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Relevant bibliographies by topics / Dress

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Academic literature on the topic 'Dress'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Dress"

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Budiyanti, Setia. "Faktor-Faktor yang Mempengaruhi Pemakaian Jilbab di Kalangan Mahasiswi Universitas Swadaya Gunung Jati Kota Cirebon." Al-Tadzkiyyah: Jurnal Pendidikan Islam 8, no. 2 (November 17, 2017): 201. http://dx.doi.org/10.24042/atjpi.v8i2.2125.

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Islam represent the religion having system aqidah arranging all religious service to Allah of SWT and fellow being. Perhaps the inclusive of in it dressy rule for people islam more special for Muslimah. Dress muslim is obligation for Muslimah in running syari'at Islam that is close aurat. This research aim to to know the factor influencing undergraduate in dress muslim and to know the relation dress muslim with the understanding and compliance run the other syari'at Islam. Technique of data collecting use the kuesioner propagated to Self-Supporting University undergraduate of Universitas Swadaya Gunung Jati Cirebon. Result of research obtained by 64% undergraduate which dress muslim have followed the religious education and 36% have never followed the religious education. About 36% undergraduate feel fluent read the Al-Qur'An and 64% undergraduate is not fluent read the Al-Qur'An. There are positive correlation between use jilbab with the other religious service execution. About 36% undergraduate dress muslim influenced by the school, 21% undergraduate dress muslim of because direct understanding of Islam teaching, and fresh 14% undergraduate dress muslim of because parent motivation and environmental.

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Descamps, V. "DRESS or ‘picture of DRESS’." Bone Marrow Transplantation 47, no. 2 (April 4, 2011): 317. http://dx.doi.org/10.1038/bmt.2011.76.

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Niklas, Charlotte. "Dress." Textile History 50, no. 1 (January 2, 2019): 82–86. http://dx.doi.org/10.1080/00404969.2019.1599242.

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Yong-Mok, Sin, Brother Anthony, and Yu Chang-Gon. "Dress." Wasafiri 33, no. 4 (October 2, 2018): 70. http://dx.doi.org/10.1080/02690055.2018.1501226.

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Pinyopornpanish, Kanokkarn, Kanokporn Pinyopornpanish, Kanokwan Pinyopornpanish, Juthipong Benjanuwattra, Putthapon Teepapan, Apinya Chungcharoenpanich, and Wannada Laisuan. "Omeprazole Induced Rapid Drug Reaction with Eosinophilia, Systemic Symptoms, and Cross-Reactivity in Delayed-Type Hypersensitivity Associated with Proton-Pump Inhibitors: A Case Report and Literature Review." Case Reports in Immunology 2024 (January 3, 2024): 1–7. http://dx.doi.org/10.1155/2024/1317971.

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Background. Omeprazole, a proton pump inhibitor (PPI), is a widely used and generally safe agent for treating acid-related gastrointestinal conditions. However, drug reaction with eosinophilia and systemic symptoms (DRESSs) syndrome has been reported. Objectives. To report a case of omeprazole-induced rapid DRESS syndrome and to review the literature. Methods. Descriptive analysis of one new case and a case series from literature review. Results. We report a case of 82-year-old woman presenting with rapid-onset of DRESS syndrome. The condition was initially suspected to be caused by antibiotic, but the definite diagnosis was eventually omeprazole-induced DRESS syndrome as suggested by the enzyme-linked immune absorbent spot (ELISpot) assay along with the clinical picture. Previous literatures regarding cases of PPI-induced DRESS syndrome were pooled for descriptive analysis. Among 21 PPI cases pooled, esomeprazole was the most commonly implicated PPI (52.4%), followed by pantoprazole (19.1%), and omeprazole along with lansoprazole (both 14.3%). The issue of cross-reactivities amongst PPIs remains uncertain. Nonetheless, in situations in which a PPIs are deemed necessary, a prudent approach could be considering a switch to an alternative agent with distinct chemical structure. Conclusion. PPI is commonly used safely as an agent for acid-related gastrointestinal conditions. However, PPI-induced rapid DRESS syndrome can occur, particularly with prior exposure history. ELISpot is an in vitro test, useful in identifying the culprit agent in patients with delayed-type hypersensitivity reaction.

