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Journal articles on the topic 'Dramatic technique'

Author: Grafiati

Published: 22 February 2023

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1

Gurung, Gol Man. "Dramatic Technique in Frost's Poetry." Interdisciplinary Journal of Management and Social Sciences 2, no. 2 (December 31, 2021): 27–31. http://dx.doi.org/10.3126/ijmss.v2i2.42596.

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Robert Frost’s poetry is consolidation of theme, content, form, technique, and prosody. When words are forced into a strict prosody without apprehension of connotation, they become forced obstinate and merely clinking sounds. The combination of form, content, and music generate beauty in verse. By means of the use of dialogue and monologue, he gives genuine treatment to realistic situation in his poems. Three poems: "The Death of the Hired Man", "Stopping by Woods on a Snowy Evening" and "West Running Brook" present brilliance, vivacity, and a sense of exhilaration due to the dramatic techniques of presentation. The speaker in these poems should not be taken literally to represent Frost, rather a character who replies in typical ways to the world around him. The speaker is independent, lonely, and sensitive and he often yearns for acquaintance. The magnitude of his verse lies in its handling of man in relation to nature through dramatic technique.

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2

Harland, Paul W. "Dramatic Technique and Personae in Donne's Sermons." ELH 53, no. 4 (1986): 709. http://dx.doi.org/10.2307/2873171.

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3

Phillips, Elizabeth M. "Chekhov, Boredom, and Pathology as Dramatic Technique." Modern Drama 63, no. 1 (March 2020): 39–62. http://dx.doi.org/10.3138/md.63.1.0962r.

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4

KING, ROBERT L. "THE RHETORIC OF DRAMATIC TECHNIQUE IN BLOOD KNOT." South African Theatre Journal 7, no. 1 (January 1993): 40–49. http://dx.doi.org/10.1080/10137548.1993.9688077.

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5

Bushnell, R. "The Art of Euripides: Dramatic Technique and Social Context." Common Knowledge 19, no. 3 (August 15, 2013): 566. http://dx.doi.org/10.1215/0961754x-2281954.

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6

Rosenfield, Lenora Lerrer. "Technique and drive in Iberê Camargo." PORTO ARTE: Revista de Artes Visuais 20, no. 34 (May 1, 2016): 164. http://dx.doi.org/10.22456/2179-8001.62323.

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The article reports convivial experience with artist Iberê Camargo (Restinga Seca, 1914 - Porto Alegre, 1994), pointing his apprenticeship training and workshop practice, emphasizing the expression through a painting driven by intense dramatic drive.

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Susandro, Susandro. "ALUR DRAMATIK KESENIAN TRADISIONAL SIDALUPA DI ACEH BARAT." Melayu Arts and Performance Journal 5, no. 1 (April 10, 2022): 1. http://dx.doi.org/10.26887/mapj.v5i1.2457.

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Sidalupa art, on the one hand, is a form of dance without a particular pattern or technique accompanied by serunee and rapa'i music. On the other hand, sometimes it is also made into a form of theatrical performance, marked by the presence of actors, musicians, costume makers, and directors in the process. Today, Sidalupa's art is also packaged with cinematic techniques. This article aims to describe the dramatic flow of Sidalupa art produced by the Datok Rimba and Buraq Lam Tapa art studios in West Aceh which has been produced cinematically based on the ideas of Gustav Freytag; exposition, complication, climax, resolution, and conclusion. This research approach is qualitative with descriptive-analytical method. The techniques applied are video-analysis, observation, content-analysis, literature study, and interviews. The result was that Sidalupa's artistic creation, produced by the Datok Rimba Art Studio, contained quite complex dramatic elements, as did Freytag's idea. Likewise, the chain of events presented shows a coherent series of causes and effects. Meanwhile, the work of the Buraq Lam Tapa group seems to tend to disguise stories and characters as elements that drive events. In other words, it does not contain the complex dramatic elements as stated by Freytag.Keywords: Dramatic Plot; Sidalupa Art; West Aceh.ABSTRAKKesenian Sidalupa, di satu sisi, ialah sebentuk tarian tanpa pola atau teknik tertentu yang diiringi musik serunee dan rapa’i. Di lain sisi, terkadang juga digarap menjadi sebentuk pertunjukan teater, ditandai dengan adanya aktor, pemusik, pembuat kostum, dan sutradara dalam proses garapannya. Dewasa ini, kesenian Sidalupa dikemas pula dengan teknik sinematik. Artikel ini bertujuan memaparkan alur dramatik kesenian Sidalupa produksi Sanggar Seni Datok Rimba dan Buraq Lam Tapa di Aceh Barat yang digarap secara sinematik berlandaskan pada gagasan Gustav Freytag; eksposisi, komplikasi, klimaks, resolusi, dan konklusi. Pendekatan penelitian ini ialah kualitatif dengan metode deskriptif-analitis. Teknik yang diterapkan adalah video-analisis, observasi, konten-analisis, studi pustaka, dan wawancara. Hasil yang didapati ialah garapan kesenian Sidalupa produksi Sanggar Seni Datok Rimba memuat unsur dramatik yang cukup kompleks, sebagaimana gagasan Freytag. Begitu pula dengan jalinan peristiwa yang dihadirkan, menunjukkan rangkaian sebab-akibat yang runtut. Sedangkan garapan kelompok Buraq Lam Tapa, terkesan cenderung menyamarkan cerita dan tokoh sebagai unsur penggerak peristiwa. Dengan kata lain, tidak memuat unsur dramatik yang kompleks sebagaimana dikemukakan Freytag.Kata Kunci: Alur Dramatik; Kesenian Sidalupa; Aceh Barat

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8

Parikh., GirishRameshchandra. "DRAMATIC TECHNIQUE IN VIJAY TENDULKAR’S SILENCE! THE COURT IS IN SESSION." International Journal of Advanced Research 4, no. 12 (December 31, 2016): 924–26. http://dx.doi.org/10.21474/ijar01/2473.

