Academic literature on the topic 'Dress fashion'

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Journal articles on the topic "Dress fashion"

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Bullock, Katherine. "Modest Fashion." American Journal of Islam and Society 32, no. 3 (2015): 121–23. http://dx.doi.org/10.35632/ajis.v32i3.996.

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Finally it seems the academic study of hijab has come of age. The contributorsto this collection neither treat it as an object of curiosity or derision, nor wonderat Muslimahs’ “false consciousness”; rather, they treat this “piece of cloth” andthe accompanying dress code as a “normal” object of academic enquiry. Forexample, they expand the investigation to include attire for modest Jewish andChristian women, as well as for secular women who dress in similar ways albeitfor different reasons. The title captures this broad focus by using modest, ratherthan limiting the focus to the hijab. While s
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Ivanovic-Barisic, Milina. "Dress and fashion." Glasnik Etnografskog instituta, no. 54 (2006): 245–57. http://dx.doi.org/10.2298/gei0654245i.

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Osuanyi, Quaicoo Essel Nyamawero Navei deGraft-Yankson Patrique. ""The President Has Gone Western on Us": Analysis of the 2021 Ghanaian Presidential Inaugural Ceremony Dress Fashion Choice of Nana Addo Dankwa Akufo-Addo." INTERNATIONAL JOURNAL OF INNOVATIVE RESEARCH & DEVELOPMENT 10, no. 6 (2021): 33–38. https://doi.org/10.5281/zenodo.7294331.

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<strong>Abstract: </strong> In contributing to the debate on presidential dress fashion politics and diplomacy in Ghana, the study investigated the views of Ghanaian audience (respondents) on the dress fashion choice of Nana AddoDankwaAkufo-Addo for his 2021 presidential inaugural ceremony. Adopting qualitative enquiry design, interviews and opinionnaires, the study elicited the views of seventeen (17) respondents comprising; fashion and textiles enthusiasts, Ghanaian cultural experts and the general public. The study found that Nana AddoDankwaAkufo-Addo adopted Eurocentric suit for his 2021 p
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-, Fatonah, Mahdi Bahar, and Hartati M. "Jambi Malay Dance Fashion Aesthetics." Mudra Jurnal Seni Budaya 37, no. 4 (2022): 446–54. http://dx.doi.org/10.31091/mudra.v37i4.2021.

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This research aimed to know the concept of dress aesthetics and art of traditional and creative dance of Jambi Malay, and dress development of Jambi Malay dance could be seen from a dress of traditional dance, creative dance, and contemporary dance. The research result was expected to be one of Jambi Malay culture inventory in social science. The research method used is a descriptive qualitative research method with a symbolic interaction approach. The background of the people of Jambi city which is multicultural makes Jambi city rich in cultural diversity, one of which is dance. Dance dress i
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Mintson, Timothy. "Krobo Dipo Dress Fashion Trends and Culture in Contemporary Ghana from 1950 to 2019." Journal of African Art Education 3, no. 1 (2023): 81–105. http://dx.doi.org/10.59739/jaae.v3i1.062304.

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The study investigated the major fashion trends that have characterised Dipo rite from 1950 to 2019. The narrative and descriptive research designs, under the qualitative approach, were used to investigate the major Dipo dress fashion trends. The sample for the study comprised of four (4) respondents consisting of two (2) traditional rulers knowledgeable in Dipo traditions and customs and have experienced the Dipo rite for at least two decades; one (1) opinion leader, and one (1) photographer who has been a paparazzi during Dipo rites for more than a decade. Interview and non-participant obser
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Parker, Sarah. "Fashion and Dress Culture." Literature Compass 11, no. 8 (2014): 583–91. http://dx.doi.org/10.1111/lic3.12160.

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Essel, Osuanyi Quaicoo. "Dress Fashion Politics of Ghanaian Presidential Inauguration Ceremonies from 1960 to 2017." Fashion and Textiles Review 1 (September 18, 2019): 234–54. http://dx.doi.org/10.35738/ftr.v1.2019.16.

