Relevant bibliographies by topics / Draperies

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Draperies'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Draperies"

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Derville, Alain. "L'héritage des draperies médiévales." Revue du Nord 69, no. 275 (1987): 715–24. http://dx.doi.org/10.3406/rnord.1987.4329.

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YOSHIDA, KOJIRO. "The Gion Festival Draperies." Sen'i Gakkaishi 51, no. 6 (1995): P264—P267. http://dx.doi.org/10.2115/fiber.51.6_p264.

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Chandrasekaran, Kavitha. "Application of Natural Dye Obtained from Sweet Indrajao on Fabrics." Current Biochemical Engineering 6, no. 3 (December 28, 2020): 180–91. http://dx.doi.org/10.2174/2212711906999201020202052.

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Background:: In the long run, synthetic tints were found to be harmful to the chemicals. As a result natural tints have come to be used for their many intrinsic values. The main reason being, then availability of local plants as the main source of natural colorants. Their easy availability in the country being zero cost – effective and planted for other purposes are the main reasons for utilizing them as natural tints. Almost all the parts of the plants, namely stem, leaves, fruits, seeds, barks etc. are used for extracting natural colour. In addition, they are antimicrobial antifungal, insect – repellant deodorant, disinfectant having medicinal values. Methods:: Sweet Indrajao leaves were cleaned by washing with water and dried under direct sunlight and ground as fine powder. A fine strainer was used to remove the wastages. After all these processes, 1-kilogram leaves weighed 318 grams. Then, it is put in 75% ethanol 25% water and heated in a breaker which in kept over a water bath for 2 hours. After this, the contents were filtered and kept in a separate beaker. Bleached fleece draperies stained with stain extract were made to become wet and put into different stain baths which contain the required amount of stain extract and water. Acetic acid was added to it after 20 minutes. The fleece drapery was stained for about one hour at 60oC. The draperies thus stained were removed, squeezed, and put to treatment with metal salts without washing. Different metal salts were used for the treatment using 3% of any one of the chemical mordants like alum, stannous chloride, potassium dichromate, ferrous sulphate, nickel sulphate, copper sulphate and natural mordants such as myrobolan, turmeric, cow dung, Banana sap juice at 60oC for 30 minutes with MLR of 1:30. The stained draperies were washed repeatedly in all the three methods in water and dried in air. At last, the stained draperies were put to soap with soap solution at 60oC for 10 minutes. The draperies were repeatedly washed in water and dried under the sun. Results:: Sweet Indrajao leaves discharged colour easily in alcoholic water. The fleece draperies were stained with chemical and natural mordants. It was observed that the stain uptake was found to be good in post-mordanting method. Ultrasonication has clearly improved the stainability of the draperies at pH 3 and 3.5 values. The pH decreases the stain ability under both Conventional and Ultrasonic conditions. The colour strength increases with an increase in staining temperature in both cases of US and CH methods. Conclusion:: Sweet Indrajao.L has been found to have good ultrasonic potential as a stain plant. The stain uptake as well as the fastness properties of the fleece drapery were found to enhance when metal mordant was used in conjugation with ultra-sonication for the extract of Sweet Indrajao. It was also found that the enhancement of staining ability was better without mordant draperies. The dye extract showed good antibacterial activity against the three bacterial pathogens. Among the three bacterial pathogens, dye extract showed more effective against Escherichia coli pathogens and dye extract showed more effective against Aspergillus pathogens. Hence, the ultrasonic method of drapery staining may be appropriate and beneficial for society at large in future.
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Kazlacheva, Zlatina, Julieta Ilieva, and Tanya Peneva. "FASHION AND PATTERN DESIGN OF LADIES’ DRESSES WITH TRANSFORMATION OF DIFFERENT TYPES OF DRAPERIES." Applied Researches in Technics, Technologies and Education 7, no. 1 (2019): 10–23. http://dx.doi.org/10.15547/artte.2019.01.002.

