Log in

Relevant bibliographies by topics / Drapering / Journal articles

To see the other types of publications on this topic, follow the link: Drapering.

Journal articles on the topic 'Drapering'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Drapering.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Roch, Jean-Louis. "Entre draperie rurale et draperie urbaine ? La draperie foraine de Rouen à la fin du Moyen Âge." Annales de Normandie 48, no. 3 (1998): 211–30. http://dx.doi.org/10.3406/annor.1998.4840.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Derville, Alain. "L'héritage des draperies médiévales." Revue du Nord 69, no. 275 (1987): 715–24. http://dx.doi.org/10.3406/rnord.1987.4329.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

YOSHIDA, KOJIRO. "The Gion Festival Draperies." Sen'i Gakkaishi 51, no. 6 (1995): P264—P267. http://dx.doi.org/10.2115/fiber.51.6_p264.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Chandrasekaran, Kavitha. "Application of Natural Dye Obtained from Sweet Indrajao on Fabrics." Current Biochemical Engineering 6, no. 3 (December 28, 2020): 180–91. http://dx.doi.org/10.2174/2212711906999201020202052.

Full text

Abstract:

Background:: In the long run, synthetic tints were found to be harmful to the chemicals. As a result natural tints have come to be used for their many intrinsic values. The main reason being, then availability of local plants as the main source of natural colorants. Their easy availability in the country being zero cost – effective and planted for other purposes are the main reasons for utilizing them as natural tints. Almost all the parts of the plants, namely stem, leaves, fruits, seeds, barks etc. are used for extracting natural colour. In addition, they are antimicrobial antifungal, insect – repellant deodorant, disinfectant having medicinal values. Methods:: Sweet Indrajao leaves were cleaned by washing with water and dried under direct sunlight and ground as fine powder. A fine strainer was used to remove the wastages. After all these processes, 1-kilogram leaves weighed 318 grams. Then, it is put in 75% ethanol 25% water and heated in a breaker which in kept over a water bath for 2 hours. After this, the contents were filtered and kept in a separate beaker. Bleached fleece draperies stained with stain extract were made to become wet and put into different stain baths which contain the required amount of stain extract and water. Acetic acid was added to it after 20 minutes. The fleece drapery was stained for about one hour at 60oC. The draperies thus stained were removed, squeezed, and put to treatment with metal salts without washing. Different metal salts were used for the treatment using 3% of any one of the chemical mordants like alum, stannous chloride, potassium dichromate, ferrous sulphate, nickel sulphate, copper sulphate and natural mordants such as myrobolan, turmeric, cow dung, Banana sap juice at 60oC for 30 minutes with MLR of 1:30. The stained draperies were washed repeatedly in all the three methods in water and dried in air. At last, the stained draperies were put to soap with soap solution at 60oC for 10 minutes. The draperies were repeatedly washed in water and dried under the sun. Results:: Sweet Indrajao leaves discharged colour easily in alcoholic water. The fleece draperies were stained with chemical and natural mordants. It was observed that the stain uptake was found to be good in post-mordanting method. Ultrasonication has clearly improved the stainability of the draperies at pH 3 and 3.5 values. The pH decreases the stain ability under both Conventional and Ultrasonic conditions. The colour strength increases with an increase in staining temperature in both cases of US and CH methods. Conclusion:: Sweet Indrajao.L has been found to have good ultrasonic potential as a stain plant. The stain uptake as well as the fastness properties of the fleece drapery were found to enhance when metal mordant was used in conjugation with ultra-sonication for the extract of Sweet Indrajao. It was also found that the enhancement of staining ability was better without mordant draperies. The dye extract showed good antibacterial activity against the three bacterial pathogens. Among the three bacterial pathogens, dye extract showed more effective against Escherichia coli pathogens and dye extract showed more effective against Aspergillus pathogens. Hence, the ultrasonic method of drapery staining may be appropriate and beneficial for society at large in future.

