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1

Hsiao, Chih-Zim. "Research into expository preaching using I Peter as a model for preparation of expository sermons based on the structural analysis of the biblical text = Jie jing shi jiang dao de tan qiu : zi Bide qian shu de jie gou xing jing wen fen xi zhong xun de jie jing shi jiang zhang da gang /." Theological Research Exchange Network (TREN) Access this title online, 2000. http://www.tren.com/search.cfm?p078-0010.

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Li, Liming. "Cong gong jiang dao yi shu jia : Qing mo yi lai Guangdong Shiwan tao ci cong ye yuan de shen fen di wei jian gou /." View abstract or full-text, 2005. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202005%20LI.

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Yi, Bin. "Lun Mudan shi ge yi shu jing shen yu Zhongguo xin shi de li shi jian gou." Shanghai : Hua dong shi fan da xue, 2007. http://anulib.anu.edu.au/anuonly/ebooks/chinese_thesis_026.pdf.

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Lin, Zhiyuan. "On preparing co-workers for a preaching ministry : a study of II Timothy 2:1-26 = Cong Timotai hou shu er zhang 1-26 jie tan tao jiang dao shi feng tong gong de zai pei /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p078-0054.

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Lin, Weikai. "Ming dai de jiang hai lian fang Chang Jiang jiang hai jiao hui shui yu fang wei de jian gou yu bei yu /." Yilan Xian Luodong Zhen : Ming shi yan jiu xiao zu, 2006. http://catalog.hathitrust.org/api/volumes/oclc/124057091.html.

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Fan, Guangxin. "Yi jing shu wei zhi shu : wan Qing Hunan li xue jia de jing shi guan nian yan jiu /." View abstract or full-text, 2005. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202005%20FAN.

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Ma, Fengzhi. "Zhongguo cheng shi xia gang shi ye pin kun fu nü qiu zhu he shou zhu jing yan de xu shu fen xi." online access from Digital Dissertation Consortium access full-text, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3241049.

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8

Lu, Pei'er. "Xu shu "jiu qi" : Xianggang xiao shuo zhong de shi jian yu xu shi = Narrating "1997" : time and narrative in Hong Kong novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19843926f.pdf.

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Yan, Qiting. "Jiang nan xiao zhen : Zhongguo dang dai xiao shuo zhong de kong jian chang jing = Small towns in Jiangnan : geo-cultural setting in contemporary Chinese fiction /." click here to view the abstract and table of contents, 2001. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17087661a.pdf.

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Tu, Tsung-lan. "Canonical and poetic studies in Hu Chenggong's Maoshi Houjian = Hu cheng gong "Mao shi hou jian" de jing xue yu shi xue /." View the Table of Contents & Abstract, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38030780.

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Lü, Yongjia. "Xi Xi xiao shuo zhong de "cheng shi kong jian" = "Urban space" in Xi Xi's novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b2020842xf.pdf.

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Wan, Yu-pui. "Time and space in Zheng Chouyu's poetry Zheng Chouyu shi de shi jian yu kong jian /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B3963405X.

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Chen, Jiang. "Ming dai zhong hou qi de jiang nan she hui yu she hui sheng huo /." Shanghai : Shanghai she hui ke xue yuan chu ban she, 2006. http://www.loc.gov/catdir/toc/fy10pdf02/2008488426.html.

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Qian, Fang. "Zai xi shou yu chuang zao zhong chuang jian Zhongguo de shi si xing shi : jian lun shi si xing shi de Han yu hua jin cheng = A study of the sonnets by the Chinese poets : the sonnet development in China /." click here to view the abstract and table of contents, 2001. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17041466a.pdf.

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Ng, Ka-wah. "A study of the Wujing Qishu "Wu jing qi shu" yan jiu /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31783260.

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Lu, Haohan. "Cong "Shang ye dian tai ming zui feng mi" ji "Ling hui shang shi chu jiao" shi jian, kan kuang jia jing zheng yu min cui zhu yi /." click here to view the abstract and table of contents, 2005. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b19816571a.pdf.

