Relevant bibliographies by topics / Drum and bugle corps

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Drum and bugle corps'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 January 2023

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Journal articles on the topic "Drum and bugle corps"

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Levy, Jacob J., Whitney J. Statham, and Laura VanDoren. "BMI Changes among Marching Artists: A Longitudinal Study." Medical Problems of Performing Artists 28, no. 4 (2013): 236–41. http://dx.doi.org/10.21091/mppa.2013.4045.

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In a series of longitudinal analyses, we examined body mass index (BMI) of drum and bugle corps performers at the beginning (Time 1) and end (Time 2) of a competitive season and again at a 1-year follow-up (Time 3). Utilizing an archival database, BMI data were recorded for 501 marching arts performers, representing four world-class drum and bugle corps. Significant reductions in BMI were found between Time 1 and Time 2 for performers in all sections (i.e., brass, percussion, and color guard). Archival data from 92 performers, representing three World-Class drum and bugle units, revealed BMI significantly increased from Time 2 to Time 3. In an effort to identify possible personal influences on the changes in BMI found between Times 2 and 3, 50 performers from one drum and bugle corps provided archival data on a measures of performers’ athletic identity (i.e., the strength and exclusivity of one’s identification with the athlete role) along with BMI. Correlational analyses revealed that performers’ athletic identity negatively related to BMI change from Time 1 and Time 3 and Times 2 and 3 (i.e., stronger athletic identity, lower BMI change). Practical implications are discussed.
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Dostal, Jack. "A history of brass bugles in American drum and bugle corps." Journal of the Acoustical Society of America 142, no. 4 (2017): 2511. http://dx.doi.org/10.1121/1.5014171.

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Levy, Jacob J., Christopher M. Castille, and Justina A. Farley. "An Investigation of Musical Performance Anxiety in the Marching Arts." Medical Problems of Performing Artists 26, no. 1 (2011): 30–34. http://dx.doi.org/10.21091/mppa.2011.1004.

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The purpose of this study was to investigate the prevalence of musical performance anxiety (MPA) in marching artists. The marching arts include high school and college marching bands, drum and bugle corps, and indoor color guard and percussion ensembles. Drawing on a sample of 780 world class drum and bugle corps performers, we examined the prevalence of somatic and cognitive symptoms of MPA. We also examined differences in endorsement of symptoms by performing section (i.e., brass players, percussionists, and dancers/color guard) and gender. Results revealed a relatively low prevalence of MPA symptoms as compared with prior studies of adolescent and young adult performers. In addition, color guard performers reported significantly greater magnitudes of somatic MPA symptoms than brass players, and female performers reported greater magnitudes of cognitive MPA symptoms than their male counterparts. Practical recommendations are discussed.
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Levy, Jacob J., John W. Lounsbury, and Kimberly N. Kent. "Big Five Personality Traits and Marching Music Injuries." Medical Problems of Performing Artists 24, no. 3 (2009): 135–40. http://dx.doi.org/10.21091/mppa.2009.3028.

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In a sample of 155 world-class drum and bugle corps performers, we studied marching music-related injuries in relation to the Big Five personality traits (agreeableness, conscientiousness, emotional stability, extraversion, and openness). Correlation and multiple regression analyses revealed concurrent relationships between the Big Five personality traits and self-reported injury. A linear combination of the Big Five traits accounted for 13% of the total variance in activity-related injuries. Two traits, openness and emotional stability, contributed significant unique variance in self-reported, marching music-related injuries. Theoretical and practical implications of the findings are discussed.
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Mabrey, Gina, Peter Inglett, and Kory Hill. "The Influence of Participation in an Immersive Drum and Bugle Corps Program on Body Composition and Body Weight." Journal of Sports Pedagogy and Physical Education 7, no. 2 (2016): 11–19. http://dx.doi.org/10.18848/2381-7100/cgp/v07i02/11-19.

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Safira, Adnia. "Tindak Tutur Direktif Pelatih Drum Corps Sabda Kinnara Drum Corps." Alinea: Jurnal Bahasa, Sastra, dan Pengajaran 9, no. 2 (2020): 127. http://dx.doi.org/10.35194/alinea.v9i2.956.

