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Journal articles on the topic 'Dramaturgical sociology'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Taylor, Natasha. "We're Play-Acting: Simulation and Dramaturgical Sociology." Clinical Simulation in Nursing 10, no. 11 (2014): 554–58. http://dx.doi.org/10.1016/j.ecns.2014.08.004.

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2

Stebbins, Robert A., A. Paul Hare, and Herbert H. Blumberg. "Dramaturgical Analysis of Social Interaction." Contemporary Sociology 18, no. 3 (1989): 462. http://dx.doi.org/10.2307/2073914.

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3

김민주 and Soo-Woen Lim. "Dramaturgical Sociology of Erving Goffman & Impression Management of Dance Performers." Korean Society for the Sociology of Sport 25, no. 1 (2012): 31–50. http://dx.doi.org/10.22173/jksss.2012.25.1.31.

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4

Freie, John F. "A Dramaturgical Approach to Teaching Political Science." PS: Political Science and Politics 30, no. 4 (1997): 728. http://dx.doi.org/10.2307/420401.

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5

Stull, Judith C., and E. Brent. "Erving: Sociological Reasoning from the Dramaturgical Perspective." Teaching Sociology 17, no. 2 (1989): 272. http://dx.doi.org/10.2307/1317499.

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6

Schimmelfennig, Frank. "Goffman meets IR: dramaturgical action in international community." International Review of Sociology 12, no. 3 (2002): 417–37. http://dx.doi.org/10.1080/0390670022000041411.

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7

O'Brien, Terri, Sheila Payne, Mike Nolan, and Christine Ingleton. "Unpacking the Politics of Evaluation: A Dramaturgical Analysis." Evaluation 16, no. 4 (2010): 431–44. http://dx.doi.org/10.1177/1356389010380002.

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8

Farmer, J. Forbes. "Theoretical Reductionism: Forcing a Covering Law Doctrine of Behavioral Psychology on the Sociology of Everyday Communication and Interaction." Journal of Social Science Studies 6, no. 1 (2018): 8. http://dx.doi.org/10.5296/jsss.v6i1.13730.

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This paper is an attempt to show that despite the stated differences in the explanations of interaction motives and rituals espoused by micro-sociologists, the major approach to the study of communication, language and social exchange is behavioral psychology. This includes the use of the covering law propositions of hedonism and cost-benefit analysis. With evidence from original writings, the author creates a Homansian assimilation of Goffman’s dramaturgical analysis.

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9

Miles, William F. S. "The Rally as Ritual: Dramaturgical Politics in Nigerian Hausaland." Comparative Politics 21, no. 3 (1989): 323. http://dx.doi.org/10.2307/422296.

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10

Gengler, Amanda M., and Matthew B. Ezzell. "Methodological Impression Management in Ethnographic Research." Journal of Contemporary Ethnography 47, no. 6 (2017): 807–33. http://dx.doi.org/10.1177/0891241617744861.

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In this article, we contend that turning a sharp dramaturgical lens on the dynamics of fieldwork clarifies a number of longstanding ethical challenges in ethnography—challenges that have shifted and deepened in the new technological landscape in which ethnographers work. We encourage fieldworkers to adopt an intentional approach to what we call methodological impression management to navigate the research process more strategically. Drawing on our experiences conducting fieldwork in settings where some of our research participants had power over others (a women’s shelter and a substance abuse

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11

Abaza, Mona. "Violence, Dramaturgical Repertoires and Neoliberal Imaginaries in Cairo." Theory, Culture & Society 33, no. 7-8 (2016): 111–35. http://dx.doi.org/10.1177/0263276416670729.

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This article reflects upon the monopoly and repertoires of violence in the city of Cairo perpetrated in counter-revolutionary moments by the successive military and Islamist regimes, which lack alternative visions and imaginaries. It counters the myth that the Egyptian revolution was non-violent. It also reflects upon some of the debates about the Arab revolutions, the question of militarization, and the return of ‘order’ with the re-emergence of the army in public life. It also reflects upon the multiplication of segregating walls, first as buffer zones to isolate protesters, then as the wall

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12

Weigert, Andrew J. ":Life as Theater: A Dramaturgical Source Book." Symbolic Interaction 14, no. 3 (1991): 371–74. http://dx.doi.org/10.1525/si.1991.14.3.371.