APA, Harvard, Vancouver, ISO, and other styles

5

Morizot, Yvette. "La draperie de Despoina.Texte." Ktèma : civilisations de l'Orient, de la Grèce et de Rome antiques 33, no. 1 (2008): 201–9. http://dx.doi.org/10.3406/ktema.2008.1097.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Kazlacheva, Zlatina, Julieta Ilieva, and Tanya Peneva. "FASHION AND PATTERN DESIGN OF LADIES’ DRESSES WITH TRANSFORMATION OF DIFFERENT TYPES OF DRAPERIES." Applied Researches in Technics, Technologies and Education 7, no. 1 (2019): 10–23. http://dx.doi.org/10.15547/artte.2019.01.002.

Full text

Abstract:

One of the ways of creation of new fashion designs is the transformation of a garment in another one. According to the main design principles silhouettes, lines, and forms of elements and pieces can be changed. According to both fashion and technical design the change of the elements with decorative and constructive function is more important than changing only decorative ones. The transformations are possible for all of elements with decorative and constructive function: darts, seams, 3D elements. And according to the fashion and pattern making view the drapery is maybe the most interesting three dimensional element, which can be with only decorative, but in the more of the cases it is with decorative and constructive function. The paper presents fashion and pattern design of ladies’ dresses on the base of transformation of the three basic types of drapes: twist knot, twisted and free draperies. In created variants draperies are with decorative and constructive function. With presented way of transformation new designs of draped ladies’ dresses are easy and successfully created. Every of the basic three types of drapery with decorative and constructive function: twist knot, twisted and free ones can be changed with other two types. The facilitating of design and pattern making is result not only that transformations are made on one basic model, but also that systemized approaches of constructing of twist knot and twisted draperies are used.

APA, Harvard, Vancouver, ISO, and other styles

7

TRIAPITSYN, SERGUEI V. "Taxonomic review of Polynema (Hymenoptera: Mymaridae) in Australia and New Zealand, with descriptions of eight new species." Zootaxa 4915, no. 2 (January 21, 2021): 151–200. http://dx.doi.org/10.11646/zootaxa.4915.2.1.

Full text

Abstract:

Two Australian species of Polynema Haliday (Hymenoptera: Mymaridae), P. (Polynema) draperi Girault and P. (Polynema) editha Girault, are redescribed, as is the Australasian and Oriental P. (Dorypolynema) mendeli Girault; the previously unknown female of P. draperi and male of P. editha are also described. One new species group, the draperi group, is newly defined in P. (Polynema), in which eight new species are described: P. (Polynema) aristokratka sp. n. (New Zealand), P. (Polynema) baronessa sp. n. (New Zealand), P. (Polynema) grafinya sp. n. (New Zealand), P. (Polynema) imperatrix sp. n. (Australia), P. (Polynema) koroleva sp. n. (New Zealand), P. (Polynema) markiza sp. n. (New Zealand), P. (Polynema) princessa sp. n. (Australia), and P. (Polynema) rangatira sp. n. (New Zealand). Keys to the two treated subgenera of Polynema, both sexes of the world species of P. (Dorypolynema Hayat & Anis), and to females of the 10 described P. (Polynema) species in Australia and New Zealand are given. Taxonomic notes are provided for the Afrotropical species Polynema (Dorypolynema) mboroense (Risbec), comb. n. from Acmopolynema Ogloblin, whose previously unknown female is described, and for the Australian species Palaeoneura frater (Girault), comb. n. from Polynema.

APA, Harvard, Vancouver, ISO, and other styles

8

Kazlacheva, Zlatina. "PATTERN DESIGN OF TWISTED DRAPERIES WITH DECORATIVE AND CONSTRUCTIVE FUNCTION." Applied Researches in Technics, Technologies and Education 7, no. 1 (2019): 1–9. http://dx.doi.org/10.15547/artte.2019.01.001.

Full text

Abstract:

The paper presents a systemized approach of pattern design of twisted draperies with decorative and constructive function on the base of calculating compensation of shortening after twisting. The presented approach of constructing uses an investigation of obtaining of mathematical dependences on the base of the shortening of the piece in directions of width and height after twisting. The formulas, obtained with linear regressions, make pattern design of this type of drapery full systemized and lead to successful constructing of twisted pieces or parts of them in varied sizes. The pattern design of twisted draperies with decorative and constructive function is systemized with the use of dependence for calculation of the additional width for twisting. The systematization facilitates the processes of fashion and technical design leading to easy and successful constructing of drapery in different sizes of draped parts of clothing pieces, and giving possibilities for new creative ideas and variety of designs. It makes the presented systemized approach of pattern design very suitable for ready-to-wear industry.

