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Journal articles on the topic 'Drum and bugle corps'
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1
Levy, Jacob J., Whitney J. Statham, and Laura VanDoren. "BMI Changes among Marching Artists: A Longitudinal Study." Medical Problems of Performing Artists 28, no. 4 (2013): 236–41. http://dx.doi.org/10.21091/mppa.2013.4045.
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In a series of longitudinal analyses, we examined body mass index (BMI) of drum and bugle corps performers at the beginning (Time 1) and end (Time 2) of a competitive season and again at a 1-year follow-up (Time 3). Utilizing an archival database, BMI data were recorded for 501 marching arts performers, representing four world-class drum and bugle corps. Significant reductions in BMI were found between Time 1 and Time 2 for performers in all sections (i.e., brass, percussion, and color guard). Archival data from 92 performers, representing three World-Class drum and bugle units, revealed BMI significantly increased from Time 2 to Time 3. In an effort to identify possible personal influences on the changes in BMI found between Times 2 and 3, 50 performers from one drum and bugle corps provided archival data on a measures of performers’ athletic identity (i.e., the strength and exclusivity of one’s identification with the athlete role) along with BMI. Correlational analyses revealed that performers’ athletic identity negatively related to BMI change from Time 1 and Time 3 and Times 2 and 3 (i.e., stronger athletic identity, lower BMI change). Practical implications are discussed.
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Dostal, Jack. "A history of brass bugles in American drum and bugle corps." Journal of the Acoustical Society of America 142, no. 4 (2017): 2511. http://dx.doi.org/10.1121/1.5014171.
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Levy, Jacob J., Christopher M. Castille, and Justina A. Farley. "An Investigation of Musical Performance Anxiety in the Marching Arts." Medical Problems of Performing Artists 26, no. 1 (2011): 30–34. http://dx.doi.org/10.21091/mppa.2011.1004.
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The purpose of this study was to investigate the prevalence of musical performance anxiety (MPA) in marching artists. The marching arts include high school and college marching bands, drum and bugle corps, and indoor color guard and percussion ensembles. Drawing on a sample of 780 world class drum and bugle corps performers, we examined the prevalence of somatic and cognitive symptoms of MPA. We also examined differences in endorsement of symptoms by performing section (i.e., brass players, percussionists, and dancers/color guard) and gender. Results revealed a relatively low prevalence of MPA symptoms as compared with prior studies of adolescent and young adult performers. In addition, color guard performers reported significantly greater magnitudes of somatic MPA symptoms than brass players, and female performers reported greater magnitudes of cognitive MPA symptoms than their male counterparts. Practical recommendations are discussed.
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Levy, Jacob J., John W. Lounsbury, and Kimberly N. Kent. "Big Five Personality Traits and Marching Music Injuries." Medical Problems of Performing Artists 24, no. 3 (2009): 135–40. http://dx.doi.org/10.21091/mppa.2009.3028.
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In a sample of 155 world-class drum and bugle corps performers, we studied marching music-related injuries in relation to the Big Five personality traits (agreeableness, conscientiousness, emotional stability, extraversion, and openness). Correlation and multiple regression analyses revealed concurrent relationships between the Big Five personality traits and self-reported injury. A linear combination of the Big Five traits accounted for 13% of the total variance in activity-related injuries. Two traits, openness and emotional stability, contributed significant unique variance in self-reported, marching music-related injuries. Theoretical and practical implications of the findings are discussed.
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Mabrey, Gina, Peter Inglett, and Kory Hill. "The Influence of Participation in an Immersive Drum and Bugle Corps Program on Body Composition and Body Weight." Journal of Sports Pedagogy and Physical Education 7, no. 2 (2016): 11–19. http://dx.doi.org/10.18848/2381-7100/cgp/v07i02/11-19.
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Safira, Adnia. "Tindak Tutur Direktif Pelatih Drum Corps Sabda Kinnara Drum Corps." Alinea: Jurnal Bahasa, Sastra, dan Pengajaran 9, no. 2 (2020): 127. http://dx.doi.org/10.35194/alinea.v9i2.956.