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One of the ways of creation of new fashion designs is the transformation of a garment in another one. According to the main design principles silhouettes, lines, and forms of elements and pieces can be changed. According to both fashion and technical design the change of the elements with decorative and constructive function is more important than changing only decorative ones. The transformations are possible for all of elements with decorative and constructive function: darts, seams, 3D elements. And according to the fashion and pattern making view the drapery is maybe the most interesting three dimensional element, which can be with only decorative, but in the more of the cases it is with decorative and constructive function. The paper presents fashion and pattern design of ladies’ dresses on the base of transformation of the three basic types of drapes: twist knot, twisted and free draperies. In created variants draperies are with decorative and constructive function. With presented way of transformation new designs of draped ladies’ dresses are easy and successfully created. Every of the basic three types of drapery with decorative and constructive function: twist knot, twisted and free ones can be changed with other two types. The facilitating of design and pattern making is result not only that transformations are made on one basic model, but also that systemized approaches of constructing of twist knot and twisted draperies are used.
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Udovenko, O. L. "Drawing drupes as a means of development of spatial thinking." Educational Dimension 26 (December 14, 2009): 348–51. http://dx.doi.org/10.31812/educdim.7042.

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In the article typology and receptions of transmission of folds is crammed in the educational raising. The didactics value of picture of draperies as facilities of development of analytical thought of students is investigational. Essence of graphic analysis of plastic form opens up on the example of exposure оf forms of folds.
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Kazlacheva, Zlatina. "PATTERN DESIGN OF TWISTED DRAPERIES WITH DECORATIVE AND CONSTRUCTIVE FUNCTION." Applied Researches in Technics, Technologies and Education 7, no. 1 (2019): 1–9. http://dx.doi.org/10.15547/artte.2019.01.001.

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The paper presents a systemized approach of pattern design of twisted draperies with decorative and constructive function on the base of calculating compensation of shortening after twisting. The presented approach of constructing uses an investigation of obtaining of mathematical dependences on the base of the shortening of the piece in directions of width and height after twisting. The formulas, obtained with linear regressions, make pattern design of this type of drapery full systemized and lead to successful constructing of twisted pieces or parts of them in varied sizes. The pattern design of twisted draperies with decorative and constructive function is systemized with the use of dependence for calculation of the additional width for twisting. The systematization facilitates the processes of fashion and technical design leading to easy and successful constructing of drapery in different sizes of draped parts of clothing pieces, and giving possibilities for new creative ideas and variety of designs. It makes the presented systemized approach of pattern design very suitable for ready-to-wear industry.
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Kazlacheva, Zlatina, and Petya Dineva. "An investigation of pattern making of twisted draperies." Applied Researches in Technics, Technologies and Education 5, no. 2 (2017): 85–93. http://dx.doi.org/10.15547/artte.2017.02.002.

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Frank, Louis, and Leticia Leratti. "Sur quelques essais de restitution expérimentale des médaillons de draperies léonardiennes." Léonard de Vinci, l’expérience de l’art Hors-série (2024): 38–43. http://dx.doi.org/10.4000/11v41.

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Les auteurs présentent ici le cheminement intellectuel qui les a conduits à restituer le modèle en « médaille », c’est-à-dire en haut relief plutôt qu’en ronde bosse intégrale, que Léonard de Vinci conçut très probablement lorsqu’il peignit en grisaille la Draperie pour une figure assise dite Draperie Saint-Morys, conservée au département des Arts graphiques du musée du Louvre (inv. 2255).
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Craig, John, and N. B. Harte. "The New Draperies in the Low Countries and England." Albion: A Quarterly Journal Concerned with British Studies 31, no. 3 (1999): 461. http://dx.doi.org/10.2307/4052975.

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ZELL, MICHAEL. "WALTER MORRELL AND THE NEW DRAPERIES PROJECT, c. 1603–1631." Historical Journal 44, no. 3 (September 2001): 651–75. http://dx.doi.org/10.1017/s0018246x01001959.