APA, Harvard, Vancouver, ISO, and other styles

9

Kazlacheva, Zlatina, and Petya Dineva. "An investigation of pattern making of twisted draperies." Applied Researches in Technics, Technologies and Education 5, no. 2 (2017): 85–93. http://dx.doi.org/10.15547/artte.2017.02.002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Roch, Jean-Louis. "Innovations et résistances dans la draperie : exemples normands." Médiévales 19, no. 39 (2000): 46–56. http://dx.doi.org/10.3406/medi.2000.1493.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Hayward, Maria. "Walter Morrell’s ‘Manufacture for the New Draperie’ (1616)." Textile History 50, no. 1 (January 2, 2019): 121–22. http://dx.doi.org/10.1080/00404969.2019.1594737.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Craig, John, and N. B. Harte. "The New Draperies in the Low Countries and England." Albion: A Quarterly Journal Concerned with British Studies 31, no. 3 (1999): 461. http://dx.doi.org/10.2307/4052975.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Veinstein, Gilles. "Sur la draperie juive de Salonique (XVIe-XVIIe s.)." Revue du monde musulman et de la Méditerranée 66, no. 1 (1992): 55–64. http://dx.doi.org/10.3406/remmm.1992.1572.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

ZELL, MICHAEL. "WALTER MORRELL AND THE NEW DRAPERIES PROJECT, c. 1603–1631." Historical Journal 44, no. 3 (September 2001): 651–75. http://dx.doi.org/10.1017/s0018246x01001959.

Full text

Abstract:

This article explores the lengthy and convoluted history of a Jacobean project to set the idle poor to work making ‘new draperies’. Although the projector, Walter Morrell, convinced the Cecils, King James, and the privy council of the social and fiscal benefits of his scheme, he failed to persuade the Hertfordshire gentry. This case study in the formulation of crown economic policy, and in ‘Stuart paternalism’, draws upon Morrell's own detailed, unpublished treatise, as well as conventional political sources, and shows how the combination of ‘commonwealth’ rhetoric and progressive economic thinking could sway crown policy-making. It also demonstrates once again the limits of conciliar authority in early Stuart England. In the face of sustained provincial non-compliance, the privy council had neither the machinery nor the stomach to force the Hertfordshire elite to implement government policy and give meaningful support to a government-backed projector. And despite their inability to deal with growing rural unemployment, the Hertfordshire magistrates were unwilling to experiment with rural industry as a solution.

APA, Harvard, Vancouver, ISO, and other styles

15

Fujii, Yoshio. "Draperie urbaine et draperie rurale dans les Pays-Bas méridionaux au bas moyen ǎge: une mise au point des recherches après H. Pirenne." Journal of Medieval History 16, no. 1 (January 1990): 77–97. http://dx.doi.org/10.1016/0304-4181(90)90015-s.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Ward, Joseph P., and N. B. Harte. "The New Draperies in the Low Countries and England, 1300-1800." Sixteenth Century Journal 30, no. 1 (1999): 248. http://dx.doi.org/10.2307/2544966.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Jarrige, François. "Jean-Michel Minovez, L’industrie invisible. Les draperies du Midi, xviie-xx." Revue d'histoire du XIXe siècle, no. 46 (June 1, 2013): 220–22. http://dx.doi.org/10.4000/rh19.4499.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Miller, S. "L'industrie invisible: les draperies du Midi, XVIIe-XXe siecles: essai sur l'originalite d'une trajectoire * La puissance du Midi: drapiers et draperies de Colbert a la Revolution." French History 27, no. 2 (January 10, 2013): 308–9. http://dx.doi.org/10.1093/fh/crs151.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Lemarchand, Guy. "Jean-Michel Minovez, L’industrie invisible. Les draperies du Midi XVIIe-XXe siècles." Annales historiques de la Révolution française, no. 371 (March 1, 2013): 209–12. http://dx.doi.org/10.4000/ahrf.12730.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Roch, Jean-Louis. "Artisans ou marchands : la draperie médiévale de l’Italie à la Normandie." Revue historique 695, no. 3 (2020): 39. http://dx.doi.org/10.3917/rhis.203.0039.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Bancel, Jean-Louis. "La république coopérative, Jean-François Draperi. Larcier, 2012, 327 pages." Revue internationale de l'économie sociale: Recma, no. 327 (2013): 115. http://dx.doi.org/10.7202/1015157ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Nair, Janaki. "Past Perfect: Architecture and Public Life in Bangalore." Journal of Asian Studies 61, no. 4 (November 2002): 1205–36. http://dx.doi.org/10.2307/3096440.

