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1

Parshukova, G. B. Osnovy kompʹi︠u︡ternoĭ grafiki v bibliotechnoĭ dei︠a︡telʹnosti: Konspekt lekt︠s︡ionnogo materiala i prakticheskikh zadaniĭ. 2nd ed. Novosibirsk: Gosudarstvennai︠a︡ publichnai︠a︡ nauchno-tekhnicheskai︠a︡ biblioteka Sibirskogo otdelenii︠a︡ Rossiĭskoĭ akademii nauk, 2006.

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2

Denshi Jōhō Tsūshin Gakkai (Japan), ed. Proceedings of the ASP-DAC'98: Asia and South Pacific Design Automation Conference 1998 : February 10-13, 1998, Pacifico Yokahama, Yokohama, Japan. Piscataway, New Jersey: IEEE, 1998.

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3

Karsten, Müller, and Ernst Barlach Haus, eds. Peter Rösel: Tizian, Rembrandt, Leonardo-S Automatic. Hamburg: Ernst Barlach Haus, 2010.

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4

Institute Of Electrical and Electronics Engineers and Japan) Asia and South Pacific Design Automation Conference (3rd : 1998 : Yokohama. Design Automation Conference, 1998 Asia and South Pacific. Institute of Electrical & Electronics Enginee, 1998.

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5

Spare, Austin Osman. Automatic Drawing. Beyond the Rising Sun Publications, 1991.

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6

Spare, Austin Osman. The Book of Automatic Drawing. I-H-O Books, 2005.

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7

Line Let Loose Scribbling Doodling And Automatic Drawing. Reaktion Books, 2013.

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8

Proceedings of the ASP-DAC'98: Asia and South Pacific Design Automation Conference 1998 : February 10-13, 1998, Pacifico Yokahama, Yokohama, Japan. IEEE, 1998.

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9

Proceedings of the ASP-DAC'98: Asia and South Pacific Design Automation Conference 1998 : February 10-13, 1998, Pacifico Yokahama, Yokohama, Japan. IEEE, 1998.

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10

S, Kli͡u︡ev A., ed. Tekhnika chtenii͡a︡ skhem avtomaticheskogo upravlenii͡a︡ i tekhnologicheskogo kontroli͡a︡. 3rd ed. Moskva: Ėnergoatomizdat, 1991.

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11

Barley, Stephen R. Work and Technological Change. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198795209.001.0001.

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The four chapters of this book summarize the results of thirty-five years dedicated to studying how technologies change work and organizations. The first chapter places current developments in artificial intelligence into the historical context of previous technological revolutions by drawing on William Faunce’s argument that the history of technology is one of progressive automation of the four components of any production system: energy, transformation, and transfer and control technologies. The second chapter lays out a role-based theory of how technologies occasion changes in organizations. The third chapter tackles the issue of how to conceptualize a more thorough approach to assessing how intelligent technologies, such as artificial intelligence, can shape work and employment. The fourth chapter discusses what has been learned over the years about the fears that arise when one sets out to study technical work and technical workers and methods for controlling those fears.
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12

1968-, Henault Mark, ed. Automating design in Pro/ENGINEER with Pro/PROGRAM: The professional userʼs guide to programming with Pro/PROGRAM. Santa Fe, N.M: OnWord Press, 1997.

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13

Gotman, Kélina. Mobiles, Mobs, and Monads. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190840419.003.0006.

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The emergence of crowd theory in nineteenth-century sociology provided a new language for thinking how unruly bodies gather together organically. Drawing on the first large-scale biohistories of the French Revolution, made possible through documents unveiled at the Archives Nationales, theories of crowds, revolutionary and disordered, animal, automatic and ecological, spawned a genealogy of thinking about the way individuals’ movements were rendered—it was thought—primitive in groups. From the ‘Jerks’ in Kentucky and Tennessee to episodes of falling, starting, ticking, and jumping in hospitals, factories and lumber camps, the ‘social body’ appeared to be teetering out of choreopolitical control. Bacchantic drunkenness, like childlike play, epitomized thoughtless imitation and epidemic enthusiasm according to social scientists and neurologists concerned with the political effects of social contagion. Rapidly proliferating automatic gesture provoked crowds, they wrote, to form and significantly to deform—to disorganize—the political, social, and economic spheres, revealing a demos in disarray.
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14

Spare, Austin Osman. The Writings of Austin Osman Spare: Automatic Drawings, Anathema of Zos, The Book of Pleasure, and The Focus of Life. NuVision Publications, 2007.

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15

Ocampo, José Antonio. Reforming the (Non)System. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198718116.003.0007.