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Chan, Edmund Sze Shing. "Cong "Di jian tu shuo" kan Zhang Juzheng xin mu zhong li xiang jun wang de xing xiang, jian lun ta de di shi jue se /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20CHAN.

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Huang, Juyan. "Kang zhan shi qi Guangdong jing ji sun shi yan jiu /." [Guangzhou] : Guangdong ren min chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0801/2007351650.html.

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Revision of the auther's thesis (Ph. D.--Zhongshan da xue, 2000).
"Guangdong you xiu zhe xue she hui ke xue zhu zuo chu ban ji jin zi zhu xiang mu; Guangdong Sheng zhe xue she hui ke xue 'jiu wu' gui hua zhong dian yan jiu ke ti." 880-05 Includes bibliographical references (p. 334-354).
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Chan, Che-shan. "A critical study of "Qian jian Du shi"." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B36262663.

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Wang, Hongjie. "Sharing the Mandate : the Former Shu regime of Wang Jian in the late Tang and early Five Dynasties, 891--925." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318368.

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Hu, Yongming. "Shi chang jing ji yu chan quan gai ge." Beijing : Zhongguo ren min da xue chu ban she, 1993. http://books.google.com/books?id=_A4yAAAAMAAJ.

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Jones, Anthony. "Ritual Awareness, Symbolism and Creativity in Shi Jing Poetics." Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/1527.

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For more than two thousand years, the collection of poetry simply referred to as the Shi Jing, (“The Classic of Poetry”, “Book of Odes” or “Book of Songs”), has shaped the Chinese literary landscape. The classic is one of the central influences on the development of later Chinese poetry, and can appropriately be considered a major contributor to the habits of expression, imagery and structure which remained dominant until the nineteenth century.
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Jones, Anthony. "Ritual Awareness, Symbolism and Creativity in Shi Jing Poetics." University of Sydney, 2006. http://hdl.handle.net/2123/1527.

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Master of Arts
For more than two thousand years, the collection of poetry simply referred to as the Shi Jing, (“The Classic of Poetry”, “Book of Odes” or “Book of Songs”), has shaped the Chinese literary landscape. The classic is one of the central influences on the development of later Chinese poetry, and can appropriately be considered a major contributor to the habits of expression, imagery and structure which remained dominant until the nineteenth century.
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Lin, Cheng-Ying 1973. "Contrast between two Japanese images, two identities : comparison of Sayonara, Zai-jian and My Diary of Japanomania." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98552.

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This thesis illustrates a general sense of national identity within the Taiwanese people brought on by the Kuomintang (KMT) and existing throughout the KMT's reign over the island, and contrasts this with the new identity that came to exist in the post-KMT period. Comparisons are centered around two works of literature: Sayonara, Zaijian!, written in 1979 by Chunming Huang, and My Diary of Japanomania, written in 1999 by Hari Xingzi. Louis Althusser's view of history-based on structural materialism, complexity and overdetermination---will be employed to discuss and explain the contrast between Sayonara, Zaijian! and My Diary of Japanomania in order to discover how national subject is formed and how it interacts within ideology.
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Wong, Kam-lai. "A study of primary teachers' opinions of the teachers' handbooks for Chinese language textbooks Xiao xue jiao shi dui "Zhongguo yu wen ke jiao shi yong shu" de yi jian diao cha yan jiu /." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/hkuto/record/B31960522.

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Qian, Wu. "Análisis contrastivo de las traducciones al español de Shi Jing." Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/667438.