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Presidential inaugurations are statutory in Ghana, but what a president wears during his inauguration are non-statutory, yet, it is a salient visual communicative apparatus that pulls the strings of patriotism, nationalism and fosters a sense of belongingness. In an attempt to throw light on the dress fashion politics of president-elects, the study examined their chronological inaugural dress fashion choice from 1960 to 2017 in order to establish the trend of dress cultural identity they have portrayed during their respective inauguration ceremonies. Using census sampling technique, the sample
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Akou, Heather Marie. "Tetela amulets: Re-interpreting a medical anthropology collection as a fashion benchmark." International Journal of Fashion Studies 6, no. 2 (2019): 163–80. http://dx.doi.org/10.1386/infs_00002_1.

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In the 1920s and 1930s, missionaries and colonial officials in equatorial Africa collected thousands of amulets – devices worn on the body that were made locally for protection and healing (spiritual and/or physical). One of these collections – assembled in the 1920s by an American pseudo-missionary, Major John White – is now held at the Mathers Museum of World Cultures at Indiana University, which accepted the amulets and other artefacts used by the Tetela people as an example of ‘medical anthropology’. Although they were not made as ‘fashion’ (or even as art), I argue that they can be viewed
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Apriliani, Fatwa Dewi, Widihastuti, Rihab Wit Daryono, Daniel Jesayanto Jaya, and Adilla Desy Rizbudiani. "The Influence of Fashion Knowledge, Fashion Selection Factor, and Dress Etiquette on Dress Look." Jurnal Pendidikan dan Pengajaran 56, no. 1 (2023): 194–207. http://dx.doi.org/10.23887/jpp.v56i1.53677.

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Dharma Wanita members tend to pay less attention to ethics in dress and the use of uniform attributes according to regulations. This is caused by various professions, education, culture, and economy as well as a lack of knowledge about dressing. The purpose of this research is to analyze how the influence of fashion knowledge, clothing selection factors, and dress etiquette on dress appearance. The research was aimed at members of Dharma Wanita with a sample of 60 respondents taken by purposive sampling technique. A combination of factor analysis and regression analysis was used to analyze the
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Navei, Nyamawero. "DECOLONISING GHANAIAN PARLIAMENTARY DRESS CODE." European Journal of Social Sciences Studies 8, no. 3 (2023): 77–100. https://doi.org/10.46827/ejsss.v8i6.1491.

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ABSTRACT: Dress fashion has sociocultural, economic and political expressions. In the political&nbsp;purview, dress fashion remains a viable catalyst capable of provoking dialogue for&nbsp;democratic action as people could proclaim their allegiance to a group or country through&nbsp;their dress fashion. In Ghana, there have been several attempts to decolonise the dress&nbsp;fashion culture. This study sought to deepen the advocacy dialogue through analysis ofFacebook reactions to Right Honourable Alban Sumana Bagbin&rsquo;s adornment of&nbsp;indigenous Ghanaian royal dress regalia for parliame
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Dissertations / Theses on the topic "Dress fashion"

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Ma, Jin Joo. "Dress-scape : wearing the sound of fashion." Thesis, Royal College of Art, 2017. http://researchonline.rca.ac.uk/2799/.

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Can a sound itself be a garment? This practice-led research explores the sound of garments and fashion, which is unheard, unspoken or overheard, to suggest a new perspective for reconsidering garments and fashion. Through experiments with making, wearing and displaying, the research examines the sound, voice or silence embedded in garments and fashion and affective experiences aroused from garments as atmospheric spaces. A new term, ‘dress-scape’, is introduced and discussed through a series of practical and theoretical approaches to the concept. The research suggests that the dress-scape of a
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Chong, Kwan Sara. "Making sense of everyday dress : integrating multisensory experience within our understanding of contemporary dress in the UK." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12007/.

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Multisensory perception is fundamental to the wearer’s experience of everyday dress, yet this remains an under-researched area within fashion and dress studies. Dress is predominantly described in visual terms, while much less attention has been paid to other relevant sensory aspects such as; touch, sound,smell - and to a lesser degree taste - and to the ways in which these interact. Similarly, within the now established field of sensory scholarship, little attention has been paid to the topic of dress. One of the contributions of this thesis is to address the above gaps in relation to both ma
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Van, Biljon Jaco. "[RE]dress : a fashion event facility in Pretoria West." Diss., University of Pretoria, 2010. http://hdl.handle.net/2263/30286.