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13

Sullivan, Daniel, Mark J. Landau, Isaac F. Young, and Sheridan A. Stewart. "The dramaturgical perspective in relation to self and culture." Journal of Personality and Social Psychology 107, no. 5 (2014): 767–90. http://dx.doi.org/10.1037/a0037904.

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14

Brown, David K. "Goffman's Dramaturgical Sociology: Developing a Meaningful Theoretical Context and Exercise Involving "Embarrassment and Social Organization"." Teaching Sociology 31, no. 3 (2003): 288. http://dx.doi.org/10.2307/3211326.

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15

Chaffee, Lyman. "Dramaturgical politics: the culture and ritual of demonstrations in Argentina." Media, Culture & Society 15, no. 1 (1993): 113–35. http://dx.doi.org/10.1177/016344393015001009.

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16

Scott, Susie. "The Red, Shaking Fool: Dramaturgical Dilemmas in Shyness." Symbolic Interaction 28, no. 1 (2005): 91–110. http://dx.doi.org/10.1525/si.2005.28.1.91.

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17

Côté, Jean-François. "Edgley, Charles, ed., The Drama of Social Life: A Dramaturgical Handbook." Canadian Journal of Sociology 40, no. 2 (2015): 255–58. http://dx.doi.org/10.29173/cjs24595.

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18

Enck, Craves E., and James D. Preston. "Counterfeit intimacy: A dramaturgical analysis of an erotic performance." Deviant Behavior 9, no. 4 (1988): 369–81. http://dx.doi.org/10.1080/01639625.1988.9967792.

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19

Brent, Edward E., Jack Glazier, Keith Jamtgaard, et al. "Erving: A Program to Teach Sociological Reasoning from the Dramaturgical Perspective." Teaching Sociology 17, no. 1 (1989): 38. http://dx.doi.org/10.2307/1317923.

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20

Kubátová, Helena. "Research into Transformations in Everyday Life: Three Methodological Notes." Qualitative Sociology Review 14, no. 3 (2018): 6–22. http://dx.doi.org/10.18778/1733-8077.14.3.01.

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The article focuses on the reflection of my research experience in obtaining qualitative data using narrative interviews. I confronted my own research experience with the phenomenological methodology of Alfred Schütz, dramaturgical sociology of Erving Goffman, and interpretative sociology of Max Weber. The article discusses three problems that emerged during a longitudinal study of everyday life transformation in the long-term horizon of sixty years: 1. How to create a concept of everyday life so it serves not only as a tool for collecting, analyzing, and interpreting data, but also as a tool

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21

Roderick, Martin, and Jacquelyn Allen-Collinson. "“I Just Want to Be Left Alone”: Novel Sociological Insights Into Dramaturgical Demands on Professional Athletes." Sociology of Sport Journal 37, no. 2 (2020): 108–16. http://dx.doi.org/10.1123/ssj.2019-0135.

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To date, no sociological studies of professional athletes have investigated the lived experiences of sportspeople in highly publicly visible occupations that provide relatively few opportunities for backstage relaxation from role demands. Drawing on findings from a British Academy-funded project examining high-profile sports workers and employing Goffman’s dramaturgical insights, this article provides a novel examination of high-profile athletes who work in highly publicly visible contexts. This working context can render them “open” persons in interactional situations. To explore this sociolo

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22

Škorić, Marko. "Gofmanove predramaturške publikacije i njihov intelektualni kontekst: 1949-1953." Issues in Ethnology and Anthropology 12, no. 1 (2017): 85. http://dx.doi.org/10.21301/eap.v12i1.4.

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Given the status of Erving Goffman in the social sciences, a lot has been written about him but his early and (especially) unpublished publications are not widely known, although they contain few original ideas that were never used in later part of his career and some that were elaborated in better known works. The paper discusses intellectual context, influences and phases of Goffman's sociology, especially predramaturgical phase – his unpublished master's thesis, two early papers, one unpublished report and unpublished PhD thesis. In the context of his later thought, doctoral thesis is espec

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23

Miller, Gale. "Unemployment As A Dramaturgical Problem: Teaching Impression Management in A Work Incentive Program." Sociological Quarterly 27, no. 4 (1986): 479–93. http://dx.doi.org/10.1111/j.1533-8525.1986.tb00273.x.

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24

Graaf, Johan. "Equity market interactions." Accounting, Auditing & Accountability Journal 31, no. 4 (2018): 1230–56. http://dx.doi.org/10.1108/aaaj-05-2016-2565.