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9

염, 혜원. "A Study on the Dramatic Technique of W.B. Yeats's Later Poem." Yeats Journal of Korea 3 (December 31, 1994): 73–90. http://dx.doi.org/10.14354/yjk.1993.3.73.

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10

Raham Dil Khan and Dr. Khan Sardaraz. "Socio-literary Study of Robert Browning and Darwesh Durrani’s Dramatic Monologues: A Comparative Literary Approach." sjesr 2, no. 2 (April 4, 2020): 125–43. http://dx.doi.org/10.36902/sjesr-vol2-iss2-2019(125-143).

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Previous literature is laden with research on Browning’s dramatic monologues from various perspectives. This paper will compare Browning’s dramatic monologues with Derwesh Durrani’s poetry from socio-literary perspective. Literary theories of analogy and variation will be used to find out similarities and differences in their poetry. Two poems from each poet have been selected for analysis through close reading technique on the model of theories of variation and analogy. Stratified sampling technique was used for taking the representative sample from the data. The findings reveals that Darwesh’s poetry exhibits most of the dramatic features of Browning’s dramatic monologues, but his poetry is more poetic, while Browning’s poetry is more dramatic; Browning invigorates the past, Darwesh recreates the present. In addition, Browning’s poems deals with domestic issues like gender violence, love and marriage, Darwesh’s poetry deals with social issues and patriotism, and contrary to Browning, he stands for women’s rights and sensibilities. This paper suggests further studies purely from socio-cultural perspective of Darwesh’s dramatic monologues, which will contribute to the existing literature on dramatic monologues.

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11

FITRIANI, HERNI. "Analisis Penokohan Tokoh Ainun dalam Novel Habibi dan Ainun Karya Baharudin Jusuf Habibi." Seulas Pinang: Jurnal Pendidikan Bahasa dan Sastra 1, no. 1 (October 17, 2019): 17–22. http://dx.doi.org/10.30599/spbs.v1i1.518.

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Literature generally involves all aspects of human life and life, events in works of fiction as well as events in everyday life, always carried by a certain character or perpetrators. The formulation of the problem in this analysis is how the characterization of Ainun figure is expository and dramatic in novel Habibie and Ainun Karya Bacharuddin Jusuf Habibie ?. The results of data analysis and discussion, In revealing the figure Ainun figure, the author uses the technique of depiction of figures proposed by Nurgiyantoro, the technique of depiction of characters in a literary work can be distinguished in two techniques, namely expository techniques and dramatic techniques, through the technique of Ainun figure expression in novel Habibie and Ainun by Bacharuddin Jusuf Habibie can be concluded that he is a figure of a very patient, while through dramatic techniques that include skillful techniques, behavioral techniques, techniques of mind and feeling, stream of consciousness techniques, reaction techniques, techniques of reactions of other figures, background and techniques of physical representation, figure Ainun is obedient and obedient to her husband, kind, responsible, has a very patient personality, he is a figure of a figure who likes peace, peace. But he had tested his loyalty to the husband that when he had to live mediocre when he was in Germany, he learned to use the maximum time so that everything can be resolved properly set the menu cheap but healthy, take care of children, husband and work. All he lived with full sincerity. Ainun always provide peace in his family with his personality. After a long time he thought to go back to work as a doctor so he could help his family's economy, but it takes recognition of UI diplomas in Germany and requires an indeterminate time process. After Ainun got back to work, Ainun was confronted with her personal problems when the children were sick and needed her to choose between work and children, based on faith, Ainun sacrificed her job as a doctor to Always be with her son and husband.

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12

Pendzik, Susana. "Dramatic Resonances: A technique of intervention in drama therapy, supervision, and training." Arts in Psychotherapy 35, no. 3 (January 2008): 217–23. http://dx.doi.org/10.1016/j.aip.2008.02.004.

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13

Sansone, David. "The Art of Euripides: Dramatic Technique and Social Context (review)." Classical World 105, no. 2 (2012): 275–76. http://dx.doi.org/10.1353/clw.2012.0015.

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14

Badran, André, Uebe Rezek, Moysés Lima-Filho, Rafael Pavão, Marcelo Silveira, and José Marin-Neto. "Fogarty technique in the left main coronary artery." Journal of Transcatheter Interventions 28 (December 15, 2020): 1–5. http://dx.doi.org/10.31160/jotci202028a20200026.

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Acute myocardial infarction caused by massive coronary embolism often entails dramatic procedures, because in this setting, pharmacological options are usually less effective than some unorthodox mechanical alternatives. We describe a patient presenting with cardiopulmonary arrest, and the left main occlusion of probable embolic etiology only resolved with the Fogarty maneuver which prompted immediate hemodynamic recovery.

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15

Халилов, Р. О. "СOMMONALITY OF PLAUTUS 'COMEDIES AND V. KATAEV'S COMEDY «QUADRATURE OF THE CIRCLE»." Актуальные вопросы современной филологии и журналистики, no. 1(40) (March 19, 2021): 88–93. http://dx.doi.org/10.36622/aqmpj.2021.34.19.013.