Full text

Abstract:

“In the city,” says carl schorske, writing of Vienna at the turn of the twentieth century, “… the truth of industrial and commercial society had to be screened in the decent draperies of pre-industrial artistic styles. Science and law were modern truth, but beauty came from history” (1981, 45). Quotations from the past were equally the mark of architectural styles that were forged in colonial and postcolonial societies, as history became a resource for defining new ideals of beauty. If the retreat into (classical European) history was a striking feature of public architecture in colonial India (Evenson 1989, 99–109), an attempt to command a long and respectable lineage of authority equally marked the efforts of Indian nationalists in the early post-independence period.

APA, Harvard, Vancouver, ISO, and other styles

23

Minovez, Jean-Michel. "L'État et les draperies dans les Pyrénées centrales au milieu du XVIIIe siècle." Annales du Midi : revue archéologique, historique et philologique de la France méridionale 116, no. 246 (2004): 171–89. http://dx.doi.org/10.3406/anami.2004.2838.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Dineva, Petya, Zlatina Kazlacheva, and Julieta Ilieva. "A study of fashion design and pattern making of ladies' dresses with draperies." Applied Researches in Technics, Technologies and Education 4, no. 4 (2016): 262–71. http://dx.doi.org/10.15547/artte.2016.04.002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

OLDLAND, JOHN. "The Clothiers’ Century, 1450–1550." Rural History 29, no. 1 (March 19, 2018): 1–22. http://dx.doi.org/10.1017/s0956793317000188.

Full text

Abstract:

Abstract:In the hundred years from 1450 to 1550, the great success enjoyed by the English woollen industry in continental markets was a result of clothiers organising the rural cloth industry in the West Country, Suffolk/Essex, the Kentish Weald and Newbury and its surrounds, to produce cloth that London merchants required. To do this they allocated extensive capital to cloth production: buying wools, sorting and dyeing them, organising their carding and spinning, putting the yarn out for weaving, and then in some cases owning the mills that fulled the cloth and finally shearing it in-house. The leading clothiers carried wool and cloth inventories, developed strong buying networks and offered merchants credit. Clothiers' control over production declined after 1550 as the government exercised greater control over cloth quality and clothiers' freedoms, and as price competition intensified from coarser cloths and new draperies.

APA, Harvard, Vancouver, ISO, and other styles

26

Peneva, Tanya, Zlatina Kazlacheva, and Julieta Ilieva. "Adaptation of a system for pattern design of twist knot draperies for knitted fabrics." IOP Conference Series: Materials Science and Engineering 1031, no. 1 (January 1, 2021): 012023. http://dx.doi.org/10.1088/1757-899x/1031/1/012023.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

O'Donnell, Joseph F., and Rose Virani. "Like Rembrandt Draperies: A Portrait of Cathy Tingle.Like Rembrandt Draperies: A Portrait of Cathy Tingle. Produced by Lisa Kaplan , LifeWorks Videos, $149, includes 10-page curriculum guide. Running time: 50:57 minutes." Journal of Palliative Medicine 8, no. 3 (June 2005): 677–78. http://dx.doi.org/10.1089/jpm.2005.8.677.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Boone, Marc. "Nieuwe teksten over de Gentse draperie : wolaanvoer productiewijze en controlepraktijken (ca. 1456-1468)." Bulletin de la Commission royale d'histoire. Académie royale de Belgique 154, no. 1 (1988): 1–61. http://dx.doi.org/10.3406/bcrh.1988.1296.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Morton, Timothy. "More Books about Buildings and Food." Victorian Literature and Culture 25, no. 2 (1997): 359–65. http://dx.doi.org/10.1017/s1060150300004848.