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Peristiwa tutur satu arah antara pelatih dengan pemain (player) pada pelatihan drum corps di Sabda Kinnara Drum Corps UNNES merupakan hal yang mendasari dilakukannya penelitian. Penelitian dilakukan menggunakan metode deskriptif kualitatif. Data penelitian dikumpulkan dengan metode simak dan metode cakap. Data utama penelitian berupa hasil sadapan terhadap tuturan dua pelatih Sabda Kinnara Drum Corps UNNES divisi Colour Guard (CG) dengan data pendukung berupa hasil wawancara dengan pelatih divisi CG. Objek penelitian ini adalah tindak tutur direktif pelatih drum corps divisi Colour Guard (CG). Dari penelitian ini diperoleh 21 bentuk tindak tutur direktif yang digunakan pelatih SKDCU divisi CG, di antaranya 8 tindak tutur memerintah, 3 tindak tutur memohon, 6 tindak tutur menyarankan, dan 4 tindak tutur menantang.Katakunci: direktif, tindak tutur Abstract:The one-way speech from the coach to the players at the drum corps training at Sabda Kinnara Drum Corps UNNES was the basis of the research. The research was conducted using a qualitative descriptive method. The research data were collected using recording and interview. The main data of the research are the results of recording of utterances used by two coaches in Sabda Kinnara Drum Corps UNNES Color Guard (CG) division with supporting data from interviews with the CG division coaches. The object of this research is directive speech act used by coach of Color Guard (CG) drum corps. This research reveals that there are 21 forms of directive speech acts used by the CG division SKDCU coaches, including 8 commanding speech acts, 3 pleading speech acts, 6 suggesting speech acts, and 4 challenging speech acts.Keywords: directive, speech act
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Yendra, Dhiya'ul. "Drum Corps dalam Perspektif Seni Kontemporer Studi Kasus Finalis The Drum Corps International World Championships." JURNAL TATA KELOLA SENI 4, no. 2 (2019): 95–102. http://dx.doi.org/10.24821/jtks.v4i2.3086.
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Artikel ini ingin mengidentifikasi perkembangan drum corps pada masa kini melalui perspektif seni kontemporer, yaitu mencari jawaban atas pertanyaan berikut: Bagaimana memahami bentuk-bentuk seni kontemporer disertakan dalam drum corps yang berkembang pada masa kini? Studi kasus dalam artikel ini adalah Santa Clara Vanguard (SCV), sebuah korps yang tampil sebagai finalis di ajang The Drum Corps International World Championships (DCIWC)pada 2018.Beberapa identifikasi mengenai bentuk-bentuk seni kontemporer yang disertakan dalam penampilan SCV ini, menurut pemahaman penulis, terdiri dari 3 unsur pokok: 1)Penggunaan tarian/koreografi kontemporer; 2)Penggarapan aransemen musik yang mengacu pada harmonisasi abad ke-20; 3)Penggarapan formasi yang tidak lazim dengan manuver-manuver yang gesit dan sangat variatif.Terlepas dari kontroversi di seputar drum corps kontemporer, menurut penulis keberadaan SCV menjadi bukti kuat bahwa drum corps memang sedang berkembang mengikuti zaman, dan bentuk seni kontemporer memang ada dan mengiringi perjalanan drum corps pada masa kini.
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Odello, Denise. "Ritualized performance and community identity: A historical examination of drum corps competition in the United States." International Journal of Community Music 13, no. 1 (2020): 65–79. http://dx.doi.org/10.1386/ijcm_00010_1.
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What structures bind musical communities that reach over distances? This article examines the musical community of youth drum corps in the United States and, in particular, the changing performance practices at competitions over time and how those changes influence the identity of the community. Drum corps is a community that exists over increasingly greater distances, yet the identity of this musical community is strong. An important site for discovering this communal identity is in competitive performance. Drum corps performances are strictly regulated because of this competitive context, and the values seen in those competitive regulations reflect the identity of the community. Ritual theory helps to examine the mechanisms by which members of this musical community renegotiate these identity values over decades. This article discusses shifts in performance practices such as instrumentation, repertoire and motion, all of which are reflected in changing competition judging guidelines. Ritual theory is used to understand how members of the drum corps community understood the implementation and official recognition of these changes in competitions as changes to the community’s identity.
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Matthews, Nestor, Leslie Welch, F. Daniel Coplin, Allison J. Murphy, and Megan R. Puritz. "Visual speed sensitivity in the drum corps color guard." Journal of Vision 17, no. 8 (2017): 7. http://dx.doi.org/10.1167/17.8.7.