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Worth, Susannah. "Gitana Dress and Dress à la Gitana." Dress 40, no. 1 (May 2014): 31–45. http://dx.doi.org/10.1179/0361211214z.00000000022.

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Macfarlane, Ann. "Dress sense." Elderly Care 3, no. 1 (February 1991): 18. http://dx.doi.org/10.7748/eldc.3.1.18.s28.

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Bahçeci, Semiha, and Demet Can. "Dress Syndrome." Asthma Allergy Immunology 18, no. 1 (April 30, 2020): 1–9. http://dx.doi.org/10.21911/aai.444.

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Pilling, Susie. "Dress code." Nursing Standard 12, no. 31 (April 22, 1998): 21. http://dx.doi.org/10.7748/ns.12.31.21.s29.

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Saje, Natasha. "Dress Code." Women's Review of Books 12, no. 2 (November 1994): 26. http://dx.doi.org/10.2307/4022001.

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Dissertations / Theses on the topic "Dress"

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Hawk, Zoe Alaina. "Dress code." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/980.

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Lasen, Ulrik Martin. "Dressing wearing : Movement directed by dress - dress directed by movement." Doctoral thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11052.

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Contemporary dance and modern ballet often focus on conveying emotions through patterns of movement which may be abstract, obvious, or anywhere in between, supported by music, sound, or spoken words that set the mood. Scenography is typically sparse or confined to the available space, leaving the dancers as the main instrument of communication. This work explores dressing and wearing, with a focus on how garments can inform and direct movement, choreography, and performance, and in turn how movement may inform and contribute to the development of dynamic garments. Through a series of live experiments, ranging from self-instigated performance/video work in collaboration with choreographers and dancers to performances of garment interaction associated with everyday life dressing, the performative, spatial, and interactive properties of garments are explored. The results present alternative models of collaborative interaction related to various aspects of kinaesthetics, choreography, scenography, and performance space, and offer wide-ranging creative potential. The work shows how designers and choreographers can collaborate on performance scenarios within the context of modern ballet and contemporary dance productions, thus creating conceptual garments that influence the design, choreography, and movement pattern based on a re-conception of what it means to dress and to wear. In relation to the act of dressing and undressing, alternative types of garment and ways of wearing and performing were found where garments act as co-choreographers in the development of performances. Moreover, by having wearing and dressing as a form of choreography these acts, act as the co-creator of garments both in our everday lives and on stage. As a consequence, the results also demonstrates how the agency of garments can function as a manuscript in modern dance, and how performance itself redefines the notion of wearing and the concept of garments.

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Gamarra, Palacios Guillermo Leonardo, Tello Charles André Grados, and Falcón Marco Seclén. "DRESS 4 LESS." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2018. http://hdl.handle.net/10757/624935.