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Purpose The purpose of this paper is to contribute to the sociology of financial analysis by exploring how sell-side analysts enact their professional roles during public earnings presentations. It addresses the following research question: How do analysts perform their professional roles in interactions with managers, fund managers and other analysts? Design/methodology/approach The research adopts a dramaturgical analysis of analysts’ interactions with managers and fund managers. The empirical material includes 50 hours of direct observations of earnings presentations and 21 interviews with

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25

Tseëlon, Efrat. "Self Presentation through Appearance: A Manipulative vs. a Dramaturgical Approach." Symbolic Interaction 15, no. 4 (1992): 501–14. http://dx.doi.org/10.1525/si.1992.15.4.501.

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26

Cvejić, Bojana. "A Parallel Slalom from BADco." Representations 136, no. 1 (2016): 21–35. http://dx.doi.org/10.1525/rep.2016.136.1.21.

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This text explores choreographic and dramaturgical ideas and methods in the performances of the Croatian collective BADco. It illuminates them within a distinctive poetics of performance—“non-aligned” with either Western or Eastern European cultural legacies—as a kind of thought that produces art, while it also looks past art into society.

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27

McCoy, Charles Allan. "Playing Goffman’s Information Game: A Classroom Activity Involving Student Interactions." Teaching Sociology 45, no. 3 (2017): 260–68. http://dx.doi.org/10.1177/0092055x17690793.

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Goffman’s dramaturgical approach is frequently used to introduce undergraduate students to the sociological understanding of human interaction. While a number of scholars have designed engaging student activities that highlight Goffman’s approach, most of these activities tend to involve atypical embarrassing interactions or norm-breaking behaviors that happen in front of a large public audience. In this way, they are unlike the mundane face-to-face interactions that were the focus of much of Goffman’s work. I have used Goffman’s notion of interactions as an “information game,” discussed at th

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28

Tołłoczko, Barbara. "“Train Sociology”– An Introduction to Researching the Interactions between Passengers." Folia Turistica 40 (September 30, 2016): 85–97. http://dx.doi.org/10.5604/01.3001.0010.4020.

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Purpose. The purpose of the article is to sketch an introduction to train sociology by presenting historical changes which – along with the development of railway infrastructure – occurred regarding trains in the matter of interpersonal interactions and the perception of time and space. The secondary goal is to introduce possible research directions within train sociology. Method. The analysis of available sociological and anthropological literature on train journey, the history of the railway and its implications for the social world. Findings. The analysis of available literature allowed to

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29

Scott, Susie. "Transitions and Transcendence of the Self: Stage Fright and the Paradox of Shy Performativity." Sociology 51, no. 4 (2015): 715–31. http://dx.doi.org/10.1177/0038038515594093.

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This article explores the paradox of shy performativity, whereby people who identify as shy in everyday life can nevertheless give confident displays on stage. Professional performing artists’ accounts reveal that this is both enabled and complicated by transformations in consciousness concerning the Meadian social self. While taking on a fictional persona can provide liberating opportunities for the transcendent subject ‘I’, the critically self-doubting ‘Me’ reappears at certain moments, such as stage fright, transitions in and out of character, and disruptions of a scene’s dramatic frame. Ma

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30

Abbott, Philip. "“Big” Theories and Policy Counsel: James Burnham, Francis Fukuyama, and the Cold War." Journal of Policy History 14, no. 4 (2002): 417–30. http://dx.doi.org/10.1353/jph.2002.0023.

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As many commentators note, American political discourse is not generally characterized by a receptivity to “big” theories; nor, in particular, is policy analysis. But two writers, one at the beginning of the Cold War and one at the end, offered theories that are notable exceptions to this generalization. James Burnham and Francis Fukuyama, anchoring their theories on their observations of the Cold War, construct dramaturgical philosophies of history, synthesize and append European architectonic writers to their accounts, and offer comprehensive critiques of American liberal democracy. Moreover

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31

Hancock, Black Hawk, and Roberta Garner. "Theorizing the Deep Parallel between Goffman and Freud: Goffman's Interaction Order as a Social-structural Underpinning of Psychoanalytic Concepts of the Self." Canadian Journal of Sociology 40, no. 4 (2015): 417–44. http://dx.doi.org/10.29173/cjs21639.