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Matthews, Nestor, Leslie Welch, and Elena Festa. "Visual Timing Sensitivity in a World Class Drum Corps." Journal of Vision 18, no. 10 (2018): 1069. http://dx.doi.org/10.1167/18.10.1069.
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Matthews, Nestor, Leslie Welch, F. Coplin, Allison Murphy, and Megan Puritz. "Visual Speed Sensitivity in the Drum Corps Color Guard." Journal of Vision 17, no. 10 (2017): 516. http://dx.doi.org/10.1167/17.10.516.
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Odello, Denise. "Performing Tradition: History, Expression, and Meaning in Drum Corps Shows." Popular Music and Society 39, no. 2 (2015): 241–58. http://dx.doi.org/10.1080/03007766.2015.1065623.
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Pamungkas, Gilang Abdi. "Proses Pembentukan Kerja Sama Team Section Colour Guard Drum Corps Saraswati ISI (DCSI) Yogyakarta." INVENSI 6, no. 2 (2021): 143–53. http://dx.doi.org/10.24821/invensi.v6i2.5204.
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ABSTRAK Tujuan penelitian ini untuk mendalami hal-hal yang berkaitan dengan kemampuan kerja sama serta kecerdasan sosial dalam proses kreatif section colour guard. Pertunjukan marching band terdapat aspek-aspek pendukung salah satunya mengedepankan aspek uniformity atau biasa dikenal dengan aspek keseragaman. Section colour guard merupakan kelompok di dalam marching band yang menggunakan aspek visual dengan media gerak. Anggota dari Section Colour Guard Drum Corps Saraswati ISI Yogyakarta memiliki latar belakang disiplin ataupun kemampuan yang berbeda-beda. Melalui pengamatan awal peneliti terdapat beberapa anggota yang memiliki latar belakang tari, sedangkan anggota yang lainnya merupakan anggota yang tidak memiliki latar belakang tari. Sehingga hal ini membawa dinamika tersendiri bagi kelompok serta menjadi salah satu masalah dalam menghadirkan lingkungan sosial yang bersifat kohesif. Penelitian ini berupaya menemukan hubungan antara kecerdasan sosial yang dimiliki individu dalam mencapai keseragaman yang menjadi aspek utama dalam pagelaran marching band. Menggunakan metode penelitian kualitatif dengan pendekatan studi kasus. Peneliti melakukan observasi, studi pustaka, dan wawancara semi terstruktur terhadap lima narasumber sebagai data primer. Hasil penelitian menunjukkan bahwa diperlukannya keseimbangan antara aspek teknis dan nonteknis untuk mencapai uniformity. Aspek teknis yang berisi tentang hal-hal teknik untuk menghasilkan pertunjukan yang baik harus memiliki keseimbangan dengan aspek nonteknis yang berisi tentang kecerdasan sosial, sehingga bisa terciptanya sebuah tim yang solid. Dengan demikian, dalam penelitian ini menyimpulkan bahwa aspek teknis dan nonteknis harus dikolaborasikan dengan baik untuk menciptakan sebuah tim yang ungul. The Process of Forming Teamwork Section Color Guard Drum Corps Saraswati ISI (DCSI) ABSTRACT This study aims to explore matters relating to the ability to cooperate and social intelligence in the creative process of the colour guard section. Marching band performances have supporting aspects, one of which is promoting the uniformity aspect, commonly known as the uniformity aspect. Section colour guard is a group in a marching band that uses visual aspects with motion media. Members of the colour guard section of the Drum Corps Saraswati ISI Yogyakarta have different disciplinary backgrounds or abilities. Through the researcher's initial observations, several members have a dance background, while the other members do not have a dance background. So this brings its dynamics to the group and becomes one of the problems in presenting a cohesive social environment. This study seeks to find the relationship between social intelligence possessed by individuals in achieving uniformity which is the central aspect in marching band performances—using qualitative research methods with a case study approach. Researchers conducted observations, literature studies and semi-structured interviews with five sources as primary data. The study results indicate that a balance between technical and non-technical aspects is needed to achieve uniformity. To produce a good show, the technical aspect that contains technical matters must balance with the non-technical aspect that includes social intelligence to create a solid team. Thus, this study concludes that technical and non-technical aspects must be well collaborated to create a superior team.
