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Relevant bibliographies by topics / Dream in films

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Academic literature on the topic 'Dream in films'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Dream in films"

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Gourgouris, Stathis. "Dream-Work of Dispossession." Journal of Palestine Studies 44, no. 4 (2015): 32–47. http://dx.doi.org/10.1525/jps.2015.44.4.32.

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Essentially a cinema of occupation and dispossession, Palestinian cinema disrupts standard notions of national cinema, complicating conventional expectations of national aesthetics or national dreams. As the borders of Palestine's historical territory are continuously under erasure, so too are the symbolic boundaries of its language, which is flexible and inventive; the language of Palestinian cinema is a limit-language. No one has expressed this “limit condition” more succinctly than Elia Suleiman, whose cinematic language exemplifies a poetics of dispossession that depicts the asphyxiating spaces and truncated temporalities of Palestinian life with tragic humor and bold fantasy in defiance of narrative simplicity. Suleiman's films run counter to the conventional representation of Palestinian existence and are arguably the sharpest expressions of what can be deemed to be the dream-work of that existence against its conventional representation.

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SATO, Mitsunobu. "Dream and Innovation, Scoped through Thin Films." Journal of the Institute of Electrical Engineers of Japan 136, no. 2 (2016): 67. http://dx.doi.org/10.1541/ieejjournal.136.67.

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Khairiah, Masruriati. "Louiz Zamperini's American Dreams as Reflected in the Film Unbroken." COMMICAST 1, no. 2 (November 2, 2020): 33. http://dx.doi.org/10.12928/commicast.v1i2.2727.

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In this undergraduate thesis describes about American dream and motivation theory. This is aiming at analyzing motivation’s role in human life to fulfill their needs by focusing to the main character. The concept of American dream can be seen in Louis Zamperini as the main character of this film in principle of life. Hence, this undergraduate thesis has two main objectives to describe the Louis Zamperini’s dreams and to analyze Louis Zamperini’s motivation in his survival as the prisoner of Japan as reflected in the film Unbroken.This research is under a descriptive qualitative method. Therefore, library research is used for compiling both primary data and secondary data. The primary data is adopted from the film, meanwhile the secondary data refer to some sources, such as books, journals, articles, and on-line data from internet. Method of American studies as an interdisciplinary approach is also applied along with theories to analyze the problem formulation in this research. After the data are collected, they are analyzed by using the psychological study approach, and focuses on theory Hierarchy Needs of Abraham Maslow. Maslow’s theory explained the description of motivation based on needs. The hierarchy dividing to physiological needs, safety needs, love needs, esteem needs, and needs for self-actualization. Then, the writer uses American dream concept such as the dream of good life, liberty, and pursuit of happiness.The results of this research, the researcher found that Louis Zamperini as the main character what he did in life, there is a motivation that supports him to reach his dream like other immigrants who came to America using this concept in general. The American dream and motivation are still adopted in some American films as popular culture. Hence, it proves that American dream still exists with different style like media of film.

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Nieto Sánchez, Varinia. "El sueño moderno de devenir Otro: tras los pasos de Artaud en la Sierra Tarahumara." Literatura Mexicana 31, no. 2 (May 8, 2020): 111–38. http://dx.doi.org/10.19130/iifl.litmex.2020.31.2.0005.

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The central points around which this article revolves are Artaud’s trip to Mexico in 1936, and its subsequent re-readings, as well as the relationships suggested by the idea of the “dream” in this historical and interdisciplinary journey. First, “the Tarahumara dream” of Artaud that questions the identity of the modern subject. Years later and in the context of postmodernity, J. M. G. Le Clézio writes the text “Antonin Artaud ou le rêve mexicain” (Antonin Artaud or the Mexican dream) and addresses the “Mexican dream” from the cross-culturalism and criticism of the West. In parallel, and guided by the texts of Artaud, the filmmakers Raymonde Carasco and Régis Hébraud made between 1976 and 2003 a series of films about the Tarahumara people and about the shamanic dream from a poetic, anthropological and philosophical perspective.

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Marinelli, Lydia. "Screening Wish Theories: Dream Psychologies and Early Cinema." Science in Context 19, no. 1 (March 2006): 87–110. http://dx.doi.org/10.1017/s0269889705000773.