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Nuestra investigación consiste en un estudio descriptivo y contrastivo de dos traducciones al español de la antología poética china Shi Jing, una obra extraordinaria de la literatura china. En concreto, hemos estudiado los factores extratextuales y los factores textuales centrándonos en el estudio de los referentes culturales. Como uno de los Cinco Libros del confucionismo, Shi Jing ocupa una posición trascendental en la civilización china. Esta obra también goza de gran prestigio y despierta no menos interés en el ámbito de la traducción. Pero posiblemente debido a su escasa incursión en el mundo de las letras hispanas, los estudios dedicados a las traducciones de Shi Jing al español son realmente escasos. Creemos que nuestro trabajo podría contribuir, de algún modo, a arrojar algo de luz sobre esta magna obra. La investigación tiene la particularidad de utilizar datos cuantitativos para realizar un análisis, a un tiempo, cuantitativo y cualitativo. El modelo de análisis se basa principalmente en el de Mangiron (2006). En primer lugar, hemos analizado los factores extratextuales relacionados con las dos traducciones y los paratextos que las rodean. En concreto, los factores extratextuales que incluimos en el análisis son: el traductor, la editorial, el iniciador, la época, la finalidad, los destinatarios, y la recepción. En lo que respecta al análisis de los paratextos, los elementos que están dotados con mayor carga de significado en nuestro trabajo son: la cubierta, el prólogo y las notas al pie de las dos traducciones; las notas introductorias del TM1 y el estudio preliminar del TM2. En segundo lugar, hemos llevado a cabo una de las tareas centrales de este estudio, esto es, el análisis descriptivo y comparativo de los referentes culturales de las dos traducciones. Empleamos las técnicas de traducción de Molina y Hurtado (Molina 1998 y 2011, y Molina y Hurtado Albir 2002) como instrumento de análisis. Hemos adaptado y matizado algunas de ellas para que se ajusten lo más acertadamente posible a nuestro trabajo. Además, hemos prestado especial atención a las dieyinci, palabras reduplicadas, dada su frecuencia en el texto original, lo que hace que sea rasgo característico de la obra. En la tercera y la última fase, hemos analizado los datos obtenidos. Incidimos en el uso de las técnicas de traducción empleadas por los dos traductores, teniendo en cuenta el ámbito cultural al que pertenecen los referentes. Investigamos, para cada categoría cultural, cuáles han sido las técnicas más empleadas por cada uno. Asimismo, triangulamos los datos obtenidos en los análisis anteriores y para dilucidar si los factores extratextuales influyen de alguna manera en el tratamiento de los referentes culturales.
Our research consists of a descriptive and contrastive study of two translations into Spanish of the Chinese poetic anthology Shi Jing, an extraordinary work of Chinese literature. In particular, we have studied extratextual factors and textual factors, focusing on the study of cultural referents. As one of the Five Books of Confucianism, Shi Jing occupies a transcendental position in Chinese civilization. This work also enjoys great prestige and awakens no less interest in the field of translation. But possibly due to its limited foray into the world of Hispanic letters, the studies dedicated to the translations of Shi Jing into Spanish are really scarce. We believe that our work could contribute, in some way, to shed some light on this great work. The research has the peculiarity of using quantitative data to perform an analysis, both quantitative and qualitative. The analysis model is based mainly on that of Mangiron (2006). In the first place, we have analyzed the extratextual factors related to the two translations and the paratexts that surround them. In particular, the extratextual factors that we include in the analysis are: the translator, the publisher, the initiator, the time, the purpose, the recipients, and the reception. Regarding the analysis of paratexts, the elements that are endowed with the greatest load of meaning in our work are: the cover, the prologue and the footnotes of the two translations; the introductory notes of the TM1 and the preliminary study of the TM2. In the second place, we have carried out one of the central tasks of this study, that is, the descriptive and comparative analysis of the cultural references of the two translations. We use the translation techniques of Molina and Hurtado (Molina 1998 and 2011, and Molina and Hurtado Albir 2002) as an analytical tool. We have adapted and nuanced some of them to fit as accurately as possible to our work. In addition, we have paid special attention to the dieyinci, reduplicated words, given their frequency in the original text, which makes it a characteristic feature of the work. In the third and last phase, we analyzed the data obtained. We emphasize the use of the translation techniques used by the two translators, taking into account the cultural field to which the referents belong. We investigate, for each cultural category, which have been the most used techniques by each one. We also triangulate the data obtained in the previous analyses and to elucidate whether the extratextual factors influence in some way the treatment of cultural references..
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Liu, Jing [Verfasser], and Shu-Ming [Akademischer Betreuer] Li. "Genome mining-directed discovery of novel 2,5-diketopiperazines from actinobacteria / Jing Liu ; Betreuer: Shu-Ming Li." Marburg : Philipps-Universität Marburg, 2021. http://d-nb.info/1230552634/34.

