Academic literature on the topic 'Dress's styl'

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Journal articles on the topic "Dress's styl"

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Ma, Yoon Jin, and Helen Koo. "Preferences on transformable dresses for sustainability." Research Journal of Textile and Apparel 20, no. 4 (December 5, 2016): 166–81. http://dx.doi.org/10.1108/rjta-09-2016-0020.

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Purpose The purpose of this research is to investigate users’ expectations and preferences for transformable design functions of transformable party dresses to extend the life cycle of the clothing. With transformable design elements added to a party dress, a user can wear her one-event dress more than once, encouraging sustainable consumption. Rather than looking for a new dress, users can wear their party dress with one or even several new looks. Design/methodology/approach Data were collected through purposive sampling from female college students who had purchased at least one party dress. The survey questionnaire was self-developed based on the literature review and consisted of items that measured fashion behavior in relation to party dresses; shopping orientations, focusing on confident/appearance and fashion-consciousness, economic/price consciousness and convenience/time-consciousness; perceived importance of design and functional elements in party dresses; perceived reasons for the limited use of party dresses; perceived importance of design elements of transformable dresses; purchase intention for transformable dresses; and demographic characteristics. Findings As consumer groups of diverse shopping orientations demonstrated purchase intentions for transformable party dresses, transformable features may become an important component of party dresses. Considering the main reasons for users’ limited use of party dresses, designers need to improve the versatility of the dresses’ design and functional elements, focusing on style and occasion, dress length, size/fit, silhouette and color/pattern, so that users can wear their party dresses more than once and ultimately enhance their sustainable apparel consumption practices. Originality/value The findings regarding users’ expectations and preferences for transformable party dresses can help apparel designers and fashion businesses understand potential users when developing transformable dresses and develop strategies to help with sustainable apparel consumption.
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Niu, Li, Tingting Xia, Rongrong Cui, and Jie Lu. "Emergence of Chinese Han Retro Wedding Dress." Asian Social Science 12, no. 7 (June 21, 2016): 42. http://dx.doi.org/10.5539/ass.v12n7p42.

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<p>Social changes led to the gradual disappearance of traditional Han costume. While in the context of national cultural revival, the "Chinese Hanfu movement" has given rise to the appearance and commercialization of Han Retro Wedding Dress, which including "Zhou style", "Han style", "Tang style", "Song Style" and "Ming style." Chinese history and culture, social democratic environment, economical market promotion and diverse aesthetic needs give the soil for these dresses. While contemporary wedding dresses in China are mostly westernized, and these retro dresses bring certain "reverse cultural shock" to Chinese marriage custom. The key of dealing with the "reverse cultural shock" and reviving Chinese costume culture should be following the market rules with sufficient cultural consciousness of the whole Chinese nation.<strong></strong></p>
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Satrapa, Andrea, Marcia Burrattino Melhado, Margarida Maria Curado Coelho, Emma Otta, Ruben Taubemblatt, and Waléria De Fayetti Siqueira. "Influence of Style of Dress on Formation of First Impressions." Perceptual and Motor Skills 74, no. 1 (February 1992): 159–62. http://dx.doi.org/10.2466/pms.1992.74.1.159.

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Within a university, students of various colleges dress differently. Our purpose was to verify the influence of style of dress on formation of first impressions. Subjects were 30 women of three colleges from a university in Sao Paulo. Subjects rated on a 7-point scale three photographs (without faces) of male students from each one of the three colleges. The first model dressed in a socially formal way, the second one in a socially informal way, and the third one sportively. The three models were rated comparably on intelligence and culture. The model who dressed in a socially formal way was considered less handsome, extroverted, sympathetic, charming, and attractive than the other two models. Subjects tended also to attribute to the first a rightist ideology. No interactions were found between subjects' and models' colleges.
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Wati, Mirna, and Hasep Saputra. "The Concept of Tabarruj in the Qur’an according to Muslim Commentators." AJIS: Academic Journal of Islamic Studies 3, no. 2 (December 30, 2018): 163. http://dx.doi.org/10.29240/ajis.v3i2.577.

