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1

A writing life: Interviews with Australian women writers. Allen & Unwin, 1990.

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2

Gender and the writing of Yemeni women writers. Dutch University Press, 2005.

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3

A, Murray John, ed. American nature writing 2003: Celebrating emerging women nature writers. Fulcrum Publishing, 2003.

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4

Cooper, Artemis. Writing at the kitchen table: The authorized biography of Elizabeth David. Penguin Books, 2000.

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5

Writing at the kitchen table: The authorized biography of Elizabeth David. Michael Joseph, 1999.

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6

Looser, Devoney. British women writers and the writing of history, 1670-1820. Johns Hopkins University Press, 2000.

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7

Spender, Dale. Writing a new world: Two centuries of Australian women writers. Pandora, 1988.

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8

Girl in a library: On women writers & the writing life. BkMk Press/University of Missouri-Kansas City, 2009.

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9

DuPlessis, Rachel Blau. Writing beyond the ending: Narrative strategies of twentieth-century women writers. Indiana University Press, 1985.

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10

Writing resistance: A comparative study of the selected novels by women writers. Indian Institute of Advanced Study, 2006.

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11

Smallwood, Carol, and Suzann Holland, eds. Women Writing on Family: Tips on Writing, Teaching and Publishing: Tips on Writing, Teaching and Publishing. The Key Publishing House, Inc., 2012.

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12

Thompson, Dawn. Writing a politics of perception: Memory, holography and women writers in Canada. University of Toronto Press, 2000.

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13

Lichtenstein, Diane Marilyn. Writing their nations: The tradition of nineteenth-century American Jewish women writers. Indiana University Press, 1992.

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14

Binchy, Maeve. The Maeve Binchy Writers' Club. Orion Publishing Group, 2008.

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15

Pantoja-Hidalgo, Cristina. Filipino woman writing: Home and exile in the autobiographical narratives of ten writers. Ateneo de Manila University Press, 1994.

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16

Neunzig, Cahill Susan, ed. Writing women's lives: An anthology of autobiographical narratives by twentieth century American women writers. HarperPerennial, 1994.

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17

Fischerová, Andrea. Romanticism gendered: Male writers as readers of women's writing in romantic correspondence. Cambridge Scholars, 2008.

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18

Romanticism gendered: Male writers as readers of women's writing in romantic correspondence. Cambridge Scholars, 2008.

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19

Richardson, Sarah. Writing on the line: 20th century working-class women writers : an annotated list. Working Press, 1996.

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20

Writing the meal: Dinner in the fiction of early twentieth-century women writers. University of Toronto Press, 2001.

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21

Sheraton, Mimi. Eating my words: An appetite for life. William Morrow, 2004.

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22

Sheraton, Mimi. Eating my words: An appetite for life. Thorndike Press, 2004.

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23

A group of their own: College writing courses and American women writers, 1880-1940. State University of New York Press, 2001.

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24

Spender, Dale. The writing or the sex?, or, Why you don't have to read women's writing to know it's no good. Pergamon Press, 1989.

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25

Spender, Dale. The writing or the sex?, or, Why you don't have to read women's writing to know it's no good. Teachers College Press, 1989.

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26

Spender, Dale. The writing or the sex?: Or why you don't have to read women's writing to know it's no good. Pergamon Press, 1989.

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27

1958-, Bartlett Neil, ed. Talking to--: Peter Burton in conversation with ... writers writing on gay themes. Third House, 1991.

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28

African women's literature, orature, and intertextuality: Igbo oral narratives as Nigerian women writers' models and objects of writing back. Bayreuth University, 1998.

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29

Rubí, Martha Lorena. Politically writing women in Hispanic literature: The feminist tradition in contemporary Latin American and U.S. Latina writers. Xlibris Corporation, 2011.

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30

Women travel writers and the language of aesthetics, 1716-1818. Cambridge University Press, 1995.

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31

Jane Dolinger: The adventurous life of an American travel writer. Palgrave Macmillan, 2010.

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32

Until we are strong together: Women writers in the Tenderloin. Teachers College Press, 1997.

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33

Women, writing, and the theater in the early modern period: The plays of Aphra Behn and Suzanne Centlivre. Fairleigh Dickinson University Press, 2001.

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34

Worthington, Pepper. Writing does make a difference: Pass it on : memoirs of the N.C. Women Writers Conference, March 13-15, 1992 in Winston-Salem, N.C. Mount Olive College Press, 1992.

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35

1940-, Lasseter Janice Milner, and Harris Sharon M, eds. Rebecca Harding Davis: Writing cultural autobiography. Vanderbilt University Press, 2001.

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36

name, No. Breaking open: Reflections on Italian American women's writing. Purdue University Press, 2003.

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37

Pollard, Tanya. Greek Tragic Women on Shakespearean Stages. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793113.001.0001.

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Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England’s dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts’ invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles’ Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period’s writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: “What’s Hecuba to him, or he to Hecuba/ That he should weep for her?” Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
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38

Chamberlain, Mary. Writing Lives: Conversations Between Women Writers. Virago Pr, 1988.

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39

1947-, Chamberlain Mary, ed. Writing lives: Conversations between women writers. Virago Press, 1988.

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40

Beyond the pale: Dramatic writing from First Nations writers & writers of colour. Playwrights Canada Press, 1996.

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41

(Editor), Yvette Nolan, Betty Quan (Editor), and George Bwanika Seremba (Editor), eds. Beyond the Pale: Dramatic Writing from First Nations Writers & Writers of Colour. Playwrights Canada Press, 1997.

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42

Yvette, Nolan, ed. Beyond the pale: Dramatic writing from First Nations writers and writers of colour. Playwrights Canada Press, 2004.

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43

Nolan, Yvette. Beyond The Pale: Dramatic Writing From First Nations Writers and Writers Of Colour. Playwrights Canada Press, 2004.

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44

1946-, Collins Judith, Lindner Elsbeth, and Tate Gallery, eds. Writing on the wall: Women writers on women artists. Weidenfeld & Nicolson, 1993.

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45

(Editor), Elsbeth Lindner, ed. Writing on the Wall: Women Writers on Women Artists. Weidenfeld & Nicolson Ltd, 1993.

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46

Women Writing in Latin (Women Writers of the World, 6). Routledge, 2002.

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47

Mutawaleik, Antelak Al. Gender And The Writing Of Yemeni Women Writers. Purdue University Press, 2005.

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48

Editor), John Murray (Compiler, and John A. Murray (Editor), eds. American Nature Writing 2000: A Celebration of Women Writers. Oregon State University Press, 2000.

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49

Writing at the Kitchen Table: The Authorized Biography of Elizabeth David. Ecco, 2000.

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50

Cooper, Artemis. Writing at the Kitchen Table: The Authorized Biography of Elizabeth David. Ecco, 2000.

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