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This article explores the lengthy and convoluted history of a Jacobean project to set the idle poor to work making ‘new draperies’. Although the projector, Walter Morrell, convinced the Cecils, King James, and the privy council of the social and fiscal benefits of his scheme, he failed to persuade the Hertfordshire gentry. This case study in the formulation of crown economic policy, and in ‘Stuart paternalism’, draws upon Morrell's own detailed, unpublished treatise, as well as conventional political sources, and shows how the combination of ‘commonwealth’ rhetoric and progressive economic thinking could sway crown policy-making. It also demonstrates once again the limits of conciliar authority in early Stuart England. In the face of sustained provincial non-compliance, the privy council had neither the machinery nor the stomach to force the Hertfordshire elite to implement government policy and give meaningful support to a government-backed projector. And despite their inability to deal with growing rural unemployment, the Hertfordshire magistrates were unwilling to experiment with rural industry as a solution.
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Dissertations / Theses on the topic "Draperies"

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Robins, Amanda School of Arts UNSW. "Slow art : meditative process in painting and drawing." Awarded by:University of New South Wales. School of Arts, 2006. http://handle.unsw.edu.au/1959.4/31214.

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This exegesis is an exploration of meditative process in painting and drawing and accompanies an exhibition of paintings and large drawings called What Lies Beneath. The text contains several passages, called "meditations," which accompany the themes approached in the chapters and give insight into the thoughts and practices of the artist. The methodology involves the examination of the evidence of the work produced by selected artists, looking at the words of artists in notebooks, diaries and interviews and surveying a small number of local contemporary artists. The text opens up the possibilities of drapery and garments and of still life as paths to meditative practice in painting and drawing. The qualities that characterize meditative process/practice, derived from my observations, are categorized. Some of the strengths of these processes are revealed through the examination of the work of artists, both contemporary and historical. The work of Vermeer, Sanchez Cotan, Francisco Zurbaran and contemporary artists Anne Judell, Simon Cooper, Jude Rae, Alison Watt and Eva Hesse highlight different aspects of the meditative process in painting and drawing. The art works in the exhibition are documented and bring out the meditative processes that have contributed to their creation, including the use and meaning of the subject (drapery and the garment as a form of still life).
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Becchia, Alain. "La draperie d'Elbeuf, des origines à 1870 /." Rouen : Publ. de l'Université de Rouen, 2000. http://catalogue.bnf.fr/ark:/12148/cb377040653.

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Bjuhr, Maria. "Draperingens form och fall : En studie i drapering som arbetssätt inom mönsterkonstruktion." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17341.

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I denna uppsats studerar jag drapering som arbetssätt inom mönsterkonstruktion. Drapering ären klassisk teknik för att forma tyg runt en kropp. När man arbetar med denna teknik är störstfokus på plaggets uttryck och fall. Studien är utförd i samarbete med ett litet svensktmodeföretag, och inom studien utvecklas en klänning, en kjol och en byxa. I det praktiskaarbetet tillämpas en arbetsmetod som innefattar märkning och nedmontering av det draperadeplagget. Denna arbetsmetod visar sig vara framgångsrik när det kommer till att återskapa dendraperade formen som tagits fram av designern. Drapering, som är ett tredimensionelltarbetssätt, jämförs i studien med traditionell platt mönsterkonstruktion. Inom plattmönsterkonstruktion använder man standardmåttlistor och grunduppställningar somutgångspunkt när man konstruerar modeller. Inom drapering börjar man med att skapamodellen genom att drapera upp plagget på en docka och själva mönsterkonstruktionen börjarinte förrän plagget har monterats ned från dockan. Man har således inte samma arbetsgång närman arbetar med draperade och platta konstruktioner. Drapering är ett mer fritt arbetssätt änplatt mönsterkonstruktion är. Inom drapering arbetar man ständigt med kroppen somutgångspunkt, och låter den och materialet som används bestämma plaggets form och fall.
Program: Designteknikerutbildningen
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Rolfsson, Kajsa. "Hulda : Mönster för en frisk fläkt i en sjuk miljö." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27966.