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Статья посвящена исследованию литературных источников драматургической техники комедии В. Катаева «Квадратура круга». Исследование формальных приемов в структуре произведения строится на текстуальном анализе трех комедий Плавта и комедии «Квадратура круга». Анализ сходства драматургической техники производится путем сопоставления отдельных сцен в комедиях Плавта «Клад», «Близнецы», «Пленники» и комедии В. Катаева «Квадратура круга». Автором статьи используется терминология, существующая в научном обороте, но не имеющая нормативного употребления. Слова «схема», «фигура», «элемент» являются синонимами и обозначают отдельный прием драматургической техники. Процесс текстуального сличения отдельных сцен комедий Плавта и Катаева демонстрирует очевидную общность драматургической техники. Сходство приемов драматургической техники, их количественный уровень указывает на факт заимствования Катаевым отдельных элементов из комедий римского автора. Драматургические фигуры, составляющие общность приемов в комедиях Плавта и Катаева, различны на идейно-тематическом и структурно-композиционном уровне. Глубина профессионального освоения творчества Плавта вкупе с дарованием и талантом самого Валентина Петровича способствовали феерическому успеху «Квадратуры круга» на российской и мировой сценах. Использование литературно-исторических традиций античной драматургии Катаевым является бесценным опытом и примером создания произведения высокого художественного уровня. The article is devoted to the study of literary sources of the dramatic technique of V. Kataev's Comedy «the Quadrature of the circle». The study of formal techniques in the structure of the work is based on the textual analysis of three comedies by Plautus and V. Kataev's Comedy «the Quadrature of the circle». The similarity of dramatic technique is analyzed by comparing individual scenes in Plautus 'comedies «the Treasure», «the Twins», «the Prisoners» and V. Kataev's Comedy «the Quadrature of the circle». The author of the article uses terminology that exists in scientific circulation but does not have normative use. Words: the schematic of figure element are synonymous and refer to the individual reception of dramatic technique. The process of textual comparison of individual scenes of Plautus and Kataev's comedies demonstrates an obvious similarity of dramatic technique. The similarity of the techniques of dramaturgical technique ,their quantitative level, indicates the fact that V. Kataev adopted certain elements from the comedies of the Roman author. The dramaturgical figures that make up the commonality of techniques in the comedies of Plautus and V. Kataev are different on the ideological-thematic and structural-compositional level. The depth of Kataev's professional development of Plautus ' work, combined with the talent and talent of Valentin Petrovich, contributed to the enchanting success of the circle Quadrature on the Russian and world stages. The use of literary and historical traditions of ancient drama By V. Kataev is an invaluable experience and example of creating a work of high artistic level.

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16

Liman, Rasheedah. "History and Dramatic Imagination in Ahmed Yerima’s Attahiru." Afrika Focus 32, no. 1 (February 27, 2019): 159–70. http://dx.doi.org/10.1163/2031356x-03201011.

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The thematic concerns of some dramatic creations among postcolonial African playwrights often bear witness to moments of ideological encounter between the colonizer and the colonized. The dramatic space also serves as an avenue where the encounter is revisited, reassessed, or challenged. In this way, Attahiru, a play by Ahmed Yerima introduces a new perspective that insists on the presentation of a version of history that is different from the dominant position of colonial power. On the one hand, colonial accounts portrayed Sultan Attahiru, the Sultan of the Sokoto Caliphate during the late 19th century, as an element of destabilization and a threat to the power and order established by the British colonialists, particularly in the northern protectorate. On the other hand, through narrative technique, Ahmed Yerima illustrates political resistance and the discourses of tradition and modernity, conflicts of religion and culture and the question of identity and power. The historical figure Attahiru is revived as a resistance fighter, a religious figure, a revolutionary leader who is sensitive to power and the demands of his people. However, the major problem arising from a comparison between the historical figure of Attahiru and the dramatic character remains that of the credibility of their representations. The question then is, can narrative technique in a dramatic text give credence to a dramatic character, represented in the synchronic present over the historic one that is constructed by a method aspiring to be objective and rigorous? This paper attempts to answer this question through the textual analysis of the play text against the backdrop of various historical accounts.

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Kujundžić, Fahrudin. "Shakespeareov "Hamlet" između klasike i manirizma / Shakespeare’s "Hamlet" between classicism and mannerism." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 25 (December 23, 2022): 295–313. http://dx.doi.org/10.46352/23036990.2022.295.

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Continuing the previous research on mannerism in the history of European art, primarily the book Dnevnik melankolije [The Diary of Melancholy] by Dževad Karahasan, this paper tries to understand the specific internal contradictions of William Shakespeare’s play in the tension between the classical and mannerist experience of the world. On the foundations laid by Gustav Rene Hocke in his books on mannerism, Karahasan examined the relationship between classical and mannerist dramatic techniques throughout the history of European drama. In accordance with Hocke’s approach, Karahasan recognizes periods of domination of the mannerist type of drama. Shakespeare is cited as one of the mannerist playwrights, but, among other authors, no detailed analysis is devoted to him. This paper, therefore, tries to further develop Karahasan’s basic theses on the example of Shakespeare’s Hamlet, in which we want to recognize the intertwining of classical and mannerist dramatic techniques. Following Karahasan’s methodology, the focus will be on the analysis of the character, plot, action and dramatic situation, and then from these specific problems of dramatic technique, the classical and mannerist image of the world in dramatic literature will be discussed. Thus, within the framework offered by Karahasan, this paper seeks to further problematize Shakespeare’s position in the context of the history of mannerist drama. Therefore, this paper is aimed beyond just confirming Karahasan’s basic theses - we perceived Shakespeare as even more important than it was the case in Karahasan’s conception.

