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Journal articles on the topic 'Drum Ensemble'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Cathy, Tun. "The Relationship between Spirit Propitiation Ceremony and Drum Ensemble." Dagon University Research Journal Vol.5, no. 2013 (2019): Pg.73–80. https://doi.org/10.5281/zenodo.3545434.

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This study explored how to maintain Drum Ensemble (“saing wain:” in Myanmar) as Myanmar cultural heritage. The paper described especially relationship between spirit propitiation ceremony (“nat pwe” in Myanmar) and drum ensemble. Yangon Region is presumed to be the most developed place in the country that it could be very much liable to any infiltration of foreign culture and music. But fortunately, it was found that Big Drum Ensemble is still being used in some downtown areas and some adjacent area in Yangon region. Therefore, study sites were chosen some wards and vil

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2

Kay, Thi Thant. "Religious Beliefs of Shan-Gyi National Live in Ae-Nai Village, Lashio Township, Shan State in Myanmar." Dagon University Research Journal Vol.6, no. 2014 (2019): Pg.98–105. https://doi.org/10.5281/zenodo.3547137.

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This study explored how to maintain Drum Ensemble (“saing wain:” in Myanmar) as Myanmar cultural heritage. The paper described especially relationship between spirit propitiation ceremony (“nat pwe” in Myanmar) and drum ensemble. Yangon Region is presumed to be the most developed place in the country that it could be very much liable to any infiltration of foreign culture and music. But fortunately, it was found that Big Drum Ensemble is still being used in some downtown areas and some adjacent area in Yangon region. Therefore, study sites were chosen some wards and vil

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3

Sudirana, I. Wayan. "Improvisation in Balinese Music: An Analytical Study of Three Different Types of Drumming in the Balinese Gamelan Gong Kebyar." Journal of Music Science, Technology, and Industry 1, no. 1 (2018): 1. http://dx.doi.org/10.31091/jomsti.v1i1.502.

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ABSTRACTGong kebyar emerged in early 20th century and was initially an instrumental genre. In its later advancement, the ensemble became accustomed to accompanying dance compositions, which are decorated with miscellaneous dance improvisations corresponding to the characteristic style of gong kebyar. There are three types of Balinese drumming that are considered improvisational, in particular the styles that are played in the repertory of gamelan gong kebyar. Gamelan gong kebyar is the most popular and influential genre of twentieth century music developed in Bali. In gamelan baru, the functio

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4

Budi, Noor Sulistya. "PEK BUNG, A TRADITIONAL MUSIC ENSEMBLE IN PANDAK, BANTUL." Jantra. 14, no. 2 (2019): 193–202. http://dx.doi.org/10.52829/jantra.v14i2.97.

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Pek Bung is a traditional music ensemble in Pandak District under Bantul Regency. Pek is the sound of bamboo produced by hitting it with a beater and bung a membranophone, a one-sided membrane drum made of klenthing (a pottery water jar) whose mouth is covered by a membrane made of a piece of inner tube. The sound bung is produced by striking the drum head. Pek Bung is also a multi-timbre ensemble consisting of both traditional and modern instruments, such as klenthing drum, bass bamboo (wind instrument), kenthongan (bamboo chime), maracas, wood guiro shaker, triangle, keyboard, gambang (bambo

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5

Stavrat, Constantin. "10. Comparative Interpretative Analysis of David Mancini’s Work Suite for Solo Drumset and Percussion Ensemble." Review of Artistic Education 19, no. 1 (2020): 81–84. http://dx.doi.org/10.2478/rae-2020-0010.

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AbstractThe endless possibilities of expression that jazz has developed over the last hundreds of years could not only influence the composers, but also the performers who dedicated themselves to the fascinating and complex field of percussion. One of the percussion players who has been influenced by this genre is David Mancini, whose conposition I chose for comparative analysis - Suite for solo drum and percussion ensemble in the interpretation of two percussion ensembles Vibraslap and Guiro, whose activity was perpetuated due to enthusiasm and the professionalism of the two mentors of the re

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Silverman, Marissa. "I drum, I sing, I dance: An ethnographic study of a West African drum and dance ensemble." Research Studies in Music Education 40, no. 1 (2017): 5–27. http://dx.doi.org/10.1177/1321103x17734972.