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ArgumentThe analogy between dream and film represents a central thread in the psychoanalytic discussion of cinema. Using examples taken from films created between 1900 and 1906, this paper develops a typology of dream scenes in early film. The basis for the proposed typology is provided by the dream knowledge in circulation toward the end of the nineteenth century. This knowledge was fed by a great variety of sources, some of them in the proximity of scientific research and some of them far from it, including wish-fulfilling prognostic models and those based on the reservoir of memory or on bodily stimuli. By setting cinema in a context of contemporary dream psychologies, it is possible to trace the specific conditions under which the analogy between dream and cinema could become effective.

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Yamamoto, Masahiro. "Dream and Goal." Zairyo-to-Kankyo 64, no. 6 (2015): 211–12. http://dx.doi.org/10.3323/jcorr.64.211.

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URATANI, Yoshimi. "Challenge to Dream." JOURNAL OF THE JAPAN WELDING SOCIETY 79, no. 3 (2010): 207–9. http://dx.doi.org/10.2207/jjws.79.207.

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Novikov, Vasily N. "VR cinema. Virtual spectacle as a dream." Journal of Flm Arts and Film Studies 11, no. 2 (June 15, 2019): 43–52. http://dx.doi.org/10.17816/vgik11243-52.

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The essay analyzes the meaning of the term immersion in relation to its application in modern cinema, explores the significance of physiological sensations in the perception of artistic and entertaining VR content, and discusses the main features of the aesthetics of 360 spherical video. In a state of immersion, a person ceases to psychologically perceive the screen as a repeater of an artificially created world, actually merging with the surrounding space. This technology, embodied in VR films, poses many still unresolved issues: the management of the subjects attention, the role of editing, the quality of sound, the use of music, film narration, the participation of the viewer in a film's events, work with light and color. The VR video format with a 360 overview is used in many areas: music videos, virtual tours, documentary travels, independent dives into art works, digital painting, and installations. In all these cases, the viewer feels like an observer, finding himself in the very center of an infinite, all-encompassing virtuality. In contrast to the traditional film that appeals to the mass consciousness of the audience, the viewing of VR content is aimed at the personal self-awareness of the individual. Images perceived in this format have a potentially higher impact on the human psyche and the human unconscious because they are remembered more vividly as a result of the complex involvement in the personalized experience here and now. The ability of the author-artist to create for the viewer an emotionally saturated dream with the psychological fusion of the subject and the space takes place is a qualitatively new quality of VR dives, a feature uncharacteristic of traditional visual arts.

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Pileggi, Mary S., Maria Elizabeth Grabe, Lisa B. Holderman, and Michelle de Montigny. "Business As Usual: The American Dream in Hollywood Business Films." Mass Communication and Society 3, no. 2-3 (August 2000): 207–28. http://dx.doi.org/10.1207/s15327825mcs0323_03.

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Power, Aidan. "Awakening from the European Dream: Eurimages and the Funding of Dystopia." Film Studies 13, no. 1 (2015): 58–72. http://dx.doi.org/10.7227/fs.13.0005.

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Since its inception by the Council of Europe in 1989, Eurimages has been to the fore in financing European co-productions with the aim of fostering integration and cooperation in artistic and industry circles and has helped finance over 1,600 feature films, animations and documentaries. Taking as its thesis the idea that the CoE seeks to perpetuate Europes utopian ideals, despite the dystopian realities that frequently undermine both the EU and the continent at large, this article analyses select Eurimages-funded dystopian films from industrial, aesthetic and socio-cultural standpoints with a view toward decoding institutionally embedded critiques of the European project.

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Dissertations / Theses on the topic "Dream in films"

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Lamberti, Justin V. Winn J. Emmett. "Fagidaboudit the American dream and Italian-American gangster movies /." Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/LAMBERTI_JUSTIN_26.pdf.

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Daggett, Liz Levin C. Melinda. "Theoretical and practical record of the making of the documentary film, A Native American dream." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9110.

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Fyvie, Erica Gwen. "The myths of the American dream interracial and inter-ethnic relationships in Hollywood films /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0016/MQ56174.pdf.

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Daggett, Liz. "Theoretical and Practical Record of the Making of the Documentary Film, A Native American Dream." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9110/.

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This textual record of the making of the social issue documentary film A Native American Dream examines theoretical and practical considerations of the filmmaker during the pre-production, production, and post-production stages. It also examines the disciplines of anthropology and ethnography in terms of modern documentary filmmaking and evaluates the film within these contexts.

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Pathe, Madison K. "Our Language of Dreams." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/153.

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This project explores the idea of dream sharing and how language is both a tool and a barrier for sharing dream experiences. I collected video and audio dream diaries from 15 different people and stitched together a "collective" dream that contains elements from each. From this new dream, I pulled words and displayed them as text on-screen. What is the relationship from the listener and the actual dream experience? Can we truly experience the dreams of others?