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18

Mattison, Kathryn. "The Art of Euripides: Dramatic Technique and Social Context by Donald J. Mastronarde." Phoenix 65, no. 3-4 (2011): 403–5. http://dx.doi.org/10.1353/phx.2011.0037.

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19

Clark, Molly. "The Origins of a Dramatic Technique: Rhyme in Pre-Shakespearean Drama, 1530–1580." Studies in Philology 118, no. 4 (2021): 666–97. http://dx.doi.org/10.1353/sip.2021.0024.

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20

Alvoni, Giovanna. "Martin Revermann: Comic Business. Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy." Gnomon 81, no. 4 (2009): 291–94. http://dx.doi.org/10.17104/0017-1417_2009_4_291.

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21

Suh, Kook Young. "The Cuchulain Plays of W. B. Yeats : The Transition of His Dramatic Technique." Yeats Journal of Korea 1 (December 31, 1991): 57–84. http://dx.doi.org/10.14354/yjk.1991.1.57.

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22

Brandsma, Frank. "?Et la roine... s'en sourist?; dramatic irony and the narrative technique of interlace." Neophilologus 73, no. 3 (July 1989): 339–49. http://dx.doi.org/10.1007/bf00586630.

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23

Aronson, Jay D. "DNA fingerprinting on trial: the dramatic early history of a new forensic technique." Endeavour 29, no. 3 (September 2005): 126–31. http://dx.doi.org/10.1016/j.endeavour.2005.04.006.

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24

Adam, Tijjani, U. Hashim, Pei Ling Leow, and Q. Humayun. "Fabrication of Nanowire Using Ash Trimming Technique." Advanced Materials Research 626 (December 2012): 1042–47. http://dx.doi.org/10.4028/www.scientific.net/amr.626.1042.

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The paper present a report on fabrication of Nanowire using plasma oxidation, we monitor changes by studying the morphology and Δw / Δh, the study also revealed that the proposed fabrication method could potentially be used to fabricate specific nanometer-scale structure and space structure with uniform surface morphology without any damage to the photoresist. Yet with reduced ashing time and without popping of the photoresist ashing process when the a fabricated is being carried out and subsequently trimmed to nanosize by plasma oxidation, the study also revealed the dramatic increase in aspect ratio as the structure reduces in lateral dimension.

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25

Belkis, Özlem, and Yunus Emre Gümüş. "Examining usability of the six thinking hats technique in playwriting education: Turkey as a case study." Pegem Eğitim ve Öğretim Dergisi 10, no. 1 (February 2, 2020): 147–68. http://dx.doi.org/10.14527/pegegog.2020.006.

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Efforts to define creativity have started in the 20th century, with the emergence and spread of psychology as a modern discipline. The relationship between creativity and art education is frequently researched globally in the last twenty years, but studies on the relationship between creativity and performing arts education are few in number. Researching the relationship between creativity and dramatic writing education in context of theoretical approaches and practical techniques could develop new ideas and practical tools to be used. The current study aims to examine the usability of the Six Thinking Hats Technique, which is a creative thinking practice, in playwriting education in Turkey. The method of the study is based on a review of available literature and a case study. First, the creativity concept and creative processes were examined; then the Six Thinking Hats Technique was adopted to be implemented in composing a play-text. The study groups consisted of eight sophomore dramatic writing students who have completed their third semester in a public university in Turkey. Lastly, the participant’s opinions were analyzed with a final test. The study concludes that the Six Thinking Hats Technique can be used in group studies, genre determination and final production in playwriting education in Turkey. This technique may also be used to develop new ideas and practice strategies in intra-class group activities during playwriting education.

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Kasdorf, Stephen, Blake Troksa, Jake Harmon, Cam Key, and Branislav Notaros. "Shooting-Bouncing-Rays Technique to Model Mine Tunnels: Algorithm Acceleration." Applied Computational Electromagnetics Society 35, no. 11 (February 4, 2021): 1330–31. http://dx.doi.org/10.47037/2020.aces.j.351134.

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We present and discuss acceleration of a shooting and bouncing rays (SBR) algorithm for ray-tracing electromagnetic analysis of electrically very large structures such as underground mine tunnels at modern wireless communication frequencies. The acceleration is based on the parallelization of the SBR technique on NVIDIA GPUs using the OptiX application programming interface. The results show dramatic speedups of the parallel SBR algorithm compared with serial implementation.

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Shin, Taesoo. "Aspects of Narrative Technique Utilization of ‘Choi Cheokjeon’." Korean Society of Culture and Convergence 44, no. 6 (June 30, 2022): 375–94. http://dx.doi.org/10.33645/cnc.2022.6.44.6.375.

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This paper analyzes the narrative technique used in Choicheokjeon . By analyzing the compositional and narrative methods of Choicheokjeon in detail, the narrative techniques used in this work were extracted and cataloged. Through the study of this thesis, various narrative techniques were newly revealed in addition to the narrative techniques mentioned in previous studies. This thesis revealed that narrative techniques such as Parallelism, Chintak method, Eogyang method, Doseo method, Geup-sa-wan-seol method, Nan-gyo-sok-hyeon method, and Gyohap method were mobilized for the creation of Choi Cheok Jeon . Also, in the composition of the narrative, Choicheokjeon is structured so that it develops in a way of getting close once and moving away once. By creating the ups and downs of the narrative using this compositional method, the dramatic effect is amplified, constantly stimulating interest and attracting the reader.

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Nagae, Shin, Akihisa Kubota, and Mutsumi Touge. "Development of the Local Polishing Technique for Single-Crystal SiC Wafer." Key Engineering Materials 656-657 (July 2015): 204–7. http://dx.doi.org/10.4028/www.scientific.net/kem.656-657.204.