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Det här projektet handlar om en frisk vård i en sjuk miljö. Jag tar in naturen till sjukhuset för att få patienter att känna sig mer inbjudna, trygga och avslappnade. Mitt arbetsområde har varit patientens privata sfär kring sängen.
This project is dealing with human care in a sick environment. I bring nature into the hospital to make patients feel more invited, secure and relaxed. My work area has been patients’ private sphere around the bed, which has resulted in two patterns for drapes.
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Cardon, Dominique. "Technologie de la draperie médiévale d'après la règlementation technique du nord-ouest méditerranéen : Languedoc-Roussillon-Catalogne-Valence-Majorque : XIIIe-XVe siècles." Montpellier 3, 1990. http://www.theses.fr/1990MON30035.

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La reglementation technique du nord-ouest mediterraneen (statuts des metiers de la laine, ordonnances sur la draperie) permet une etude technologique des etapes successives de la production, de l'appret et de la teinture des tissus de laine en languedoc, roussillon, catologne, dans le royaume de valence et a majorque aux 13e-15e siecles. La conversation en mesures metriques et l'interpretation des donnees chiffrees fournissent, pour la premiere fois, des bases de comparaisons avec les informations tirees de l'analyse d'echantillons de lainages medievaux retrouves en languedoc et dans les archives datini a prato. La quantite de precisions originales apportees par les sources utilisees et la vision d'ensemble offerte par ce travail, amenent a poser des questions valables pour toutes les draperies medievales, en particulier celle des veritables criteres de qualite des tissus dans les differents centres drapiers
The inportant corpus of gild regulations available from the archives of the north-west mediterranean regions allows a thorough technological analysis of the various stages of the woollen-cloth production:from the choice of wools to the various branches of the dye-industry, including spinning, weaving, fulling and shearing. A new methodological approach is experimented: the systematic conversion of quantitative data into metric measurements and the interpretation of the results in the light of the technical analysis of various mediaeval textile fragments. From this works, and from the quantity of oritinal details provided by the sources, a more precise vision of the european woollencloth industry arises. It raises the question of real quality standards in the major european textile centers in lediaeval ages
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Wollin, Elin. "Fresh Face >>> Body 2.0 : Handens minne + Digitala dimensioner." Thesis, Konstfack, Textil, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5863.

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"My goal with this project is to digital print a Science Fiction inspired print on fabric that provides an optical illusion with lenticular technology. The fabric will be presented with five curtain drapings, two in motion with motorized movable suspensions. The Print design is going to be created with a science fiction/cyberpunk/transhumanism atmosphere. I’m inspired by the relation between body and machine. The textile field is drawn to smart textiles where the idea of function, artificial intelligence and virtual reality is central. There are already textiles that are designed to react to the wearers needs. And soon it will be possible for the online shopper to purchase customized clothes by recreating themselves as an avatar through 3Dscanning. With this as inspiration my digital print is designed. Technically I will produce a fabric using the lenticular technology that creates an optical illusion. In order to produce the fabric, I need to work with the prints in Photoshop and then digitally print them on fabric. So that the fabric could be able to obtain an optical effect, a lens made of silicone will be laminated on top. The silicone lens is cast in a form which is sketched and made as a model in Rhino and then cut out from a metal block with a milling cutter. The composition will be presented as five curtain drapings. Two of them moves with electric winches. They will hang separately but communicate in a spatial constellation. Like organs the draperies spread out and fall back again. Here, as in the print design, the body and the machine will be crucial. The focus is also on the fabric's tactile character, drama and historical heritage."
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Quinton, Eleanor Jane Powys. "The drapers and the drapery trade of late medieval London, c.1300-c.1500." Thesis, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394583.

