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Books on the topic 'Dream in films'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Dreams within a dream: The films of Peter Weir. Carbondale, Ill: Southern Illinois University Press, 2000.

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2

Popple, Simon. Early cinema: From factory gate to dream factory. London: Wallflower, 2004.

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3

Allen, Woody. Three films of Woody Allen: Match point, Cassandra's dream, Vicky Cristina Barcelona. New York: Random House, 2010.

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4

1922-, Robbe-Grillet Alain, and Smith Roch Charles 1941-, eds. The erotic dream machine: Interviews with Alain Robbe-Grillet on his films. Carbondale: Southern Illinois University Press, 1992.

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5

Drive-in dream girls: A galaxy of B-movie starlets of the sixties. Jefferson, N.C: McFarland, 2003.

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6

Alexander, Enzmann, ed. Making movies on your PC: Dream up, design, and direct 3-D movies. Corte Madera, Calif: Waite Group Press, 1993.

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7

Horak, Jan-Christopher. Dream merchants: Making and selling films in Hollywood's golden age : y Jan-Christopher Horak. Rochester, New York: International Museum of Photography at George Eastman House, 1989.

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8

The western: Parables of the American dream. Lubbock, Tex: Texas Tech University Press, 1999.

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9

K, Dick Philip. Blade runner: (Do androids dream of electric sheep). New York: Ballantine Books, 1992.

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10

Timpone, Anthony, ed. Freddy: A Nightmare on Elm Street 5: The Dream Child. New York, USA: Starlog, 1989.

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11

Martin, Adrian. Mysteries of Cinema. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986831.

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The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers indepth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.

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12

Film-Träume - Traum-Filme: Hans Richters Film "Dreams that money can buy" (1947) als poetologische Reflexion der historischen Avantgarde. München: M. Meidenbauer, 2010.

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13

Warhol, Andy. Andy Warhol: The great American dream : oeuvres graphiques 1956 - 1983 : Graphische Werke 1956 - 1983. [New York]: The Andy Warhol Foundation, 1996.

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14

Shakhnazarov, Karen, and Aleksandr Borodi︠a︡nskiĭ. Sny: Kinokomedii︠a︡. Russia: Krupnyĭ plan, 2005.

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15

Profane parables: Film and the American dream. Waco, Texas: Baylor University Press, 2016.

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16

Time and dreams: The films of Buddhadeb Dasgupta. Calcutta: Seagull Books, 1998.

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17

Chernikowski, Stephanie. Dream baby dream: Images from the blank generation : a documentary film in stills. Los Angeles: Two Thirteen Sixty-one., 1996.

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18

Chernikowski, Stephanie. Dream baby dream: Images from the blank generation : a documentary film in stills. Los Angeles: 2.13.61, 1996.

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19

Pollacchi, Elena. Wang Bing's Filmmaking of the China Dream. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721837.

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This volume offers an organic discussion of Wang Bing's filmmaking across China’s marginal spaces and against the backdrop of the state-sanctioned 'China Dream'. Wang Bing's cinema gives voice to the subaltern. Focusing on contemporary China, his work testifies to a set of issues dealing with inequality, labour, and migration. His internationally awarded documentaries are considered masterpieces with unique aesthetics that bear reference to global film masters. Therefore, this investigation goes beyond the divides between Western and non-Western film traditions and between fiction and documentary cinema. Each chapter takes a different articulation of space (spaces of labour, history, and memory) as its entry point, bringing together film and documentary studies, Chinese studies, and globalization studies. This volume benefits from the author's extensive conversations with Wang Bing and insider observations of film production and the film festival circuit.

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20

Nightmare alley: Film noir and the American dream. Baltimore: Johns Hopkins University Press, 2013.

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21

L, Halio Jay. A midsummer night's dream. Manchester [England]: Manchester University Press, 1995.

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22

Screen dreams: Fantasising lesbians in film. New York: Manchester University Press, 1997.

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23

Posner, Michael. Canadian dreams: The making and marketing of independent films. Vancouver, British Colombia: Douglas & McIntyre, 1993.

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24

Michael, Posner. Canadian dreams: The making and marketing of independent films. Vancouver: Donglas & McIntyre, 1993.

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25

Harrington, Curtis. The Curtis Harrington short films collection. [Los Angeles, Calif.]: Flicker Alley, 2013.

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26

J, Kelly Robert, and Winick Charles 1922-2015, eds. Film, television and the psychology of the social dream. New York: Springer, 2014.

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27

Rieber, Robert W., and Robert J. Kelly. Film, Television and the Psychology of the Social Dream. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-7175-2.

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28

Ursini, James. More things than are dreamt of: Masterpieces of supernatural horror, from Mary Shelley to Stephen King, in literature and film. New York: Limelight Editions, 1994.

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29

Dreams on film: The cinematic struggle between art and science. Jefferson, N.C: McFarland & Co., 2003.