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La iniciativa empresarial que presentamos se llama Dress 4 Less (D4L), la cual nace del trabajo en equipo de tres estudiantes de la carrera de administración de empresas de la UPC. Dress 4 Less es una empresa de servicios enfocada en el alquiler de vestimentas para cubrir las necesidades de autorrealización y reconocimiento que encontramos en las mujeres modernas, que valoran la moda, el uso exigente del tiempo y que, además, se apoyan en las nuevas tecnologías para satisfacer sus necesidades. La propuesta de Dress 4 Less es, mediante una plataforma digital, ofrecer vestidos para ocasiones especiales, sean de gala o coctel, y además ajustar estas prendas a las medidas de cada cliente, dándole el apoyo de asesoría de acuerdo a la ocasión, a la tendencia en la moda, al corte, el clima, entre otros factores. Durante el desarrollo del proyecto nos hemos asegurado de que la probabilidad de éxito del negocio sea alta, puesto que, el público objetivo es amplio y la competencia no es numerosa y no puede atender a todo el mercado. Por último, la propuesta de dar un servicio personalizado, donde el vestido no solo sea el adecuado para la ocasión, sino también brindando la asesoría de una experta y el servicio de costura para que el vestido elegido quede entallado a las medidas de la cliente serán los puntos estratégicos que diferenciarán nuestra propuesta. The business initiative that we present is called Dress 4 Less (D4L), which is born from the team work of three students of the career in business administration at the UPC. Dress 4 Less is a service company focused on the rental of clothing to meet the needs of self-realization and recognition that we find in modern women, who value fashion, the demanding use of time and who also rely on new technologies to meet your needs. The proposal of Dress 4 Less is, through a digital platform, offer dresses for special occasions, whether gala or cocktail, and also adjust these garments to the measures of each client, giving the support of advice according to the occasion, to the Trend in fashion, cut, climate, among other factors. During the development of the project we have ensured that the probability of business success is high, since the target audience is broad and the competition is not large and can not serve the entire market. Finally, the proposal to provide a personalized service, where the dress is not only suitable for the occasion, but also providing the advice of an expert and the sewing service so that the chosen dress is fitted to the client's measurements will be the strategic points that will differentiate our proposal.
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Magnusson, André, and Anton Persson. "Dress your identities." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21333.

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Denna studie behandlar kläder och mode som kommunikation och dess roll i individersidentitetsskapande. Frågor om såväl strukturer på makronivå som beslut på mikronivå löpersom en röd tråd genom studiens olika delar. För oss författare var det självklart att föratt förstå den ena nivån måste en också förstå den andra. Studiens syfte var att genom intervjueroch visuell etnografi undersöka lönearbetande 25-30 åringars identitetsskapande,specifikt hur de kommunicerar sin identitet genom konsumtion av kläder och mode. Föratt utforska vårt syfte har vi genomfört och analyserat åtta kvalitativa intervjuer. I researchochanalysarbete filtreras resultaten genom teorier om postmodernitet, sociala fält och konsumism.Därtill redogör vi för tidigare forskning inom ämnet. Studien visar att individer,modeintresserade eller ej, är högst medvetna om vad deras kläder kommunicerar i olikakontexter. Samhället tycks genomsyras av de klädkoder som, till största del, konstitueras påmakronivå.
This study treats clothes and fashion as communication and its role in individual's identity.Questions about structures on a macro level as well as decisions on a micro level is thetheme for all the parts of the study. To understand one level, you have to understand theother. The purpose for this study was, through interviews and visual ethnography studywage earning Swedes between 25 to 30 years old in their creation of identity, specificallyhow they communicate their identity through consumption of clothes and fashion. To exploreour purpose, we have conducted and analysed eight qualitative interviews. In the researchand analysing work the results have been understood through theories concerningpostmodernism, field, habitus and consumerism. We also describe and connect the resultswith previous research. The study shows that individuals, interested in fashion or not, arehighly conscious about what their clothes communicate in different contexts. Society seemsto be permeated with codes of clothing constituted on a macro level.

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Ball, Jennifer L. "Byzantine dress : representations of secular dress in Eighth- to Twelfth-Century painting /." Basingstoke : Palgrave Macmillan, 2006. http://swbplus.bsz-bw.de/bsz285736655inh.htm.

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Packer, Connie Lynn. "Registered Dietitian Dress and The Effect of Dietitian Dress on Perceived Professionalism." BYU ScholarsArchive, 2007. https://scholarsarchive.byu.edu/etd/1262.