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This thesis explores the political, economic and social fortunes of London's drapers in the Late Middle Ages, and the city's developing role in both the domestic and export trades in cloth. The first section considers the early development of the drapers' guild in the context of political and economic pressures. The city-wide ramifications of collaboration among drapers intent on protecting mutual economic interests are discussed with particular reference to John of Northampton, draper, who was politically-active in late fourteenth century London. An exploration of the identity or identities of London drapers sets the guild's significance in the wider context of other networks of association based on residence, kinship, apprenticeship, property-holding and parish-based brotherhoods. The next section discusses London's emerging role as the distributive centre of an expanding trade in English cloth. The role of cloth consumers (particularly noble and gentle households) in increasing London's magnetism is considered through an analysis of the purchase accounts of the Great Wardrobe. Aspects of investment in the domestic production of cloth, and the relationship between drapers, London clothworkers and provincial clothiers, is brought to light by a study of particulars of ulnage accounts, and of debt and Chancery cases involving drapers. The final section, based on particular accounts of custom and subsidy, supplements what is known of London's expanding role in the cloth export trade with an analysis of the various mercantile interests behind these exports. In addition, the drapers' path from the export of wool and import of Flemish cloth in the early fourteenth century, to the export of cloth from the late fourteenth century, to a diversity in both imports and exports which was born of growing economic confidence by the end of the fifteenth century, is discussed alongside the growing competition faced by drapers as domestic suppliers and retailers of cloth.
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Ragnestam, Maria. "Drapering av en illusion : En komparativ studie med utgångspunkt i fotografierna av Leila Khaled och Shirin Neshat." Thesis, Södertörn University College, The School of Culture and Communication, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1033.

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The aim of this paper is to perform a comparative study between the photography’s of Leila Khaled and Shirin Neshat in order to observe if the woman are able to recede from an conventional formation to become the bearer of the veil and not only reduced to that which

needs to be concealed. From a feministic perspective I have observed how the symbolic of the veil moulds the woman and how the woman in her context moulds the veil.

In the description of the news photography of Khaled and the art photography produced by Neshat the mechanisms that lies as a foundation for the modelling of the portraits becomes

the essays primary entrance. Mechanisms that evolve around the creation of the woman as aconcept, a subject shaped for being looked at and the woman’s self-image through others.

The textual discourse is visually enhanced through a comparative picture material visually enhanced and explained through photographs by the contemporary artist photographers Cindy Sherman, Catherine Opie, Laurie Simmons, Robert Mapplethorpe and Elin Berge. The visual comparative material also interacts with the essays primary picture material and further expresses the oppression of the woman that occurs irrespective of culture through a patriarch cal gender system.

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Milne, Sarah. "Merchants of the City : situating the London Estate of the Drapers' Company, c. 1540-1640." Thesis, University of Westminster, 2016. https://westminsterresearch.westminster.ac.uk/item/q10x7/merchants-of-the-city-situating-the-london-estate-of-the-drapers-company-c-1540-1640.