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Singh, Arvind. "A Dream Lost in Dream: A Love-Hate Relationship of an Alien with America." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84277/.

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Exploring the theme of Diaspora, this paper is an accompanying document for the documentary, A Dream Lost in Dream. It sheds light on the purpose, and process of producing this documentary. The main purpose for the production of this documentary has been described as initiation of healthy and casual dialog between diverse populations in America. It emphasizes the importance of creating visual media targeting masses rather than the elite. It is argued that it can act as a tool of awareness, reducing anxiety in the society. It also embarks on the production journey of the documentary A Dream Lost in Dream. The film is a portrayal of an East Indian immigrant struggling between economic survival, family issues and passion to fly.

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Sands, Zachary Adam. "Film Comedy and the American Dream." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1483612711940071.

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Sierra, Simon. "99¢ Dreams." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/978.

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Desperate to post bail after the love of his life is seized by ICE, an undocumented dishwasher descends into the underbelly of California’s Central Valley and a bloody bidding war for the severed head of a man everyone is looking for.

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Muhlberger, Patrick J. "Redefining the Independent Filmmaker's American Dream from 1990 to 2010." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1284911380.

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Mourão, Catarina. "The Wolf's Lair : dreams and fragmented memories in a first-person essay film." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/25710.

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This PhD by practice is an attempt to understand personal archives through filmmaking, and the kind of knowledge we can extract from them as well as how we can connect them to a wider social and political context. These questions are the core of my research and are explored in their different ways through both the film/practice and dissertation. I have chosen to make a film about my absent grandfather and his lost relationship with my mother during Fascist Portugal between the 1940s and the 1960s. Family archives have been largely used in films as a way of documenting realities, in the same way as any other public archival footage. In this instance, I tried to explore family and official archives acknowledging their contradictions and omissions with a view to finding a new “way of knowing” that is more closely connected to our emotions. I believe we all own a family archive regardless of its form. I named this archive “the subjective archive” and in it, I include physical archives such as paper documents, photographs and films, as well as a more intangible archive, which includes our memories, the stories we tell and listen to (oral history) and our dreams. The progression of the film is closely related to my journey as I become immersed in the story and learn things through many layers of archive documents. As a conclusion, I argue that these invisible elements of the subjective archive contain truth independent of their indexical nature, whereas physical documents can mislead us.

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Books on the topic "Dream in films"

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Dreams within a dream: The films of Peter Weir. Carbondale, Ill: Southern Illinois University Press, 2000.

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Popple, Simon. Early cinema: From factory gate to dream factory. London: Wallflower, 2004.

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Allen, Woody. Three films of Woody Allen: Match point, Cassandra's dream, Vicky Cristina Barcelona. New York: Random House, 2010.

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1922-, Robbe-Grillet Alain, and Smith Roch Charles 1941-, eds. The erotic dream machine: Interviews with Alain Robbe-Grillet on his films. Carbondale: Southern Illinois University Press, 1992.

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Drive-in dream girls: A galaxy of B-movie starlets of the sixties. Jefferson, N.C: McFarland, 2003.

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Alexander, Enzmann, ed. Making movies on your PC: Dream up, design, and direct 3-D movies. Corte Madera, Calif: Waite Group Press, 1993.

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Horak, Jan-Christopher. Dream merchants: Making and selling films in Hollywood's golden age : y Jan-Christopher Horak. Rochester, New York: International Museum of Photography at George Eastman House, 1989.

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The western: Parables of the American dream. Lubbock, Tex: Texas Tech University Press, 1999.

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K, Dick Philip. Blade runner: (Do androids dream of electric sheep). New York: Ballantine Books, 1992.

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Timpone, Anthony, ed. Freddy: A Nightmare on Elm Street 5: The Dream Child. New York, USA: Starlog, 1989.

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Book chapters on the topic "Dream in films"

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Florin, Bo, Nico De Klerk, and Patrick Vonderau. "Dream-Work: Pan Am’s New Horizons in Holland." In Films that Sell, 131–44. London: British Film Institute, 2017. http://dx.doi.org/10.1057/978-1-84457-894-8_9.

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Erice, Victor. "El sol del membrillo (aka The Quince Tree Sun/ The Dream of Light)." In 100 Documentary Films, 202–3. London: British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_83.