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Matthews, Nestor, Leslie Welch, and Elena Festa. "Superior Visual Timing Sensitivity in Auditory But Not Visual World Class Drum Corps Experts." eneuro 5, no. 6 (2018): ENEURO.0241–18.2018. http://dx.doi.org/10.1523/eneuro.0241-18.2018.
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Dye, Danielle, and Vaughn Barry. "The Effect of Metronome Use on Heart Rates in Top 10 Drum Corps Percussionists." Medicine & Science in Sports & Exercise 47 (May 2015): 49. http://dx.doi.org/10.1249/01.mss.0000476534.69601.95.
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Merritt, Nicolas. "Assessing Lower Extremity Injury Risk in a Mid-Atlantic Drum Corps Using the Weight Bearing Lunge Test." Clinical Practice in Athletic Training 1, no. 2 (2018): 37–41. http://dx.doi.org/10.31622/2018/0002.6.
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Gow, William. "A Night in Old Chinatown." Pacific Historical Review 87, no. 3 (2018): 439–72. http://dx.doi.org/10.1525/phr.2018.87.3.439.
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In 1938, the Chinese American community in Los Angeles hosted the Moon Festival in Old Chinatown as a fundraiser for Chinese victims of the Sino-Japanese War. Held against the backdrop of Bowl of Rice fundraisers across the United States, and the demolition of most of Old Chinatown by the construction of Union Station, the 1938 Moon Festival attracted tens of thousands of visitors to Old Chinatown while providing a stage for local Chinese Americans to perform self-representations of Chinatown to visitors. Focusing on Chinese American performances such as those of the Los Angeles Mei Wah Girls’ Drum Corps, this article examines the extent to which Chinese Americans utilized the festival’s performances of race and gender to challenge Orientalist ideas about the their community.
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Hash, Phillip M. "The Chicago Reform School Band: 1862-1872." Journal of Research in Music Education 55, no. 3 (2007): 252–67. http://dx.doi.org/10.1177/002242940705500306.
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The purpose of this study was to document the history of the band founded at the Chicago Reform School (CRS) circa 1862. Research questions focused on the ensemble's (1) origin and time frame, (2) service to the school and community, (3) instructors, (4) instrumentation, (5) performances, (6) funding, and (7) influence on other school bands. The Chicago Reform School was established in 1855 to provide a home and education for juvenile offenders. In addition to their academic study and vocational training, several students participated in a band that was organized around 1862 and modeled after military bands of the time. By 1866, this ensemble consisted of a fife and drum corps and a brass band that were funded by performances given throughout the city. Alfred D. Langan was the first known director, followed by Thomas P. Westendorf and Hugh Goodwin. Instrumental music continued at the CRS until around 1872, when the institution was closed due to legal issues and the partial destruction of its facilities by the Great Chicago Fire.
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McConnell, Colleen, Alyssa McPherson, and Kathleen Woolf. "Competition Level Not Associated With Diet Quality in Marching Artists." International Journal of Sport Nutrition and Exercise Metabolism 28, no. 1 (2018): 66–74. http://dx.doi.org/10.1123/ijsnem.2017-0096.
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Marching artists are a unique group of athletes whose performance can be influenced by nutrition. Because physical demands are thought to be moderate to high, adequate energy and a variety of nutrient-dense foods are needed. The purpose of this study was to examine diet quality, physical activity, and eating behavior of marching artists across elite and nonelite competition levels. This cross-sectional analysis used the validated National Cancer Institute Diet History Questionnaire II, International Physical Activity Questionnaire, and Eating Behavior Patterns Questionnaire. Diet quality was assessed using the Healthy Eating Index (HEI) 2010. Marching artists who participated in marching band in 2015 were eligible. Those in Drum Corps International (DCI) were considered part of the elite level; all others were considered nonelite. Chi-square analyses assessed associations between categorical variables and competition level, and independent samplet-tests assessed differences between continuous variables among competition level. Participants (n = 323) included 228 (71%) DCI members and 95 (29%) non-DCI members who reported a mean age of 19.8 ± 1.9 years. DCI members reported higher physical activity levels (p < 0.001) and fewer meal-skipping behaviors compared to non-DCI members (p < 0.001). The overall mean HEI score was 58.8 ± 10.3, with no difference between competition levels. Only one participant overall (<1%) met the recommended intake level of whole grains. Additionally, 2% of participants met the sodium restriction recommendation and 7% met the empty calorie upper limit. Suboptimal diet quality combined with high levels of physical activity is a problem for marching artists that should be addressed through carefully planned interventions.