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Wong, Yin-chiu, and 黃彥超. "Investigating morden studies of Han shu (Yang Shuda's Han shu kui guan in particular) using Han bamboo slips of Zhangjiashan = Cong Zhangjiashan Han jian kan jin ren "Han shu" yan jiu : yi Yang Shuda "Han shu kui guan" wei zhong xin." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/208085.

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Han Shu is our first history book which narrates the story by dynasty. It carries a lot of valuable information of the Han dynasty, both historically and literarily. However, because of the long-ago history, a lot of language, pronunciation, naming system, names of officials and places are now difficult to read and understand. Throughout the history, a number of people had analyzed Han Shu. These people have solved a lot of queries. Yang Shuda has high achievements in analyzing Han Shu. He is not only good at etymology and phonology but also analyzing parts of speech and sentence patterns. In terms of the use of materials, not only does he compare different versions of literature, but also uses inscriptions and even cultural data such as marriage and death for analysis. All these contribute to his unique analysis. The analysis of Han Shu has opened up a new field as more and more materials are excavated. Bronze, lacquer and even lute and currency are used in research. This has broadened the academic horizons and solved many mysteries. In 1983, in Hubei province, a lot of Han bamboo slips were excavated, which have provided tremendous help to our understanding of the medicine, law, mathematics and others of the Han dynasty. By the time when current books of Han analysis such as Yang Shuda’s Han Shu Kui Guan were punished, bamboo clips of Zhangjiashan were not yet unearthed. It is unable to invoke this important information, resulting in some doubtful content. I hereby try to make use of these bamboo slips to supplement previous comments, provide new research directions, or affirm previous results. This dissertation is divided to six parts. Each uses the notes of current analysts as the starting point while incorporating Zhangjiashan Han bamboo slips. My analysis is based on Yang Shuda Han Shu Kui Guan, together with the analysis of some current analysts.
published_or_final_version
Chinese Language and Literature
Master
Master of Arts
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Chan, Wai-ying. "The "jing" and the "wu" a study of the sign of "jing" and the jingjie in modern Chinese poetry = "Jing" yu "wu" : Zhongguo xian dai shi jing de fu hao yu jing jie yan jiu/." Click to view the E-thesis via HKUTO, 2001. http://sunzi.lib.hku.hk/hkuto/record/B43896030.

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Luo, Meng. "Chong du "Hai shang hua lie zhuan" : kong jian, xu shi yu xian shi zhu yi /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20LUO.

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Guo, Lixin. "Chang Jiang zhong you di qu chu qi she hui fu za hua yan jiu : 4300B.C.-2000B.C. /." Shanghai : Shanghai gu ji chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0701/2007350047.html.

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Luo, Yusheng. ""Huangdi nei jing" dui shuai lao , lao nian bing de ren shi ji hou shi zhi fa zhan /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b20009598a.pdf.

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Chan, Ngon Fung. "Yi gu si chao yu bai hua wen xue shi de jian gou : Hu Shi yu Gu Jiegang /." View abstract or full-text, 2004. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202004%20CHANN.

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Ye, Guohua. "Shen jing gen xing jing zhui bing sheng huo zhi su tiao cha ji qi shou fa zhi liao yan jiu /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b20009549a.pdf.

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Ren, Feng. "Nan Song ru jia jing zhi zhi xue de xing qi : lun Xue Jixuan he Tang Zhongyou de jing shi si xiang /." View abstract or full-text, 2005. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202005%20REN.