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We have developed a novel polishing technique by scanning a small magnetic tool in hydrogen peroxide solution for smoothing a 2-inch SiC wafer. Obtained results show that the surface roughness in almost areas on the 2-inch SiC wafer is improved markedly. Our proposed method effects a dramatic improvement in a surface microroughness from 0.699 nm Rms to 0.079 nm Rms.

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Bošnjak, Matija. "Elements of Dramatic Symbolism in the Poetics of Miodrag Žalica." Društvene i humanističke studije (Online) 6, no. 3(16) (July 27, 2021): 43–58. http://dx.doi.org/10.51558/2490-3647.2021.6.3.43.

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In the literary and theatrical critique of his time (second half of the 20th century), Miodrag Žalica was recognized as a representative of symbolist poetics in Bosnian-Herzegovinian drama. The features of Žalica’s dramatic symbolism have, however, rarely been observed through analyzing the technique of his dramatic works in concreto. The Piece Mirišu li jorgovani u Njujorku, written in 1988, certainly represents the culmination of Žalica’s poetics, and is, in that sense, suitable for an analysis of the symbolic network as a specific trademark of his authorship with regards to the poetics of symbolism in European modern drama at the turn of the 19th to 20th century.

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Kristianto, Bernard Realino Danu, and Adra Ophira Goenawan. "ANALISIS STRUKTUR NARATIF TIGA BABAK FILM STORY OF KALE." Komunikologi: Jurnal Pengembangan Ilmu Komunikasi dan Sosial 5, no. 2 (December 24, 2021): 89. http://dx.doi.org/10.30829/komunikologi.v5i2.9610.

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<p><strong>Abstrak </strong></p><p>Alur cerita yang dikemas dalam sebuah tontonan film tentunya menjadi modal utama keberhasilan film tersebut dalam menarik perhatian penonton. Dari berbagai genre yang ada, tidak banyak film drama Indonesia yang menggunakan alur mundur dalam penyajian ceritanya. Tujuan penelitian ini adalah untuk mengetahui tahapan dramatik tiga babak film Story of Kale dan alur yang digunakan dalam mengemas cerita film <em>spin off</em> garapan sutradara Angga Dwimas Sasongko. Metode penelitian yang digunakan adalah deskripsi kualitatif untuk melihat secara mendalam struktur naratif dan unsur dramatis yang digunakan mulai dari tahap awal, tahap tengah dan tahap akhir. Analisis data pada objek penelitian ini menggunakan teknik analisis struktur naratif tiga babak menurut Syd Field. Hasil analisis penelitian ini menemukan bahwa alur mundur yang disajikan dalam film Story of Kale tidak menggunakan kaidah struktur naratif tiga babak. Penggunaan struktur tiga babak terlihat dalam urutan kronologis cerita film Story of Kale tahap awal, munculnya persoalan dan konflik. Penelitian ini menyimpulkan bahwa penggunaan plot <em>flashback</em> dan teknik editing yang simultan dapat mengubah keseluruhan bentuk cerita naratif.</p><p><em><br /></em></p><p><em><strong>Abstract</strong><br /></em></p><p><em>This study discusses the narrative structure of the three-act film Story Of Kale by looking at the dramatic elements in the story presented. The purpose of this study was to determine the dramatic stages of the three-act film Story of Kale and the plots used in packaging the story of the spin-off film directed by Angga Dwimas Sasongko. The research method used is a qualitative description to see in depth the narrative structure and dramatic elements used starting from the early, middle and final stages. Analysis of the data on the object of this research uses the three-act narrative structure analysis technique according to Syd Field. The results of the analysis of this study found that the backward plot presented in the film Story of Kale does not use the rules of the three-act narrative structure. The use of a three-act structure is seen in the chronological order of the story of the early Story of Kale film, the emergence of problems and conflicts. This study concludes that the simultaneous use of flashback plots and editing techniques can change the overall form of the narrative story.</em></p>

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31

Aikoye, AA, TY Tang, and FJ Meyer. "Local anaesthetic surgical treatment of severe objective pulsatile tinnitus: a useful technique." Annals of The Royal College of Surgeons of England 94, no. 4 (May 2012): e139-e140. http://dx.doi.org/10.1308/003588412x13171221498820.

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Objective pulsatile tinnitus is a rare condition with an often dramatic presentation. We present the case of a 70-year-old woman who presented with over two years’ history of unilateral distressing objective pulsatile tinnitus. Carotid arteriography revealed a highly tortuous internal carotid artery. Computed tomography of the ipsilateral temporal bones showed a large jugular bulb. Internal jugular vein ligation under local anaesthetic yielded immediate resolution of her symptoms.

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Nakata, Takako. "The effect of dramatic technique on self-cognition and interpersonal cognition of high school students." Proceedings of the Annual Convention of the Japanese Psychological Association 78 (September 10, 2014): 2AM—1–082–2AM—1–082. http://dx.doi.org/10.4992/pacjpa.78.0_2am-1-082.

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Hamishehkar, Hamed, Saeed Ghanbarzadeh, Aram Khalili, Abolghasem Jouyban, Shahram Emami, Yousef Javadzadeh, and Mohammad Solhi. "Dramatic improvement in dissolution rate of albendazole by a simple, one-step, industrially scalable technique." Research in Pharmaceutical Sciences 11, no. 6 (2016): 435. http://dx.doi.org/10.4103/1735-5362.194868.

