Academic literature on the topic 'Dreamtime (Aboriginal Australian mythology)'

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Journal articles on the topic "Dreamtime (Aboriginal Australian mythology)"

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Price-Williams, Douglass, and Rosslyn Gaines. "The Dreamtime and Dreams of Northern Australian Aboriginal Artists." Ethos 22, no. 3 (1994): 373–88. http://dx.doi.org/10.1525/eth.1994.22.3.02a00050.

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Bradford, Clare, Catherine Sly, and Xu Daozhi. "Ubby’s Underdogs: A Transformative Vision of Australian Community." Papers: Explorations into Children's Literature 24, no. 1 (2016): 101–31. http://dx.doi.org/10.21153/pecl2016vol24no1art1112.

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 In Black Words White Page (2004), his seminal study of Aboriginal cultural production in Australia, Adam Shoemaker notes that ‘when Oodgeroo Noonuccal’s first collection of poetry appeared in print in 1964, a new phase of cultural communication began in Australia’ (2004, p. 5). The ‘new phase’ to which Shoemaker refers pertains to the many plays, collections of poetry and novels by Aboriginal authors published between 1964 and 1988 and directed to Australian and international audiences. Flying under the radar of scholarly attention, Aboriginal authors and artists also prod
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Jang, Mikyung. "The Phenomenological Interpretation of the Australian Aboriginal Dreamtime Stories and Their Symbolism." Journal of Symbols & Sandplay Therapy 2, no. 2 (2011): 1–7. http://dx.doi.org/10.12964/jsst.110011.

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Tran, Ngoc Cao Boi. "RESEARCH ON THE ORIGINAL IDENTITIES OF SOME TRADITIONAL PAINTINGS AND ROCK ENGRAVINGS OF AUSTRALIAN ABORIGINAL COMMUNITIES." Science and Technology Development Journal 13, no. 3 (2010): 43–57. http://dx.doi.org/10.32508/stdj.v13i3.2160.

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Different from many other communities, Australian aboriginal communities had lived separately from the rest of the world without any contact with great civilizations for tens of thousands of years before English men’s invasion of Australian continent. Hence, their socio-economic development standards was backward, which can be clearly seen in their economic activities, material culture, mental culture, social institutions, mode of life, etc. However, in the course of history, Australian aborigines created a grandiose cultural heritage of originality with unique identities of their own in parti
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Cockburn, Sylvia, and Alethea Beetson. "(Re)Presenting Indigenous Histories of the First World War: Case Studies for Museums." Memoirs of the Queensland Museum - Culture 11 (2020): 93–106. http://dx.doi.org/10.17082/j.2205-3239.11.1.2020.2020-07.

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Over 1000 Aboriginal and Torres Strait Islander soldiers fought in WW1, at a time when they had few rights on home soil. While on active duty many of these soldiers received the same conditions and respect as their non-Indigenous counterparts. Yet when they returned it was back to a life of discrimination, and their stories were silenced. In the decades after the war, Indigenous voices were rarely present in the memorialising of the ANZAC legend. For museums trying to commemorate the centenary of WWI the absence of tangible collections relating to Indigenous soldiers presents a challenge. How
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Fallon, Breann. "“I am Mother to my Plants”." Fieldwork in Religion 13, no. 2 (2018): 169–82. http://dx.doi.org/10.1558/firn.36021.

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The tree stands as a sacred symbol in many faith traditions. Unsurprisingly, nature-based new religious movements are no exception. This article considers the manifestation of sacred trees in a number of religious traditions, including Australian Aboriginal and Torres Strait Islander spirituality, Abrahamic traditions, Ancient Egyptian religion, Buddhism, Hinduism, Norse mythology, the Shinto faith, and nature-based new religious movements. After this initial section, I present the findings of a fieldwork project undertaken in 2016. Using the survey as a tool, this project enquired into the us
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Tempone-Wiltshire, Julien. "Sand Talk: Process Philosophy and Indigenous Knowledges." Process Studies 53, no. 1 (2024): 42–68. http://dx.doi.org/10.5406/21543682.53.1.02.

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Abstract Through a close study of T. Yunkaporta's 2019’s Sand Talk, this article explores fractal thinking and the pattern of creation in Indigenous cosmology; the role of custodianship in respectful interaction between living systems; alternative Indigenous understandings of nonlinearity, time, and transience; the process-panpsychism and animism present in Indigenous perceptions of cosmos as living Country, illustrated in the Dreaming and Turnaround creation event; the role of embodied cognition and haptic and situated knowledge in Indigenous science; Indigenous holistic reasoning and the min
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González Zarandona, José Antonio. "Towards a Theory of Landscape Iconoclasm." Cambridge Archaeological Journal 25, no. 2 (2015): 461–75. http://dx.doi.org/10.1017/s0959774314001024.