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30

Dreams & dead ends: The American gangster film. 2nd ed. Oxford: Oxford University Press, 2003.

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31

Dreams of darkness: Fantasy and the films of Val Lewton. Urbana: University of Illinois Press, 1985.

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32

Telotte, J. P. Dreams of darkness: Fantasy and the films of Val Lewton. Champaign, IL: University of Illinois Press, 1985.

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33

1947-, Silver Alain, ed. More things than are dreamt of: Masterpieces of supernatural horror, from Mary Shelley to Stephen King, in literature and film. New York: Limelight Editions, 1994.

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34

Walerian Borowczyk: Cinema of erotic dreams. Maidstone: Crescent Moon, 2008.

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35

Fine, Larry. Classic shorts from the dream factory. 2014.

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36

Davé, Shilpa S. The (Asian) American Dream. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037405.003.0006.

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This chapter focuses on the film comedy Harold and Kumar Go to White Castle (2004), an alternative to the immigrant journey often seen in Hollywood films where the old country is full of hardships, but the new country of America offers freedom and opportunity. Because the film is a stoner comedy, it is not readily recognizable as an Asian American story. However, within the genre of the stoner comedy, these films create a new narrative that normalizes Asian Americans and South Asian Americans as a central part of American culture and in the process redefines the boundaries of American regional, cultural, and national identities.

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37

Dream Worlds: Production Design for Animation. Focal Press, 2007.

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38

Dream Merchants: Making and Selling Films in Hollywood's Golden Age. george braziller, 1989.

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39

Minguet, Eva, and Instituto Monsa de Ediciones. When We Were Young. Magical Films That Made Us Dream. Instituto Monsa de Ediciones, S.A., 2021.

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40

Ortner, Sherry B. Not Hollywood: Independent Film at the Twilight of the American Dream. Duke University Press Books, 2013.

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41

Roesner, Walt. Classic musical shorts from the Dream Factory. 2010.

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42

Solomon, Charles. Once Upon a Dream: From Perrault's Sleeping Beauty to Disney's Maleficent. Disney Editions, 2014.

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43

Dream West: Politics and Religion in Cowboy Movies. University of Texas Press, 2013.

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44

Cantor, Paul A. Pop Culture and the Dark Side of the American Dream. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177304.001.0001.

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What is the American dream, and why has it proven so elusive for many people? By examining popular culture’s portrayal of the dark side of the American dream, this book seeks to answer these questions. Only when we see people fail in their pursuit of the American dream do we begin to understand its limitations and its inner contradictions. This book explores five representative examples of the American dream gone awry: (1) Huckleberry Finn; (2) the films of W. C. Fields; (3) the Godfather films;(4) Breaking Bad; and (5) The Walking Dead (and other “end-of-the-world” narratives). As these cases suggest, America, as the fresh-start nation, always threatens to become the land of the false start. America gives its people the freedom to reinvent themselves, but that easily turns into a license to imposture. The American ideal of the self-made man is shadowed by the specter of the con man, and the line between legitimate business and criminal activity sometimes becomes hard to draw clearly. Although the American dream is to achieve success in both family and business, the Godfather films and Breaking Bad show these goals tragically at odds. With its Hollywood endings, American popular culture is often thought to be naively optimistic; this book demonstrates that film and television creators have been capable of raising thoughtful questions about the validity and viability of the American dream, thus deepening our understanding of America itself.

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45

Smith, Roch Charles, and Anthony N. Fragola. The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His Films. Southern Illinois University, 1995.

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46

Schildgen, Rachel A. More Than a Dream: Rediscovering the Life and Films of Vilma Banky. 1921 PVG Publishing, 2010.

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47

Popple, Simon, and Joe Kember. Early Cinema: From Factory Gate to Dream Factory (Short Cuts). Wallflower Press, 2004.

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48

Ty, Eleanor. Que(e)rying the American Dream in Films of the Early Twenty-First Century. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0003.

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This chapter looks at a selection of post-2000 Asian American films that feature Asian American protagonists who are 1.5 or second-generation immigrants. The Debut (dir. Gene Cajayon), Red Doors (dir. Georgia Lee), Saving Face (dir. Alice Wu), and Charlotte Sometimes (dir. Eric Byler) question the professional and financial ambitions that were hallmarks of the model minority ideal of the economically successful Asian American established in the 1960s. The films depict protagonists who find themselves unable to fulfill what Sara Ahmed calls the "happiness duty" and experience melancholia and depression. A number of these independent Asian American filmmakers explore non-heteronormative and non-conjugal ways of expressing love and passion, revealing the shifting values, transcultural affiliations and desires that are now part of the multiplicity of Asian North American identity.

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49

Guus, Luijters, ed. Marilyn Monroe: Anever-ending dream. New York: St. Martin's Press, 1987.

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50

Marilyn Monroe: A Never-Ending Dream. St Martins Pr, 1989.

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