Full text

Abstract:

George Eliot lamented the decoration of her and George Henry Lewes's house, for which Owen Jones, the man behind the color scheme for the Crystal Palace, designed wallpaper and chose draperies. At the beginning of his chapter on Middlemarch in Novels Behind Glass, a detailed historicist study of Thackeray, Gaskell, Dickens, Eliot and the Great Exhibition, Andrew Miller quotes Eliot's lament: “Such fringing [sic] away of precious life in thinking of carpets and tables is an affliction to me and seems like a nightmare from which I shall find it bliss to awake into my old world of care for things quite apart from upholstery” (189). In the Afterword, Miller quotes the deathbed words of Oscar Wilde, whose earnestness about his own wallpapered predicament are quite in contrast with Eliot: “My wallpaper and I are fighting a duel to the death…. One or the other of us has to go” (221).

APA, Harvard, Vancouver, ISO, and other styles

30

Stone, Nancy J. "Environmental Design, Personality, and Online Learning." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 62, no. 1 (September 2018): 1171–75. http://dx.doi.org/10.1177/1541931218621269.

Full text

Abstract:

Students completed an online tutorial presented as a video or PowerPoint presentation in a room with or without a window with blue, green, red, or white draperies to determine the impact of the environment on online learning. Students’ scores improved significantly from pretest to posttest; however, contrary to expectation, there were no main effects of windows, color, or the type of tutorial. There was a Room X Color interaction effect. Contrary to expectation, posttest scores were highest in the windowed room with red drapes and in the windowless room with green or white drapes. The lowest posttest scores occurred in a windowless room with red drapes and a windowed room with green drapes. Learners high in extraversion and agreeableness tended to have lower posttest scores, but high levels of conscientiousness were not related to performance. These results suggest that the presence of a window influences the impact of color in the learning environment, but the relation between personality and online performance is still unclear.

APA, Harvard, Vancouver, ISO, and other styles

31

McNeil, Lynda. "Bridal Cloths, Cover-UPS, and Kharis: The ‘Carpet Scene’ in Aeschylus’ Agamemnon." Greece and Rome 52, no. 1 (April 2005): 1–17. http://dx.doi.org/10.1093/gromej/cxi009.

Full text

Abstract:

Past readings of Aeschylus’ Agamemnon (458 BC) have spawned numerous theories about the nature and significance of the cloth stage prop central to the ‘Carpet Scene’ (783-974). Kenneth Morrell has pointed out that ‘recent critics at best emphasize the ambiguous nature of the “fabric” ’, which the critics refer to variously as something carpet-like, as rugs or blankets, as garment-like tapestries or loosely-fitting garments, as draperies, and more generally as the household's treasure. But what fabric, if any, would have been versatile enough to function as a tapestry, a robe, and a blanket, and would have inspired outrage when used as a rug?More symbolically significant than the most luxurious carpet, the fabric strewn on the ground before Agamemnon strongly suggests a bridal cloth, an object replete with symbolism, which would have served as both a nuptial robe and a coverlet for the marriage bed. Scholars who discuss Athenian weddings in the context of the Oresteia have overlooked the nuptial nuances of the ‘carpet’.

APA, Harvard, Vancouver, ISO, and other styles

32

Parodi, Maurice. "Comprendre l’économie sociale, fondements et enjeux, Jean-François Draperi. Dunod, 2007, 244 p." Revue internationale de l'économie sociale: Recma, no. 309 (2008): 93. http://dx.doi.org/10.7202/1021121ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Tanque, Ricardo Lima, and Fernando Antônio Frieiro-Costa. "Pimplinae (Hymenoptera, Ichneumonidae) em um fragmento de Cerrado na Reserva Biológica Unilavras/Boqueirão, Ingaí, Minas Gerais, Brasil." Biota Neotropica 11, no. 4 (December 2011): 169–71. http://dx.doi.org/10.1590/s1676-06032011000400017.