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‘Landscape: the land escapes (1) when we try to seize it with our maps, satellites, geographic information systems and Street Views, land is what evades our surveillance (2) land is the terrain of escape.’ (Cubitt 2012)‘Since the middle of the twentieth century, the claim that something is art does not imply what it might have meant at the end of the nineteenth century, when it was made out to be a hallmark of European high and bourgeois society.’ (Heyd 2012, 287)The destruction of Indigenous rock art sites in the Pilbara district in Western Australia has become a natural sight within the mini
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Starrs, Bruno. "Writing Indigenous Vampires: Aboriginal Gothic or Aboriginal Fantastic?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.834.

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The usual postmodern suspicions about diligently deciphering authorial intent or stridently seeking fixed meaning/s and/or binary distinctions in an artistic work aside, this self-indulgent essay pushes the boundaries regarding normative academic research, for it focusses on my own (minimally celebrated) published creative writing’s status as a literary innovation. Dedicated to illuminating some of the less common denominators at play in Australian horror, my paper recalls the creative writing process involved when I set upon the (arrogant?) goal of creating a new genre of creative writing: th
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Fraser, Jenny. "The digital dreamtime: A shining light in the culture war." Te Kaharoa 5, no. 1 (2012). http://dx.doi.org/10.24135/tekaharoa.v5i1.77.

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The realm of the arts is often viewed as the stronghold in the last line of defence against the enduring colonisation process of the minority Aboriginal populace. It is one of few avenues in Australian society where Aboriginal people can have a voice and fortunately this is partly driven by the influence of the outside international artworld. In more recent years the digital production areas have further enabled the space and recognition for self-determined, culturally specific and diverse sources of creativity, exchange and community building. This is all despite a culture war where mainstrea
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Dissertations / Theses on the topic "Dreamtime (Aboriginal Australian mythology)"

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McCoy, Brian Francis. "Kanyirninpa : health, masculinity and wellbeing of desert Aboriginal men." Access full text, 2004. http://repository.unimelb.edu.au/10187/2416.

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Kanyirninpa, or holding, exists as a deeply embedded value amongst desert Aboriginal peoples (Puntu). It is disclosed as authority with nurturance, where older generations assume the responsibility to care for and look after younger people. Kanyirninpa also holds in balance two other key cultural patterns of desert life, autonomy and relatedness. These values are transmitted across generations where they provide desert society with identity, cohesion and strength. While kanyirninpa can be identified in the nurturance provided a child after birth, its presence and power is particularly disclose
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Brooks, David William. "Dreamings and connections to country : among the Ngaanyatjarra and Pintupi of the Australian western desert." Phd thesis, Canberra, ACT : The Australian National University, 2011. http://hdl.handle.net/1885/146666.

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In broad terms, this thesis has a two-fold aim. Firstly, it is a study of Aboriginal connectedness to country over a large area of the Australian Western Desert, sufficiently large that it embraces the main country of two recognised desert peoples, the Ngaanyatjarra and the Pintupi. This breadth of coverage enables me to undertake a comparison in respect to certain aspects of culture, social organisation and the relationship to land. There have previously been few detailed studies of these matters in the desert, and none in which two large scale groupings have been able to be compared in this
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Versluys, Cornelia. "Creative interaction between Australian aboriginal spirituality and biblical spirituality." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Wainwright, Scott C. "Research and experiential learning : an understanding of the Australian Aborigines relationship to their environment /." Thesis, This resource online, 1996. http://scholar.lib.vt.edu/theses/available/etd-08292008-063454/.

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Skye, L. M. "Yiminga (spirit) calling : a study of Australian Aboriginal Christian women's creation theology." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/5129.

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Thesis (Ph. D.)--University of Sydney, 2005.<br>Degree awarded 2005, thesis submitted 2004. Title from title screen (viewed July 3, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Studies in Religion, Faculty of Arts. Includes bliographical references. Also available in print form.
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Stenbäck, Tomas. "Where Life Takes Place, Where Place Makes Life : Theoretical Approaches to the Australian Aboriginal Conceptions of Place." Thesis, Högskolan i Gävle, Religionsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-26156.

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The purpose of this essay has been to relate the Australian Aboriginal conceptions of place to three different theoretical perspectives on place, to find what is relevant in the Aboriginal context, and what is not. The aim has been to find the most useful theoretical approaches for further studies on the Australian Aboriginal conceptions of place. The investigation is a rendering of research and writings on Australian Aboriginal religion, a recording of general views on research on religion and space, a recounting of written material of three theoretical standpoints on place (the Insider stand
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Guest, Dorothy Glenda. "Magical Realism and Writing Place: A Novel and Exegesis." Thesis, Griffith University, 2006. http://hdl.handle.net/10072/367538.