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Lo, Kwai-ying. "The political and social conditions of the Tang Dynasty during the An Lushan rebellion as reflected in Du Fu's Poems Cong Du shi kan Tang dai An Shi zhi luan qi jian zhi zheng zhi ji she hui shi kuang /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40675336.

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Wong, Wai-yi. "An quasi-experimental study of oral presentation skills training for junior secondary students Chu zhong xue sheng shuo hua jiao xue shi yan ji hua ping jian /." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B3196204X.

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Meng, Shuhui. "Zhu Xi ji qi men ren de jiao hua li nian yu shi jian /." Tai Bei : Guo li Tai Wan da xue, 2003. http://catalogue.bnf.fr/ark:/12148/cb39292461m.

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Th. doct.--histoire--Taibei--National Taiwan University = Guo li Tai Wan da xue, 2001.
Mention parallèle de titre ou de responsabilité : Instruction in virtue and its practice by Chu Hsi and his disciples. Bibliogr. p. 441-458.
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Yang, Guang. ""Ju jian" de shi jie : lun dang dai Hua yi li san xie zuo /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20YANG.

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Lo, Hau-yee. "An evaluation of the implementation of a new Putonghua curriculum Pu tong hua xin ke cheng de shi shi ping jian /." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B31961836.

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Wong, Wai-lan. "Li Tao and the incident of "Cup of Wine" Li Tao yu "Bei jiu shi bing quan" shi jian yan jiu /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B35726490.

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Ye, Zhuowei. "Wu Cheng de shi lun ji shi ge xi jing = Wu Cheng's thoughts on poetry and his approaches to creative writing /." click here to view the abstract and table of contents click here to view the fulltext, 2004. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b18517389a.pdf.

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Shiao-Yi, Huang, and 黃小宜. "The Research of Southern Min Rhyming Dictionary, Tu Jiang Shu Shi Wu Yin, and the Nasalized Vowels." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/96246806180787215447.

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Yang, Xinyu, and 楊鑫宇. "A Semiotics Analysis to the "Jiang-Wen-Ming-Shu-Xin-Feng" Political Advertising Campaign." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/zabdpc.

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碩士
國立臺灣大學
新聞研究所
105
By combining semiotics methods with existing research on Communist Party of China''s propaganda and Benedict Anderson''s nationalism theory, this research analyzes a political advertising campaign of CPC named Jiang-Wen-Ming-Shu-Xin-Feng, which is strongly promoted by the propaganda department. Analysis found that the advertising campaign shows the propagators'' strong preference to symbols about Chinese traditional culture in the areas of text symbol, image symbol and artistic genre symbol. In the advertising campaign, the emphasis on national identity obviously exceeds the emphasis on loyalty to the party, which reflects the changing of CPC''s propaganda strategy as a ruling party instead of a revolutionary party. In the frame of Anderson''s nationalism theory, this research shows that CPC uses a typical "official nationalism" strategy in the advertising campaign. The propagators'' purpose behind this strategy is "marketing dictatorship", which would help CPC reinforce its authority and reign, and this phenomenon is closely related to the current social environment in China that filled with strong nationalism and patriotism atmosphere. In addition, this research found that there is significant connection between the symbols frequently appeared in the advertising campaign and the social myths nowadays in China. Through analysis, researcher found that, while the dominative authority like CPC uses the existing social myths, it also produces some new social myths in propaganda. There is the two-way interaction between dominate authority and social myths. Finally, this research found that, in the area of semiology and propaganda theories'' political application, ideology doesn''t always play the dominating role. The ideologies as discursive formations in the "hegemony" are only tools used by the ideologies of existing power structure. Even contradictory discursive formations, like nationalism and communism, could be used by the dominate power''s ideology of CPC''s at the same time if they were helpful for CPC to reinforce its domination.
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Li, Yang-han, and 李姎顄. "The research of"Jing jian nei jhih""Bao shu ya yu Xi peng jhih jian"." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/23515864885223413233.

