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Books on the topic 'Drum Ensemble'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Kikakushitsu, Kokuritsu Gekijō Henshū, ed. Kaijō 50-shūnen kinen, Nihon no taiko: 50th anniversary. Dokuritsu Gyōsei Hōjin Nihon Geijutsu Bunka Shinkōkai, 2016.

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2

Houghton, Steve. Studio & big band drumming: Interpretation of contemporary studio and big band drum parts for today's ensemble drummer. C.L. Barnhouse, 1985.

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3

Husa, Karel. Drum ceremony: For percussion : from An American Te Deum (1976). Associated Music Publishers, 1989.

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4

David, Locke. Drum gahu: An introduction to African rhythm. White Cliffs Media, 1998.

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5

David, Locke. Drum gahu!: A systematic method for an African percussion piece. White Cliffs Media Co., 1987.

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6

Amira, John. The music of Santería: Traditional rhythms of the batá drums. White Cliffs Media, 1999.

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7

Gonçalves, Guilherme. O batuque carioca: As baterias das escolas de samba do Rio de Janeiro : aprendendo a tocar = The carioca groove : the Rio de Janeiro's samba schools drum sections : learning how to play. Groove, 2000.

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8

Vō, Vân-Ánh Vanessa. Three-mountain pass. Innova, 2013.

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9

Community Drum Ensemble. Dancing Drum, 2012.

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10

Joe, Maroni. Fifty Elementary Duets for Snare Drum: Percussion Music/Snare Drum Ensemble. Leonard Corporation, Hal, 2003.

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11

Sittin In With The Big Band Volume Ii Jazz Ensemble Playalong. Alfred Publishing Co., Inc., 2008.

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12

Percussion Ensemble Blank Sheet Music: Marimba, Vibraphone, Wood Blocks, Snare Drum, Tenor Drums,Bass Drums, Cymbals, Timpani. Independently Published, 2020.

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13

African Classical Ensemble Music Theory And Drumbased Concert Series Melorhythmus Interactum. Compress, 2009.

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14

Jazz Ensemble Method for Group or Individual Instruction - Drum (Standards of Excellence Jazz Ensemble Method for Group or Individual Instruction, W31D). Neil A. Kjos Music Company, Publisher, 1998.

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15

Beal, Amy C. Horizons. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039157.003.0005.

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This chapter discusses Beyer's percussion ensemble compositions. Between 1933 and 1942, Beyer composed eight works for percussion ensemble—a total of nineteen movements and about seventy-five minutes' worth of music. She composed her first work for percussion ensemble—the three-movement, thirteen-minute-long Percussion Suite—in 1933. The Percussion Suite is scored for Chinese blocks, triangle, tambourine, cymbal, bass drum, xylophone, rattle, castanets, and tam-tam. The first movement is characterized by the austere, quiet plodding of the bass drum, which begins and ends the piece, and is cons

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16

World Music Drumming : Teacher/DVD-ROM: A Cross-Cultural Curriculum Enhanced with Song and Drum Ensemble Recordings, PDFs and Videos. Leonard Corporation, Hal, 2015.

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17

Drumming Asian America: Taiko, Performance, and Cultural Politics. Oxford University Press, 2018.

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18

Ahlgren, Angela K. Drumming Asian America: Taiko, Performance, and Cultural Politics. Oxford University Press, Incorporated, 2018.

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19

Bolling, Claude. Claude Bolling - Suite for Violin and Jazz Piano. Hal Leonard Corporation, 1991.

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20

Drums and Drum Ensembles along the Great Silk Road. Logos Verlag Berlin, 2021.

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21

Kartomi, Margaret. The Mandailing Raja Tradition in Pakantan. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0011.

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This chapter examines the music culture of the village complex of Pakantan in south Tapanuli, North Sumatra, with particular emphasis on the Mandailing raja tradition. It aims to reconstruct the historical and aesthetic context of Pakantan's pre-Muslim ritual orchestral music in the eighteenth and nineteenth centuries, when the village was ruled by a chieftain (raja) of the original Lubis clan. The three ritual orchestras, which are differentiated by their respective sets of either five or nine tuned gordang drums or two untuned gordang drums, possess indigenous religious and aesthetic meaning

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22

Percussion Ensembles for Young Performers: Snare Drum, Bass Drum, & Accessories (Ensembles for Young Performers). Alfred Publishing, 2006.

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23

(EDT), Alfred Publishing. Young Jazz Ensemble Collection: Drums. Alfred Publishing Company, 2004.

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24

Indoor Percussion Ensembles and Drum Corps. Rosen Publishing Group, 2009.

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25

Indoor Percussion Ensembles and Drum Corps. Rosen Publishing Group, 2009.

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26

Jazz Band Collection for Jazz Ensemble: Drums. Alfred Publishing, 2009.

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27

Indoor Percussion Ensembles And Drum Corps (Team Spirit). Rosen Publishing Group, 2006.

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28

Steinel, Mike. Essential Elements for Jazz Ensemble Book 2 - Drums. Leonard Corporation, Hal, 2019.