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Fu, Ju Gen, Rui Xuan Luan, and Yan Ting Zhang. "Roadway Hard Rock Loose Blasting by Digging Machine Technique." Applied Mechanics and Materials 204-208 (October 2012): 1758–62. http://dx.doi.org/10.4028/www.scientific.net/amm.204-208.1758.

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Rock roadway digging machine is generally applicable to soft mudstone, sandy mudstone roadway. When it comes to the harder rock,, the speed of digging machine construction is greatly reduced, the tool were wear seriously, the service life is substantially reduced, the tunneling cost is dramatic increased. So we must use the loose secondary blasting, to soften rocks. According to the specific circumstances of the west lane in Liuzhuang Coalmine, and proposed coal mine loose blasting technique program in keeping with construction requirements after the study, that is reasonable blast-hole depth, hole parameters, charge amount, charge structure, stemming length. Research results have a good loose blasting effect in engineering practice.

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Hu, Jian Ping, and Yu Zhang. "Gate-Length Biasing Technique of Complementary Pass-Transistor Adiabatic Logic for Leakage Reduction." Advanced Materials Research 159 (December 2010): 180–85. http://dx.doi.org/10.4028/www.scientific.net/amr.159.180.

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Scaling down sizes of MOS transistors has resulted in dramatic increase of leakage currents. To decrease leakage power dissipations is becoming more and more important in low-power nanometer circuits. This paper proposes a gate-length biasing technique for complementary pass-transistor adiabatic logic (CPAL) circuits to reduce sub-threshold leakage dissipations. The flip-flops based on CPAL circuits with gate-length biasing techniques are presented. A traffic light controller using two-phase CPAL with gate-length biasing technique is demonstrated at 45nm CMOS process. The BSIM4 model is adopted to reflect the characteristics of the leakage currents. All circuits are simulated using HSPICE. Simulation results show that the CPAL traffic light controller with the gate-length biasing technique attains 20% to 5% energy savings compared with the one using the original gate length 25MHz to 200MHz.

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36

Lazardzig, Jan. "“Criminal types”: The criminal psychological representations of delinquents around 1900." Maska 37, no. 207 (June 1, 2022): 54–63. http://dx.doi.org/10.1386/maska_00102_3.

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Analysing the work of the German criminologist and jurist Erich Wulffen (18621936), Jan Lazardzig in his essay shows how the representation of delinquency in criminal anthropology was echoed in dramatic literature, which corresponds with the time of urbanization, mass culture and cultural and medial transformation around 1900. Wulffen’s analytical approach is examined in the context of the systematic identification, archiving and dissemination of information about delinquency that became a primary police technique. The evocation of dramatic ‘criminal types’, the author argues, simultaneously serves as affirmation and as self-assurance of the Bildungsbürgertum and the identity of the bourgeoisie.

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Nakamura, Eiji, Kohei Ueno, Jitsuo Ohta, Hiroshi Fujioka, and Masaharu Oshima. "Dramatic reduction in process temperature of InGaN-based light-emitting diodes by pulsed sputtering growth technique." Applied Physics Letters 104, no. 5 (February 3, 2014): 051121. http://dx.doi.org/10.1063/1.4864283.

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Grimes, Jonathan M., Stephen D. Fuller, and David I. Stuart. "Complementing crystallography: the role of cryo-electron microscopy in structural biology." Acta Crystallographica Section D Biological Crystallography 55, no. 10 (October 1, 1999): 1742–49. http://dx.doi.org/10.1107/s0907444999009956.

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Dramatic improvements in experimental methods and computational techniques have revolutionized three-dimensional image reconstruction from electron micrographs (EM) of vitrified samples. Recent results include the first determination of a protein fold (for the core protein of the hepatitis B virus) by non-crystalline imaging techniques. These developments have generated interest within the crystallographic community and have led to a re-evaluation of the technique, particularly amongst those working in the field of virus structure or struggling with the phasing of large macromolecular assemblies. A simple discussion of the techniques of EM image reconstruction and its advantages and problems in terms familiar to crystallographers will hopefully allow an appreciation of the essential complementarity of the two techniques and the practical potentials for phasing applications.

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39

Burt-Pichat, B., M. H. Lafage-Proust, F. Duboeuf, N. Laroche, C. Itzstein, L. Vico, P. D. Delmas, and C. Chenu. "Dramatic Decrease of Innervation Density in Bone after Ovariectomy." Endocrinology 146, no. 1 (January 1, 2005): 503–10. http://dx.doi.org/10.1210/en.2004-0884.

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Recent studies have demonstrated that bone is highly innervated and contains neuromediators that have functional receptors on bone cells. However, no data exist concerning the quantitative changes of innervation during bone loss associated with estrogen withdrawal. To study the involvement of nerve fibers in the regulation of bone remodeling, we have evaluated the modifications of innervation in a classical in vivo model of osteopenia in rats, ovariectomy (OVX). Skeletal innervation was studied by immunocytochemistry using antibodies directed against specific neuronal markers, neurofilament 200 and synaptophysin, and the neuromediator glutamate. Sciatic neurectomy, another model of bone loss due to limb denervation and paralysis, was used to validate our quantitative image analysis technique of immunostaining for nerve markers. Female Wistar rats at 12 wk of age were sham-operated (SHAM) or ovariectomized (OVX). Bone mineral density measurement and bone histomorphometry analysis of tibiae 14 d after surgery demonstrated a significant bone loss in OVX compared with SHAM. We observed an important reduction of nerve profile density in tibiae of OVX animals compared with SHAM animals, whereas innervation density in skin and muscles was similar for OVX and control rats. Quantitative image analysis of immunostainings demonstrated a significant decrease of the percentage of immunolabeling per total bone volume of neurofilament 200, synaptophysin, and glutamate in both the primary and secondary spongiosa of OVX rats compared with SHAM. These data indicate for the first time that OVX-induced bone loss in rat tibiae is associated with a reduction in nerve profile density, suggesting a functional link between the nervous system and the bone loss after ovariectomy.