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The purpose of this ethnographic study was to investigate the Montclair State University’s West African drum and dance ensemble. Analyses of the data revealed three themes related to individual participants and the “lived reality” of the group as a whole, and to the social-cultural teaching–learning processes involved: spirituality, community-as-oneness, and communal joy. My motivation for undertaking this inquiry arose from the fact that, beginning in the 1960s, music education scholars in the United States have been concerned about the widespread marginalization of non-Western musics in Amer

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7

Sepdwiko, Deria, and Nofroza Yelli. "POLA GARAPAN LAGU “TIM TAM TUM” MENGGUNAKAN ANSAMBEL CAMPURAN PADA SISWA EKSTRAKURIKULER SMP NEGERI 15 PALEMBANG." Grenek Music Journal 9, no. 2 (2020): 121. http://dx.doi.org/10.24114/grenek.v9i2.21202.

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In writing this research the writer discusses the pattern of cultivating songs “TIM TAM TUM” Using Mixed ensembles for exstracurriculer students of SMP 15 Palembang.This study aims to determine how the pattern form the Tim Tam Tum song composed by using a mixed ensemble. The data collection techniques used were, observation, interview, and documentation techniques. The method used in this research is a qualitative descriptive method. The results of this study are analyzed to become a research report that has an output, target, namely being published in a scientific journal and used as teaching

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8

Li, Jintao, Linjie Li, Yankuo Xing, Linlong Wang, Yugui Zhu, and Bin Kang. "Predicted increased distribution of non-native red drum in China’s coastal waters under climate change." Aquatic Invasions 18, no. 3 (2023): 385–400. http://dx.doi.org/10.3391/ai.2023.18.3.109001.

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Climate change and species invasions are among the most serious threats to global biodiversity, and climate change will further greatly alter the distribution of invasive species. The red drum Sciaenops ocellatus (Linnaeus, 1766) has established non-native populations in many parts of the world, leading to negative effects on local ecosystems. In this study, based on 455 global occurrence records (38 of which were in Chinese waters) and 5 biologically relevant variables (average ocean bottom temperature, ocean bottom average salinity, ocean bottom average flow rate, depth, and distance from sh

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Li, Jintao, Linjie Li, Yankuo Xing, Linlong Wang, Yugui Zhu, and Bin Kang. "Predicted increased distribution of non-native red drum in China's coastal waters under climate change." Aquatic Invasions 18, no. (3) (2023): 385–400. https://doi.org/10.3391/ai.2023.18.3.109001.

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Climate change and species invasions are among the most serious threats to global biodiversity, and climate change will further greatly alter the distribution of invasive species. The red drum Sciaenops ocellatus (Linnaeus, 1766) has established non-native populations in many parts of the world, leading to negative effects on local ecosystems. In this study, based on 455 global occurrence records (38 of which were in Chinese waters) and 5 biologically relevant variables (average ocean bottom temperature, ocean bottom average salinity, ocean bottom average flow rate, depth, and distance from sh

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Ardedi, Dodo Pratama, and Wimbrayardi Wimbrayardi. "ANSAMBLE PERKUSI (KOMPOSISI MUSIK SMK NEGERI 3 PADANG)." Jurnal Sendratasik 8, no. 1 (2019): 25. http://dx.doi.org/10.24036/jsu.v8i1.106415.

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Abstract This work aims to display the creativity of female students in school, and it can be a reference for teachers in developing talents, interests and creativities of female students. The form of this artwork is percussion ensemble, the author will combine the rhythmic patterns of single stroke, double stokes, and triols in 4/4 hours with a simple form. It does not only focus on the instrument itself, the author will also combine with vowels to build atmosphere. Percussion ensemble is a musical composition that is adopted from the game of similar percussion instrument, such execution is v

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Johnson, Henry, and Sueo Kuwahara. "Drum Travel: Ensemble Drumming Traditions on Kikaijima—Cultures, Histories, Islands." Asian Music 46, no. 1 (2015): 110–45. http://dx.doi.org/10.1353/amu.2015.0003.

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12

Barbre, James. "Middle school drum ensemble: an unlikely experience in classroom democracy." Ethnography and Education 8, no. 1 (2013): 77–88. http://dx.doi.org/10.1080/17457823.2013.766435.

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13

Hess, Juliet. "The Sankofa Drum and Dance Ensemble: Motivations for student participation in a school world music ensemble." Research Studies in Music Education 32, no. 1 (2010): 23–42. http://dx.doi.org/10.1177/1321103x10370093.