Full text

Abstract:

Neste trabalho foi analisada a composição da taxocenose de Pimplinae (Hymenoptera, Ichneumonidae) da Reserva Biológica Unilavras/Boqueirão, Ingaí, Minas Gerais. As coletas foram realizadas utilizando duas armadilhas do tipo Malaise (modelo Townes) instaladas em área de floresta de galeria e de Cerrado sensu stricto. As capturas foram realizadas entre abril de 2005 a fevereiro de 2006, totalizando 16 coletas em cada ambiente. Foram coletados 100 exemplares de Pimplinae, sendo representados por 26 espécies, distribuídas em 12 gêneros. Pimpla e Neotheronia foram os gêneros mais abundantes com 65 espécimes coletados. Na floresta de galeria foram coletados 71 indivíduos e no Cerrado, 29. Este inventário amplia os registros de distribuição de Eruga draperi Gauld, 1991; Polysphincta thoracica (Cresson, 1874); Zaglyptus simonis (Marshall, 1892) e Neotheronia hespenheidei Gauld, 1991, para a região do Cerrado brasileiro.

APA, Harvard, Vancouver, ISO, and other styles

34

Kenan, Çeven, Günaydin Karakan, and Nejla Çeven. "Impact of weft yarn type and fabric weft density on burning behavior, tearing strength and air permeability for different types of antibacterial drapery fabrics." Tekstilna industrija 69, no. 1 (2021): 4–16. http://dx.doi.org/10.5937/tekstind2101004k.

Full text

Abstract:

Drapery fabrics are textile products utilized for home and decorative textiles. Recently there have been new functional requirements for the drapery fabrics such as flame retardancy, antimicrobial efficiency, UV protection, etc. This study has been conducted to investigate the effect of weft yarn type and weft density on drapery fabrics' burning behaviour, tearing strength and air permeability properties. "A special inherently flame-retardant yarn" was used as the warp and weft yarns of the woven drapery fabrics while "a special inherently and antibacterial yarn" was also used as the weft yarn in some of the sample groups. Two main fabric groups each consisting of 12 woven drapery samples with different weft yarns and weft densities were separately evaluated among themselves by using SPSS Statistical software package and bar graphs. Burning behaviours of the samples in terms of damage length and damage width with the ignition source were satisfying both for the drapery samples with the special inherently flame-retardant weft yarn as well as those with the special inherently flame retardant and antibacterial yarn weft yarns. In other words, usage of inherently flame retardant and antibacterial yarn as the weft yarns did not contribute negatively on the flame retardancy of drapery fabrics. The results of two-way ANOVA test indicated that weft yarn type was a significant factor for tearing strength in warp and weft wise while weft density and the interaction of weft yarn type and weft density factors were non-significant factors on tear strength values in warp and weft wises at significance level of 0.05. Additionally, correlation analyses revealed that weft yarn tenacity values were highly correlated with the drapery fabrics' weft tearing strength values. Moreover, weft yarn type, weft density and their interaction were influential factors on air permeability of the drapery fabrics at significance level of 0.05.

APA, Harvard, Vancouver, ISO, and other styles

35

MUNRO, JOHN. "Spanish merino wools and the nouvelles draperies: an industrial transformation in the late medieval Low Countries." Economic History Review 58, no. 3 (August 2005): 431–84. http://dx.doi.org/10.1111/j.1468-0289.2005.00310.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

TÎRLĂ, Laura, Virgil DRĂGUȘIN, Ionuț MIREA, and Teodor COJOCARIU. "Speleomorphology of M3-R2 – The highest cave in the SE Carpathians." Revista de Geomorfologie 18, no. 1 (October 22, 2016): 59–68. http://dx.doi.org/10.21094/rg.2016.103.