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This dissertation deals with the regeneration of Pretoria West as a sub-support district that will act as catalyst for the regeneration of Pretoria CBD. The project focuses specifically on the adaptive re-use of an unused existing building at the Pretoria West Power Station and acts as a possible solution for re-using an old building. The theoretical discourse of this dissertation explored the reasons why new areas in the city develops and other areas fall in a state of disuse. It looks specifically at unused industrial areas and what they can be used for after they have outlived their purpose
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Eriksson, Kajsa G. "Concrete fashion : dress, art, and engagement in public space /." Göteborg : HDK, School of Design and Crafts, Faculty of Fine, Applied and Performing Arts, University of Gothenburg, 2009. http://hdl.handle.net/2077/21545.

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Kukkonen, Mikko. "Fashion Beyond Sight : Perceptions of fashion and dress by visually impaired women in Finland." Thesis, Stockholms universitet, Modevetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194118.

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Understanding fashion and dress is frequently dictated by the sense of sight and the social fact of visibility. This thesis aims to explore the phenomenon of non-visual fashion and dress with a particular focus on visually impaired people and their bodies as a site of knowledge production. While previous studies of the relationship between body and dress have examined how the sighted body is fashioned, the present small-scale and socio-sensorial study attempts to fathom how fashion and dress become perceivable in haptic, audial, and olfactory terms. This thesis engages thoughtfully with the vi
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Komski, Elizabeth A. "Fashion's Foes: Dress Reform from 1850-1900." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539626325.

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Skov, Lise. "Stories of world fashion and the Hong Kong fashion world." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22823682.

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Bågander, Linnéa. "BODY(dress?)SPACE(room?) : an exploration of dress at the intersection between body and arranged space through movement." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-411.

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This work is an exploration of the spatial boundaries of dress through the moving body’s interaction with arranged space. The work aims to question the distinction that is done between a “garment” and a “room” in the context of set deign and costume design as well as “dress” and “architecture”. The work is carried out through a series of staged experiments with different materials abilities to understand, extend or transform; - Movement of the body - The spatial boundaries of the body The work is a focusing on the similarities of set and costume design and garment and architecture rather than
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Fransson, Dekhla Linda. "Weaving Dress : Exploring whole-garment weaving as a method to create expressive dress." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14884.

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This thesis investigates whole-garment weaving as an experimental design and construction method. The majority of the current development and research within the field focuses on production efficiency and the development of weaving techniques. Here, the intention is to connect form, material and making. The aim is to find ways to deconstruct the process of garment making in order to create new knowledge through craft. Within whole-garment weaving, many design processes are dealt with simultaneously, through direct experimentation on the loom. In order to maintain the integrity of the weaving,
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Malmgren, De Oliveira Stefanie. "On seeing : in fashion design." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-8656.

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In fashion design, the designer strives for the development of ideas in view of significant visual goals. The process of specifying and developing ideas is a highly visual process. Based on what has been ‘seen’ as for example in a reference material or in explorations, designers define possible tracks to follow, decide which ideas to deepen or which ones to reject. Their activities can thus be described as a process of seeing. There is nothing novel about the importance of seeing as an act in the design process; on the contrary, seeing, is usually an intuitive act that any designer explicates
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Books on the topic "Dress fashion"

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Gostelow, Mary. Dress sense. Batsford, 1985.

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Gostelow, Mary. Dress sense. Batsford, 1985.

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Steele, Valerie. The black dress. Collins Design, 2007.

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Johnson, Lorraine. Dress with style. Treasure, 1988.

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Club, Antique Collectors', ed. My favourite dress. ACC Editions, 2009.

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P, Johnson Kim K., Torntore Susan J, and Eicher Joanne Bubolz, eds. Fashion foundations: Early writings on fashion and dress. Berg Publishers, 2003.

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Mary, Wearden Jennifer, and Wilson Verity 1947-, eds. World dress fashion in detail. Victoria & Albert Museum, 2009.

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Newman, Cathy. Fashion. National Geographic Society, 2001.