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People use others' dress to make assumptions, including how they believe the wearer will behave. Observers then adjust their behavior in response to the anticipated behavior of the wearer. Physician or nurse dress affects the degree to which patients perceive the medical professional as confident, experienced, competent, mature, trustworthy, and professional. Dietitian dress has not been studied. Our purpose was to identify 1) the current level of formality of dress of registered dietitians (RD), 2) characteristics of dress codes, 3) the effect of RD dress on patient/client perceptions of professional traits, and 4) the level of formality at which an RD is perceived as being most professional. Phase I Respondents were randomly selected from the American Hospital Association database and the national WIC directory. A total of 972 managers (449 WIC and 523 hospital nutrition services) completed a survey about their facility's dress code policy for RDs, and how the facility's dietitians dress for work. Data showed that at most WIC clinics dietitians dress in Semi-Casual (khaki pants/collared knit top) attire while most hospitals dietitians dress in Business Casual II (dress slacks/knit shirt) attire. Over half of all managers surveyed felt that dietitian dress was important and a priority. Phase II Respondents were patients/clients of a hospital or WIC clinic in Illinois, Virginia, or Utah. Respondents gave demographic information and rated pictures of a dietitian in nine sets of clothing on eight characteristics: empathetic, competent, approachable, credible, organized, effective, professional, and confident. Respondents identified the dietitian with whom they would most and least prefer to have nutritional counseling. A total of 582 surveys were collected. These data showed that WIC participants and hospital patients most preferred the dietitian to dress in Business Casual (dress slacks/collared dress shirt) with a lab coat; this attire also received the most positive/desirable Professional Characteristic Scores. All respondents least preferred the dietitian dressed in Casual (jeans/knit shirt) attire; this attire received the least positive/desirable Professional Characteristic Scores. Only 1.1% of WIC and 8.1% of hospital dietitians regularly wear dress slacks, a collared shirt, and a lab coat, the patients'/clients' most preferred dress for dietitians.

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Leung, Ka-kie, and 梁嘉琪. "Dress and gender power." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953621.

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Leung, Ka-kie. "Dress and gender power." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262063.

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Fransson, Dekhla Linda. "Weaving Dress : Exploring whole-garment weaving as a method to create expressive dress." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14884.

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This thesis investigates whole-garment weaving as an experimental design and construction method. The majority of the current development and research within the field focuses on production efficiency and the development of weaving techniques. Here, the intention is to connect form, material and making. The aim is to find ways to deconstruct the process of garment making in order to create new knowledge through craft. Within whole-garment weaving, many design processes are dealt with simultaneously, through direct experimentation on the loom. In order to maintain the integrity of the weaving, interferences such as cutting and sewing is limited. The basics of the practical method is that the cloth is woven as a double weave on the loom. For the practical work, the first objective was to find basic parameters for the project, freely experimenting with weave constructions and bindings. As the process developed, more aspects of garment construction were included in the design process. The combination of bindings, floats and elastic is used to create expressive textile as well as dress, so that the textile surfaces influences the silhouette or the drape. The result shows the expressive potential of whole-garment weaving through a series of nine examples, each showcasing different aspects of the method. The focus is on showcasing experimental approaches to simultaneous fashion/textile design interaction.

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Scott, Margaret Cochrane. "Dress in Scotland 1406-1460." Thesis, Courtauld Institute of Art (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295035.

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Books on the topic "Dress"

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Ny, Jeanine Le. Dress. New York: Point, 2008.

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Ny, Jeanine Le. Dress. New York: Point, 2008.

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Bureau of National Affairs (Washington, D.C.)., ed. Dress policies and casual dress days. Washington, D.C: Bureau of National Affairs, 1998.

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Hemmingson, Michael A. The dress. New York: Blue Moon Books, 2002.

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Dervaux, Isabelle. Dress Eclectique. New York: Purgatory Pie Press, 1986.

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Ball, Jennifer L. Byzantine Dress. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-05779-2.

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Casey, Moe. Dress up. Brookfield, Conn: Copper Beech Books, 1997.

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Wilson, Verity. Chinese dress. London: Bamboo Publishing in association with the Victoria and Albert Museum, 1990.

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Gostelow, Mary. Dress sense. London: Batsford, 1985.

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Petrucha, Stefan. Dress reversal. New York: Papercutz, 2008.

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Book chapters on the topic "Dress"

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King, Ian W. "Dress." In SpringerBriefs in Philosophy, 41–53. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54322-2_4.