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Biegluk-Leś, Weronika. "Metateatralność w dramacie Jewgienija Wodołazkina Parodysta." Studia Wschodniosłowiańskie 21 (2021): 5–22. http://dx.doi.org/10.15290/sw.2021.21.01.

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As the author of the article claims, the metatheatricality in Eugene Vodolazkin’s drama The Parodist is constituted by the multiplication of levels of presented reality and its specific modelling, exposing the “derivativness” and “fictionality”.The multi-layered reality is generated by various, usually perfidious, realizations of the concept of “theatre in theatre” (e.g. thanks to outright and allusive intertextuality, implicitly inscribed in the text of the drama); appearance of specific structural and compositional elements and the simultaneity resembling a film technique of parallel editing; breaking down the stage illusion and maximising the theatrum mundi concept; a play generated within a dramatic plot by the heroes themselves; and metaparody of artistic issues in the dramatic dialogue.

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Karo, Hasan. "Dramatic Monologue in T. S. Eliot’s The Love Song of J. Alfred Prufrock." Humanities Journal of University of Zakho 10, no. 1 (March 27, 2022): 245–47. http://dx.doi.org/10.26436/hjuoz.2022.10.1.831.

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This paper discusses the use of ‘dramatic monologue’ and ‘stream of consciousness’ in T. S. Eliot’s “The Love Song of J. Alfred Prufrock”. It highlights the history of the two terms with references to certain lines of the poem. It unveils the effect of using such a technique by Eliot. The paper investigates how the speaker ‘J. Alfred Prufrock’ is trying to communicate with the reader in dramatic monologue. Furthermore, it examines how J. Alfred Prufrock’s brain and process of thoughts is working through the use of stream of consciousness and interior monologue to achieve such process of thoughts. The paper pays all the attention to main character’s language to answer the research’s question in which makes the paper a discourse analytic research. The main question that the paper raises is how Prufrock’s behavior explains the existence of dramatic monologue within himself. It is worth mentioning that the paper’s conclusion provides the findings of the research.

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ZHANG, WEIQIANG, LI SU, YU ZHANG, LINFENG LI, and JIANPING HU. "LOW-LEAKAGE FLIP-FLOPS BASED ON DUAL-THRESHOLD AND MULTIPLE LEAKAGE REDUCTION TECHNIQUES." Journal of Circuits, Systems and Computers 20, no. 01 (February 2011): 147–62. http://dx.doi.org/10.1142/s0218126611007128.

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The scaling of transistor sizes has resulted in dramatic increase of leakage currents. The sub-threshold and gate leakages have now become a major contributor to total power dissipations. This paper presents two flip-flops based on dual-threshold CMOS and multiple leakage reduction techniques to reduce their leakage dissipations. In the DT-TG FF (Dual-Threshold Transmission Gate Flip-Flop), some transistors on non-critical paths use high-threshold devices to reduce their leakage currents, while the other transistors on critical paths use low-threshold devices to maintain performance. The MLRT FF (Multiple Leakage Reduction Technique Flip-Flop) uses P-type CMOS techniques, MTCMOS (Multi-Threshold CMOS) power-gating and dual-threshold technique to reduce both sub-threshold and gate leakage dissipations. Taken as an example, a practical sequential system realized with the two low-leakage flip-flops is demonstrated using a mode-5 × 5 × 5 counter. The simulation results show that the two flip-flops achieve considerable leakage reductions.

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Ahn, Tae Hwan, Tao Zheng, Hee Jeong Kang, Byung Joon Yoo, Jae Ho Chung, and Jin Hyeok Jeong. "New Technique in Nasal Tip Plasty: Sandwich Technique Using Cartilage and Septal Bone Complex." Ear, Nose & Throat Journal 99, no. 9 (October 13, 2019): 599–604. http://dx.doi.org/10.1177/0145561319881570.

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Objectives: It is extremely difficult to obtain ideal tip projection and nose lengthening by septal extension graft using only septal cartilage in Asians, because their nasal septal and alar cartilages are small and weak. Therefore, we introduce a new septal extension graft using a cartilage–bone complex with the vomer and the perpendicular plate of the ethmoid bone as well as cartilage to obtain optimal outcomes. Methods: Participants included 30 patients who underwent surgery by external approach. The septal cartilage, vomer, and perpendicular plate of the ethmoid bone harvested by septoplasty were used. There were 2 layers of cartilage on each side and bone in between to create a strong cartilage–bone complex for projection and lengthening. The bony portion was placed in the tip side, and the double-layered cartilage portion was placed in the inferior portion of the caudal septum of the L-strut to create powerful fixation. Results: There were statistically significant improvements in nasal length (4.71 ± 0.65 vs 5.15 ± 0.53 cm, P value <.0001), tip projection (2.66 ± 0.40 vs 3.18 ± 0.42, P value <.0001), and nasolabial angle (94.0° ± 9.3° vs 107.2° ± 9.6°, P value <.0001) postoperatively. All patients were subjectively satisfied, and 2 different surgeons had excellent or good opinions in 28 (94%) patients. Conclusions: The sandwich technique using cartilage and bone complex results in satisfactory outcomes with stronger tip support, especially in Asians with a weak nasal tip who desire ideal tip projection and dramatic change.

