Relevant bibliographies by topics / Dressmaking Sewing

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Dressmaking Sewing'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Dressmaking Sewing"

1

Bain, Jessica. "“Darn right I'm a feminist…Sew what?” the politics of contemporary home dressmaking: Sewing, slow fashion and feminism." Women's Studies International Forum 54 (January 2016): 57–66. http://dx.doi.org/10.1016/j.wsif.2015.11.001.

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2

Gamber, Wendy. "Barbara Burman, ed. The Culture of Sewing: Gender, Consumption and Home Dressmaking. Oxford: Berg Publishers, 1999. vi + 350 pp. ISBN 1-85973-203-8, $65.00 (cloth); 1-85973-208-9, $19.50 (paper)." Enterprise & Society 1, no. 4 (2000): 865–66. http://dx.doi.org/10.1017/s1467222700002378.

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Zakim, Michael. "The Culture of Sewing: Gender, Consumption and Home Dressmaking. Barbara Burman, ed. Oxford, U.K.: Berg Publishers, Ltd., 1999. Illustrations, bibliography, index. 224 pp. Cloth, $65.00; paper, $19.50. ISBN: Cloth 1-859-73203-8; paper 1-859-73208-9." Business History Review 74, no. 3 (2000): 509–11. http://dx.doi.org/10.2307/3116448.

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Lee, Sara. "Reinvention of a Lost Interior World." IDEA JOURNAL, July 15, 2011, 102–11. http://dx.doi.org/10.37113/ideaj.v0i0.112.

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This visual essay explores interiority through drawing into a grandmother’s world in the 1950s, Taiwan. My grandmother’s house had never been documented prior to its demolition in1980. This paper is intended to re-invent and re-imagine the potentially changeable, layered and multi-functional interior settings of that house through the act of drawing. Drawing was undertaken through collaging the lost domestic world and became an act of complicity with my distant heritage and a sign of recognition of a shared condition. 
 The house was an economic unit; she shared the house with animals, se
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Dissertations / Theses on the topic "Dressmaking Sewing"

1

Bush, Trenton D. "The creation of flat-pattern garment samples to serve as visual aids for demonstrative purposes." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/682.

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Walker, Sue. "Resurgence this exegesis is submitted to Auckland University of Technology in partial fulfillment of the degree of Master of Art and Design, 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/372.

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Exegesis (MA--Art and Design) -- AUT University, 2008.<br>Includes bibliographical references. Also held in print (111 leaves : col. ill. ; 22 x 30 cm.) in the Archive at the City Campus (T 746.92 WAL)
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Books on the topic "Dressmaking Sewing"

1

Sara, Dorothy. Sewing made easy. 5th ed. Doubleday, 1986.

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2

Incorporated, Cy DeCosse. Sewing for style. Edited by Cy DeCosse Incorporated and Singer Company. Education Dept. C. DeCosse Inc., 1985.

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3

Sara, Dorothy. Sewing made easy. 5th ed. Overlook Press, 2001.

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4

Sewing express. Oxmoor House, 1994.

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5

Easy dressmaking techniques. Sally Milner Pub., 2001.

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6

Claire Shaeffer's sewing S.O.S. Open Chain Pub., 1988.

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7

Ladbury, Ann. Start dressmaking: A book for beginners. Dryad Press, 1986.

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8

Maynard, Lynda. Couture sewing techniques: The dressmaker's handbook of couture sewing techniques. Interweave Press, 2010.

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9

Shaeffer, Claire B. Couture sewing techniques. Taunton Press, 1993.

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10

Sewing 101. Creative Pub. International, 2011.

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Book chapters on the topic "Dressmaking Sewing"

1

Palmer, Alexandra. "Virtual Home Dressmaking." In The Culture of Sewing. Berg, 1999. http://dx.doi.org/10.2752/9781847888884/cultsew0018.

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2

Williams, Erica Lorraine. "No Bodily Rights Worth Protecting." In Black Sexual Economies. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042645.003.0006.

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The sexual labor of music making began, in earnest, with the classic Blues women of the 1920s who epitomized the turn to a national Black popular culture. Gertrude “Ma” Rainey was one of the most prolific of her cohort and made a career describing, in intimate detail, the interior lives of Black women and working class communities. Her popularity was a testament to her talents as a singer and performer but also to the skill of those around her, including the “Father of the Gospel Blues,” composer Thomas Dorsey and his wife, seamstress Nettie Dorsey. The materiality of the relationship shared between Mrs. Dorsey and Rainey is found in the dresses painstakingly sewn by Dorsey and glamorously displayed on stage by Rainey. While pleasant for the eye, these dresses also carry sounds—the music of its making as well as its performative display, making this object a text. In this examination, Redmond exposes the close proximities that exist within the costumes sewn by Mrs. Dorsey and worn by Rainey—namely the relationship between pious respectability and working-class nonheternomativity, laboring femininity and sonorous vocalities. Mrs. Dorsey’s work documents dressmaking as a sonic production capable of facilitating the growth of new industries and challenging the normative practices within the early twentieth century Black public sphere. Microreadings of these items, laborers, and artists expose some of the detail of Black political cultures in this moment and highlight the intertextual and multimedia enterprise of Black women’s sexual economies.
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