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Keller, Arturo A., and Kristin Clark. "OIL RECOVERY WITH NOVEL SKIMMER SURFACES UNDER COLD CLIMATE CONDITIONS." International Oil Spill Conference Proceedings 2008, no. 1 (2008): 667–71. http://dx.doi.org/10.7901/2169-3358-2008-1-667.
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ABSTRACT Increasing oil exploration, production and transport in Arctic waters will increase the risk of an oil spill occurring in cold and ice-infested waters. The mechanical oil spill recovery equipment currently used in warmer waters was not designed to collect much more viscous oils, or oil-ice mixtures. The presence of ice crystals in oil emulsions affects the adhesion processes between an oil slick and the surface of an oleophilic skimmer and prevents oil from being efficiently recovered. Novel drum skimmer surface geometry and materials, tailored to the conditions present under cold climates, are expected to significantly increase the rate of oil recovery, reducing cost and risk. The objective of this project was to perform a comprehensive analysis of the adhesion between oil or ice-in-oil mixtures and various surface patterns and materials, under cold climate conditions. This knowledge was then applied to improve existing mechanical response equipment so that it can be applied efficiently under these conditions. The novel recovery surfaces that proved to increase the recovery efficiency of a drum skimmer up to two times in warm waters were also successful in cold climate conditions. In the first phase of the project, laboratory bench-scale tests of different surface materials were conducted, to determine contact angle and amount of oil adhered at sub-freezing conditions, with and without ice. It became clear that the physicochemical property that would be most significantly influence by cold climate conditions would be viscosity, and that the presence of ice would also have an important effect on viscosity, although to a varying degree depending on the initial oil viscosity. Neoprene was the best material surface, of those tested here, for adhering oil even under oil/ice conditions. Based on the results of the laboratory tests at subfreezing conditions, we selected materials and surface patterns with the highest oil recovery potential under cold climate conditions, and performed field scale oil spill recovery tests with three different oils at the U.S. Army Corps of Engineers Cold Regions Research and Engineering Laboratory (CRREL), located in Hanover, NH. This provided valuable information about the correlation between the laboratory tests and full scale experiments. It also demonstrated the potential of the skimmer modifications under conditions similar to response operations. The field tests were very successful, with high rates of oil recovery under cold climates, with and without ice present. However, the presence of ice does decrease the overall rate of oil recovery to some extent. The outcome of this project advanced our understanding of the adhesion of oil and oil emulsions (water containing and ice-containing) to recovery surface material under cold climate conditions. This research will facilitate selection of materials and surface configurations that result in significantly higher recovery rates of oil spills in cold and ice-infested waters. This will ultimately lead to a faster oil spill cleanup and greater protection of natural resources.
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Chimenem-Amadi, S. N., V. U. Oleforuh-Okoleh, B. O. Agaviezor, and H. H. Gunn. "Comparative study of body weight and some performance traits of improved Nigerian indigenous chickens raised in the south-south region of Nigeria." Nigerian Journal of Animal Production 48, no. 3 (2021): 14–22. http://dx.doi.org/10.51791/njap.v48i3.2970.