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Peristiwa tutur satu arah antara pelatih dengan pemain (player) pada pelatihan drum corps di Sabda Kinnara Drum Corps UNNES merupakan hal yang mendasari dilakukannya penelitian. Penelitian dilakukan menggunakan metode deskriptif kualitatif. Data penelitian dikumpulkan dengan metode simak dan metode cakap. Data utama penelitian berupa hasil sadapan terhadap tuturan dua pelatih Sabda Kinnara Drum Corps UNNES divisi Colour Guard (CG) dengan data pendukung berupa hasil wawancara dengan pelatih divisi CG. Objek penelitian ini adalah tindak tutur direktif pelatih drum corps divisi Colour Guard (CG). Dari penelitian ini diperoleh 21 bentuk tindak tutur direktif yang digunakan pelatih SKDCU divisi CG, di antaranya 8 tindak tutur memerintah, 3 tindak tutur memohon, 6 tindak tutur menyarankan, dan 4 tindak tutur menantang.Katakunci: direktif, tindak tutur Abstract:The one-way speech from the coach to the players at the drum corps training at Sabda Kinnara Drum Corps UNNES was the basis of the research. The research was conducted using a qualitative descriptive method. The research data were collected using recording and interview. The main data of the research are the results of recording of utterances used by two coaches in Sabda Kinnara Drum Corps UNNES Color Guard (CG) division with supporting data from interviews with the CG division coaches. The object of this research is directive speech act used by coach of Color Guard (CG) drum corps. This research reveals that there are 21 forms of directive speech acts used by the CG division SKDCU coaches, including 8 commanding speech acts, 3 pleading speech acts, 6 suggesting speech acts, and 4 challenging speech acts.Keywords: directive, speech act
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Yendra, Dhiya'ul. "Drum Corps dalam Perspektif Seni Kontemporer Studi Kasus Finalis The Drum Corps International World Championships." JURNAL TATA KELOLA SENI 4, no. 2 (2019): 95–102. http://dx.doi.org/10.24821/jtks.v4i2.3086.

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Artikel ini ingin mengidentifikasi perkembangan drum corps pada masa kini melalui perspektif seni kontemporer, yaitu mencari jawaban atas pertanyaan berikut: Bagaimana memahami bentuk-bentuk seni kontemporer disertakan dalam drum corps yang berkembang pada masa kini? Studi kasus dalam artikel ini adalah Santa Clara Vanguard (SCV), sebuah korps yang tampil sebagai finalis di ajang The Drum Corps International World Championships (DCIWC)pada 2018.Beberapa identifikasi mengenai bentuk-bentuk seni kontemporer yang disertakan dalam penampilan SCV ini, menurut pemahaman penulis, terdiri dari 3 unsur pokok: 1)Penggunaan tarian/koreografi kontemporer; 2)Penggarapan aransemen musik yang mengacu pada harmonisasi abad ke-20; 3)Penggarapan formasi yang tidak lazim dengan manuver-manuver yang gesit dan sangat variatif.Terlepas dari kontroversi di seputar drum corps kontemporer, menurut penulis keberadaan SCV menjadi bukti kuat bahwa drum corps memang sedang berkembang mengikuti zaman, dan bentuk seni kontemporer memang ada dan mengiringi perjalanan drum corps pada masa kini.
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Odello, Denise. "Ritualized performance and community identity: A historical examination of drum corps competition in the United States." International Journal of Community Music 13, no. 1 (2020): 65–79. http://dx.doi.org/10.1386/ijcm_00010_1.

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What structures bind musical communities that reach over distances? This article examines the musical community of youth drum corps in the United States and, in particular, the changing performance practices at competitions over time and how those changes influence the identity of the community. Drum corps is a community that exists over increasingly greater distances, yet the identity of this musical community is strong. An important site for discovering this communal identity is in competitive performance. Drum corps performances are strictly regulated because of this competitive context, and the values seen in those competitive regulations reflect the identity of the community. Ritual theory helps to examine the mechanisms by which members of this musical community renegotiate these identity values over decades. This article discusses shifts in performance practices such as instrumentation, repertoire and motion, all of which are reflected in changing competition judging guidelines. Ritual theory is used to understand how members of the drum corps community understood the implementation and official recognition of these changes in competitions as changes to the community’s identity.
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Matthews, Nestor, Leslie Welch, F. Daniel Coplin, Allison J. Murphy, and Megan R. Puritz. "Visual speed sensitivity in the drum corps color guard." Journal of Vision 17, no. 8 (2017): 7. http://dx.doi.org/10.1167/17.8.7.

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Matthews, Nestor, Leslie Welch, and Elena Festa. "Visual Timing Sensitivity in a World Class Drum Corps." Journal of Vision 18, no. 10 (2018): 1069. http://dx.doi.org/10.1167/18.10.1069.

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Dissertations / Theses on the topic "Drum and bugle corps"

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Cole, Dennis E. "WHAT IS A DRUM AND BUGLE CORPS? REINTERPRETING TRADITIONS INSIDE THE MUSICAL COMMUNITY." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1240081983.

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Thesis (Ph.D.)--Kent State University, 2009.<br>Title from PDF t.p. (viewed Feb. 2, 2010). Advisor: Terry Miller. Keywords: drum and bugle corps, reinterpretation, assimilation, ethnomusicology. Includes bibliographical references (p. 228-255).
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Summerlin, Lane W. "The History and Development of the Front Ensemble in Drum Corps International." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461167753.

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Lindblom, Daniel Lee. "A guide for incorporating corps-style percussion." Thesis, Kansas State University, 1986. http://hdl.handle.net/2097/9933.

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Brennan, John Michael. "Show Design and Wind Arranging for Marching Ensembles." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397561909.

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Aho, Eric W. "A descriptive analysis of the fourteen mid-American conference athletic band programs." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1124390664.