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Blouin, Michael J. "The Long Dream of Hopeless Sorrow: The Failure of the Communist Myth in Kubrick’s The Shining." In The Films of Stephen King, 81–90. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610583_7.

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James, Steve. "Hoop Dreams." In 100 Documentary Films, 89–91. London: British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-551-0_37.

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James, Steve. "Hoop Dreams." In 100 American Independent Films, 109–10. London: British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-349-92349-6_40.

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Horrocks, Roger, and Jo Campling. "Dreams, Jokes and Films." In Freud Revisited, 141–59. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333985441_11.

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O’Sullivan, Carol. "The Dream of Instant Translation." In Translating Popular Film, 40–69. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230317543_3.

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Dutch, Jennifer Rachel. "From Zero to Hero and Back Again: Nerd Nobodies, Magic Makeovers, and the Power of the American Dream in Four Teen Films." In Age of the Geek, 233–50. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65744-8_12.

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Roy, Carole. "Weavers of Dreams." In Documentary Film Festivals, 115–25. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-480-0_7.

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Ousselin, Edward. "Institutionalizing the Dream." In The Invention of Europe in French Literature and Film, 137–50. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230619128_7.

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Conference papers on the topic "Dream in films"

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Kim, Jaehwan, Sang Yeol Yang, Min Hee Lee, Jung Hwan Kim, Zhijiang Cai, Joo Hyung Kim, and Kwang Sun Kang. "Cellulose Smart Material for Sensor, Actuator and MEMS Applications." In ASME 2008 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. ASMEDC, 2008. http://dx.doi.org/10.1115/smasis2008-381.

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Cellulose Electro-Active Paper (EAPap) has been discovered as a smart material that can be used as a sensor and actuator [1]. It has many advantages in terms of low voltage operation, light weight, low power consumption, low cost, biocompatibility and biodegradability. EAPap is made with cellulose paper coated with thin electrodes. EAPap shows a reversible and reproducible bending movement as well as longitudinal displacement under electric field. The out-of-plane bending deformation is useful for achieving flapping wings, micro-insect robots, and smart wall papers. On the other hand, in-plane strains, such as extension and contraction of EAPap materials are also promising for artificial muscle applications. The actuation principle of cellulose EAPap bending actuator is known to be a combination of piezoelectric effect and ion migration effect. This paper presents further investigation of cellulose EAPap for actuator, sensor and MEMS devices. Piezoelectricity is one of major actuating mechanism of cellulose EAPap. Cellulose is a complex anisotropic material. Aligning cellulose fibers in the fabrication process is a critical parameter to improve mechanical and electromechanical properties of EAPap such as stiffness, strength, piezoelectricity and so on. Cotton cellulose fibers are dissolved into a solution using NaOH/urea and DMAc/LiCl methods. In the later method, the dissolution and shaping of cellulose can be carried out by DMAc/LiCl. Cellulose pulp was mixed with lithium chloride (LiCl) and dehydrated by heating. After adding DMAc (N, N-dimethylacetamide) to the mixture, swell it in room temperature. By heating it a solution formation can be obtained. There are some issues on eliminating solvent and ions and regenerating a pure cellulose films. The material processing all about EAPap has been introduced [2, 3]. Wet drawn stretching method is used in the fabrication process of cellulose film to increase its mechanical and electromechanical properties. This wet-drawn cellulose EAPap is termed as Piezo-Paper. Cellulose EAPap material can be customized to satisfy the material requirement for specific applications. Piezo-Paper can be used for strain sensors, vibration sensors, ultrasonic transducers, SAW devices, speakers, microphones, stack actuators, bending actuators and MEMS devices. Figure 1 shows some applications. Piezoelectric charge constant of Piezo-Paper is 70 pC/N. Details of piezoelectric characteristics of Piezo-Paper and its applications are presented in this paper. Micro-fabrication on cellulose EAPap has many applications, for example, MEMS sensors, e-Paper, thin film transistor (TFT), and even microwave-driven EAPap actuator. To develop microwave-driven EAPap actuator, rectenna (rectifying antenna) has been developed [4]. Rectenna can rectify microwaves and feed dc power without wire. Thus, this technology has many applications. To fabricate the rectenna array on cellulose EAPap, micro patterning of metallic layer and Schottky diode fabrication were studied. The Schottky diode fabrication gives the possibility of TFT on cellulose sheet. Advancing from this technology, SAW (Surface Acoustic Wave) device fabrication for humidity sensor is possible. The devices fabrication along with the characterization and their demonstration will be shown. Cellulose EAPap technology will bring the dream of flying magic paper into real world in the near future.