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Today there are still many Muslimah dressed not in accordance with the rules in the Islamic religion. Good dress habits must be planted early so that the Muslimah get used to and make Islamic dress codes entrenched in society. Tabarruj is a woman's style of dress or attitude that is excessive in order to attract the attention of others when she comes out of her house, deliberately showing the beauty of her face and body and waving her way so that she can see the jewelry in front of other people. the Aim of this research is to know the understanding of paragraph about tabarruj in the Qur'an, inside about rule dressed up or be decorated for woman. In this study the researcher used library research with the method of maudhu'i of interpretation which collects verses of the Quran based on the topic or theme set by all the verses collected based on the period of decline, then studied in depth and thoroughly from various aspects that can be explored, then pay attention to these verses with explanations and relationships with other verses. The Results show that tabarruj in the Qur'an is style dressed up or attitudes woman on purpose interesting other people's attention when she go out from her house and show her beauty.
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Brownbridge, Kathryn, Simeon Gill, Sarah Grogan, Sarah Kilgariff, and Amanda Whalley. "Fashion misfit: women’s dissatisfaction and its implications." Journal of Fashion Marketing and Management: An International Journal 22, no. 3 (July 9, 2018): 438–52. http://dx.doi.org/10.1108/jfmm-05-2017-0050.

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Purpose The purpose of this paper is to draw attention to the link between underdeveloped and ill-informed sizing practices, fit dissatisfaction and the creation of textiles waste. The literature review identifies: issues that limit the effective development and application of sizing systems, the link between the complexities of consumer fit expectations, body image and self-esteem and maps the link between fit dissatisfaction and the creation of textiles waste. Design/methodology/approach Data analysis draws from a wider study designed to investigate women’s experiences of dress fit and body image. In total, 20 women aged 18-45 years were audio recorded while they tried on a number of mass-produced dresses, and were asked to select one dress, which they could keep. Findings All the dresses were selected except one style, which failed to satisfy any of the women’s fit requirements. The findings clearly demonstrate why this dress was considered to be unsatisfactory as well as the subsequent link between poor fit and body dissatisfaction. Social implications Findings support the theory that women identify with their clothes’ size and when this link is disrupted it causes discomfort and body dissatisfaction, which, in turn, contributed to rejection of the garment increasing the potential for the creation of waste. Originality/value This study is the first to link unsatisfactory fashion sizing practice with the production of textiles waste. The process of capturing women’s interactions with high street fashion dresses whilst trying them on enabled a detailed analysis that contributes new evidence to the debate around sizing practice, poor fit and its impact on body image and self-esteem.
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Nistor, Laura. "The meaning of fashion: A qualitative study with students in Romania." International Journal of Fashion Studies 7, no. 1 (April 1, 2020): 49–71. http://dx.doi.org/10.1386/infs_00016_1.

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This article discusses the results of a focus-group-based qualitative study that was conducted with the students of two universities in Romania, with the aim to reveal their discourses regarding the meaning of fashion. The findings suggest that students define fashion through a complex semantic triangle of three inter-related concepts: fashion ‐ style ‐ being well-dressed. In this tripartite model, fashion receives mostly negative connotations compared with style, which is defined as a micro-level, personal take on fashion, i.e. it has agency, whereas fashion is defined as being at the macro-level and is accused of enforcing normativity and homogeneity. The meaning of being well-dressed refers mostly to dress codes and to the wearing of clothes that symbolize and signal social status, rather than to fashionable clothes. With such findings, it is possible to claim that the interviewees are ‘soft challengers’ of fashion: they are revolting against the normativity of fashion and seek to emphasize their agency when they put together an outfit. However, as much as possible, they try to respect the normative expectations of situational dress codes. When the three concepts were considered separately by the interviewees, each revealed several sub-dimensions/themes.
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Morgan, Ashley. "From emo kid to stylish GQ Gent and back again: Matty Healy and hybrid masculinity." Critical Studies in Men’s Fashion 7, no. 1-2 (December 1, 2020): 109–29. http://dx.doi.org/10.1386/csmf_00020_1.

