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Relevant bibliographies by topics / Dramatic writing / Books

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Books on the topic 'Dramatic writing'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Writing dramatic nonfiction. P.S. Eriksson, 2000.

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2

Bahr, Robert. Dramatic technique in fiction. Factor Press, 1998.

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3

Rick, Davis, ed. Writing about theatre. Allyn and Bacon, 1999.

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4

TV scriptwriter's handbook: Dramatic writing for television and film. Silman-James Press, 1992.

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5

Suzanne, Hudson, ed. Writing about theatre and drama. 2nd ed. Thomson, Wadsworth, 2006.

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6

Enter the dialogue: A dramatic approach to critical thinking & writing. Wadsworth Pub. Co., 1985.

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7

Auden, W. H. The English Auden: Poems, essays and dramatic writing, 1927-1939. Faber, 1986.

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8

The soul of screenwriting: On writing, dramatic truth, and knowing yourself. Continuum, 2008.

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9

Ark, Laurine. Writing from the exterior dramatic perspective: A new vision for literature. Fort Tryon Press, 1996.

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10

The founding: A dramatic account of the writing of the Constitution. Linden Press/Simon and Schuster, 1987.

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11

Carley, Dave. Writing with our feet: A play. Blizzard Pub., 1992.

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12

Writing for story: Craft secrets of dramatic nonfiction by a two-time Pulitzer Prize winner. Atheneum, 1986.

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13

Foundation, Voltaire, ed. 'Seeing' speech: Illusion and the transformation of dramatic writing in Diderot and Lessing. Voltaire Foundation, 2005.

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14

The Art Of Dramatic Writing: Its Basis In The Creative Interpretation Of Human Motives. Baker & Taylor, 2009.

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15

The art of dramatic writing: Its basis in the creative interpretation of human motives. Simon & Schuster, 2004.

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16

Pinter, Harold. Plays : two: With an introduction "Writing for myself". Methuen, 1986.

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17

Writing for story: Craft secrets of dramatic nonfiction by a two-time Pulitzer prize winner. Plume, 1994.

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18

Pinter, Harold. Plays : one: With an introduction "Writing for the Theatre". Faber, 1991.

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19

Staging Harriet's house: Writing and producing research-informed theatre. Peter Lang, 2012.

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20

Writing creative nonfiction: How to use fiction techniques to make your nonfiction more interesting, dramatic, and vivid. Writer's Digest Books, 1987.

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21

Cheney, Theodore A. Rees. Writing creative nonfiction: How to use fiction techniques to make your nonfiction more interesting, dramatic-and vivid. Ten Speed Press, 1991.

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22

Writing creative nonfiction: How to use fiction techniques to make your nonfiction more interesting, dramatic, and vivid. Ten Speed Press, 1991.

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23

Helen, Higbee, and West William N, eds. Author's pen and actor's voice: Playing and writing in Shakespeare's theatre. Cambridge University Press, 2000.

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24

365 days/365 plays. Theatre Communications Group, 2007.

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25

Women, writing, and the theater in the early modern period: The plays of Aphra Behn and Suzanne Centlivre. Fairleigh Dickinson University Press, 2001.

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26

Brome, Richard. The Antipodes. Nick Hern, 2000.

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27

Anagrams of desire: Angela Carter's writing for radio, film, and television. Manchester University Press, 2003.

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28

Women in love, and other dramatic writings. Grove Press, 2002.

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29

McMullan, Gordon. Shakespeare and the idea of late writing: Authorship in the proximity of death. Cambridge University Press, 2007.

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30

Silverman, Eleanor. Dramatics for children. Scarecrow Press, 1994.

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31

Stoker, Bram. Dracula: Authoritative text, contexts, reviews and reactions, dramatic and film variations, criticism. W.W. Norton, 1997.

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32

Auerbach, Nina, and David J. Skal, eds. Dracula: An Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism. W.W. Norton & Co., 1997.

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33

Tynan, Kenneth. Theatre writings. Nick Hern, 2007.

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34

Braun, Anne-Kathrin. Dramatic laboratories: Figurations of subjectivity in Liz Lochhead's writings. Galda + Wilch Verlag, 2004.

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35

Auden, W. H. The English Auden: Poem, essays and dramatic writings, 1927-1939. Faber and Faber, 1986.

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36

1904-, Isherwood Christopher, and Mendelson Edward, eds. Plays and other dramatic writings by W.H. Auden, 1928-1938. Princeton University Press, 1988.

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37

Auden, W. H. Libretti and other dramatic writings by W.H. Auden,1939-1973. Faber and Faber, 1993.

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38

Auden, W. H. Libretti and other dramatic writings by W.H. Auden, 1939-1973. Princeton University Press, 1993.

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39

Auden, W. H. Plays and other dramatic writings by W.H. Auden, 1928-1938. Faber and Faber, 1989.

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40

The green crow: Selected writings ofSean O'Casey. Virgin Books, 1994.

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41

Neipris, Janet. A Masterclass in Dramatic Writing. Routledge, 2016. http://dx.doi.org/10.4324/9781315688435.

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42

Franklin, Jon. Writing for Story: Craft Secrets of Dramatic Nonfiction. Plume, 1994.

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43

Neipris, Janet. Masterclass in Dramatic Writing: Theater, Film, and Television. Taylor & Francis Group, 2016.

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44

McAdam, Jack Wilfred. Story Dynamics: Dramatic Writing for Film and Television. Writers Club Press, 2002.

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45

Master Class in Dramatic Writing: Theater, Film, and Television. Taylor & Francis Group, 2016.

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46

Davis, Jim. Writing for Actors. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812425.003.0013.

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Abstract:

Dibdin’s younger son Thomas’ work as a dramatist reveals both change and continuity in expectations of dramatic authorship and theatrical practice in the early nineteenth century. This chapter explores the collaborative nature of Dibdin’s writing: his scripts were not finished literary texts, but raw materials designed to be fully realized only in performance, as celebrated actors brought their own contributions to their roles. While the results were immensely popular with audiences, these methods came under increasing fire from critics such as Leigh Hunt, who damned Dibdin for failing to live up to their new, literary expectations of dramatic authorship and the sovereignty of the author’s text. The gathering forces of specialization and the privileging of the author as twin hallmarks of legitimate cultural authority were beginning to create new hierarchies of theatrical production, genres, and styles, highlighting the contrasts between the era of Charles Dibdin the Elder and that of his sons.

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47

Carley, Dave. Writing with Our Feet. Scirocco Drama, 1992.

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48

A Short Guide to Writing about Theatre (Short Guides Series). Longman, 2007.

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49

Spencer, Stuart. Playwright's Guidebook: An Insightful Primer on the Art of Dramatic Writing. Tandem Library, 2002.

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50

Barbash, Fred. The Founding: A Dramatic Account of the Writing of the Constitution. Simon & Schuster, 1987.

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