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Jacoby, Nori, Rainer Polak, and Justin London. "Extreme precision in rhythmic interaction is enabled by role-optimized sensorimotor coupling: analysis and modelling of West African drum ensemble music." Philosophical Transactions of the Royal Society B: Biological Sciences 376, no. 1835 (2021): 20200331. http://dx.doi.org/10.1098/rstb.2020.0331.

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Human social interactions often involve carefully synchronized behaviours. Musical performance in particular features precise timing and depends on the differentiation and coordination of musical/social roles. Here, we study the influence of musical/social roles, individual musicians and different ensembles on rhythmic synchronization in Malian drum ensemble music, which features synchronization accuracy near the limits of human performance. We analysed 72 recordings of the same piece performed by four trios, in which two drummers in each trio systematically switched roles (lead versus accompa

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15

Chiu, Ching-Yu, Alvin Wen-Yu Su, and Yi-Hsuan Yang. "Drum-Aware Ensemble Architecture for Improved Joint Musical Beat and Downbeat Tracking." IEEE Signal Processing Letters 28 (2021): 1100–1104. http://dx.doi.org/10.1109/lsp.2021.3084504.

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16

Neuhoff, Hans, Rainer Polak, and Timo Fischinger. "Perception and Evaluation of Timing Patterns in Drum Ensemble Music from Mali." Music Perception 34, no. 4 (2017): 438–51. http://dx.doi.org/10.1525/mp.2017.34.4.438.

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Polak’s (2010) chronometric analyses of Malian jembe music suggested that the characteristic “feel” of individual pieces rests upon nonisochronous subdivisions of the beat. Each feel is marked by a specific pattern of two or three different subdivisional pulses—these being either short, medium, or long. London (2010) called the possibility of more than two different pulse classes into question on psychological and theoretical grounds. To shed light on this issue, 23 professional Malian percussionists and dancers were presented with timing-manipulated phrases from a piece of Malian drumming mus

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17

Hess, Juliet. "The oral tradition in the Sankofa Drum and Dance Ensemble: student perceptions." Music Education Research 11, no. 1 (2009): 57–75. http://dx.doi.org/10.1080/14613800802699556.

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18

Burdzy, Krzysztof, Mauricio Duarte, Carl-Erik Gauthier, C. Robin Graham, and Jaime San Martin. "Fermi acceleration in rotating drums." Journal of Mathematical Physics 63, no. 6 (2022): 062706. http://dx.doi.org/10.1063/5.0082981.

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Consider hard balls in a bounded rotating drum. If there is no gravitation, then there is no Fermi acceleration, i.e., the energy of the balls remains bounded forever. If there is gravitation, Fermi acceleration may arise. A number of explicit formulas for the system without gravitation are given. Some of these are based on an explicit realization, which we derive, of the well-known microcanonical ensemble measure.

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Widiastuti, Uyuni, Adina S. Sembiring, Mukhlis Mukhlis, Lamhot B. Sihombing, Theodora Sinaga, and Purbatua Manurung. "The Development of Textbook Learning Media Based on Local Wisdom of North Sumatera." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 3, no. 4 (2020): 1805–13. http://dx.doi.org/10.33258/birle.v3i4.1367.

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The textbook developed in this study is adapted to the 2013 curriculum applicable in SMA, namely the material in class X. The material is adapted to the local wisdom of North Sumatra, especially in traditional Karo songs and music. This textbook describes the traditional Karo music in the form of a kulcapi drum ensemble whose instruments consist of kulcapi, keteng-keteng and bowl. This textbook is equipped with techniques in playing the kulcapi drum on the song Piso Surit and Terang Bulan. The existence of this textbook is very helpful for Cultural Arts teachers in teaching music based on loca

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20

Benadon, Fernando. "Near-unisons in Afro-Cuban Ensemble Drumming." Empirical Musicology Review 11, no. 2 (2017): 187. http://dx.doi.org/10.18061/emr.v11i2.4957.

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Working with an original corpus of Afro-Cuban drumming recordings shared by Andrew McGraw, I examine the nature and extent of non-simultaneous attacks between ensemble players. Quantitative analyses of ~30,000 drum onset times in four- and five-player performances reveal that these non-simultaneities, or near-unisons, are widespread and often sizeable. Their frequency and magnitude depend on selection style, measurement method used, location of the analysis window within the bar cycle, and instruments involved. I show that near-unisons result (in part) from the layering of 'idiosyncratically'

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Goode, Daniel. "Composer's Notebook: Interpreting." Leonardo Music Journal 15 (December 2005): 59–60. http://dx.doi.org/10.1162/lmj.2005.15.1.59.