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This article examines the evolution of the appearance of British musician, Matty Healy, lead singer of contemporary band The 1975, in his performance as a hybrid man in style and fashion magazines. Hybrid masculinity is often used by young white men as a form of assimilating aspects from marginalized groups into performing their identities. This is to distance themselves from the narrow confines of hegemonic masculinity through transgression. Healy’s performances of gay and feminized hybrid masculinities have emerged through his clothing, from early national success as a typical ‘emo’ kid ‘dressed in black from head to toe’ to a fully groomed, suited and booted Englishman, cover star of GQ and in demand as a model. Prior to global fame, Healy’s style referenced rock stars of the past and he was admired for his simple black clothing, boyish emo good looks and curly hair; style blog IdleMan.com refers to him as a ‘gothic hipster’. Yet in concert with his stylist, Patricia Villirillo, Healy has begun to play on the more feminized aspects of emo fashion such as performing in women’s skirts and dresses, and arguably has produced a twenty-first-century emo aesthetic. Moreover, he also adopts the appearance of a powerful man in a suit or for performances as well as photoshoots. Healy might now be dressed in a suit or tie for performing, as easily as he might wear a skirt, as many men in music have before him. Wearing skirts as an act of transgression highlights the lack of diversity in men’s clothing in its mundanity, and despite advances in acceptance of dynamic masculine identities through performing gay identities, performing hybrid masculinities through femininity, is still highly problematic.
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Lv, Jia, Lin Bao, and Xin Ke Zhang. "Cheongsam Design with Shanghai Style Depicted on the Calendar Advertising Paintings." Advanced Materials Research 175-176 (January 2011): 968–71. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.968.

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The “Calendar Painting” in the period of the Republic of China was a medium of commercial advertising, which was initially a calendar picture for products promotion. The typical images of beautiful women dressed in cheongsams depicted in the calendar paintings became the significant feature of commercial advertising at that time. Cheongsam, as a most important representative of garment for women in the period of the Republic of China, was accompanied by the changes of times of the Republic of China with its production, transformation and development. Based on the studies of calendar advertising paintings during the time of old Shanghai, this paper elaborates such as innovation of cheongsam dress style and pattern design. In the meantime, the characteristics of cheongsam design at that time, the breakthrough on traditional aesthetics for urban women and the effects to contemporary costume design from cheongsam with Shanghai style are also researched in this paper.
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Білей-Рубан, Н. В., Є. В. Сєдоухова, and Л. М. Петрусь. "ХУДОЖНЬО-СТИЛІСТИЧНА РОЛЬ ВИШИВКИ ГУЦУЛЬЩИНИ В ПРОЄКТУВАННІ СУЧАСНОГО ВЕСІЛЬНОГО ОДЯГУ." Art and Design, no. 2 (September 21, 2020): 27–38. http://dx.doi.org/10.30857/2617-0272.2020.2.2.