Full text

Abstract:

High-alpine caves are currently in the spotlight of research as they are host to speleothems, key recorders of Quaternary environmental change. Based on modern survey and analytical techniques, we investigated the karst morphology of M3-R2 Cave, the highest alpine cave in the Romanian Carpathians. Spatial modeling in Compass has shown survey details and cave morphology. We recalculated the main cave parameters (development/extension/depth), obtaining 47 m/21 m/-18.15 m, respectively. Slope ranges between 25° and 45°, with short passage segments of 5° to 10°. The cave developed at the intersection of a SW-dipping schistosity plan with two fracture sets, occurred under compression conditions. It is a remnant of a once longer cave system, which was progressively eroded under glacial conditions. Speleothem diversity is uncommonly rich for a marble cave, with dominant moonmilk formations, stalagmites and draperies. Due to its location/elevation, evolution and speleothems, this cave has a great potential in providing important paleoclimatic information compared to other karst landforms in South Carpathians.

APA, Harvard, Vancouver, ISO, and other styles

37

Gayot, Gérard. "Les entrepreneurs au bon temps des privilèges : la draperie royale de Sedan au XVIIIe siècle." Revue du Nord 67, no. 265 (1985): 413–45. http://dx.doi.org/10.3406/rnord.1985.4120.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Demoustier, Danièle. "Histoires d’économie sociale et solidaire, Jean-François Draperi, Les Petits Matins, 2017, 206 pages." Revue internationale de l économie sociale Recma N° 347, no. 1 (2018): 149. http://dx.doi.org/10.3917/recma.347.0149.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Agustini, Agustini, I. Gede Sudirtha, and Made Diah Angendari. "PENGEMBANGAN BUSANA PESTA MALAM DENGAN SUMBER IDE DARI MITOLOGI KERAJAAN YUNANI." Jurnal BOSAPARIS: Pendidikan Kesejahteraan Keluarga 9, no. 3 (November 26, 2019): 222. http://dx.doi.org/10.23887/jjpkk.v9i3.22152.

Full text

Abstract:

AbstrakPenelitian ini bertujuan untuk mengetahui proses dan hasil pengembangan busana pesta malam dengan sumber ide dari mitologi kerajaan Yunani. Penelitian ini merupakan penelitian pengembangan (Research and Development), menggunakan metode pengembangan Borg & Gall. Proses penelitian pengembangan busana pesta malam ini dilakukan melalui beberapa tahap, yaitu tahap pengumpulan data, perencanaan, pengembangan, validasi dan uji coba busana pesta malam. Pengumpulan data yang digunakan dalam penelitian ini dengan menggunakan metode kuesioner/angket. Hasil pengembangan busana pesta malam dengan sumber ide dari mitologi kerajaan Yunani terdiri dari dua busana yaitu busana pesta malam I busana yang bersumber ide dari busana perang Dewi Athena terlihat pada bagian draperi selendang. Sedangkan busana pesta malam II busana bersumber ide dari Dewi Athena terlihat pada hiasan dibagian dada, warna busana pesta, dan aksesoris. Untuk uji ahli produk dengan hasil penilaian 89,41% yang termasuk dalam kualifikasi produk pengembangan busana pesta malam dengan sumber ide dari mitologi kerajaan Yunani dikatagorikan baik.Kata kunci : Busana pesta malam, Mitologi Kerajaan Yunani, Pengembangan, Sumber Ide.

APA, Harvard, Vancouver, ISO, and other styles

40

Posèq, Avigdor W. G. "Aspects of Italian Baroque Art: I. Bernini’s Non-Figural Draperies as “Simbolic Forms”; II. Directional Reading in Caravaggio." Acta Historiae Artium 51, no. 1 (December 1, 2010): 111–38. http://dx.doi.org/10.1556/ahista.51.2010.1.6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Freile, D., J. D. Milliman, and L. Hillis. "Leeward bank margin Halimeda meadows and draperies and their sedimentary importance on the western Great Bahama Bank slope." Coral Reefs 14, no. 1 (February 1995): 27–33. http://dx.doi.org/10.1007/bf00304068.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Farr, James R., and Liliane Mottu-Weber. "Economie et Refuge a Geneve au Siecle de la Reforme: La Draperie et la Soierie (1540-1630)." American Historical Review 95, no. 4 (October 1990): 1235. http://dx.doi.org/10.2307/2163611.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Höstman, Anna. "I COULDN'T MAKE A PIECE AS BEAUTIFUL AS THAT: A CONVERSATION WITH ALLISON CAMERON." Tempo 72, no. 286 (September 6, 2018): 17–30. http://dx.doi.org/10.1017/s0040298218000323.