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The study was carried out to assess the variation in body weight and some performance traits among improved Nigerian indigenous chickens in the South-South region of Nigeria to make recommendations needed for further improvement of the Nigerian local chickens in this region. One hundred and fifty birds of mixed sexes comprised of 50 Naked neck, 50 Normal feathered and 50 Frizzled feathered were kept for 16 weeks. During this period, daily data on feed intake and feed conversion ratio as well as weekly data on body weight, wing length, shank length, drum stick, body length, height at withers and breast girth were collected. Data were subjected to Analysis of Variance and significant means were separated. The results obtained showed that Feed intake, feed conversion ratio and body weight were significantly (p<0.05) affected by breed. The highest feed intake was observed among Normal feathered chicken breeds (3630.00±12.69g). The highest value of feed conversion ratio was observed among Frizzle feathered chickens (4.53±0.14) and the least (3.84±0.12) was observed among Naked Neck chickens. Body weight was highest among Naked neck chickens (1996.00±38.26g) and least among Frizzle feathered chickens (1467.00±44.18g). The results also showed significant (p<0.05) variations associated with age in all traits (wing length, shank length, drumstick, body length, height at withers, breast girth and body weight) studied from 4 to 16 weeks of age. However, breed did not influence (p>0.05) wing length and drumstick while shank length, body length, height at withers, breast girth and body weights were significantly (p<0.05) affected by breeds. The results further revealed a non-significant (p>0.05) variation in interactive effect of age and breed in growth performance among the Nigerian local chicken breeds studied. The information derived from this study if properly harnessed can be used to further genetically improve the Nigeria local chicken in the South South region of Nigeria. L'étude a été réalisée pour évaluer la variation du poids corporel et certains traits de performance chez les poulets indigènes nigérians améliorés dans la région sud-sud du Nigéria afin de formuler les recommandations nécessaires à l'amélioration des poulets locaux nigérians dans cette région. Cent cinquante oiseaux de sexes mixtes composés de 50 cou nu, 50 plumes normales et 50 plumes frizzled ont été gardés pendant 16 semaines. Au cours de cette période, des données quotidiennes sur la consommation d'aliments pour animaux et le ratio de conversion des aliments ainsi que des données hebdomadaires sur le poids corporel, la longueur des ailes, la longueur de la tige, le bâton de tambour, la longueur du corps, la taille au 30e et la circonférence des seins ont été recueillies. Les données ont été soumises à l'analyse de la variance et des moyens importants ont été séparés. Les résultats obtenus ont montré que l'apport alimentaire, le taux de conversion alimentaire et le poids corporel étaient significativement (p <0.05) affectés par la race. La consommation alimentaire la plus élevée a été observée chez les races de poulet à plumes normales (3 630.00 ± 12.69 g). La valeur la plus élevée du rapport de conversion alimentaire a été observée chez les poulets à plumes Frizzle (4.53 ± 0.14) et la plus faible (3.84 ± 0.12) chez les poulets Naked Neck. Le poids corporel était le plus élevé chez les poulets à cou nu (1996.00 ± 38.26 g) et le moins élevé chez les poulets à plumes Frizzle (1467.00 ± 44.18 g). Les résultats ont également montré des variations significatives (p <0.05) associées à l'âge dans tous les caractères (longueur des ailes, longueur de la tige, pilon, longueur du corps, hauteur au garrot, circonférence de la poitrine et poids corporel) étudiés de 4 à 16 semaines d'âge. Cependant, la race n'a pas influencé (p> 0.05) la longueur des ailes et le pilon, tandis que la longueur de la tige, la longueur du corps, la hauteur au garrot, la circonférence de la poitrine et le poids corporel étaient significativement (p <0.05) affectés par les races. Les résultats ont révélé une variation non significative (p> 0.05) de l'effet interactif de l'âge et de la race dans les performances de croissance parmi les races de poulets locales nigérianes étudiées. Les informations tirées de cette étude si elles sont correctement exploitées peuvent être utilisées pour améliorer génétiquement le poulet local du Nigeria dans la région sud-sud du Nigeria.
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Balestrini, Daniel Patrick, and Heidrun Stoeger. "Eminence-focused talent development in drum and bugle corps." Gifted and Talented International, August 22, 2021, 1–12. http://dx.doi.org/10.1080/15332276.2021.1960223.
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Narselina, Puput Meinis. "Pengelolaan Organisasi Saraswati Drum Corps Institut Seni Indonesia Yogyakarta Ditinjau dari Fungsi Manajemen." EKSPRESI 11, no. 1 (2022). http://dx.doi.org/10.24821/ekp.v11i1.7116.