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This chapter proposes a comprehensive yet evolutionary reform of the global monetary non-system that evolved out of the breakdown of the original Bretton Woods arrangement in the early 1970s. The recent North Atlantic financial crisis showed how dysfunctional the current international monetary and financial architecture is for managing today’s global economy, and led to calls to reform it. Proposals for reform in this chapter include: (i) a global reserve system that mixes the multi-currency arrangement with an active use of the International Monetary Fund’s Special Drawing Rights; (ii) stronger mechanisms of macroeconomic policy cooperation, including management of the exchange rate system and capital account regulations; (iii) additional automatic balance-of-payments financing facilities, and the complementary use of swap and regional arrangements; (iv) a multilateral sovereign debt workout mechanism; and (v) major reforms of the system’s governance.
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16

May, Joshua. The Limits of Emotion in Moral Judgment. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198797074.003.0014.

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This chapter argues that our best science supports the rationalist idea that, independent of reasoning, emotions are not integral to moral judgment. There is ample evidence that ordinary moral cognition often involves conscious and unconscious reasoning about an action’s outcomes and the agent’s role in bringing them about. Emotions can aid in moral reasoning by, for example, drawing one’s attention to such information. However, there is no compelling evidence for the decidedly sentimentalist claim that mere feelings are causally necessary or sufficient for making a moral judgment or for treating norms as distinctively moral. The chapter concludes that, even if moral cognition is largely driven by automatic intuitions, these should not be mistaken for emotions or their non-cognitive components. Non-cognitive elements in our psychology may be required for normal moral development and motivation but not necessarily for mature moral judgment.
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17

Rogers, Holly. Audiovisual Dissonance in Found-Footage Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0010.

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Drawing on ideas of the Surrealist automatic and filmic détournement, artists working with found footage are able to construct new meanings and aesthetics by deconstructing completed audiovisual texts. When original music is retained, or replaced by a new sonic collage, the disjointed sonic flow problematises and enhances the collage aesthetic by extending the possibilities for juxtaposition not only in a linear fashion, but also in a vertical, audiovisual direction, a process that highlights the materiality and artifice of the new combination of images. Here, pre-used footage can be collaged in such a way as to bring to the fore the conventions of mainstream cinematography and the languages of mass media. The result is not audiovisual synchronicity, but rather collision, or dissonance. Through the close reading of several found-footage films, this chapter traces the evolution of an activated form of audiovisual consumption that arises from a process of alienated listening.
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18

BILDER- Lexikon Mechatronik + Begriffserklaerungen fuer Technik-Einsteiger: Lernfelder-Wortschatz abarbeiten oder einfach nur Fachwoerter von A-Z suchen. Lehrmittel-Wagner, 2016.

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19

Ocampo, José Antonio. Resetting the International Monetary (Non)System. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198718116.001.0001.

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This book provides an analysis of the global monetary system and the necessary reforms that it should undergo to play an active role in the twenty-first century. As its title indicates, its basic diagnosis is that it is an ad hoc framework rather than a coherent system—a ‘non-system’—which evolved after the breakdown of the original Bretton Woods arrangement in the early 1970s. The book places a special focus on the asymmetries that emerging and developing countries face within the current system, and therefore on the development dimensions of the global monetary system and of global monetary reform. The book proposes a comprehensive yet evolutionary reform of the system that includes: (i) provision of international liquidity through a system that mixes the multi-currency arrangement with a more active use of the IMF’s Special Drawing Rights (SDRs), the only true global currency that has been created; (ii) stronger mechanisms of macroeconomic policy cooperation, including greater cooperation in exchange rate management, and freedom to manage capital flows as a complement to counter-cyclical macroeconomic policy and other instruments of financial regulation; (iii) additional automatic balance-of-payments financing facilities, and the complementary use of swap and regional arrangements; (iv) a multilateral sovereign debt workout mechanism; and (v) major reforms of the system’s governance, based on a more representative apex organization, more equitable participation of emerging and developing countries in decision-making, and a network of global, regional, inter-regional, and sub-regional organizations.
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20

Ott, Walter. Descartes, Malebranche, and the Crisis of Perception. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198791713.001.0001.

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The seventeenth century witnesses the demise of two core doctrines in the theory of perception: naïve realism about color, sound, and other sensible qualities and the empirical theory, drawn from Alhacen and Roger Bacon, that underwrote it. Ejecting such sensible qualities from the mind-independent world at once makes for a cleaner ontology, since bodies can now be understood in purely geometrical terms, and spawns a variety of fascinating complications for the philosophy of perception. If sensible qualities are not part of the mind-independent world, just what are they, and what role, if any, do they play in our cognitive economy? We seemingly have to use color to visually experience objects. Do we do so by inferring size, shape, and motion from color? Or is it a purely automatic operation, accomplished by divine decree? This book traces the debate over perceptual experience in early modern France, covering such figures as Antoine Arnauld, Robert Desgabets, and Pierre-Sylvain Régis alongside their better-known countrymen René Descartes and Nicolas Malebranche.
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