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碩士
國立臺南大學
國語文學系國語文碩士班
96
“Jing jian nei jhih"“Bao shu ya yu Xi peng jhih jian" in “Chu Bamboo Slips of warring states collected by Shanghai Museum(Vol.5) “,they described the occurrence of solar eclipse is a symptom of political instability, Bao shu-ya and Xi peng admonished Qi huan gong against extravagance and the turpitude of Shu diao and Yi ya. Therefore Qi huan gong accepted their advice, and avoided the disaster of the war and the floods. These two articles are preliminary review, investigation and explanation by Chen pei fen. Afterward other scholars advances their opinions about the collocation, the written Chinese characters, punctuation,explanation, translation about “Jing jian nei jhih",“Bao shu ya yu Xi peng jhih jian", but these subjects were had different conclusion. The research arrangement and compare different views of scholars,then proposes our opinions to clarify the question of the original article . Besides, the research is to discuss the thoughts on the political views about “Sian wang jhih dao", the calamities and anomalies, and the annals. It will provide for the scholars the explanation and investigation of the written Chinese characters,and the change of ideologies in the Warring States period.
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46

Hsiao, Hsin-Tzu, and 蕭欣慈. "The Spot Light- Jiang Wei-Shui." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/c943d2.

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47

Liu, Ching-Han, and 劉璟翰. "Touches in Wang Shu-he’s Mai Jing." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/eknaad.

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Abstract:
碩士
國立臺灣大學
中國文學研究所
102
Wang Shu-he (王叔和) collected and organized the medical classics and doctor’s discourse of pulse diagnosis before the Wei and Jin Dynasties, therefore compiled the first monograph of pulse diagnosis in the traditional Chinese medical history. For a novice at pulse diagnosis, the key to advancing his pulse diagnostic technique is to identify the many touches of pulse accurately. This study attempt to research the descriptions of touches in Mai Jing (脈經) from the angle of “bodily sense”, investigating how to diagnose physical state through decoding pulse messages, grasping the “tacit knowledge” (Michael Polanyi, 1966) in the pulse diagnosis technique. The second chapter expounded that since traditional Chinese Physicians aimed to “ cure by prevention ”, pulse diagnosis was not only a technique used to cure the already ill into the healthy, but also have the capability of bettering common people’s physical and mental state therefore enabling them to continue the path of self improvement and enlightenment. The third chapter aimed to research the corresponding relationship between pulse positions and the viscera, and how to use fingers to feel the pulse. In the fourth chapter, we will investigate the method in controlling the force to enable touching the pulse deeply or lightly, and will explain the physiological and pathological meaning of the pulse depth. In the fifth chapter, we will find how traditional Chinese physicians diagnose patient’s chills and fever in addition to the deficiency and excess from the pulse rate.
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48

Chuang-ChengPang and 龐壯城. "The research of “Yue Lu Shu Yuan Tsang Chin Jian(1)‧Jan Meng Shu”." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/v434mp.

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Abstract:
碩士
國立成功大學
中國文學系碩博士班
101
“Yue Lu Shu Yuan Tsang Chin Jian” includes lot of material of social history during Chin-Han epoch, meaning complicated and precious. “The materials of social history ”, can apply to rebuild and research mass life or community during a period of time. The existing documents are almost wroten for the emperor, this is different from “Yue Lu Jian”. “Jan Meng Shu” is the most early book about dream-divine that we can see nowadays, its symbol of dreams and interpretation of dreams can be the life appearance in lower society during Chin-Han epoch, this works for complementing mythical faith and community culture very well. This reaearch aims “Jan Meng Shu”, explaning characters and meanings; comparing to existing documents can prove the example of dreams on the basis of history. Throughtout the introductions about the culture of dreams and the theory of dreams during early china, the property and meanings of history of “Jan Meng Shu” can be analyze clearly, as well as its causes and divine principle. By generalizing and arranging the symbol and interpretation, we can construct the life of low society during Chin-Han epoch. In addition to understand ancients’ requirement and trepidation, we can find out the users’ details of this book. Quoting the theory of dreams in west world, can discuss its application and restriction about “Jan Meng Shu”. This article emphasizes on correcting characters and meaning, hoping to make “Jan Meng Shu” clear and coherent, and present its value, we also try to rebuild its culture meanings of dream-divine.
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49