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The text is a 10-minute rant delivered by narrator William Hellermann, composer/performer and co-director/founder of the DownTown Ensemble, which seems to be about him (Hellermann), although approximately every other biographical fact seems questionable and is in fact false. That still leaves much that is true. So while Bill seems in some sense to be “Bill,” as things go on, the rant turns sour, then melancholy, totally political and outrageous. Finally, one should, based on observation, begin to suspect that the text is by the composer, who is sitting in the ensemble playing clarinet. The per

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22

Howard, Karen. "Performing Rhythms of the Brazilian Bateria." General Music Today 33, no. 1 (2019): 52–56. http://dx.doi.org/10.1177/1048371319867426.

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Bateria (bah-teh-REE-ah) means drum set in Portuguese. In terms of Brazilian samba music, the bateria is the percussion ensemble driving the groove of the whole samba band. Organizing a batucada (bah-tooKAH-dah), a Brazilian percussion jam session, is possible in general music classes throughout elementary and secondary school. The necessary instruments are easily available through percussion and educator websites. In addition, quality online tutorials are easily accessible.

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23

Lupu, Anamaria. "The Influence of Luther's View of Music on the Emergence of the Concepts of Musica poetica and Musical Rhetoric." Musicology Papers 35, no. 1 (2020): 41–51. http://dx.doi.org/10.47809/mp.2020.35.01.03.

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La casa di peste drum [At the House across the Road] is, perhaps, Tudor Jarda`s most emblematic choral work, being the first composition of the 10 carols for mixed choir included in the volume Coruri [Choral Works] (1981). Dedicated to Maestro Dorin Pop and the Cappella Transylvanica choir, this work has been part of the ensemble`s repertoire since the publication of the collection, being also found in the repertoire of the most important Cluj and Transylvanian choirs. This paper aims to detail aspects of musical grammar in the choral work La casa di peste drum, highlighting the close connecti

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Chan, Clare Suet Ching. "24 Jie Ling Gu (24 Festive Drums): Imagining the 24 Jie Ling (Phenomena) of China in Enacting Cultural Solidarity among the Chinese Diaspora of Malaysia." Harmonia: Journal of Arts Research and Education 22, no. 2 (2022): 213–26. http://dx.doi.org/10.15294/harmonia.v22i2.31813.

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The 24 Jie Ling Gu (24 Festive Drums) is a drum ensemble that consists of 24 lion drums (shigu) played by twenty-four drummers who move to spectacular and dynamic choreography in synchronization with the rhythmic patterns struck on the shigu. It is an “invented tradition” created by the Chinese diaspora of Malaysia. In response to the 1970s National Cultural Policy (NCP) which aimed toward the construction of a homogenized national identity, the Chinese founded the 24 Jie Ling Gu ensemble to enact cultural solidarity and unify the people toward a sense of belonging to their distant motherland

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Phimprajun, Rukbancha, Thanaporn Pengsri, Sarawut Choatchamrat, and Sayam Chuangprakhon. "Guidelines for the Development of Silp-Isan Klong Yao Band Performance Style." Journal of Educational Issues 8, no. 2 (2022): 278. http://dx.doi.org/10.5296/jei.v8i2.20116.

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This research aims to 1) study the style and development of the Silp-Isan Klong Yao drum band; and 2) present the guidelines to developing and creating the Klong Yao performance style, which is an integration to teach the Klong Yao ensemble course including of students majoring in folk music, College of Music, Mahasarakham University. The researchers studied preliminary studies based on research and collect academic papers, textbooks, and reports. In addition, the researchers conducted studies based on field data collection from knowledge groups, practitioners, and individual groups. The resul

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Mukuna, Kazadi Wa. "The evolution of harmony in the music of the Democratic Republic of Congo (DRC)." África, no. 42 (December 7, 2021): 20–38. http://dx.doi.org/10.11606/issn.2526-303x.i42p20-38.

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This article reveals the concept of music encapsulated in the 18th century Enlightenment definition of music that failed to recognize the existence of expressions outside Europe. In 1964, the American anthropologist Alan Merriam (1923-1980), provided a broad-based definition of music according to the substance of Franz Boas’ theory of “Cultural Relativism”, which empowers individual communities to define music within the frame of reference of their own cultural context. In the present article, I argue that there are three types of harmony in the music of the Democratic Republic of Congo reflec

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Zhang, Xinyu, Xinyan Qin, Jin Lei, Zhiyuan Zhai, Jianglong Zhang, and Zhi Wang. "A Novel Method on Recognizing Drum Load of Elastic Tooth Drum Pepper Harvester Based on CEEMDAN-KPCA-SVM." Agriculture 14, no. 7 (2024): 1114. http://dx.doi.org/10.3390/agriculture14071114.