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AbstrakManajemen sumber daya manusia (SDM) merupakan hal yang sangat penting dalam mempertahankan keutuhan dan jalannya sebuah organisasi. Organisasi voluntir seperti unit kegiatan mahasiswa marching band yang membutuhkan banyak anggota tentunya memerlukan pengelolaan SDM yang khusus pula. Penelitian ini hendak mendeskripsikan fungsi manajemen organisasi pada organisasi unit kegiatan mahasiswa (UKM) Saraswati Drum Corps Institut Seni Indonesia Yogyakarta. Fungsi manajemen yang digunakan untuk menjelaskan pengelolaan organisasi ini menggunakan teori manajemen Hill dan McShane (2008). Penelitian ini menggunakan pendekatan kualitatif deskriptif. Data diperoleh melalui wawancara serta dokumen UKM Saraswati Drum Corps. Penelitian ini menunjukkan bahwa UKM Saraswati Drum Corps berusaha menerapkan fungsi manajemen organisasi dengan baik yang utamanya adalah untuk mempertahankan jumlah anggota dan tetap berjalannya kegiatan organisasi. Setiap unit atau divisi dalam organisasi memiliki fungsi dan peran yang sangat penting demi berjalannya organisasi. Setiap anggota dapat memberikan ide dan saran sesuai fungsi dan posisinya untuk mengembangkan program kegiatan maupun keorganisasian. Kata kunci: Fungsi Manajemen, Organisasi Seni Pertunjukan, Saraswati Drum Corps AbstractHuman resource management (HRM) is essential in maintaining the integrity and running of an organization. Volunteer organizations such as the student marching band require many members require human resource management as well. This study aims to describe the function of organizational management in the Saraswati Drum Corps student organization, in the Indonesian Institute of the Arts, Yogyakarta. The management function used to explain this organization uses the management theory of Hill and McShane (2008). This study uses a descriptive qualitative approach. The data were obtained through interviews and documents from the Saraswati Drum Corps. This study shows that the Saraswati Drum Corps UKM is trying to implement the organizational management function properly, which is primarily to maintain the members and keep the organization's activities running. Each unit or division within the organization has a critical function and role in the organization. Each member can provide ideas and suggestions according to their function and position to develop program activities and for the organizations as a whole. Keywords: Management Function, Performing Arts Organization, Saraswati Drum Corps
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Young, DaSean Lucas, Lisa Rosenthal, and Thalia R. Goldstein. "Psychosocial change across a drum corps season." Psychology of Music, June 9, 2022, 030573562210977. http://dx.doi.org/10.1177/03057356221097781.
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Drum corps is a marching arts (MA) activity that combines movement, music, and visual performance. Education in the MA emphasizes performance, endurance, and group cohesion. However, research on the psychosocial effects of participation in MA education is rare. In the current study, we measured resilience, self-efficacy, goal orientation, and flow, over the course of a season of drum corps, hypothesizing significant change in these constructs. A total of 74 young men ( Mage = 19.16) from a world-class drum corps participated in an online longitudinal study involving five surveys with repeated measures across their 2017 competitive marching season. We found a statistically significant curvilinear change over time in general self-efficacy, marching self-efficacy, mastery goal orientation, and flow, but no pattern of change in ego goal orientation. The pattern of change was similar for all outcomes: participants first declined, and then rebounded up, but only some outcomes returned to baseline or higher levels. Findings may inform MA participants and educators about dynamic psychosocial change throughout a season for which they should be prepared, as well as future research on MA.
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Ryan Daar. ""Playing Back the Dissonances": The Battle of Manassas in Context." Columbia Undergraduate Research Journal 6, no. 1 (2022). http://dx.doi.org/10.52214/curj.v6i1.9066.
Full textAbstract:
Before every performance, enslaved pianist-composer Thomas “Blind Tom” Wiggins would introduce his Battle of Manassas as a programmatic depiction of the titular Confederate victory. With sharply juxtaposed fragments of Northern and Southern tunes, along with drum motifs, bugle calls, “The Star-Spangled Banner,” and vocal enactments of trains and whistles—all continually interrupted by sudden “cannon fire” in the left hand—Wiggins would finish the piece shouting “Retreat! Retreat! Retreat!” at the top of his lungs before leaving two irreverent slams of the keys to reverberate throughout the hall. Famous for his lifelong ability to perfectly imitate any music, noise, or speech he heard, Wiggins amazed his audiences for decades claiming to represent Manassas’s events exactly as he heard them described to him. But over 150 years after its premiere, scholars have tended to detect a sense of irony, if not total subversion, in the enslaved pianist’s chaotic Confederate homage. My research considers recent interpretations of the piece with an eye toward its compositional circumstances, including its supposed timeline, its printed foreword’s odd reversal of an anthem’s Southern affiliation, and its likely response to a contemporaneous battle piece by Northern pianist-composer Louis Moreau Gottschalk.