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The aim of this thesis is to interrogate, in the exegesis, and amplify, in the creative work, the conjunctions of literary magical realism and writing place. The exegesis is presented in four chapters that examine some aspects of magical realism, with the main focus on the Latin American strand that has as a main influence Alejo Carpentier’s concept of lo real maravilloso americano (the marvellous place of America). The accompanying novel, Siddon Rock, takes the concept of mythology- and place-centred magical realism and places it in the Australian landscape of a small country town just after
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"Mythic reconstruction a study of Australian Aboriginal and South African literatures /." Click here for electronic access to document: http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20070928.143608, 2006. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20070928.143608.

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Dharmaputra, Geofano. "Dreaming animals with human faces." Master's thesis, 1990. http://hdl.handle.net/1885/116951.

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A myth is a narrative. It is a structured, predominantly culture-specific and shared semantic system which is well known among the members of a particular community or society. Such narratives explain the origins of natural and social phenomena and the interrelationship among people, their deities, the universe, and their surrounding environment, thus enabling the members to understand each othen- and to cope with the unknown (Georges 1968:230; Maranda 1972:12-13).
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Carty, John Richard. "Creating country : abstraction, economics and the social life of style in Balgo art." Phd thesis, 2011. http://hdl.handle.net/1885/109366.

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The translation of traditional Western Desert iconography, narrative conventions and ceremonial aesthetics into the medium of acrylic painting, and onto the emergent plane of 'Aboriginal Art', has been among the great artistic achievements of the modern era. Despite the wealth of scholarship dedicated to this phenomenon, key aspects of it remain obscured in anthropological and art historical analysis. Based on fieldwork in the Australian Western Desert community of Balgo, this thesis develops an ethnographic account of how 'Country' is created through abstraction, kin-based processes of transm
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Books on the topic "Dreamtime (Aboriginal Australian mythology)"

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Roberts, Ainslie. Dreamtime heritage: Australian Aboriginal myths. Art Australia, 1990.

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Roberts, Ainslie. Dreamtime heritage: Australian aboriginal myths in paintings. Art Australia, 1989.

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John, Moriarty. Dreamtime. Lilliput Press, 1999.

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Briggs, Carolyn. The journey cycles of the Boonwurrung: Stories with Boonwurrung language. Victorian Aboriginal Corporation for Languages, 2008.

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Briggs, Carolyn. The journey cycles of the Boonwurrung: Stories with Boonwurrung language. Victorian Aboriginal Corporation for Languages, 2008.

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Briggs, Carolyn. The journey cycles of the Boonwurrung: Stories with Boonwurrung language. 2nd ed. Victorian Aboriginal Corporation for Languages, 2014.

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Briggs, Carolyn. The journey cycles of the Boonwurrung: Stories with Boonwurrung language. Victorian Aboriginal Corporation for Languages, 2008.

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Roberts, Ainslie. The Dreamtime: Australian aboriginal myths in paintings by Ainslie Roberts with text by Charles P. Mountford. Art Australia, 1989.

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Jean, Roberts Melva, ed. Echoes of the dreamtime: Australian aboriginal myths in the paintings of Ainslie Roberts. J.M. Dent, 1988.

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1947-, Drury Nevill, ed. Wisdom from the earth: The living legacy of the Aboriginal dreamtime. Simon & Schuster Australia, 1997.

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Book chapters on the topic "Dreamtime (Aboriginal Australian mythology)"

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"Introduction." In The Oxford Guide to Australian Languages, edited by Claire Bowern. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198824978.003.0001.

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Abstract This chapter provides an overview of the volume, the research context for Australian languages, and a summary of the themes that emerge from the papers. Following a description of the five parts of the volume, it describes some of the editorial choices that led to the shaping of the volume’s contents and terminological conventions, including omitted topics. Furthermore. it provides some background to Aboriginal conceptions of language and land and how individuals relate both to Country and to Language, as well as to linguistic terminology typically used in discussing Australian languages. Some discussion is given of the ways that Indigenous authors have described their relationship to language and how language was placed on Country by Dreamtime culture heroes.
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Fry, Douglas P. "Insights from the Outback: Geneva Conventions in the Australian Bush." In Beyond War. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195309485.003.0009.

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Abstract The island continent of Australia is immense-about as large as the contiguous forty-eight United States-and before the arrival of the Europeans, Australia supported an Aboriginal population up to 750,000 people, speaking well over two hundred distinct languages.1 In an area this large, it is not surprising that numerous ecological zones exist, from tropical to temperate forests and from prairies to deserts. Nonetheless, there was great similarity in the cultures of the native Australians.2 Of central importance, Australian Aborigines shared the same basic economic strategy: hunting and gathering. Of course, local variations existed in the types of food eaten and the specific techniques used to obtain their meals, but all of Australia's hunter-gatherers lived in bands and shared food.3 Australian Aborigines believed that they should follow a system of rules, "the Law," that originated from the parthuman, part-animal spiritual beings active during a Dreamtime period of creation.
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