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Through a case study of the Drapers’ Company, this thesis examines the role London’s livery companies played in the built environment of the early modern City. Broadly, it is concerned with tracing institutional topographies of the urban environment and examining the city’s development in relation to these systems of governance. Specifically, it investigates the Drapers as administrators, landlords and landowners in a critical period of livery company history. Much of the extant literature on the London guilds sidelines their significant role in the spatial processes of the post-Reformation city and fails to engage with their extensive property records. However, my research situates the companies as increasingly active agents in the sixteenth and early seventeenth century built environment. Pushing against the ‘Elizabethan silence’ of this period as perceived by architectural historians, I demonstrate that the accelerated acquisition of buildings, anxiety about their condition and canny negotiations with tenants for rebuildings reveal a Company proactively seeking to maintain corporate honour and profit through their valuable urban estate. At the same time, it explores how this transition, and the erosion of their original base of authority in the trade of drapery, was expressed or suppressed in corporate spaces such as the Company Hall. The thesis therefore contributes to debates surrounding the survival of London’s guilds in the face of substantive internal change by writing the livery companies back into the story of city space. Notably, the starting point for the research was an unusual book of accounts relating to thirty-six dinners held in the sixteenth century Hall. The ‘Dinner Book’ served as an unconventional entry point into an exploration of over 300 diverse documents in the Drapers’ Archive. Taking such a holistic approach to the Archive, the study is more widely about what can be achieved in utilising the records of London's livery companies as a source for urban architectural histories as it is about the guilds' role as co-producers of city space. In giving voice to the architecture of the early modern city and its inhabitants, it challenges architectural historians in particular to re-assess their view of appropriate methodologies and legitimate evidence in relation to the urban environment.
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BÄLTER, BJURGERT LOVISA. "FRÅN STILLEBEN TILL MÖNSTER." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18115.

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Det finns sparsamt med litteratur om arbetet med draperade plagg ur en mönsterkonstruktörs synvinkel. Dessutom tar majoriteten av mönsterkonstruktionsundervisningen sällan upp drapering i ett tidigt stadie (om över huvud taget). Rapportens syfte är att undersöka hur en mönsterkonstruktör kan gå tillväga för att översätta draperade plagg till reproducerbara tvådimensionella mönster. Som underlag för studien har tre plagg draperade på docka av en extern handledare använts. Det första plagget är en vävd klänning, det andra en klänning i trikå och det tredje en quiltad väst. I originaldraperingarnas tyg markeras fästpunkter och eventuella skärningar noga, därefter monteras draperingen ned, delarna kalkeras av och toiler sys upp och provas på dockor och provpersoner i flera omgångar tills önskat resultat erhålls. De slutgiltiga mönsterdelarna digitaliseras in i programvaran Modaris (Lectra Systemes) där linjer finputsas och kontrollmäts och plaggen graderas. Studien visar hur en mer direkt förståelse för hur tyg och form påverkas av kroppen kan uppnås med hjälp av draperingsbaserad mönsterkonstruktion. Det behöver inte finnas en motsättning mellan de olika sätten att arbeta, eftersträvansvärt vore istället att mönster-konstruktörer behärskar så många tekniker som möjligt för att kunna nå ett bra slutresultat
Program: Designteknikerutbildningen
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Books on the topic "Draperies"

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Rothschild, Anne. Draperies de l'oubli. Bruxelles: Eperonniers, 1990.

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Christine, Barnes, ed. Curtains, draperies & shades. 2nd ed. Melo Park, CA: Sunset Pub. Corp., 1993.

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Lang, Donna. Make it with style: Draperies & swags. New York: Clarkson N. Potter, 1996.

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Home Decorating Institute (Minnetonka, Minn.), ed. Low sew window treatments. Minnetonka, Minn: Cowles Creative Publishing, 1997.

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Wrey, Caroline. The complete book of curtains and drapes. Woodstock, N.Y: Overlook Press, 2004.

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Hoppen, Stephanie. Perfect curtains: Smart solutions, fabulous fabrics, and inspiring designs. New York: Clarkson Potter, 2009.

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Hoppen, Stephanie. Perfect curtains: Smart solutions, fabulous fabrics, and inspiring designs. New York: Clarkson Potter, 2009.

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Cargill, Katrin. Simple curtains. London: Ryland Peters & Small, 2002.

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Kasimatē, Anna. Hellēnikē kourtina: Schedia & tekhnikē. Athēna: Ekdosē EOMMEX, 1986.

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Luke, Heather. Design and make curtains. London: New Holland, 1999.

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Book chapters on the topic "Draperies"

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Lemire, Beverly. "Morgan Draper's Ledger." In The British Cotton Trade, 1660–1815, 75–82. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003113935-6.