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The operational complexities of the elastic tooth drum pepper harvester (ETDPH), characterized by variable drum loads that are challenging to recognize due to varying pepper densities, significantly impact pepper loss rates and mechanical damage. This study proposes a novel method integrating complete ensemble empirical mode decomposition with adaptive noise (CEEMDAN), kernel principal component analysis (KPCA), and a support vector machine (SVM) to enhance drum load recognition. The method consists of three principal steps: the initial experiments with ETDPHs to identify the critical factors

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28

Lee, Gayoung, Myungsun Kim, and Sungmin Cho. "A Case Study on Flipped Learning for Enhancement of Ensemble Competency in Drum Education." Korean Society of Culture and Convergence 42, no. 5 (2020): 621–47. http://dx.doi.org/10.33645/cnc.2020.05.42.5.621.

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29

Murcahyanto, Hary. "Aransemen Lagu Lembaga Kita Dalam Ansambel Campuran." PROMUSIKA 8, no. 1 (2020): 30–35. http://dx.doi.org/10.24821/promusika.v1i1.4196.

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Lagu Lembaga Kita karya TGKH. Muhammad Zainuddin Abdul Majid sebelumnya berbentuk musik kasidah kemudian diaransemen dalam musik electon. Lagu Lembaga Kita memiliki bentuk musik dan pola akor yang sederhana, tetapi cukup dikenal dan popular dikalangan masyarakat khusunya kalangan masyarakat Nahdlatul Wathan. Seiring perkembangan zaman dan sudah beberapa tahun belum ada bentuk aransemen yang baru, maka peneliti bertujuan untuk mengaransemen lagu tersebut dengan mendeskripsikan bentuk, struktur dan pola aransemen lagu Lembaga Kita dalam ansambel campuran. Jenis penelitian ini menggunakan metode

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Hash, Phillip M. "The Chicago Reform School Band: 1862-1872." Journal of Research in Music Education 55, no. 3 (2007): 252–67. http://dx.doi.org/10.1177/002242940705500306.

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The purpose of this study was to document the history of the band founded at the Chicago Reform School (CRS) circa 1862. Research questions focused on the ensemble's (1) origin and time frame, (2) service to the school and community, (3) instructors, (4) instrumentation, (5) performances, (6) funding, and (7) influence on other school bands. The Chicago Reform School was established in 1855 to provide a home and education for juvenile offenders. In addition to their academic study and vocational training, several students participated in a band that was organized around 1862 and modeled after

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Goldberg, Daniel. "Timing Variations in Two Balkan Percussion Performances." Empirical Musicology Review 10, no. 4 (2016): 305. http://dx.doi.org/10.18061/emr.v10i4.4884.

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<p>Many songs and dance pieces from the Balkan Peninsula employ <em>aksak </em>meter, in which two categorically different durations, long and short, coexist in the sequence of beats that performers emphasize and listeners move to. This paper analyzes the durations of <em>aksak </em>beats and measures in two recorded percussion performances that use a particular <em>aksak </em>beat sequence, long-short-short. The results suggest that the timing of beats varies in conjunction with factors including melodic grouping and interaction among members of a per

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Markovic, Marijana, and Bojana Stevanovic. "The painted program in the dome of the Church of St. George in Dobrilovina." Zograf, no. 42 (2018): 209–29. http://dx.doi.org/10.2298/zog1842209m.

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The fairly well-preserved fresco paintings in the dome of the Church of St. George at the Dobrilovina Monastery feature some rather unusual programmatic and iconographical solutions. The depiction of the Presanctified Liturgy and the figures of some Old Testament characters represented in the drum of the dome have no known parallels in the dome programs of Post-Byzantine monuments in the area of the Patriarchate of Pec. A troparion dedicated to the patron saint of the church was inscribed in the ring of the dome, which also bears evidence to the learnedness of the creator of this fresco ensemb

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Bender, Shawn. "Drumming from Screen to Stage: Ondekoza's Ōdaiko and the Reimaging of Japanese Taiko." Journal of Asian Studies 69, no. 3 (2010): 843–67. http://dx.doi.org/10.1017/s0021911810001531.