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The aim is to study the artistic and compositional characteristics of Hutsul’s ceremonial clothing on the basis of a comprehensive analysis of the decor of the Hutsul wedding dress. In the course of research, the methods of visualization and comparative-historical reconstruction of the national order were used in the analysis of Hutsul’s clothing. For the transformation of structural and decorative characteristics into the design principles of modern women's ensembles the method of stylization and the method of combinatorics have been used. The work is based on art analysis and the use of a literary-analytical method to analyze the main information sources. Thanks to the analysis of Hutsul’s ritual clothing in combination with modern technologies of its decoration, the ornamentation on the basis of authentic embroidery of Hutsul region for design ethno-ensembles has been improved. The resulting stylized patterns of embroidery are offered for use in the design of wedding dresses in the ethno style. The methodological basis for the artistic design of the collection of modern ensembles of wedding clothing with ethno-elements is theoretically substantiated and created with the use of the stylization of the main decor. Styled embroideries were developed on the base on the characteristics of Hutsul’s casual clothing as well as a collection of modern wedding dresses in ethnic style was created. The proposed ornamentation of wedding clothing is presented in the design of ethno ensemble, which is useful for experts in the methodology of artistic design of industrial products based on ethno motives.
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Zalut, Todd, and Douglas Propp. "Dress, style, and respect." Journal of Emergency Medicine 6, no. 5 (September 1988): 433–34. http://dx.doi.org/10.1016/0736-4679(88)90024-8.

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Dissertations / Theses on the topic "Dress's styl"

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Mackrell, Alice Ann. "Dress in the Style Troubadour, 1774 1814." Thesis, Courtauld Institute of Art (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284798.

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Kimsey, Lisa P. (Lisa Pierce). "Dress Style, Counselor and Client Gender and Expectations About Counseling." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc798356/.

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This study explored the effects of counselor dress style and counselor and subject gender on clients' expectations about counseling. Two hundred fifty undergraduate students were given Tinsley's Expectations About Counseling questionnaire. Dress style was shown to have no effect on the expectations measured. Significant main effects were found for client gender, counselor gender and their two way interaction on the measures of responsibility, acceptance, confrontation, empathy, genuineness, tolerance, trustworthiness, concreteness, and immediacy. Post hoc analysis revealed that both male and female participants had higher expectations of female counselors than male counselors. Participants of both genders also expected female counselors to be more confrontive, genuine, trustworthy, concrete, and accepting than male counselors. They also had a higher expectation that counseling would address their immediate concerns.
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Pereira, Isabel Francisca de Vasconcelos Brito. "How to increase value for customers of style in a box: the first Portuguese online platform for renting luxury dresses." Master's thesis, NSBE - UNL, 2013. http://hdl.handle.net/10362/11640.

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A Work Project, presented as part of the requirements for the Award of a Masters Degree in Management from the NOVA – School of Business and Economics
Style in a Box (SIAB) is the first platform in Portugal promoting the online rent of high fashion dresses for a fraction of the retail price. The starting point of this work project was the low conversion rate faced by SIAB. It was a sign that visitors did not fully perceive the value in SIAB’s proposition. Accordingly arouse the need to answer how can Style in a Box increase the value to customers? Service, product, price and place were identified as the variables capable of impacting customer value. The key success factor for SIAB is to be able to lead Portuguese women to try the service for the first time. Consequently, it was crucial to understand which variables were contributing to delay the trial and for that purpose assumptions were constructed and further tested through an online survey and semistructured interviews. The research allowed concluding that price and place are the variables that are most likely responsible for deterring the visitors’ conversion. Thus, recommendations were proposed for SIAB to be able to improve the value of these variables, which is expected to boost the conversion rate.
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Kling, Marie. "Dressed for success : Faktorer som har varit avgörande för fem svenska klädskapares framgång." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-67994.

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Arbetets syfte är att beskriva och förstå vad fem stycken framgångsrika svenska klädskapare själva uttrycker som avgörande för sin framgång. Med framgång menas i arbetet framgång ekonomiskt sett. Metoden för arbetet har varit en deskriptiv studie med utgångspunkt i fem kvalitativa intervjuer. Respondenter som har visat positivt resultat i de tre senaste årsboksluten har valts ut att deltaga. Resultatet visar vilka faktorer som klädskaparna själva uttrycker vara avgörande för sin framgång. Faktorer som egen stil, hög kvalité, god ekonomi, god kundkontakt, marknadsföring,prisbild leveranssäkerhet samt hårt och roligt arbete har framkommit.Arbetet öppnar upp för vidare studier genom att ge förslag på frågor att utreda.
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McKinstry, Brian. "Patients' preferences for general practitioners' dress, mode of address, age and consulting style." Thesis, University of Edinburgh, 1998. http://hdl.handle.net/1842/21409.