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Benasso, Marco. "Einwände gegen Drapers Argument." In Evolution und Leid als Herausforderung für den Glauben, 221–85. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-22434-9_8.

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To Figueras, Lluís. "Drapers and tailors. Fashion and consumption in medieval Catalonia." In La moda come motore economico: innovazione di processo e prodotto, nuove strategie commerciali, comportamento dei consumatori / Fashion as an economic engine: process and product innovation, commercial strategies, consumer behavior, 25–44. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-565-3.05.

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The range of textiles available in markets across the western Mediterranean expanded significantly during the thirteenth century. Cloth retailers, or drapers, constituted a fundamental link between merchants and consumers, using a network of local markets with specific spaces for selling cloth. They were able to sell a wide range of commodities, including Flemish and French woollens, to satisfy a growing demand. Between 1250 and 1350, there were also tailors almost everywhere, some at the permanent service of an aristocratic court, such as the kings of Aragon, but most of them worked as independent entrepreneurs offering their services in exchange for specific payments. Therefore both drapers and tailors formed small partnerships and frequently used credit in order to reach all levels of medieval society.
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Sumii, Haruko. "We Switched from Being Drapers to Farmers." In Widows of Hiroshima, 77–86. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19701-9_9.

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Caliste, Lisa, and Catherine Verna. "Pratiques du troc, industries et stratégies individuelles (Lodévois et Vallespir, XVe siècle-vers 1550)." In Datini Studies in Economic History, 337–55. Florence: Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0347-0.21.

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In the southern industrial districts of Vallespir (Roussillon) and Lodévois (Languedoc), exchanges in kind (in goods and services) are common practice, some of which has been recorded by notaries. Based on a corpus of 425 notarial deeds, it is possible to examine the legal conditions of 'barter', the categories of goods exchanged (all of which are manufactured locally) and their market prices. In both districts, payments in kind are part of everyday exchanges: people exchange what they have in order to obtain a product they need. Merchants and drapers also barter, for wollen cloth and iron, which are exported to international markets. In this case, barter is a way to obtain products making a profit and controlling the workforce. Thus, regardless of their social or professional identity, economic players take part in barter and make payment in kind out of a choice between necessity and profit.
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Ward, Joseph P. "“[A] distant and alien control”: Henry Colbron, London Drapers, and the Reformation of Kirkham." In Culture, Faith, and Philanthropy, 117–37. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137065513_7.

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Carroll, Marisa. "What Jungian Psychology Can Tell Us About Don Draper’s Unexpected Embrace of Leonard in Mad Men’s Finale." In The Legacy of Mad Men, 237–50. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31091-2_16.

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Allison, Diana. "Curtains and Draperies." In Estimating and Costing for Interior Designers, 135–60. Bloomsbury Publishing Inc, 2014. http://dx.doi.org/10.5040/9781501371479.ch-010.

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Babu, V. Ramesh, and S. Sundaresan. "Curtains and draperies." In Home Furnishing, 103–40. WPI Publishing, 2018. http://dx.doi.org/10.1201/9781351186230-4.

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"Draperies and Drops." In Illustrated Theatre Production Guide, 43–56. Routledge, 2013. http://dx.doi.org/10.4324/9780080491516-10.

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Conference papers on the topic "Draperies"

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McConnell, Joshua, Mark Abramson, Michael Ricard, Stephan Kolitz, David Carter, and Christopher Sanders. "The design and implementation of Draper's Earth phenomena." In AIAA Space 2001 Conference and Exposition. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2001. http://dx.doi.org/10.2514/6.2001-4565.

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Speyer, Jason L. "Guidance, Control and Navigation for Aerospace Systems: Charles Stark Draper's influence on a Personal Perspective." In AIAA Guidance, Navigation, and Control (GNC) Conference. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2013. http://dx.doi.org/10.2514/6.2013-5125.

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