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Van Loon, John. "Improving Pronunciation of Adult ESL Students." TESL Canada Journal 20, no. 1 (October 26, 2002): 83. http://dx.doi.org/10.18806/tesl.v20i1.941.

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This article describes a classroom technique for improving the pronunciation of adult ESL learners. The technique is based on using stress and pausing in the same manner as native speakers of English. Dramatic improvement in pronunciation may be quickly achieved by showing learners how stress and pause are related to parts of speech and sentence structure. The article describes how a classroom teacher can develop an awareness of the relationship between grammar and pronunciation for learners.

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Anam, Ahmad Khoiril, and Yogi Purnama. "The Characteristics of Ahmad Tohari's Smile Short Story by Ahmad Tohari." Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia 5, no. 1 (June 30, 2021): 8–13. http://dx.doi.org/10.30998/jh.v5i1.650.

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The purpose of this study is to describe the characters contained in the collection of short stories Senyum Karyamin by Ahmad Tohari. The method used in this research is qualitative descriptive research. The research technique used is the analysis of the contents of collection of short stories and literature studies to find and collect library data in the form of books relating to research sebjects. Research on the characterization of the main characters in a collection of short stories with the use of analytical and dramatic aspects of the story of thirteen sub-chapters. The results found the chacarterization of the main characters in a short stories with use of analytical aspects of 53 findings (51%) and dramatic 51 findings (49%) that appear in the story of thirteen sub-chapters that exist. Short collection of Senyum Karyamin depicts the character of rural communities that reflect daily life.Keywords: Main Character, Analytical Aspects, Dramatic Aspects, Short Stories Senyum Karyamin.

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46

Kozielski, L., M. Adamczyk, A. Lisińska-Czekaj, D. Czekaj, R. Zachariasz, M. Pawełczyk, and M. Pilch. "Mechanical properties of BaBi2Nb2O9 ceramics obtained by different measurements techniques." World Journal of Engineering 10, no. 4 (August 21, 2013): 329–36. http://dx.doi.org/10.1260/1708-5284.10.4.329.

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Gaining the precise control over the matter at the nanometre scale is the main leitmotif in a majority of nanoscience oriented research measurements nowadays. The availability of new advanced tools, as a nanoindentation technique, for evaluation of the mechanical properties, seems to be prerequisite for exploitation of the dramatic development in nanoscience and meeting the emerging needs of the industries in new electronic applications. The nanoindentation technique was applied to evaluate the elastic modulus and hardness values as a function of indentation depth. However, in the presented experiment the nanoscale mechanical properties of BaBi2Nb2O9 ceramics have been characterized and compared with the macroscale measurements with macroscale method with the implementation of ultrasound techniques. A draw conclusion indicates that expensive nanoscale characterisation presented here is not fully consisted with the microscale. The reasons of such state of things are widely discussed.

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Botti, Charles F., Gary M. Ansel, Mitchell J. Silver, Billie J. Barker, and Sheila South. "Percutaneous Retrograde Tibial Access in Limb Salvage." Journal of Endovascular Therapy 10, no. 3 (June 2003): 614–18. http://dx.doi.org/10.1177/152660280301000330.

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Purpose: To describe a novel technique for percutaneous retrograde access of the tibial vessels after antegrade access failure in patients with chronic limb-threatening ischemia. Methods: Six patients who had failed antegrade access to infrapopliteal occlusions had attempted retrograde tibial puncture and wire passage into the proximally patent vessel. Endovascular intervention was carried out utilizing standard techniques. The patients were followed for functional class and wound healing. Results: All six patients were successfully recanalized. Five patients experienced rapid and dramatic healing of wounds that had previously been refractory to conservative therapy. The other patient did not experience healing and ultimately died of progressive intractable congestive heart failure in the setting of a severe ischemic cardiomyopathy. Conclusions: Retrograde tibial access can be a valuable technique in the armamentarium of a peripheral interventionist treating patients with chronic critical limb ischemia.

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Bird, Drew. "How can arts-based research in dramatic performance illuminate understanding of the therapeutic relationship?" Drama Therapy Review 5, no. 2 (October 1, 2019): 279–92. http://dx.doi.org/10.1386/dtr_00007_1.

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This article explores how Heuristic Inquiry (HI), harnessed for arts-based research using solo performance, deepened the author’s understanding of the therapeutic relationship. The research explores the rehearsal and devising process of nine performances to explore barriers to a playful encounter with the audience and client using the myth of Psyche and Cupid. Themes of seeking approval, technique and shame are considered as potential obstacles to forging a co-creative therapeutic alliance.

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Ahn, Byung-Taek. "Analysis of Visual Characteristic of Directing For Dramatic Narrative -Focusing on Composition Technique of >SILENCE<." Journal of the Korea Contents Association 12, no. 9 (September 28, 2012): 68–79. http://dx.doi.org/10.5392/jkca.2012.12.09.068.

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50

Chapman, Steve. "What is the Dual-Detector FEG SEM, and Why use it?" Microscopy Today 7, no. 1 (January 1999): 14–15. http://dx.doi.org/10.1017/s1551929500063756.

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The world of scanning electron microscopy seems to spin in such a way that every four years there is a dramatic step forward. Field emission sources (FEG), developed in the late 1960's, started life as a commercial disaster. In spite of the problems, certain manufacturers persisted with the first really user friendly FEG SEM reaching the market in the early 1980s. The FEG has been developed through the 1990's to be, without doubt, the source for SEU. But other advances in SEM performance have added to the instrument's performance, the most recent dramatic step being the introduction of semi-inlens imaging, a technique based upon 1980's dual detector imaging systems.

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