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Diamond, Jay. Fashion apparel and accessories. Delmar Pub., 1994.

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Marsh, Tracy. Funky fashion. Tracy Marsh Publications ; Kent Town, S. Aust., 2004.

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Book chapters on the topic "Dress fashion"

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Devonis, David C. "Fashion and Dress." In Exploring Cross-Cultural Psychology, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003300380-8.

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Hills, Nancy E. "Recreating Fashion Exhibits." In Recreating Historic Dress. Routledge, 2024. http://dx.doi.org/10.4324/9781032624631-28.

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Phizacklea, Annie. "Dress sense." In Unpacking the Fashion Industry. Routledge, 2023. http://dx.doi.org/10.4324/9781003354161-2.

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Adburgham, Alison. "Debutantes' Dress Show." In View of Fashion. Routledge, 2023. http://dx.doi.org/10.4324/9781003361398-32.

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Kelcey, Barbara E. "Dress Reform in Nineteenth-Century Canada." In Fashion. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442674806-013.

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Richardson, Jane, and A. L. Kroeber. "Three Centuries Of Women's Dress Fashions." In Fashion Marketing. Routledge, 2024. http://dx.doi.org/10.4324/9781003424208-4.

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Ball, Jennifer. "The Byzantine Fashion System." In Byzantine Dress: A Guide. Routledge, 2024. https://doi.org/10.4324/9781003096023-14.

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Egan, Gerald. "Nobleman Incognito: Byron’s Albanian Dress." In Fashion and Authorship. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-26898-5_5.

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Noel, Jan. "Defrocking Dad: Masculinity and Dress in Montreal, 1700-1867." In Fashion. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442674806-006.

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Manning, Erin. "Dress Becomes Body." In The Funambulist Papers, Volume 2. punctum books, 2015. https://doi.org/10.21983/p3.0098.1.19.

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“Cut to invent anew,” proposes Rei Kawakubo, owner and designer of the fashion label Comme des Garçons. “Make an abstract image.” “Break the idea of clothes.”“Break the idea of clothes,” has been Kawakubo’s call for over 40 years, a call that has motivated the creation of some of the most intriguing clothing of the late 20th and early 21st centuries, opening up the field of fashion to an architectural potential perhaps unprecedented. With Kawakubo’s insistence that clothes are not a predetermined category, but a proposition according to which a body is invited to continuously reinvent itself, she has led the way toward a textile-based architecting of experience. In this regard, Kawakubo has pushed and continues to push the Spinozist mantra “we know not what a body can do” to its limit, recasting not only the realm of fashion but the way fashion situ-ates itself in relation to other practices, especially that of architecture.
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Conference papers on the topic "Dress fashion"

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Zhao, Hongrui, Jin Yu, Yanan Li, et al. "Dress like an Internet Celebrity: Fashion Retrieval in Videos." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/147.

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Nowadays, both online shopping and video sharing have grown exponentially. Although internet celebrities in videos are ideal exhibition for fashion corporations to sell their products, audiences do not always know where to buy fashion products in videos, which is a cross-domain problem called video-to-shop. In this paper, we propose a novel deep neural network, called Detect, Pick, and Retrieval Network (DPRNet), to break the gap between fashion products from videos and audiences. For the video side, we have modified the traditional object detector, which automatically picks out the best objec
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Antipala, Ailee, Maddison Zadina, Savanah Adler, Savanna lendrum, and Shu Hwa Lin. "Vegan Tea Leather Cocktail Dress for Sustainable Fashion Industry." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.12112.

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Garcia, Noa, and George Vogiatzis. "Dress Like a Star: Retrieving Fashion Products from Videos." In 2017 IEEE International Conference on Computer Vision Workshop (ICCVW). IEEE, 2017. http://dx.doi.org/10.1109/iccvw.2017.270.

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Elias, Larissa, and Maria Luisa Garrido. "The conception of “fashion-sculpture” in Rei Kawakubo’s costumes for the choreography “Scenario”(1997)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.118.