Jang, Ching-fa, and 張清發. "A study of the Ming qing jia jiang xiao shuo." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/54976790471099399761.

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博士
國立高雄師範大學
國文學系
93
Take a comprehensive view of with Ming qing jia jiang xiao shuo for the related treatise of the object, all just the story or individual novel study separately, didn't see treat this kind of novel as" a whole" yet currently of specialized talk about. With the jia jiang xiao shuo the development of the novel to see, There are two particularly remarkable :One is while using the generation accumulation the book. Two is Ming qing period to spread widely, and turn and put into formula with the type of recount the mode a great deal of propagation continuously. Therefore, how through such existence phenomenon, then investigate to surmount the history (the generation accumulation and become) in this novel, and the value that surmount the text originally (the work Wen yi bing zhuo ),this is Ming qing jia jiang xiao shuo the more deserve research of place. So, this thesis aims at the jia jiang xiao shuo the special features that the novel develops, with the literature value theory of logic system for theories according to, construct the procedure of study: Be first set out by the direction of "Sheng xing li xiang"(盛行里巷), investigate the point to lie in jia jiang's evolving story, and the jia jiang is continuous the novel in the jia jiang xiao shou period edition of propagation continuously. Secondly, sets out by the direction of "Wen yi bing zhuo "(文意並拙), recounts jia jiang xiao shou mode together of phenomenon, inquire into its type turns, the mode turns of the sign and the meaning. Again, take the investigation result of "Sheng xing li xiang"(盛行里巷) and "Wen yi bing zhuo"(文意並拙) as the foundation, then investigate jia jiang xiao shou the cultural import of the novel. End, according to the result of whole research, make the development phenomenon of Ming qing jia jiang xiao shuo homologous evaluation.
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50

CHEN, HSIU-HSIANG, and 陳秀香. "The Styling Application of face Painting by Guan Jiang Shou." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/56h932.

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碩士
正修科技大學
化妝品與時尚彩妝研究所
106
In Taiwan, folklore religion beliefs and folk belief events are important and popular. The traditional religious festival owns unique feature, and is deeply rooted in the spirit of Taiwanese people. In the religious Parade Formation, the Generals of “Zeng” and “Sun” in Guan Jiang Shou possesses the most specific face painting with precious art value. These two Generals are responsible for monitoring the good and the bad in this mortal world. Meanwhile, the positive meaning of rewarding the virtuous and punishing the wicked. This project research aimed the meaning of Guan Jiang Shou’s face paintings. How are these face paintings applied to the creation of the styling design with the combination of tin metal sheets. Furthermore, it adopts the approaching that comes from the following sources: 1. literature reviews, 2. the experiment of metal material, 3. face-to-face interviews with the visagistes. The work production based on the elements of Guan Jiang Shou face painting and the application of tin metal sheets. The idea is to express the stages in human life and the emotions of the righteousness and the wickedness. The researcher applies the ductility of tin metal sheets to show “withering and reincarnation,” “joy and expectation”, “falseness and hope”, “hypocrite and guardian”, and “love and obstructionlessness”. Those projects reflect the current events happening in this society and tell the story of people’s emotion of the good and the bad. On the tin metal sheets, the researcher introduces the method of metal embossing to make them three dimension. Integrated with the styling design, it can upgrade the art production and make them more vivid. These are the main purpose of this art creation. The researcher would like to extend the usage of tin metal; increase the value of creative crafts and art, so that it can be the reference of the later creation and research.
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