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A dialectical reading of Goffman and Freud connects the Interaction Order to the psychoanalytic conception of the self and thereby open up new possibilities of interpretation and transformation. Goffman’s concept of the Interaction Order enables us to understand more clearly the Freudian concepts of superego, ego-ideal, and the introjected Father. Next, we draw out the dramaturgical approach of both Goffman and Freud in terms of performing self and performing illness and discuss how the psychoanalytic reading of Goffman’s work sheds light on the formation of neuroses and the neurotic symptoms

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32

Pearce, Jessica S. "Lafayette Strong: A Content Analysis of Grief and Support Online Following a Theater Shooting." Illness, Crisis & Loss 28, no. 4 (2017): 299–320. http://dx.doi.org/10.1177/1054137317742234.

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On July 23, 2015, in the Grand 16 Theatre in Lafayette, Louisiana, a gunman opened fire in the 7 o’clock showing of the movie, Trainwreck. Mayci Breaux, 21, and Jillian Johnson, 33, both received fatal wounds. Nine others were injured. As part of a community healing event following the shooting, a Tagboard was established around the hashtag LafayetteStrong. This study was conducted using a content analysis of 493 photographs and images among these posts. Goffman’s dramaturgical analysis provides a framework for these findings to better comprehend the online performance of self for a grieving c

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33

Kern, Thomas. "Cultural Performance and Political Regime Change." Sociological Theory 27, no. 3 (2009): 291–316. http://dx.doi.org/10.1111/j.1467-9558.2009.01349.x.

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The question about how culture shapes the possibilities for successful democratization has been a controversial issue for decades. This article maintains that successful democratization depends not only on the distribution of political interests and resources, but to seriously challenge a political regime, the advocates of democracy require cultural legitimacy as well. Accordingly, the central question is how democratic ideas are connected to the broader culture of a social community. This issue will be addressed in the case of South Korea. The Minjung democracy movement challenged the militar

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34

CHURCHILL, CHRISTOPHER. "CAMUS AND THE THEATRE OF TERROR: ARTAUDIAN DRAMATURGY AND SETTLER SOCIETY IN THE WORKS OF ALBERT CAMUS." Modern Intellectual History 7, no. 1 (2010): 93–121. http://dx.doi.org/10.1017/s147924430999028x.

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This essay examines Albert Camus's considerable debt to Antonin Artaud. Camus was not only a dramatist, but he also employed dramaturgical techniques in his more famous fiction and essays. In this regard, Artaud's ideas on social reconstitution through aesthetic terror were crucial to the development of many of Camus's most famous works, written both in Algeria and in France before and after World War II. This article considers the ways in which aesthetic–political techniques adapted from Artaud's Theatre of Cruelty were employed to challenge fascism in Algeria and France, by simultaneously su

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35

Jones, Ellis. "Rethinking Greenwashing: Corporate Discourse, Unethical Practice, and the Unmet Potential of Ethical Consumerism." Sociological Perspectives 62, no. 5 (2019): 728–54. http://dx.doi.org/10.1177/0731121419849095.

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Utilizing data drawn from online and print advertisements, this research compares the green advertising techniques of companies with well-documented strong and weak social and environmental track records. Notwithstanding more subtle, divergent narratives suggesting that more responsible companies direct the consumer gaze toward more political and systemic issues while their counterparts tend to emphasize relatively low-cost, scientific, and philanthropic efforts, the main findings indicate that all companies employ a very similar grand narrative focused on consumer empowerment regardless of th

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36

Eyong, Joseph Ebot. "Indigenous African Leadership: Key differences from Anglo-centric thinking and writings." Leadership 13, no. 2 (2016): 133–53. http://dx.doi.org/10.1177/1742715016663050.

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This article draws on historical explorers’ accounts, ethnography and organisational approaches to examine practices, discourses and perceptions of leadership in 12 prototypical indigenous communities in West and Central Africa. By so doing, it highlights how leadership meanings from this context differ from Anglo-centric thinking and writings. Key to this contribution is an unravelling of ways in which historical cultural hegemonies impose particular discursive formations, constructed practices and mind-programming in a non-Anglo-Saxon socio-cultural context. Dramaturgical power arrangement,

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37

Abaza, Mona. "Post January Revolution Cairo: Urban Wars and the Reshaping of Public Space." Theory, Culture & Society 31, no. 7-8 (2014): 163–83. http://dx.doi.org/10.1177/0263276414549264.

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The metropolis of Cairo has witnessed unprecedented transformations since the January revolution of 2011. It witnessed evidently an escalation of war zones and confrontations between protesters and police forces; it also witnessed the militarization and policing of the urban sphere, the creation of segregating buffer walls that paralysed entire areas. However, the Tahrir effect remains evident in that it revolutionized the very notion of what a public space is about. It succeeded in imposing an entirely unprecedented novel choreography for the city in which the ‘stage’ of Tahrir was the exempl

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38

Alker, Hayward R. "The Dialectical Logic of Thucydides' Melian Dialogue." American Political Science Review 82, no. 3 (1988): 805–20. http://dx.doi.org/10.2307/1962492.

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If the realist tradition has underappreciated the formalizable quality of Thucydides' scientific investigations, neorealist teachers and writers have generally failed to see the normative and dramatical features of Thucydides' political science, each an expression of his dialectical epistemology and ontology. Nicholas Rescher's partial formalization of dialectics as a controversy-oriented approach to knowledge cumulation and Kenneth Burkes dramaturgical approach to textual understanding are both shown to fit Thucydides' argumentation in the Melian dialogue. Thus argumentation produces new know

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39

Laube, Stefan. "Material Practices of Ethnographic Presence." Journal of Contemporary Ethnography 50, no. 1 (2020): 57–76. http://dx.doi.org/10.1177/0891241620968268.

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Ethnographic research is a thoroughly material matter, but the involvement of material things in performing ethnographic methods is hardly investigated. Referring to my own research in various fields of digitalized work, I offer a reflexive analysis of the material production of ethnographic presence. In particular, I reflect on how clothing, field notes, and a camera contribute to making ethnographic research noticeable for and accessible to participants. Taking a practice theory perspective, the article conceptualizes ethnographic presence as a situated performance based on the dramaturgical

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40

Roderick, Martin. "A very precarious profession:." Work, Employment and Society 20, no. 2 (2006): 245–65. http://dx.doi.org/10.1177/0950017006064113.

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Based on semi-structured interviews with 47 present and former professional footballers, this article explores the uncertainty that is a central feature of the professional footballer's workplace experiences, contributing to sociological understanding of insecurities stemming from the social relations of this type of work.The professional football industry has always been marked by a competitive labour market, and players quickly grasp the limited tenure of contracts, the constant surplus of talented labour, and their vulnerability to injury and ageing.To deal with the feelings of insecurity t

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41

ElHalawani, Amina. "The Dynamic and Theatrical Worlds of the ‘Midan’." Middle East Journal of Culture and Communication 9, no. 1 (2016): 49–61. http://dx.doi.org/10.1163/18739865-00901006.

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‘All the world’s a stage …’ tells us the Bard of Avon. Goffman’s application of Shakespeare’s age-old metaphor to our everyday practices helps us understand the complexity of social interaction. His dramaturgical sociology allows us to engage better with the frames of repeated behaviors that we ‘perform’ in social contexts. However, emphasizing the theatricality of action and interaction, especially for problems at the macro-level like acts of revolution, is crucial to make sense of the form of spectacle that results in popular demonstrations, sit-ins etc., in which everyone contributes as act

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42

Schmid, Christian Johann. "Ethnographic Gameness: Theorizing Extra-methodological Fieldwork Practices in a Study of Outlaw Motorcycle Clubs." Journal of Contemporary Ethnography 50, no. 1 (2020): 33–56. http://dx.doi.org/10.1177/0891241620964945.

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This article theorizes the fieldwork experiences that I gained while studying outlaw biker subculture. Drawing on Bourdieu’s practice theory and Goffman’s dramaturgical interactionism, I argue that ethnography in practice is pre-disposed by the ethnographer’s primary habitus, which shapes symbolic interaction. To substantiate this claim, I disclose my own upbringing in a troubled working-class family and my personal ties with outlaw bikers, both prior to and beyond my research. This article then illustrates how my habitus helped me to compensate for the vagueness of ethnography in theory with

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43

Beck, Rose Marie. "Popular media for HIV/AIDS prevention? Comparing two comics: Kingo and the Sara Communication Initiative." Journal of Modern African Studies 44, no. 4 (2006): 513–41. http://dx.doi.org/10.1017/s0022278x06002072.

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This paper draws attention to some assumptions implicit in HIV/AIDS communication or prevention campaigns which use popular culture media, in this instance comics. Theoretically the analysis is placed in a framework of popular culture as the arena of negotiations about claims over hegemonic discourses. Methodologically the internal logics of a local Swahili comic from the magazine Kingo and of a comic from the Sara Initiative in Swahili (UNICEF-ESARO) are explored through a comparative textual analysis, focusing on differences and convergences in the use of dramaturgy and characterisation of t

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44

Gale, Laura A., Ben A. Ives, Paul A. Potrac, and Lee J. Nelson. "Trust and Distrust in Community Sports Work: Tales From the “Shop Floor”." Sociology of Sport Journal 36, no. 3 (2019): 244–53. http://dx.doi.org/10.1123/ssj.2018-0156.

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This study addressed the issue of interpersonal trust and distrust in the (sporting) workplace. Data were generated through cyclical, in-depth interviews with 12 community sports coaches. The interview transcripts were subjected to emic and etic readings, with Hardin and Cook’s theorization of (dis)trust and Goffman’s dramaturgical writings providing the primary heuristic devices. Our analysis produced three interconnected themes. These were a) how the participants’ decision to (dis)trust contextual others was based on their perceptions of encapsulated interests, b) those strategies that the p

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45

Serrano, Virtudes. "Dramaturgia femenina fin de siglo. Estado de la cuestión." Arbor CLXXVII, no. 699/700 (2004): 561–72. http://dx.doi.org/10.3989/arbor.2004.i699/700.595.

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46

Bião, Armindo. "A comunicação nas encruzilhadas da Esfinge, de Hermes, Mercúrio, Exu e Maria Padilha: ditos, não-ditos, interditos e mal-entendidos." Revista FAMECOS 16, no. 40 (2009): 91. http://dx.doi.org/10.15448/1980-3729.2009.40.6323.

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A presente comunicação se encontra nas encruzilhadas das ciências humanas (antropologia, filosofia, história e sociologia) com as ciências sociais aplicadas (comunicação), as letras (portuguesas, espanholas e francesas) e as artes (canto, dança, dramaturgia, teatro e ópera). Trata-se da perspectiva transdisciplinar e gaia da etnocenologia (Duvignaud, 1996)¹ , que se situa, por sua vez, em diversas encruzilhadas, entre as artes e as ciências (no âmbito destas, entre as ciências do espírito e as da natureza, Geistwissenchaften X Naturwissenchaften), entre os objetos do real e do ideal, do materi

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47

Valença, Ernesto Gomes. "Notas sobre a peça Acima de tudo: sociologia e filosofia como bases para a criação teatral." Urdimento - Revista de Estudos em Artes Cênicas 3, no. 39 (2020): 1–34. http://dx.doi.org/10.5965/14145731033920200206.

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O artigo descreve a metodologia utilizada para a criação da peça Acima de tudo – Teatro antifascista, enfatizando o modo como a dramaturgia e a encenação articularam as bases teóricas estudadas. O neofascismo foi abordado a partir de fontes filosóficas e sociológicas que permitiram estabelecer paralelos entre o período da Alemanha nazista e o Brasil atual, sendo o mais evidente a mobilização, para ideias totalitárias, do sentimento da solidão em meio à multidão. O celular foi tomado como símbolo dessa solidão massificada hiper conectada que gerou o fascismo no Brasil e empregado na encenação t

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48

Beriain, Josetxo, and Javier Gil-Gimeno. "Dramaturgia y hermenéutica: para entender la realidad social, de Miguel Beltrán Villalva." Revista Española de Sociología 26, no. 3 (2017): 401–8. http://dx.doi.org/10.22325/fes/res.2017.38.

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49

Funes, María Jesús. "Erving Goffman, su perfil y su obra." Tendencias Sociales. Revista de Sociología, no. 2 (July 11, 2018): 5. http://dx.doi.org/10.5944/ts.2.2018.22313.

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Este artículo presenta una breve semblanza de Erving Goffman enla que se intercalan su biografía personal y académica con su formación y desarrollocomo teórico e investigador. Determinados acontecimientos y circunstanciasde su vida personal fueron relevantes en su selección de temas de estudio y en laatención prestada a los mismos por lo que se facilitan al lector los más relevantes.Parafraseando su propuesta de análisis dramatúrgico he titulado esta imbricaciónentre obra y personaje: El actor en el escenario, el escenario de su propia vida yel del contexto de la sociología de su época. La ref

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Escobar, Oliver. "Scripting Deliberative Policy-Making: Dramaturgic Policy Analysis and Engagement Know-How." Journal of Comparative Policy Analysis: Research and Practice 17, no. 3 (2014): 269–85. http://dx.doi.org/10.1080/13876988.2014.946663.

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