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29

First Year Charts Collection for Jazz Ensemble: Drums. Alfred Music, 2007.

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30

Harrison, Lou. The Drums of Orpheus: For Eleven Percussionists (Percussion Ensemble Series). Alfred Publishing Company, 1999.

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31

Sweeney, Michael, and Mike Steinel. Best of Essential Elements for Jazz Ensemble: 15 Selections from the Essential Elements for Jazz Ensemble Series - DRUMS. Leonard Corporation, Hal, 2007.

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32

Sittin In With The Big Band Jazz Ensemble Play Along Drums. Alfred Publishing Company, 2007.

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33

Standard of Excellence Advanced Jazz Ensemble Method (Drums, Group or Individual Instruction). 3rd ed. Neil A Kjos Music Company, 2005.

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34

Kartomi, Margaret. The Riau Indragiri Sultanate’s Nobat Ensemble and its Suku Mamak Stalwarts. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0006.

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This chapter examines the gendang nobat ensemble in two of Riau's musico-lingual subgroups: the Indragiri-Kuantan Malays, represented by the descendants of the former Indragiri palace at Rengat, and their forest-dwelling loyal Suku Dalem (or Suku Mamak) subjects. Tradition holds that ever since the Malay palace at Malacca was founded in the fifteenth century C.E., the gendang nobat (nobat drums) have served as an indispensable symbol of the regalia that authorized the ruler's sovereignty. If a nobat was stolen or lost, the sultan who had owned it lost all his power. The chapter first describes

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35

Kraut, Anthea. Hollywood Dance-ins and the Reproduction of Bodies. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197789667.001.0001.

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Abstract This book proposes that a figure who barely registers in film studies or dance studies offers valuable insight into ideas about “the body” and the reproductive labor that gives rise to images of bodies. The book is the first scholarly study of the dance-in, a dancer who executes a star’s choreography as cameras are being focused and lights set. While they share similarities with doubles and stand-ins, dance-ins do not replace stars’ bodies on screen, and they often serve multiple unseen roles, including as choreographers’ assistants and stars’ coaches, making them vital to the creatio

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36

Tsuda, Takeyuki. Japanese American Ethnicity: In Search of Heritage and Homeland Across Generations. NYU Press, 2016.

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37

Japanese American Ethnicity: In Search of Heritage and Homeland Across Generations. NYU Press, 2016.

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38

Japanese American Ethnicity: In Search of Heritage and Homeland Across Generations. New York University Press, 2016.

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39

Zaheer Ul-Haq and Angela K. Wilson, eds. Frontiers in Computational Chemistry: Volume 6. BENTHAM SCIENCE PUBLISHERS, 2022. http://dx.doi.org/10.2174/97898150368481220601.

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Frontiers in Computational Chemistry presents contemporary research on molecular modeling techniques used in drug discovery and the drug development process: computer aided molecular design, drug discovery and development, lead generation, lead optimization, database management, computer and molecular graphics, and the development of new computational methods or efficient algorithms for the simulation of chemical phenomena including analyses of biological activity. The sixth volume of this series features these six different perspectives on the application of computational chemistry in rationa

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40

Robert, Miller, and Ryan Bloom. Subdivide and Conquer: Subdivision-Based Rhythm Instruction for Individuals and Instrumental or Vocal Ensembles Plus a Method for Snare Drum. Independently Published, 2021.

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41

Brecht, Bertolt. Berliner Ensemble Adaptations: The Tutor; Coriolanus; the Trial of Joan of Arc at Rouen, 1431; Don Juan; Trumpets and Drums. Bloomsbury Publishing Plc, 2014.

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42

Brecht, Bertolt. Berliner Ensemble Adaptations: The Tutor; Coriolanus; the Trial of Joan of Arc at Rouen, 1431; Don Juan; Trumpets and Drums. Bloomsbury Publishing Plc, 2014.

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43

By Bruce Pearson & Chuck Elledge. Standard of Excellence: Festival Ensembles- Drums,Timpani & Aux Percussion (15 Easy arrangements for any combination of band instruments.). 2nd ed. Neil A Kjos Music Company, 2003.

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44

By Bruce Pearson & Chuck Elledge. Standard of Excellence: Festival Ensembles- Drums,Timpani & Aux Percussion (15 Easy arrangements for any combination of band instruments.). 2nd ed. Neil A Kjos Music Company, 2003.

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45

Kartomi, Margaret. “Only if a Man Can Kill a Buffalo With One Blow Can He Play a Rapa’I Pasè”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0013.

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This chapter examines how the ergology and morphology of the variants of the rapa'i Pasè, the largest kind of frame drum in Aceh, relate to its performance practice, the genres in which it is used, the cultural memory, and the sense of Acehnese cultural identity among its makers, performers, and audiences. The rapa'i Pasè was traditionally played in ensembles with the singing of improvised texts at lifecycle and religious feasts and in intervillage competitions. It is said that only a man who can kill a buffalo with one sharp blow can play a rapa'i Pasè. This chapter first considers the defini

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