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In a performance of Ōdaiko, arguably the most iconic and widely performed piece in Japanese taiko drumming, a loincloth-clad man pounds furiously on a huge Japanese drum to the point of near exhaustion. Although this piece often is assumed to descend from Japan's rich heritage of folk drumming, this article argues instead that Ōdaiko was inspired by a fictional representation of festival drumming in the mid-century Japanese film The Rickshaw Man (Muhōmatsu no isshō). In addition, the revealing clothing worn in the performance derives not from Japanese custom but from the input of the French de

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Armstrong, Kathy. "The Ecology of Gahu: Participatory Music and Health Benefits of Ewe Performance in a Canadian Drum and Dance Ensemble." Legon Journal of the Humanities 27, no. 2 (2017): 14. http://dx.doi.org/10.4314/ljh.v27i2.2.

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Yefta Sihombing, Boho P. Pardede, Aprinaldi Simorangkir, Monang Asi Sianturi, and Roy Josep Hutagalung. "Aransemen “Saya Mau Ikut Yesus” pada Permainan Ansambel Quarted Band dalam Ibadah di Gereja GPdI Agave Bangun." Sinar Kasih: Jurnal Pendidikan Agama dan Filsafat 2, no. 2 (2024): 174–92. https://doi.org/10.55606/sinarkasih.v2i2.320.

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The scientific paper with the title arranging the song I want to follow Jesus in the quarted band ensemble playing in the GPdI Agave Bangun Service is research that discusses how to apply the branch of arrangement, namely reharmonization, to the composition I want to follow Jesus. This research uses qualitative research methods using observation, interviews and documentation. Arrangement comes from the Dutch word Arrangement, which means adjusting a musical composition to the number of singers' voices or musical instruments based on an existing composition so that the essence of the music does

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Widiastuti, Uyuni, Adina Sastra Sembiring, and Mukhlis Mukhlis. "Pengembangan Media Pembelajaran Berbasis Etnis Sumatera Utara." Virtuoso: Jurnal Pengkajian dan Penciptaan Musik 3, no. 2 (2020): 84. http://dx.doi.org/10.26740/vt.v3n2.p84-88.

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The development of instructional media in this paper is the development of learning media used in learning Arts and Culture class X High School in Pangururan District, Samosir Regency. The learning media developed are invincible with the syllabus in class X, namely "presentation of musical works". The objectives of this study were to: (1) develop traditional Karo music learning videos; (2) Developing Karo traditional music learning textbooks. This research uses a Research & Development or research and development approach. The development of this learning media will be used by art teachers

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Fitri, Putri Ariska, Jagar Lumbantoruan, and Irdhan Epria Darma Putra. "ARANSEMEN LAGU AYAH." Jurnal Sendratasik 8, no. 3 (2019): 9. http://dx.doi.org/10.24036/jsu.v7i3.103277.

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AbstractThe purpose of this work is to arrange Ayah song as a form of expression of the author's musical experience in arranging, making musical arrangements that are relevant to the works of musical works of students and maximizing the potential of human resources (students) in school. In this work, the author uses a mixed ensemble presentation format. The musical instruments used for accompanying vocals are pianika, piano, guitar, bass, and drum-set. This arrangement uses 2 parts, namely part A and part B with a time signature of 4/4. Part A starts from 1 time to 46 time and part B starts fr

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., Asril. "PERAN GANDANG TASA DALAM MEMBANGUN SEMANGAT DAN SUASANA PADA PERTUNJUKAN TABUIK DI PARIAMAN." Jurnal Humaniora 27, no. 1 (2015): 67. http://dx.doi.org/10.22146/jh.v27i1.6411.

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Performing Tabuik in society Pariaman, West Sumatra, is a tradition of cultural influence of Shi’ite Islam that has inherited the local community since about two centuries ago. Tabuik performances are “heroic” and colossal. Pariaman society presented this performance by presenting two Tabuik support group. In certain parts of the performance, these two groups are presented opposite each other. One of the most important elements in each Tabuik performance is gandang tasa, the percussion ensemble. Gandang Tasa role in a variety of contexts and series of performances Tabuik. Gandang tasa most imp

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Herbst, Jan-Peter. "Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers." Metal Music Studies 7, no. 3 (2021): 445–67. http://dx.doi.org/10.1386/mms_00059_1.