Full text

Abstract:

AbstractThe composer Allison Cameron (b. 1963) lives in Toronto. Her music has been widely performed at festivals such as Emerging Voices in San Diego, Evenings of New Music in Bratislava, Festival SuperMicMac in Montréal, Newfoundland Sound Symposium, New Music across America, Bang on a Can Marathon in New York, New York, and Rumori Dagen in Amsterdam. A dedicated performer of experimental music in Toronto, Allison co-founded the Drystone Orchestra (1989) and the Arcana Ensemble (1992). She has been improvising since 2000 on banjo, ukulele, cassette tapes, radios, miscellaneous objects, mini amplifiers, crackle boxes, toys and keyboards, in collaboration with Éric Chenaux, the Draperies, Ryan Driver, Dan Friedman, Mike Gennaro, Kurt Newman, John Oswald, Stephen Parkinson and Mauro Savo, among other musicians. In that same year she became Artistic Director of Toronto's experimental ensemble Arraymusic, a position she held for five years. In 2007, she founded the Allison Cameron Band with Eric Chenaux and Stephen Parkinson, and in 2009, the trio c_RL with Nicole Rampersaud (trumpet) and Germaine Liu (drums). Allison has experimented with graphic and notational scores that will soon be gathered and published as a collection. Additionally, she is the winner of the 2018 KM Hunter Award for music in Ontario.

APA, Harvard, Vancouver, ISO, and other styles

44

Parodi, Maurice. "S’inspirer du succès des coopératives, Jean-François Draperi et Cécile Le Coroller. Dunod, 2016, 202 pages." Revue internationale de l'économie sociale: Recma, no. 343 (2017): 149. http://dx.doi.org/10.7202/1038787ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Daumas, Jean-Claude. "Jean-Michel Minovez L’industrie invisible. Les draperies du Midi, XVIIe-XXe siècles. Essai sur l’originalité d’une trajectoire Paris, CNRS Éditions, 2012, 593 p.Jean-Michel Minovez La puissance du Midi. Drapiers et draperies de Colbert à la Révolution Rennes, PUR, 2012, 305 p." Annales. Histoire, Sciences Sociales 70, no. 01 (March 2015): 255–57. http://dx.doi.org/10.1353/ahs.2015.0151.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Piponnier, Françoise. "Dominique Cardon, La draperie au Moyen Âge. Essor d’une grande industrie européenne, Paris, CNRS Éditions, 1999, 661 p." Annales. Histoire, Sciences Sociales 56, no. 6 (December 2001): 1313–15. http://dx.doi.org/10.1017/s0395264900033990.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Laurent, Rémi. "Godin, inventeur de l’économie sociale: mutualiser, coopérer, s'associer, Jean-François Draperi. Ed. Repas, collection « Pratiques utopiques », 2008." Revue internationale de l'économie sociale: Recma, no. 310 (2008): 93. http://dx.doi.org/10.7202/1021107ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Parodi, Maurice. "Henri Desroche : espérer, coopérer, (s’)éduquer, Jean-François Draperi, Presses de l’économie sociale, Montreuil, 2014, 216 pages." Revue internationale de l'économie sociale: Recma, no. 337 (2015): 116. http://dx.doi.org/10.7202/1032528ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Haquette, Bertrand. "Des lices et des joncs : rivière et draperies de la vallée de la Lys à la fin du Moyen Age." Revue du Nord 79, no. 322 (1997): 859–82. http://dx.doi.org/10.3406/rnord.1997.5266.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Clauzel, Denis, and Sylvain Calonne. "Artisanat rural et marché urbain : la draperie à Lille et dans ses campagnes à la fin du Moyen Age." Revue du Nord 72, no. 287 (1990): 531–73. http://dx.doi.org/10.3406/rnord.1990.4566.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!