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This thesis presents four related pieces of research around the theme of how doctors present themselves to, and are perceived by, patients in the general practice consultation. The first study used photographs to examine patients' preferences for the way their general practitioners dress. It showed that patients preferred their doctors to dress in a formal or traditional way. Forms of dress associated with social success (a smart suit) and medical expertise (white coat) were found to be particularly popular. The second study used structured questionnaires to examine patients' preferences for how they wish to address and be addressed by their general practitioner. It showed that, while many patients were willing to have doctors refer to them by first name, they are unwilling to use the doctor's own first name. This may suggest willingness by patients to accord their general practitioner higher social status than themselves, or at least show deference to medical knowledge by use of the title. The third study also used structured questionnaires to explore patients' attitudes to the age of their doctor. The results of this study were inconclusive. Older doctors were accorded more positive attributes, and were considered to have more authority than younger doctors, but the distinction between age groups was most strongly influenced by the perception of younger doctors being up to date in their medical knowledge and the perceived greater experience of older doctors than any difference in authority. These three pieces of research suggested the possibility that, at least some patients, sought a doctor who presented as an expert or authoritative figure, and possibly a maternal/paternal figure, willing to take control of the consultation. This ran contrary to the prevailing view among medical educators that decision making in the consultation should almost always be shared between doctor and patient. This latter view appeared to be held on ideological grounds.
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Fehrenbacher, Morgan Mary. "Clothing style and color preferences for the socially active mature female." Online version, 1998. http://www.uwstout.edu/lib/thesis/1998/1998fehrenbacherm.pdf.

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Park, Jae Ok. "Clothing style preference of working women related to self- image/clothing-image congruity and public self-consciousness." Diss., This resource online, 1990. http://scholar.lib.vt.edu/theses/available/etd-07282008-140007/.

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Strubel, Jessica L. "The decline of music subcultures the loss of style meanings and subcultural identity /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1173232632.

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Huckabay, Dabney A. "Perceived body cathexis and garment fit and style proportion problems of petite women." Thesis, This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-10062009-020234/.

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Todd, Wendy Leiko. "Development of a method for kinematic analysis of the doffing process for a specific garment style." Thesis, This resource online, 1991. http://scholar.lib.vt.edu/theses/available/etd-10242009-020310/.

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Books on the topic "Dress's styl"

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Johnson, Lorraine. Dress with style. London: Treasure, 1988.

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author, Reed Claire, ed. Making vintage wedding dresses: Inspiring timeless style. Ramsbury, Marlborough: The Crowood Press, 2017.

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Andy, Warhol. Style, style, style. Boston: Little, Brown, 1997.

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Style, style, style. Boston: Bulfinch Press, 1997.

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Style file: The world's most elegantly dressed. New York: Collins Design, 2008.

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Super style. London: DK Pub., 2006.

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Super style. London: Dorling Kindersley, 2006.

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Collection, Kobal, ed. Hollywood dressed & undressed: A century of cinema style. New York: Rizzoli International Publications, 1998.

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Beryl, Meyer, ed. Style. New York: Berkley Pub. Group, 1995.

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Dresser's Victorian ornamentation: 150 designs. Mineola, N.Y: Dover Publications, 2008.

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Book chapters on the topic "Dress's styl"

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Pomerantz, Shauna. "“I Dress the Way I Feel”: Image, Agency, and Power." In Girls, Style, and School Identities, 121–49. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612501_5.

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Pomerantz, Shauna. "“If You Dress Like This, Then You’re Like That”: Positions and Recognitions." In Girls, Style, and School Identities, 91–120. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612501_4.

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Lee, Kyungmee. "Dress Policy and Western-Style Court Attire in Modern Korea." In Fashion, Identity, and Power in Modern Asia, 47–68. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97199-5_3.

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Hobley, Michael A., and Victor A. Prisacariu. "Say Yes to the Dress: Shape and Style Transfer Using Conditional GANs." In Computer Vision – ACCV 2018, 135–49. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20893-6_9.

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Yodanis, Carrie. "The Public Nature of Personal Style." In Getting Dressed, 6–10. Routledge, 2018. http://dx.doi.org/10.4324/9781315265087-2.

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"Style and dress hair." In Hairdressing: Level 3, 195–220. Routledge, 2013. http://dx.doi.org/10.4324/9780203106914-15.

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"Chapter 2. Identity off the Rack: Selling Quinceañera Dresses and Manufacturing Identities in the Experience Economy." In Quinceañera Style, 52–85. University of Texas Press, 2019. http://dx.doi.org/10.7560/319680-005.

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"Chapter 2. Portrait Historicism and the Dress of the Times." In Historical Style, 77–126. University of Pennsylvania Press, 2016. http://dx.doi.org/10.9783/9780812293043-004.

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"Chapter 3. Hume, Historical Succession, and the Dress of Rousseau." In Historical Style, 129–60. University of Pennsylvania Press, 2016. http://dx.doi.org/10.9783/9780812293043-005.

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Swift, Ellen. "Dress: Jewellery and Accessories." In Style and Function in Roman Decoration, 139–86. Routledge, 2018. http://dx.doi.org/10.4324/9781315242156-4.

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Conference papers on the topic "Dress's styl"

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Luo, Xiaoyuan. "Analysed in western-style wedding dress style design changes." In 2016 5th International Conference on Social Science, Education and Humanities Research. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ssehr-16.2016.196.

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McKinney, Ellen Carol, Lillie Devries, and Megan Romans. "Cape Dress: Interpreting a Historical Style through Modern Inspiration." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.11885.

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Wang, Hui. "The theory of modern dress style of art and design form." In 2016 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.91.

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Smith, Alyssa, Amanda Morales, Jennifer Paff Ogle, Maricela DeMiryjn, and Mary Alice Casto. "The Search for Authenticity through ‘Style-Fashion-Dress’ among Adolescent Latina Immigrants." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.12072.

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Ghannam, Hanan, Houssam Mourani, and Brian Joseph Schwanitz. "Well Cutting Without Explosives with Multiple Cuts on a Single Run." In SPE Annual Technical Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/206158-ms.

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Abstract Pipe cutting operations are often a critical part of stuck pipe situations, well interventions and plug and abandon operations which all need to remove cut sections of pipe from the well. Unlike traditional ‘blade’ style e-line cutters, which can jam under pipe compression or explosive pipe cutters, which need to dress-over the jagged cut by the rig, a new electric line mechanical cutter's unique design enables performance even if the pipe is under compression, in tension or is neutral. It can also perform multiple cuts in the same run, while creating a clean and machined cut with tool-entry friendly shape. This paper will describe the technology of the new generation cutter, present two case histories; one of multiple cuts of stuck drill pipe, per each run in hole, from Germany and one of a critical tubing cut from a subsea well in Nigeria, using electric wireline and tractor conveyed services for many tasks traditionally performed with coiled tubing in highly deviated wells. These "light vs heavy" solutions can often be done off-line from the rig.
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Reports on the topic "Dress's styl"

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Yurchisin, Jennifer, Sasikarn Cook, Areti Vogel, and Hyo Jung Julie Chang. Perceptions of Apparel Retailers� Culture Based on Employees� Style of Dress Featured on Corporate Recruitment Websites. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8854.

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Morgan, Courtney, Jennifer Paff Ogle, Karen H. Hyllegard, and Kelly L. Reddy Best. �I Kicked Those Babies Off and Put the Typical Lesbian Birkenstocks on:� Authentic Style-Fashion-Dress Negotiations of Lesbian Married Couples on Their Wedding Day. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8417.

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