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Viking metal, Teutonic metal, Mesopotamian metal – labels of this kind are common in fan discourse, media and academia. Whereas some research has investigated such labels and related them to the artist’s stage presentation, music videos, artwork and lyrics, there is still a lack from the perspectives of music production and performance as to how such culturally and geographically associated labels differ musically. This article explores culture-specific production and performance characteristics of Teutonic metal, focusing on how metal from Germany differed from British and US-American product

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Li, Changpeng, Tianhao Peng, and Yanmin Zhu. "A Cutting Pattern Recognition Method for Shearers Based on ICEEMDAN and Improved Grey Wolf Optimizer Algorithm-Optimized SVM." Applied Sciences 11, no. 19 (2021): 9081. http://dx.doi.org/10.3390/app11199081.

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When the shearer is cutting, the sound signal generated by the cutting drum crushing coal and rock contains a wealth of cutting status information. In order to effectively process the shearer cutting sound signal and accurately identify the cutting mode, this paper proposed a shearer cutting sound signal recognition method based on an improved complete ensemble empirical mode decomposition with adaptive noise (ICCEMDAN) and an improved grey wolf optimizer (IGWO) algorithm-optimized support vector machine (SVM). First, the approach applied ICEEMDAN to process the cutting sound signal and obtain

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Rosli, Helmi. "Motivations and Factors that Contribute to Successful Drumline Groups in Malaysia." Asian Social Science 15, no. 2 (2019): 60. http://dx.doi.org/10.5539/ass.v15n2p60.

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Drumline has gained more popularity as an independent percussion group with its new music arrangement and attractive drum groove. It is seen that a quite number of drumline groups have been established in Malaysia as part of music activities such as secondary school and university drumline and community group. However, the insufficient emphasis or highlights has likely created diverse perceptions on the development of drumline groups as they have the tendency to have different reasons for joining a drumline group. Therefore, to further investigate this matter, the study focuses on four subscal

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Praveen, Kumar Rawat. "AI-Powered Drug Discovery Accelerating Pharmaceutical Research and Development." International Journal of Leading Research Publication 6, no. 3 (2025): 1–14. https://doi.org/10.5281/zenodo.15181465.

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AI-driven techniques for drug development have transformed pharmaceutical R&D by significantly shortening the time and minimizing expenditures in evaluating prospective drug candidates. While classical drug discovery is highly experimental-dependent, AI-based procedures use machine learning (ML) and ensemble algorithms to optimize the predicting of molecular properties, drug-target interactions, and virtual screening. This paper discusses the ensemble learning techniques, including Bagging, Boosting (XGBoost, LightGBM), and Stacking, to provide greater accuracy and reliability in drug disc

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Surtihadi, R. M. "Music Acculturation in Rhythm of kapang-kapang Bedhaya and Srimpi Dance in the Keraton of Yogyakarta (A Case Study)." International Journal of Creative and Arts Studies 3, no. 2 (2017): 47. http://dx.doi.org/10.24821/ijcas.v3i2.1844.

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The research’s aim is to notice the music acculturation in the rhythm of female dance of Bedhaya and Srimpi dances in the Kingdom of Yogyakarta on the line-movement on-to the stage or leaving it (kapang-kapang). Besides, the research is going to discuss a West music instrument acculturation phenomenon with Javanese Traditional Gamelan Orchestra on the rhythm of female dance of Bedhaya and Srimpi dances that are still exist nowadays. The case study is focus on the usage of some West music instrument such as drum (percussion section), woodwind (woodwind section), brass-wind (brass-wind section),

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Noone, Matthew. "Whose World Music?" Intercultural Relations 8, no. 2(16) (2024): 11–26. https://doi.org/10.12797/rm.02.2024.16.01.

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World music might be defined most benignly as an attempt to conceptualise all of the world’s music. More cynically though, world music can be also seen as just an advertising label for all non-Western music. Many scholars have gone even further and argue that world music is a delusional subjective fantasy, an unreal utopia and an oppressive discourse of western hegemony. Defining what world music is really depends on who is asking the question. Whose world musi is it? This paper will focus on the philosophical conundrums of ‘world music’ within the context of the current BA World Music at the

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Rudenko, Andrey Alexandrovich. "ASPECTS OF MUSICAL INTERACTION IN INSTRUMENTAL EN-SEMBLES (FROM CLASSICS TO JAZZ)." Вестник Восточно-Сибирского государственного института культуры 134 (April 24, 2025): 41–48. https://doi.org/10.31443/2541-8874-2025-1-33-41-48.

