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Books on the topic 'Dressed weight'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Pepys, Vicky. What to wear when you are losing weight. London: Simon & Schuster, 2007.

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2

ill, Fields Lisa, and Ventura Gabriela Baeza, eds. Sofia and the purple dress. Houston, Tex: Pinata Books, 2012.

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3

101 things to do before you diet: Because looking great isn't just about losing weight. Emmaus, Pa: Rodale, 2009.

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4

1957-, Hunt Angela Elwell, ed. Hearts at home. Waterville, Me: Thorndike Press, 2010.

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5

Copeland, Lori. Hearts at home. Nashville: W Pub. Group, 2003.

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6

Global mei nü can kao shu: Zhou Danwei de wu guo jie mei li ding ning. Taibei Shi: Fang zhi chu ban she gu fen you xian gong si, 2005.

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7

Pretty plus: How to look sexy, sensational and successful, no matter what you weigh. Far Hills, N.J: New Horizon Press, 2010.

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8

Curtis, Lucy D. L. Lucy's list: A comprehensive sourcebook for making larger living easier. New York: Warner Books, 1996.

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9

Wills, Judith. Take off 10 years in 10 weeks. Pleasantville, N.Y: Reader's Digest Association, 1997.

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10

Wills, Judith. Take off 10 years in 10 weeks. Pleasantville, N.Y: Reader's Digest Association, 1997.

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11

Take off 10 years in 10 weeks. London: Quadrille, 1997.

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12

Fat Chance (Red Dress Ink). Red Dress Ink, 2005.

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13

Flipse, Robyn Rd, and Jacqueline Shannon. The Wedding Dress Diet. Main Street Books, 2000.

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14

The Skinny: How to Fit into Your Little Black Dress Forever. Meredith Books, 2006.

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15

Secrets of a Former Fat Girl: How to Lose Two, Four (or More!) Dress Sizes--And Find Yourself Along the Way. Plume, 2008.

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16

Secrets of a Former Fat Girl: How to Lose Two, Four (or More!) Dress Sizes--And Find Yourself Along the Way. Hudson Street Press, 2007.

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17

Marshik, Celia. At the Mercy of Their Clothes. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231175043.001.0001.

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Abstract:

In much of modern fiction, it is the clothes that make the character. Garments embody personal and national histories. They convey wealth, status, aspiration, and morality (or a lack thereof). They suggest where characters have been and where they might be headed, as well as whether or not they are aware of their fate. This study explores the agency of fashion in modern literature. Celia Marshik’s study combines close readings of modernist and middlebrow works, a history of Britain in the early twentieth century, and the insights of thing theory. She focuses on four distinct categories of modern clothing: the evening gown, the mackintosh, the fancy dress costume, and secondhand attire. In their use of these clothes, we see authors negotiate shifting gender roles, weigh the value of individuality during national conflict, work through mortality, and depict changing class structures. Marshik’s dynamic comparisons put Ulysses in conversation with Rebecca, Punch cartoons, articles in Vogue, and letters from consumers, illuminating opinions about specific garments and a widespread anxiety that people were no more than what they wore. Throughout her readings, Marshik emphasizes the persistent animation of clothing—and objectification of individuals—in early-twentieth-century literature and society. She argues that while artists and intellectuals celebrated the ability of modern individuals to remake themselves, a range of literary works and popular publications points to a lingering anxiety about how political, social, and economic conditions continued to constrain the individual.

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