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Hanisch, Horst. "Business Dress." In Kanzlei-Knigge, 111–51. Wiesbaden: Springer Fachmedien Wiesbaden, 2012. http://dx.doi.org/10.1007/978-3-8349-4427-6_5.

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Hanisch, Horst. "Business Dress." In Kanzlei-Knigge, 109–49. Wiesbaden: Gabler, 2011. http://dx.doi.org/10.1007/978-3-8349-6464-9_5.

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Hanisch, Horst. "Business Dress." In Kanzlei-Knigge, 111–51. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-23417-1_5.

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Hanisch, Horst. "Business Dress." In Kanzlei-Knigge, 111–51. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-19354-6_5.

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Ball, Jennifer L. "Imperial Dress." In Byzantine Dress, 11–35. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-05779-2_2.

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Ball, Jennifer L. "Court Dress." In Byzantine Dress, 37–56. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-05779-2_3.

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Fisk, Catriona. "Maternity Dress." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–3. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_143-1.

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Seys, Madeleine C. "Rational Dress." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–4. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_99-1.

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Monkhouse, Robbie. "The Dress." In The Memory of Clothes, 143–44. Rotterdam: SensePublishers, 2015. http://dx.doi.org/10.1007/978-94-6209-953-1_25.

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Conference papers on the topic "Dress"

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Chen, Yi, and Behzad Bordbar. "DRESS." In UCC '16: 9th International Conference on Utility and Cloud Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/3006299.3006326.

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DICKHOFF, W. H. "TO DRESS OR NOT TO DRESS …" In A Festschrift in Honour of the 65th Birthdays of John W Clark, Alpo J Kallio, Manfred L Ristig and Sergio Rosati. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799760_0009.

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Reeder, Alexander. "Butterfly dress." In the 3rd international conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1413634.1413735.

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Alves, Lucas, José Davi Pereira, Natália Aragão, Matheus Chagas, and Paulo Henrique Maia. "DRESS-ML." In ICSE '22: 44th International Conference on Software Engineering. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3510458.3513012.

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Jarusriboonchai, Pradthana, Emmi Harjuniemi, Heiko Müller, Ashley Colley, and Jonna Häkkilä. "Linn dress." In UbiComp '19: The 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3341163.3346934.

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Boujarwah, Fatima A., Amha Mogus, Jennifer Stoll, and Kanan T. Garg. "Dress for success." In the 27th international conference extended abstracts. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1520340.1520406.

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Mustaffa, Mas Rina, Goh Sweet Wai, Lili Nurliyana Abdullah, and Nurul Amelina Nasharuddin. "Dress me up!" In the 3rd International Conference. New York, New York, USA: ACM Press, 2019. http://dx.doi.org/10.1145/3309074.3309121.

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Vallgårda, Anna. "The dress room." In NordiCHI '14: The 8th Nordic Conference on Human-Computer Interaction. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2639189.2639254.

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Lee, Sunmin, (Wynnie) Wing Yi Chung, Emily Ip, and Thecla Schiphorst. "The laughing dress." In CHI '14: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2559206.2581360.

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Rosales, Melissa, and Ashley Rougeaux-Burnes. "The Olga Dress." In Breaking Boundaries. Iowa State University Digital Press, 2022. http://dx.doi.org/10.31274/itaa.13772.

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Reports on the topic "Dress"

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Jin, Heejae. Friendship dress. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-980.

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Carrico, Melanie. Maternal Dress. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8768.

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Araja, Tenz Jayson. Eternal Dress. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-674.

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Fidler, Cynthia. The BoHo Dress. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-972.

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Wei, Fei. Typography for dress. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1006.

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Peart, Charity. The Mohawk Dress. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1062.

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Lin, Shu Hwa, and Liezel Pagala. Diamond Cut Dress. Ames: Iowa State University, Digital Repository, September 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1609.

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Stannard, Casey R. Pikeman's Mini-Dress. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1634.

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Carrico, Melanie. Bat-wing Denim Dress. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8777.

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Crist, Brianne, and Matalie M. Howard. Golden Fleece Sheath Dress. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1025.

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