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The article considers the key aspects of interaction in the musical ensembles that cover both classical and jazz music. We analyze deep processes in different types of ensembles, psychophysical moments inherent to each individual per-former, as well as professional and personal aspects of the members’ interaction. The importance of the rhythm section, where drums and bass serve the basis that sets the tone for the entire ensemble, is emphasized based on the work experienc-ing with the famous musicians as John Feddis. The roles of guitar and piano as well as of the wind instruments that emphasi

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Davis, Virginia Wayman, Laura Singletary, and Kimberly VanWeelden. "General Music Today Music Ideas Series: Viewpoints in Secondary General Music—Article Two: Power Trio: Three Ideas for Renewed Success With Classroom Ensembles." General Music Today 33, no. 1 (2019): 6–14. http://dx.doi.org/10.1177/1048371319839112.

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In this second of three in the series, we explore methods for incorporating instrumental ensembles into your music classroom. Experiences such as performing on ukulele, bucket drums, and in modern popular music ensembles are excellent ways to provide meaningful, relevant music education to students of all ages. Using both research-based information and practical experience, we will discuss ideas for three common instrumental ensembles. The techniques and resources provided in this article are starting points, appropriate for various levels and configurations of music classes: upper elementary

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Honegger, Gitta. "Gossip, Ghosts, and Memory: Mother Courage and the Forging of the Berliner Ensemble." TDR/The Drama Review 52, no. 4 (2008): 98–117. http://dx.doi.org/10.1162/dram.2008.52.4.98.

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Any actor taking on the role of Mother Courage takes on not only the ghost of Helene Weigel, whose performance of the role made theatre history, but also the notable past of the Berliner Ensemble, which began with the casting for the 1949 Berlin production under Soviet patronage and amidst the devastation of World War II and the Holocaust. The model ensemble was forged from a ragtag assembly of survivors whose individual and collective histories—professional and political—are deeply embedded in the play. In these times of endangered privacy and civil liberties, the genealogy of this historic e

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Caballero-Alfonso, Ana Yisel, Maykel Cruz-Monteagudo, Eduardo Tejera, et al. "Ensemble-Based Modeling of Chemical Compounds with Antimalarial Activity." Current Topics in Medicinal Chemistry 19, no. 11 (2019): 957–69. http://dx.doi.org/10.2174/1568026619666190510100313.

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Background: Malaria or Paludism is a tropical disease caused by parasites of the Plasmodium genre and transmitted to humans through the bite of infected mosquitos of the Anopheles genre. This pathology is considered one of the first causes of death in tropical countries and, despite several existing therapies, they have a high toxicity. Computational methods based on Quantitative Structure- Activity Relationship studies have been widely used in drug design work flows. Objective: The main goal of the current research is to develop computational models for the identification of antimalarial hit

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Chalhoub, Reda Mohamad, and Peter Kalivas. "1164 Stable Ensembles in the Nucleus Accumbens Differentially Encode Cocaine Reward Versus Natural Rewards." Neurosurgery 71, Supplement_1 (2025): 184–85. https://doi.org/10.1227/neu.0000000000003360_1164.

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INTRODUCTION: The nucleus accumbens (NAc) plays an integral role in natural and drug reward seeking, and represents a potential target for intervention in treatment-resistant substance use disorder (SUD). It remains unclear if similar neurobiological mechanisms in the NAc underlie drug and natural rewards. METHODS: We recorded single-cell activity of D1-MSNs of NAc using miniscope imaging in freely-behaving mice, trained to self-administer cocaine or sucrose in an operant box for 12 days. Mice were placed into forced abstinence for 7 days, before testing for unrewarded seeking behavior, as a m

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Yabukarski, Filip, Justin T. Biel, Margaux M. Pinney, et al. "Assessment of enzyme active site positioning and tests of catalytic mechanisms through X-ray–derived conformational ensembles." Proceedings of the National Academy of Sciences 117, no. 52 (2020): 33204–15. http://dx.doi.org/10.1073/pnas.2011350117.

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How enzymes achieve their enormous rate enhancements remains a central question in biology, and our understanding to date has impacted drug development, influenced enzyme design, and deepened our appreciation of evolutionary processes. While enzymes position catalytic and reactant groups in active sites, physics requires that atoms undergo constant motion. Numerous proposals have invoked positioning or motions as central for enzyme function, but a scarcity of experimental data has limited our understanding of positioning and motion, their relative importance, and their changes through the enzy

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