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Books on the topic 'DreamWorks Animation'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Summers, Sam. DreamWorks Animation. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36851-7.

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2

Mazza, Matteo. DreamWorks Animation: Il lato chiaro della luna. Milano: Bietti, 2019.

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3

Burton, Bonnie. Abominable: DreamWorks Animation. Cameron + Company, 2019.

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4

Damaschke, Bill. Art of DreamWorks Animation. Australian Centre for the Moving Image, 2014.

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5

Diaz, Cameron. Art of DreamWorks Animation: Celebrating 30 Years. Cameron + Company, 2024.

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6

Dreamworks Animation Celebrating 20 Years Of Art. Abrams, 2014.

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7

The Art Of Dreamworks Megamind Bad Brilliant Blue. Insight Editions, 2010.

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8

Summers, Sam. DreamWorks Animation: Intertextuality and Aesthetics in Shrek and Beyond. Springer International Publishing AG, 2021.

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9

Summers, Sam. DreamWorks Animation: Intertextuality and Aesthetics in Shrek and Beyond. Palgrave Macmillan, 2020.

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10

Morris, Iain R., and Lana Condor. Art of DreamWorks Ruby Gillman, Teenage Kraken. Abrams, Inc., 2023.

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11

The Art of DreamWorks The Bad Guys. Cameron, 2022.

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12

(Foreword), Jerry Seinfeld, ed. The Art of Bee Movie. Chronicle Books, 2007.

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13

The Art Of How To Train Your Dragon 2. HarperCollins Publishers Inc, 2014.

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14

Ramalho, Felipe de Castro. A representação do diverso no cinema de animação. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-217-9.

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This book is the result of a doctoral research that sought to analyze the characters of the industrial animation cinema that present characterizations, mannerism, behavior and sexual stereotypes, which create an unknown idea about their sexualities. Animated films, often considered an exclusive product for children, do not directly address sexualities that differ from heteronormativity. For this reason, we call “diverse” those possible characters that are different from the norms of standard heterosexuality, in order to map, analyze, quantify and qualify the purpose of these representations. In the first moment, the concepts of the theoretical Stuart Hall on representational practices capable of producing ideologies, discourses and signs are applied in animation cinema and associated with anthropomorphism, which we believe to be a camouflaged way of representing such characters. Then, we characterize the “diverse” and the reasons for choosing the term, so that we can propose a debate about cinema as an instance capable of inscribing gender norms and how animation cinema acts as a media capable of proposing a cultural specific pedagogy. Then, based on the principle of similarity and difference, we mapped the “diverse” characters present in the history of animation cinema at the main North American studios: Disney, Pixar and DreamWorks. After this process, we analyze and qualify the intention of the representations of the “diverse” in the characters of animated films. Therefore, do not be alarmed when faced with classic characters such as Ursula, Genius, Scar, Timon, Pumbaa, Edna Mode, King Julien and many others who present different facets of sexuality.

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15

Animation, DreamWorks. Art of DreamWorks Animation's Puss in Boots. Cameron + Company, 2022.

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16

Robertson, Barbara. Penguins of Madagascar: The Art of DreamWorks. Insight Editions, 2014.

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17

Learn to Draw DreamWorks Animation's Madagascar: Featuring the Penguins of Madagascar and Other Favorite Characters! Quarto Publishing Group USA, 2015.

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18

Dreamworks Animation LLC Dreamworks Animation LLC. Learn to Draw Dreamworks Animation's Kung Fu Panda: Featuring Po, Tigress, Master Shifu, and All Your Favorite New Characters from Kung Fu Panda 3! Walter Foster Jr. - Quarto Library, 2017.

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