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Lee, J., C. Sudhama, J. Kim, and R. Khamankar. "High Dielectric Constant Ferroelectric Thin Films for DRAM Applications." In 1993 International Conference on Solid State Devices and Materials. The Japan Society of Applied Physics, 1993. http://dx.doi.org/10.7567/ssdm.1993.s-iv-1.

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Ohnishi, S., H. Watanabe, S. Adachi, N. Aoto, and T. Kikkawa. "Ultrathin Oxide/Nitride/Oxide/Nitride Multilayer Films for Mbit DRAM Capacitors." In 1992 International Conference on Solid State Devices and Materials. The Japan Society of Applied Physics, 1992. http://dx.doi.org/10.7567/ssdm.1992.b-2-4.

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Miyasaka, Yoichi. "High Dielectric Constant (Ba, Sr)TiO3 Thin Films for ULSI DRAM Application." In 1995 International Conference on Solid State Devices and Materials. The Japan Society of Applied Physics, 1995. http://dx.doi.org/10.7567/ssdm.1995.s-i-9-2.

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Sun, Peiyuan, and Yu Sun. "Web Scraper Utilizes Google Street view Images to Power a University Tour." In 10th International Conference on Information Technology Convergence and Services (ITCSE 2021). AIRCC Publishing Corporation, 2021. http://dx.doi.org/10.5121/csit.2021.110916.

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Due to the outbreak of the Covid-19 pandemic, college tours are no longer available, so many students have lost the opportunity to see their dream school’s campus. To solve this problem, we developed a product called “Virtourgo,” a university virtual tour website that uses Google Street View images gathered from a web scraper allowing students to see what college campuses are like even when tours are unavailable during the pandemic. The project consists of 3/4 parts: the web scraper script, the GitHub server, the Google Domains DNS Server, and the HTML files. Some challenges we met include scraping repeated pictures and letting the HTML dropdown menu jump to the correct location. We solved these by implementing Python and Javascript functions that specifically target such challenges. Finally, after experimenting with all the functions of the web scraper and website, we confirmed that it works as expected and can scrape and deliver tours of any university campus or public buildings we want.

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Tabery, Cyrus E., Nader Shamma, Nicola Kissoon, Elisabeth Camerotto, Mircea Dusa, Victor Blanco, Joost Bekaert, Rich S. Wise, Patrick Jaenen, and Moyra Mc Manus. "Holistic litho, films and etch for EUV DRAM storage node pad (Conference Presentation)." In Advanced Etch Technology for Nanopatterning IX, edited by Catherine B. Labelle and Richard S. Wise. SPIE, 2020. http://dx.doi.org/10.1117/12.2569606.

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Puget, Sophie, Germain Bossu, Arnaud Regnier, Rossella Ranica, Alexandre Villaret, Pascal Masson, Gerard Ghibaudo, Pascale Mazoyer, and Thomas Skotnicki. "Quantum effects influence on thin silicon film capacitor-less DRAM performance." In 2006 IEEE international SOI. IEEE, 2006. http://dx.doi.org/10.1109/soi.2006.284485.

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Kwon, Kang, Choi, Sun, Ahn, Lee, and Lee. "Ta/sub 2/O/sub 5//TiO/sub 2/ Composite Films For High Density DRAM Capacitors." In Symposium on VLSI Technology. IEEE, 1993. http://dx.doi.org/10.1109/vlsit.1993.760237.

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Nam, K. J., K. C. Kim, J. S. Lim, K. V. Lim, Y. S. Kim, S. T. Kim, U. I. Chung, and J. T. Moon. "Investigation of the Ti-Doped Ta2O5 Films from PET and TET Cocktail Source for DRAM Capacitor." In 2002 International Conference on Solid State Devices and Materials. The Japan Society of Applied Physics, 2002. http://dx.doi.org/10.7567/ssdm.2002.b-9-2.

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Shen, B. W., I. C. Chen, S. Banerjee, G. A. Brown, J. Bohlman, P. H. Chang, and R. R. Doering. "A high quality high temperature compatible Tantalum oxide film for advanced dRAM applications." In 1987 International Electron Devices Meeting. IRE, 1987. http://dx.doi.org/10.1109/iedm.1987.191493.

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Reports on the topic "Dream in films"

1

Papua New Guinea - Financial Education - Films - "The Luluai's Dream". Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_2006/04129.

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The Luluai's Dream - educational film for use in PNG, 1963-64, film. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_av-000058.

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