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Chang, Ting-Ting, and 張婷婷. "The Study of Self-actualization Process of Serious Leisure. A Case Study base on the Member of Taipei Yuehfu Drum and Bugle Corps." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/67047159234551432027.

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碩士<br>銘傳大學<br>觀光事業學系碩士在職專班<br>100<br>The research is based on Stebbins (1992) Serious Leisure theory and Maslow (1954) Self-actualization theory. The researcher intended to study the self-actualization process of the participants in this serious leisure, Taipei Yuehfu Drum and Bugle Corps, and to discuss the six major benefits of serious leisure from the process of the marching music actavities. The paper applied two qualitative research methods to gather information: 1. Observed and recorded the activities. 2. Interviewed the participants: The researcher found that Yuehfu reflects six attitudes in taking part of leisure activities: To seek the “Durable benefits” the participants would be devoted to it and have built “Identify strongly with the activity” to overcome setbacks or challenges; They would also volunteer to improve their skills to achieve the goal in the process, which reflects one of the other essential benefits: think highly of “Personal effort”. After the long-term participation, they would form the spirits of “Have career in their endeavors”and “The unique ethos”to lead them take the marching music actavities as a lifetime career. What is more, the whole progress needs “Perseverance”to achieve self-actualization.
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Bright, Crystal Dawn Gunderson Frank D. "Cakalak thunder The meaning of anarchy, value, and community in the music of Greensboro's protest drum corps /." Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-05052006-171727/.

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Thesis (M.M.) Florida State University, 2006.<br>Advisor: Frank Gunderson, Florida State University, College of Music. Title and description from dissertation home page (viewed DATE). Document formatted into pages; contains 101 pages. Includes biographical sketch. Includes bibliographical references.
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Books on the topic "Drum and bugle corps"

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Steve, Vickers, ed. A history of drum & bugle corps. Drum Corps World, 2002.

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Cole, Dennis E. Competitive drum corps in the United States: An ethnographic field study. Sights & Sounds, 2011.

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Building the Green Machine: Don Warren and sixty years with the world champion Cavaliers Drum and Bugle Corps. Savas Beatie, 2007.

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Fennell, George D. Racine: Drum and bugle corps capital of the world. Arcadia, 2008.

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Andreou, Andreas. Hē banta tympanōn kai salpingōn. [s.n.], 2003.

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Marching to the drums: A history of military drums and drummers. Spellmount, 2012.

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DeJournett, Bill. Brass secrets of the drum and bugle corps: A comprehensive guide to outdoor brass technique. Focus on Excellence, 1997.

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Grootemaat, Peter. Met muziek op mars: Nederlandse militaire tamboerkorpsen en andere muziekformaties van 1945 tot 2003. Europese Bibliotheek, 2003.

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Karls, Alan R. Racine's Horlick Athletic Field: Drums along the foundries. History Press, 2014.

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Marshall, S. L. A. 1900-1977., ed. One bugle, no drums: The Marines at Chosin Reservoir. Algonquin Books of Chapel Hill, 1986.

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Book chapters on the topic "Drum and bugle corps"

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Shaw, John M. "“Like a Muffled, Rumbling Heartbeat”." In Following the Drums. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496839541.003.0007.

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This chapter explains that by 1942, Black fife and drum music was largely invisible to the larger society. Unmentioned in newspapers and magazines, unrecorded by record labels, the genre had an ephemeral existence in rural Black communities at funerals and picnics. Things might have remained that way forever, but a number of factors came together in postwar America that resulted in the rediscovery of the Black fife and drum tradition. One factor was the activities of folklorists and musicologists such as Alan Lomax. In 1942, he and Louis Jones were commissioned by the Library of Congress to go to the Mississippi Delta and make field recordings. The chapter then looks at the discovery of fife and drum bands such as the Southern Fife and Drum Corps; the Broadnax Brothers; the Fredonia Fife and Drum Band; the United Sons and Daughters of Zion No. 9 Fife and Drum Band; and the Independent Pole Bearers Society No. 9.
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Parrington, John. "Music and Rhythm." In Mind Shift. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198801634.003.0019.

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This chapter evaluates how music has been an important part of human culture for a very long time. One explanation for the centrality of music in human society is that it plays a key role in coordinating activity. Rhythmic sound ‘not only coordinates the behaviour of people in a group, it also coordinates their thinking—the mental processes of individuals in the group become synchronized’. This may explain how drums unite tribes in ceremony, why armies used to march into battle accompanied by bugle and drum, religious ceremonies are infused by song, and speech is punctuated by rhythmic emphasis on particular syllables and words. The chapter then assesses what modern neuroscience can reveal about how music affects the brain, and considers the role that music plays in the creation of meaning. It illustrates these general arguments with reference to music ranging from the classical music of Mozart and Beethoven, to mid-twentieth century jazz, through to modern pop music. The chapter also looks at how music can help us cope with some of the alienation that many people feel in modern society, and ways in which music has addressed the issue of mental illness.
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