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“The Rei Kawakubo's fashion-sculpture” is an ongoing Master's project, developed at the Postgraduate Program in Visual Design at the Federal University of Rio de Janeiro. The research is centered on the study of the costumes (and its relationship with movements and spatiality) created by the japanese fashion designer Rei Kawakubo for the dance performance “Scenario” (1997), by the american dancer and choreographer Merce Cunningham (1919-2009). The costumes were adapted from the spring-summer Collection “Body meets dress, dress meets body”, designed by Rei and launched by her brand Comme des Ga
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Martin, Kathi, and Hyeong-Seok Ko. "Imagining Historic Fashion: Digital Tools for the Examination of Historic Dress." In 2011 Second International Conference on Culture and Computing (Culture Computing). IEEE, 2011. http://dx.doi.org/10.1109/culture-computing.2011.18.

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Smith, Alyssa, Amanda Morales, Jennifer Paff Ogle, Maricela DeMiryjn, and Mary Alice Casto. "The Search for Authenticity through ‘Style-Fashion-Dress’ among Adolescent Latina Immigrants." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.12072.

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Martin, Danielle, Jessy Simon, Brianna Antoniel, et al. "Eco-Fashion and Expression of Emotion: A Minimalist 3D Beaded Draped Dress." In Making Waves Toward A Sustainable and Equitable Future. Iowa State University Digital Press, 2025. https://doi.org/10.31274/itaa.18800.

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Smith-Glaviana, Dina, and Delaney Shields. "Fashion Countdown to Halloween: A Study of Dress Practices within Halloween Consumer Culture." In Bridging the Divide. Iowa State University Digital Press, 2024. http://dx.doi.org/10.31274/itaa.17484.

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Jankoska, Maja, and Ruzica Stevkovska-Stojanovska. "Connection of women's fashion designs and architectural constructions." In 7th International Scientific Conference Contemporary Trends and Innovations in Textile Industry – CT&ITI 2024. Union of Engineers and Technicians of Serbia, Belgrade, 2024. http://dx.doi.org/10.5937/ct_iti24032j.

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Ideas of societal, cultural, and personal identity have long been expressed through the fields of architecture and fashion design. But in the last year, practitioners in both fields have expressed more nuanced and thought-provoking challenges related to ideas of identity, going beyond the idea of just denoting value, status, and belonging. The aim of this paper is to present the relation between architecture creations and fashion design, creating women's dresses inspired by Gothic architecture. Initially, technical sketches of the model are performed. The basic constructions of women's dress a
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Hara, Ayumi, Hideki Aoyama, and Tetsuo Oya. "Fabric Simulation Using Measurement Data for Dress Design." In ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-34818.

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The state of wrinkles and folds formed on our dress according to human postures and movements is an important design element. Fashion designers must envisage the fabric state as wrinkling and folding. However, this is not easy because the fabric state strongly depends on the mechanical properties of the fabric, and in this sense, fabric simulation can aid designers in envisaging the fabric state. In previous works on fabric simulation, fabric models are proposed and developed based on the simple mass spring model. Since none of the models proposed so far take into account the state of slipping
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Reports on the topic "Dress fashion"

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Silk Chiffon Afternoon Dress c. Fall 1976. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/q3g5-n257.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This afternoon dress is from Galanos' Fall 1976 collection. It is made from pale pink silk chiffon and finished with hand stitching on the hems and edges of this dress, The dress was gifted to Drexel University as part of The James G. Galanos Archive at Drexel University in 2016. After it was imaged the gown was deemed too fragile to exhibit. By imaging it using high resolution GigaPan tech
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Reeves-DeArmond, Genna. Visual rhetoric: Significance and application to fashion and dress scholarship. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-541.

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Sun, Lushan, and Melody LeHew. 70 Years of Fashion in the Chinese Dress—Exploring Sociocultural influences on Chinese Qipao’s Hemline Height and Waistline Fit in 1920s-1980s. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-622.

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Morgan, Courtney, Jennifer Paff Ogle, Karen H. Hyllegard, and Kelly L. Reddy Best. �I Kicked Those Babies Off and Put the Typical Lesbian Birkenstocks on:� Authentic Style-Fashion-Dress Negotiations of Lesbian Married Couples on Their Wedding Day. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8417.

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