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

MELNYK, Myroslava. "Semantic features of anthroponyms in Lina Kostenko’s dramatic poem “Snow in Florence”." Humanities science current issues 3, no. 35 (2021): 183–87. http://dx.doi.org/10.24919/2308-4863/35-3-26.

Full text
APA, Harvard, Vancouver, ISO, and other styles
47

Williams, Gareth. "Ovid's Canace: Dramatic Irony in Heroides 11." Classical Quarterly 42, no. 1 (1992): 201–9. http://dx.doi.org/10.1017/s0009838800042695.

Full text
Abstract:
Heroides 11 has long enjoyed a favourable reputation among critics, largely because Ovid appears to show a tactful restraint in his description of Canace's last moments and to refrain, for once in the Heroides, from descending into what Jacobson terms ‘nauseating mawkishness’. Despite appearances, however, Ovid's wit is not entirely extinguished in this poem, for a devastating irony accompanies the certainty of Canace's imminent death. My objective is to demonstrate the nature of this irony by adopting a methodological approach which owes much to Kennedy's analysis of Heroides 1 in the light o
APA, Harvard, Vancouver, ISO, and other styles
48

Grynyshyna, Maryna. "The Stone Master by Lesya Ukrainka: The Imagology of Don Juan's Image in the Context of Ukrainian Gender Issues of the Early 20th Century." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 134–43. https://doi.org/10.31866/2410-1915.24.2023.287670.

Full text
Abstract:
<i>The aim of the article </i>is to analyse the genesis of Don Juan's image and substantiate the imagology of the legendary character in the context of Ukrainian gender issues at the time Lesya Ukrainka wrote <i>The Stone Master</i>. <i>Results</i>. The article presents the basic principles of imagology as a comprehensive direction of cultural research and defines the meaning of using its tools in contemporary theatre studies. Attention is also paid to the gender studies of Ukrainian scholars, which are at the intersection with imagological issues. The study focuses on the image of Don Juan fr
APA, Harvard, Vancouver, ISO, and other styles
49

Kuczyńska-Koschany, Katarzyna. "Wat, poeta orficki." Colloquia Litteraria 12, no. 1 (2012): 123. http://dx.doi.org/10.21697/cl.2012.1.7.

Full text
Abstract:
Wat, an orphic poet The most important context for many 20th century references to the myth of Orpheus and Eurydice remained Rilke’s poem Orpheus. Eurydice. Hermes (among others, Jastrun, Herbert, Miłosz); the author of the article wonders whether Rilke was equally important for Aleksander Wat as the author of Wiersze somatyczne [Somatic poems] as well as Wiersz ostatni [A Final Poem]. A comparison of the first edition of Wiersze somatyczne (“New Culture”, 1957) with its first book publishing (also in 1957) inclines the author to pose a question, why is this first version much more dramatic, s
APA, Harvard, Vancouver, ISO, and other styles
50

Gisele Pires Mota. "Modernist poetry and performer’s dramatic role: considerations on Ronaldo Miranda’s artsong “Segredo"." Dramaturgias, no. 14 (September 28, 2020): 431–51. http://dx.doi.org/10.26512/dramaturgias14.34389.

Full text
Abstract:
&#x0D; &#x0D; &#x0D; The present research focuses Ronaldo Miranda’s artsong “segredo”. This study applies an interdisciplinary approach in a methodological attempt to join poetry and music and the dramatic roles of singer and pianist, especially in dealing with modernist poetry. The discussion about the relationship between music and words is based on the studies of Stein and Spillman (1996). The literary concept of persona (who is talking in a poem) and mode of address (to whom the persona is talking) is the one described by Edward T. Cone in The Composer’s Voice (1974). The main goal of this
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Dramatic poem' for other source types:
Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography