Relevant bibliographies by topics / Dramaturgiya

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Dramaturgiya'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Dramaturgiya"

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Pramayoza, Dede, and Pandu Birowo. "The Transition of Dramaturgy During Pandemic: From Staging to Streaming." Journal of Urban Society's Arts 9, no. 1 (2022): 71–86. http://dx.doi.org/10.24821/jousa.v9i1.6697.

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This study discusses the transition of performances dramaturgy during the Covid-19 pandemic from analog to digital formats, from live performances commonly called staging to mediated performances which can be called performance streaming. The aim of study is to understand the application of ‘dramaturgical tactics’; and the reasons. Applying the dramaturgical analysis method investigation is directed at the transformation process from the basic concept of the performance to the practice of its presentation. The research departs from the premise that a dramaturgical process, namely the pre-produ
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Arziqulova, Xurshida, та Shohista Mustanova. "SHARQ VA GʻARB DRAMATURGIYASI: MADANIY ALOQALAR VA ILHOM MANBALARI". Ижтимоий-гуманитар фанларнинг долзарб муаммолари / Актуальные проблемы социально-гуманитарных наук / Actual Problems of Humanities and Social Sciences. 5, № 5 (2025): 343–48. https://doi.org/10.47390/spr1342v5i5y2025n55.

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Mazkur maqolada Sharq va Gʼarb dramaturgiyasi oʼrtasidagi madaniy aloqalar, ularning oʼzaro taʼsiri hamda ilhom manbalari tahlil qilinadi. Dramaturgiya sanʼati har bir sivilizatsiyaning madaniy va ijtimoiy hayotining ajralmas qismi boʼlib, uning shakllanishi turli tarixiy, falsafiy va estetik omillar bilan chambarchas bogʼliq. Sharq va Gʼarb sahna sanʼati rivojlanishining muhim bosqichlari va ularning bir-biriga taʼsir etish jarayonlari maqolaning asosiy tadqiqot yoʼnalishlaridan biri sifatida olib boriladi.
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ECKERSALL, PETER. "Towards an Expanded Dramaturgical Practice: A Report on ‘The Dramaturgy and Cultural Intervention Project’." Theatre Research International 31, no. 3 (2006): 283–97. http://dx.doi.org/10.1017/s0307883306002240.

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This essay is a report on the Dramaturgy and Cultural Intervention Project (Dramaturgies), a forum for the investigation of issues in professional dramaturgical practice in Australia. It reviews the textual orientation of historical theatre practice in Australia before describing a series of events aiming to promote a wider and more culturally interactive understanding of dramaturgy. New forms of dramaturgy arising in response to the post-dramatic turn in theatre are discussed as a basis for exploring an expanded dramaturgical practice. Proposals for a politics of dramaturgy that revive theatr
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Gulboyev, Husan Shokir og'li. "JADIDCHILIK FAOLIYATIDA TEATRNING OʻRNI VA AHAMIYATI (MAHMUDXO'JA BEHBUDIY FAOLIYATI)". EURASIAN JOURNAL OF SOCIAL SCIENCES, PHILOSOPHY AND CULTURE 3, № 4 (2023): 33–35. https://doi.org/10.5281/zenodo.7805566.

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Ushbu maqola Turkiston milliy ozodlik harakatlari Jadidchilik faoliyati faoli Mahmudxoʻja Behbudiyning dramaturgiya sohasi hamda dramaturg sifatida yaratgan asarlarining yangi usul maktablari daraliklari bilan aloqadorligi haqidadir.  Maqolada “Padarkush” dramasining badiiy estetik mohiyati, jadidchilik harakatlaridagi ahamiyati qalamga olingan.
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UMAROVA, Feruza. "MAKTABGACHA YOSHDAGI BOLALARGA INGLIZ TILINI O'QITISHDA ART PEDAGOGIKA USULLARIDAN FOYDALANISH." UzMU xabarlari 1, no. 1.6.1 (2024): 225–27. https://doi.org/10.69617/nuuz.v1i1.6.1.3791.

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Ushbu maqolada o'quv materialini o'zlashtirish samaradorligini oshirish va maktabgacha yoshdagi bolalarda e'tibor, xotira, fikrlash va nutqni rivojlantirish maqsadida ingliz tili darslarida Art-terapiya va art pedagogika usullaridan foydalanish imkoniyati ko'rib chiqilmoqda. Art-terapiya usullaridan foydalangan holda ingliz tili darslarida aqliy kognitiv jarayonlarning shakllanish darajasini oshirish dasturi ishlab chiqilgan: ertak terapiyasi, Izoterapiya, dramaturgiya. Tadqiqotda ekspert baholash usuli, xotira, fikrlash, e'tibor, nutqni o'rganish usullari qo'llanilgan.
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Redaktion, Peripeti. "Redaktionelt forord." Peripeti 6, S2 (2009): 3. http://dx.doi.org/10.7146/peri.v6is2.110565.

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Dette særnummer af Peripeti omhandler Odin Teatrets dramaturgi med udgangspunkt i forestillingerne Ur-Hamlet (2006) og Medeas bryllup (2008). Franco Perrelli skriver om grundlæggelsen af »Det danske hus« og Odin Teatrets rødder og forgreninger. Erik Exe Christoffersen skriver om dramaturgier i relation til Ur-Hamlet (2006) og Medeas bryllup (2008) og instruktøren Eugenio Barba reflekterer over den kreative proces som en form for dramaturgisk proces. Artiklerne kan med fordel læses i sammenhæng med Peripeti nr. 2 om teaterlaboratorietraditionen og nr. 10 om dramaturgi samt med særnummeret fra 2
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Varianda, Mentari, Sahrul Nazar, and Roza Muliati. "TARI BALEGA DI TANAH MANANG KARYA SUSAS RITA LORAVIANTI DALAM KAJIAN DRAMATURGI TARI." Gorga : Jurnal Seni Rupa 10, no. 2 (2021): 377. http://dx.doi.org/10.24114/gr.v10i2.27465.

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Balega di Tanah Manang is an attempt to express the situation and condition of Minangkabau society in a matrilineal setting. This study discusses the practice of dance dramaturgy in the creation of Balega di Tanah Manang by Susas Rita Loravianti. The work of creation through the birth of dramaturgical forms and concepts seen in dramaturgical practice. The pattern of work in the creation process through the views of the choreographer and dramaturg in their work. The practice of dialogue between the choreographer and dramaturg is carried out. The research method uses a dramaturgical approach, wh
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Raxmonova, Dildora. "JADID DRAMALARIDA ISLOM MADANIYATI VA MILLAT TANAZZULI MASALALARI TALQINI (ABDULLA QODIRIYNING “BAXTSIZ KUYOV” DRAMASI MISOLIDA)." Ижтимоий-гуманитар фанларнинг долзарб муаммолари / Актуальные проблемы социально-гуманитарных наук / Actual Problems of Humanities and Social Sciences. 5, no. 2 (2025): 347–51. https://doi.org/10.47390/spr1342v5i2y2025n56.

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Jadid adiblari oʻz gʻoyalarini ommaga yetkazish uchun barcha janrlardan unumli foydalanishdi. Janr imkoniyatlaridan kelib chiqib, dramaturgiya orqali milliy hayotdagi koʻplab muammolar ommaga oyna kabi koʻrsatib berildi. Bu mavzular orasida ilmsizlik, ichkilikbozlik, mohiyatan foydasiz urf-odatlarga tobelik va yana oʻnlab boshqa mavzular bor edi. Bu adabiy urinishlardan yagona maqsad millatni uygʻotish, taraqqiyotga yoʻllashdan iborat edi. Mazkur maqolada Abdulla Qodiriyning “Baxtsiz kuyov” dramasi mazmun va gʻoyalar ifodalanishi nuqtai nazaridan tahlil etiladi. Undagi ramziy maʼno va umumlash
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Kelly, Philippa. "Dramaturging The Tempest: A Pedagogical Forum." Cambridge Journal of Postcolonial Literary Inquiry 1, no. 1 (2014): 143–55. http://dx.doi.org/10.1017/pli.2013.4.

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“Dramaturging The Tempest: A Pedagogical Forum,” uses dramaturgy—the interface between research and its practical application in the theatre—as a way of preparing The Tempest for a college course curriculum. The article aims to show instructors how to teach dramaturgy as an explication of The Tempest and how to use The Tempest as a means of teaching dramaturgy. The objective is for students to emerge from the course conversant in how to be dramaturgs in the preparation of a professional production. Dramaturgy also illuminates the highly metadramatic underscoring of The Tempest, a play that con
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Jossa, Emanuela. "Cuadernos de Dramaturgias Centroamericanas." Investigación Teatral. Revista de artes escénicas y performatividad 11, no. 18 (2020): 240–45. http://dx.doi.org/10.25009/it.v11i18.2643.

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Cuadernos de Dramaturgias Centroamericanas. San Salvador: Índole, 2019, pp. 175.1Centroamérica no es un istmo de pasoEn una entrevista publicada en la revista Istmo, la dramaturga costarricense Ana Istarú afirmó que en los países centroamericanos hay una “insularidad” en lo que concierne a la dramaturgia: “Nos conocemos poco. Hay mucha dificultad para publicar teatro” (Collins 1). Corría el año 2005 y en los 15 años que separan aquella entrevista de la actualidad, la situación ha mejorado un poco. Se puede señalar, por ejemplo, la publicación en México de la Antología de dramaturgia centroamer
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Dissertations / Theses on the topic "Dramaturgiya"

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Simke, Ann-Christine. "Berlinische Dramaturgien : dramaturgical practices in the German metropolis." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8194/.

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This thesis consists of three substantial case studies exploring the work of dramaturgy departments at three different theatres in Berlin during the twentieth and twenty-first centuries: at the Deutsches Theater Berlin under the directorship of Max Reinhardt at the beginning of the twentieth century, at the Schaubühne am Halleschen Ufer under the directorship of Peter Stein during the 1960s and 1970s, and at the Maxim Gorki Theater in the first season of Shermin Langhoff and Jens Hillje’s directorship in 2013/14. The study locates dramaturgical practices within a wider cultural and political f
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Maciel, Jairo Cesar. "A novadora dramaturgia Barriga-Verde." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-08092011-185638/.

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Depois de três décadas convivendo com o teatro de Santa Catarina, podemos dizer que o meu hedonismo em discutir o que se escreve para o teatro em terras barriga-verdes, encontra-se cada vez mais incitado; motivado por uma célere gama de emergentes escritores dramáticos que surgiram ao longo desse período e que merecem aqui as nossas mais altas considerações e uma análise mais acurada desses textos como gênero e traços estilísticos. Para que pudéssemos analisar A Novadora Dramaturgia Barriga-Verde, partimos para o estudo de 136 peças teatrais em que foram consultados 34 dramaturgos e num proces
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Pinchbeck, Michael. "Acts of dramaturgy : the dramaturgical turn in contemporary performance." Thesis, Loughborough University, 2016. https://dspace.lboro.ac.uk/2134/24175.

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This doctoral study examines the evolving role of the dramaturg in the British contemporary performance scene from 2000-2015. In 1999, the role was seen in the UK as a luxury, not an essential; now the same companies are working with dramaturgs, often within an academic context, as the funding culture has shifted from Arts Council England to the Academy. This study proceeds through a combination of practice as research and a contextual survey of the role s recent history taken from readings, interviews and a narrative of personal experience. As John Freeman writes, Research is also always re-s
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Moreira, Laura Alves. "Dramaturgias contemporâneas : as transformações do conceito de dramaturgia e suas implicações." reponame:Repositório Institucional da UnB, 2012. http://repositorio.unb.br/handle/10482/11500.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Artes, 2012.<br>Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2012-10-25T14:05:36Z No. of bitstreams: 1 2012_LauraAlvesMoreira.pdf: 16089632 bytes, checksum: 879d1312273034d8b2d9a57a064af41d (MD5)<br>Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2012-10-26T12:51:46Z (GMT) No. of bitstreams: 1 2012_LauraAlvesMoreira.pdf: 16089632 bytes, checksum: 879d1312273034d8b2d9a57a064af41d (MD5)<br>Made available in DSpace on 2012-10-26T12:51:46Z (GM
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Quadros, Magali Helena de. "Buscando compreender a função de dramaturgista." Universidade do Estado de Santa Catarina, 2007. http://tede.udesc.br/handle/handle/1321.

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Made available in DSpace on 2016-12-08T16:52:05Z (GMT). No. of bitstreams: 1 Magali.pdf: 409841 bytes, checksum: 00ba507c1071a1a1c0eaa8b1e9b9f508 (MD5) Previous issue date: 2007-02-06<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Ce travail recueilla, par l´intermédiaire d´une recherche bibliographique et électronique, ainsi que par des interviews, certaines données concernant le dramaturg: le concept, les functions, les activités, le rapport avec le metteur en scène, les acteurs, l´auteur, le public. Ont été repertoriées et classées aussi des informations sur l´importanc
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Symaniec, Virginie. "Des dramaturgies bielorussiennes a la dramaturgie bielorusienne sovietique : une tragedie de pouvoir." Paris 3, 2000. http://www.theses.fr/2000PA030108.

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A travers 74 textes de 45 auteurs dramatiques bielorussiens, ma these, tragedie de pouvoir en cinq actes avec prologue et epilogue, etudie l'emergence de dramaturgies en langue bielorussienne entre la fin du xixeme siecle et la fin des annees 1920. Dans le cadre du processus de construction de l'etat sovietique, elle tente de cerner leur evolution et de comprendre en quoi les auteurs dramatiques nationalistes bielorussiens du debut du siecle ont participe a la construction culturelle sovietique. Il s'agit aussi de comprendre quelles sont les questions que les textes dramatiques posent a une hi
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Cayres, Victor de Morais. "Dramaturgia da expansão: análise da estrutura dramatúrgica de World of Warcfrat." Escola de Teatro, 2015. http://repositorio.ufba.br/ri/handle/ri/27489.

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Submitted by Glauber de Assunção Moreira (glauber.moreira@ufba.br) on 2018-09-21T18:09:20Z No. of bitstreams: 1 Tese versão para entrega 2.pdf: 3703165 bytes, checksum: 0ab52dcdd975f05d78659b1aa6b8bd90 (MD5)<br>Approved for entry into archive by Ednaide Gondim Magalhães (ednaide@ufba.br) on 2018-09-25T12:47:15Z (GMT) No. of bitstreams: 1 Tese versão para entrega 2.pdf: 3703165 bytes, checksum: 0ab52dcdd975f05d78659b1aa6b8bd90 (MD5)<br>Made available in DSpace on 2018-09-25T12:47:15Z (GMT). No. of bitstreams: 1 Tese versão para entrega 2.pdf: 3703165 bytes, checksum: 0ab52dcdd975f05d78659b1
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Sobrinho, José Teotonio. "Entre a tradição e a ruptura na dramaturgia recente no Brasil: modos e modas." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-30042013-115556/.

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A presente tese procura operar uma análise interpretativa de seis peças teatrais brasileiras recentemente escritas (do ano de 2000 em diante), das setenta e uma peças lidas ao longo da pesquisa de doutorado, a título de exemplificação de três modos distintos de operar em sua arquitetura a tensão entre a tradição dramática e sua ruptura. Em linhas gerais, as rupturas parciais dos preceitos do drama dão-se por meio da organização do material em forma de fragmentos de dramas, na maioria das vezes justapostos e disjuntos, por meio do enfraquecimento da função dramática do diálogo, que tende à conv
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Brito, Nayara Macedo Barbosa de. "Formas de ser um, de ser só : modos de sentir da dramaturgia brasileira contemporânea." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/122538.

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Tomamos o trabalho de três dramaturgos brasileiros contemporâneos, a saber: Newton Moreno, Fernando Bonassi e Roberto Alvim e suas respectivas peças Dentro, Três cigarros e a última lasanha (em coautoria com Victor Navas) e Pinokio na tentativa de apreender/identificar, a partir de uma perspectiva de análise estética e histórica, o que seria a nossa contemporaneidade, entendida aqui nos termos do que o teórico britânico Raymond Williams, principal referência de nosso estudo, chamou de estrutura de sentimento: um conteúdo de experiência e de pensamento que, histórico em sua natureza, encontra f
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Moreira, José Fausto Soares Rochaa, and José Fausto Soares Rochaa Moreira. "O encenador dramaturgista e as "duzentas mil" possibilidades dramáticas." Escola de Teatro, 2016. http://repositorio.ufba.br/ri/handle/ri/19204.

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Submitted by José Fausto Soares Rocha MOREIRA (faustosoares01@gmail.com) on 2016-05-11T18:01:39Z No. of bitstreams: 1 DISSERTAÇÃO FINAL.FaustoSoares.pdf: 2379742 bytes, checksum: 6e7389011d3cc5e6731618dfc4cc7196 (MD5)<br>Approved for entry into archive by Ednaide Gondim Magalhães (ednaide@ufba.br) on 2016-05-17T13:13:12Z (GMT) No. of bitstreams: 1 DISSERTAÇÃO FINAL.FaustoSoares.pdf: 2379742 bytes, checksum: 6e7389011d3cc5e6731618dfc4cc7196 (MD5)<br>Made available in DSpace on 2016-05-17T13:13:12Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO FINAL.FaustoSoares.pdf: 2379742 bytes, checksum: 6e738
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Books on the topic "Dramaturgiya"

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Älimirzäyev, Xalid. Dramaturgiya, teatr vä sähnä sänäti. Nurlan, 2004.

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Janík, Pavol. Opasnye komedii: Slovackaya dramaturgiya XX vyeka. Grif, 2006.

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Sverbilova, T. G. Komedii V.V. Mayakovskogo i sovremennaya sovetskaya dramaturgiya. Naukova dumka, 1987.

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Babenko, V. G. Dramaticheskie zhanry i ikh vzaimodei stvie: Anglii skaya i irlandskaya dramaturgiya. Izdatel'stvo Irkutskogo universiteta, 1988.

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Nagy, Imre. Ágistól Bánkig: A dramaturgia nyelve és a nyelv dramaturgiája. Pro Pannónia Kiadói Alapítvány, 2001.

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Kerman, Joseph. A ópera como drama. Jorge Zahar, 1990.

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Golianek, Ryszard Daniel. Dramaturgia kwartetów smyczkowych Dymitra Szostakowicza =: The dramaturgy of Dmitri Shostakovich's string quartets. Wydawn. Poznańskiego Tow. Przyjaciół Nauk, 1995.

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Dace, Wallace. Opera as dramatic poetry. Vantage Press, 1993.

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Dieleman, Cock, Ricarda Franzen, Veronika Zangl, and Henk Danner. Dramaturgy. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724968.

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The image of the dramaturg resembling a stuffy librarian, as opposed to the largely intuitive process of theatre making, belongs to the past. Contemporary theatre performances not only tell a story, but constantly reflect on the world in which that story takes place and is shown. As a result, dramaturgy has become part of the artistic process. Thus everybody involved in a theatre production is concerned with dramaturgical thinking, i.e. how to relate to material, process, audience and society. The dramaturg crosses borders between theory and practice, between theatre makers, performance and au
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Correa, Iván Barlaham Montoya. Dramaturgía. Instituto Departamental de Bellas Artes, 2005.

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Book chapters on the topic "Dramaturgiya"

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Müller-Schöll, Nikolaus. "Arbeit am Gelände (des Theaters)." In Heiner Müllers KüstenLANDSCHAFTEN. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839455630-004.

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Nikolaus Müller-Schöll begreift Heiner Müllers Theaterarbeit und Schreiben als Paradebeispiel einer ,politischen Dramaturgie'. Er setzt dabei seine von Foucault und Rancière her entwickelte Theorie von Dramaturgie voraus: Sie entsteht in ihrer modernen Ausprägung als eine Form der »Polizey« wie der »Politik« im Theater des 18. Jahrhunderts und antwortet als Regierung der Künste auf die moderne »Kunst des Regierens«. Nach seiner Bearbeitung von Brechts »Fatzer« reflektiert Müller seine Abkehr von Brechts Dramaturgie: Sein Skript-basiertes Theater entspringt den USA-Reisen und der Begegnung mit
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Megale, Teresa. "L’ombra di Don Juan Tenorio sulla scena barocca partenopea: indizi d’archivio e canoni drammaturgici." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.13.

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This paper highlights archival evidence and dramaturgic mythemes in order to reconsider the historiographical issues related to the XVIIth-century theatrical reception of El burlador de Sevilla y convidado de piedra outside of Spain. Among the crossroads of theatrical practices alive in XVIIth-century Naples, Don Juan underwent a rapid process of assimilation and transformation. The chronology of its Neapolitan debut at the Teatro di San Bartolomeo is re-examined in this paper, while unfolding some new and possible scenarios interweaving history and dramaturgy, the stage and the historical pol
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Boenisch, Peter M. "Performing the Singularized Self." In Theater. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839466285-008.

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In this chapter, Boenisch discusses new intermedial dramaturgies that respond to the present "Post-Internet Condition" (S. Hendrickx): This has annulled old intermedial differences between online vs. offline, virtual vs. real, mediated vs. embodied. Drawing on sociological theories on the (the lack of) resonance within a culture of singularisation by A. Reckwitz and H. Rosa, and on dramaturgic theory by J. Szatkowski, Boenisch analyses works by the companies El Conde de Torrefiel and Jäger Ooms as paradigmatic for a shift from intermediality as a representational strategy towards a reflexive i
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Shanahan, Ann M. "8. Finding Money in the Walls." In Active Speech. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0432.08.

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‘Finding Money in the Walls: Uncovering the Feminist Power of Teresa Deevy’s Dramaturgy through an Embodied, Practice-based Approach’ considers Teresa Deevy’s plays through the lens of the author’s feminist directing approaches, which draw on her lived experiences. She argues that Deevy’s dramaturgy is a complex, layered materialism, based in Deevy’s lived experience. Using the metaphor of money in the broken-down walls of a ruin in Temporal Powers, the author explores how Deevy places material objects in the liminal spaces of her settings as a key feature of her dramaturgical project, through
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Dundjerović, Aleksandar Sasha. "Dramaturgies." In Live Digital Theatre. Routledge, 2023. http://dx.doi.org/10.4324/9781003275893-5.

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Roch, Eckhard. "Dramaturgie." In Psychodrama. J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03571-4_4.

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Francis, Penny. "Dramaturgy." In Puppetry: A Reader in Theatre Practice. Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35683-2_6.

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Healy, Sue. "Dramaturgy." In The Literary Manager's Toolkit. Routledge, 2022. http://dx.doi.org/10.4324/9781003174523-6.

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Christoffersen, Erik Exe, and Richard Fowler. "Dramaturgy." In The Actor's Way. Routledge, 2023. http://dx.doi.org/10.4324/9781003421733-8.

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Sisco, David, and Laura Josepher. "Dramaturgy." In Performing in Contemporary Musicals. Routledge, 2022. http://dx.doi.org/10.4324/9781003212430-5.

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Conference papers on the topic "Dramaturgiya"

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Koh, Immanuel, and ManLin Saw. "Architectural Dramaturgy: A total and endless theatre with multimodal artificial intelligence." In eCAADe 2024: Data-Driven Intelligence. eCAADe, 2024. http://dx.doi.org/10.52842/conf.ecaade.2024.1.559.

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Ghilas, Ana. "Dramaturgy of the 60s-70s generation in the director Alexandru Cozub’s vision." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.05.

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The article deals with the problem of the memory of the dramatic genre in the view of director Alexandru Cozub from “Mihai Eminescu” National Theater in Chisinau. The shows staged by the director based on the dramaturgical texts written in the 1960s-1970s and which were (and are) staged by this theater since 2010 serve as the object of the study. The purpose of the research lies in highlighting the new directorial visions on the texts by I. Druta and D. Matcovschi, depending on the social, theatrical, aesthetic context and the director’s artistic vision. The comparative historical method, that
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Kenderdine, Sarah, Jeffrey Shaw, and Anita Kocsis. "Dramaturgies of PLACE." In the International Conference. ACM Press, 2009. http://dx.doi.org/10.1145/1690388.1690430.

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Testsov, Sergei Valentinovich. "Poeziia i dramaturgiia Dzhona Geia." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2024. http://dx.doi.org/10.21661/r-562573.

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Tipa, Violeta. "The world of the fair: cinematographic interpretations / challenges (reflections based on films inspired from Ion Creangă’s works)." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.08.

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The article focuses on the analysis of the fair, which is a reflection of the image of society, its material and spiritual values. The market, which in the Middle Ages attributed to its role as a commercial market an arena of social, political and cultural life as well, becomes a significant space in the dramaturgy of some films. We will research, in particular, the role and functions of the fair in films inspired from Ion Creanga’s works, starting with Amintiri din copilărie/ Childhood Memories (1965) and Mama/Mother (1976) – both directed by Elisabeta Bostan, Povestea dragostei/The Love Stor
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Alonso, Jason B., Angela Chang, David Robert, and Cynthia Breazeal. "Toward a dynamic dramaturgy." In the 8th ACM conference. ACM Press, 2011. http://dx.doi.org/10.1145/2069618.2069672.

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Khalil-Butucioc, Dorina. "Stimulating dramaturgy in the Republic of Moldova: from art education to theater festivals." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.22.

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Starting with the 90s, realizing the need to support and promote the new national drama, at the Writers’ Union was set up a Drama Section, AMTAP introduced the Dramaturgy and Screenwriting specialty, the Ministry of Cultures and UNITEM initiated a National Drama Competition. In this context, Dramaturgy Workshops were created at the „Luceafărul” and „M. Eminescu” Theaters, at the Center for Contemporary Dramaturgy (CDC) (2012—2013), at the School of Contemporary Dramaturgy of the Center for Cultural Projects „Arta Azi” (2017, 2018, 2020); Dramaturgy camps were organized at the „Codru” Sanatoriu
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Stoica, Andreea, and Ursula Neulinger. "THE STORY TELLING ENGINE FOR LEARNING AMBIENCE: HOW TO CREATE EFFECTIVE AND INVOLVING VIRTUAL LEARNING WORLDS?" In eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-042.

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The Story Telling Engine for Learning Ambience of create21st century: How to create effective and involving Virtual Learning Worlds? Authors: Ursula Neulinger-Head of Marketing create21st century Andreea R. Stoica-Business Development Manager create 21st century Users of today want to be able to move intuitively and quickly in an online learning offer or e-learning course. The virtual learning world is a tool for making the navigation within a complex and ever-growing learning offer simple, clear and, above all, interesting! Just like IT professionals, newcomers to IT also find their way aroun
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Daraklitsa, Elina. "THE SYMBOLISMS AND DRAMATURGIC NOTIONS IN THE TROJAN WOMEN UNDER JEAN PAUL SARTRE�S POLITICAL AND PHILOSOPHICAL VIEW." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s03.03.

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The present study examines the contemporary rewriting in the French language of Euripides' play The Trojan Women by Jean Paul Sartre. The French philosopher having the intention once more to deal with humanity�s big problems, he intensifies Euripides� text with elements drawn from modern society and era. The theme dealt with is war and suppression, along with their conviction, a pattern especially popular with the creator since it is the one he deals with in his debut drama Bariona ou le fils de tonnerre (1940). Also, The Trojan Women (1964) linguistic style matches that of Bariona and Nekrass
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Capeto, Carla. "Dramaturgy of Robots and Machines." In Proceedings of EVA London 2020. BCS Learning and Development Ltd, 2020. http://dx.doi.org/10.14236/ewic/eva2020.60.

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Reports on the topic "Dramaturgiya"

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Ilgenfritz, Pedro. Guide Me Without Touching My Hand: Reflections on the Dramaturgical Development of the Devised-theatre Show One by One. Unitec ePress, 2016. http://dx.doi.org/10.34074/ocds.038.

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This essay is a reflection on some aspects of dramaturgy observed during the creation and development of One by One, a silent tragicomedy designed by the Auckland company, LAB Theatre, in 2011 and restaged in 2013. The emphasis of the essay is on pedagogical aspects at the core of the company’s work, as they inform the creative process and lead to the blending of the actor’s function into that of the dramaturg. The following discussion makes apparent the fact that this process of hybridisation, made possible by implementing features of devised theatre, emancipates the actor and brings improvis
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Nykvist, Ari, Mahitab Ezz El Din, Mats Wahberg, and Peter Dahlén. Vad är en bra nyhet?: Om skillnader i yngre och äldre nyhetskonsumenters uppfattningar om kvalitet i nyheter. Linnaeus University, 2025. https://doi.org/10.15626/fojo.i.202506.

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Skillnaderna mellan yngre och äldres syn pa nyhetskvalitet ärmindre än man kunde tro. I denna studie framkommer att bädaäldersgrupper värderar tillförlitlighet, opartiskhet o c h saklighethögst, medan interaktivitet - möjligheten att kommentera, gillaoch dela - rankas lägt. Känslomässig dramaturgi efterfrägas sällan och text ses somden viktigaste modaliteten; ljud bedöms däremot som nägotmindre väsentligt av de yngre. Resultaten av studien visar att yngre nyhetskonsumenter intebildar ett tydligt avgränsat, homogent publiksegment somradikalt skiljer sig frän äldre. Samtidigt är publiken i ständ
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