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Books on the topic 'Dualistic Model of Passion'

Author: Grafiati

Published: 24 April 2022

Last updated: 22 February 2023

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1

Schuster, Melanie. Model Perfect Passion. Toronto, Ontario: Kimani Press, 2008.

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2

M, Muller Susan, ed. Leading with character, purpose & passion!: A model for successful leadership at work and home. Dubuque, Iowa: Kendall Hunt, 2014.

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3

Chen, Andrew. Flagellant Confraternities and Italian Art, 1260-1610. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984684.

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This book examines the art and ritual of flagellant confraternities in Italy from the fourteenth to the seventeenth centuries. Meeting regularly to beat themselves with whips, members of these confraternities concentrated on the suffering of Christ in the most extreme and committed way, and the images around them provided visual prompts of the Passion and the model suffering body. This study presents new findings related to a variety of artworks including altarpieces, banners, wall paintings, illuminated manuscripts, and paintings for the condemned, many from outside the Florence-Rome-Venice triangle.

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4

Vallerand, Robert J. The Psychology of Passion: A Dualistic Model. Oxford University Press, 2015.

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5

Vallerand, Robert J., and Nathalie Houlfort, eds. Passion for Work. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190648626.001.0001.

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Passion is a pervasive concept in the field of work. Workers aspire to be passionate in the hope of finding meaning and satisfaction from their professional lives, whereas employers dream of passionate employees to ensure organizational performance. Are these hopes and aspirations supported by scientific knowledge? Is there a darker side to passion for work that workers and organizations should be aware of? By reviewing the major theories of passion while focusing on the dominant theory, the dualistic model of passion, which distinguishes between two types of passion (harmonious and obsessive), this volume provides a comprehensive understanding of passion for work. In doing so, this book addresses the origin of the concept and its theoretical issues, how passion for work can be developed, what the consequences to be expected at the individual and organizational level are, and how passion for work can shed new light on contemporary issues in the workplace. Passion for Work: Theory, Research, and Applications synthesizes a vast body of existing research in the area, provides insights into new and exciting research avenues, and explores how current knowledge on passion for work can be applied in work settings to fulfill workers’ and employers’ hopes and aspirations about passion.

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6

Hart, Megan. Passion Model. Amber Quill Press, LLC, 2003.

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7

Hart, Megan. Passion Model. Samhain Publishing, LTD, 2011.

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8

Hart, Megan. Passion Model. Amber Quill Press, LLC, 2003.

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9

Schuster, Melanie. Model Perfect Passion. Harlequin Mills & Boon, Limited, 2013.

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10

Hart, Megan. Passion Model: A NewCity Novel. Chaos, 2017.

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11

Model Perfect Passion (Kimani Romance). Kimani, 2008.

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12

Passion, Power and Praise: A Model for Men's Spirituality from the Life of David. Abingdon Press, 2000.

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13

Muller, Susan, and Roger M. Weis. Leading with Character Purpose and Passion! a Model for Successful Leadership at Work and Home. Kendall Hunt Publishing Company, 2020.

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14

Leading with Character, Purpose, and Passion!: A Model for Successful Leadership at Work and Home. Kendall Hunt Publishing Company, 2008.

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15

Foster Love. Pensacola, Florida, USA: World Castle Publishing LLC, 2020.

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16

Cannon, Rosie. Jim Caviezel Adult Coloring Book: Legendary Jesus Christ from Passion of the Christ Actor and Count Monte Cristo Star, Hot Model and Cultural Icon Inspired Adult Coloring Book. Independently Published, 2018.

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17

Lane, Lee. Jim Caviezel Coloring Book: Famous Jesus Christ from Passion of the Christ Actor and Legendary Count Monte Cristo Star, Hot Model and Cultural Icon Inspired Adult Coloring Book. Independently Published, 2019.

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18

Hagberg, Garry L. Ensemble Improvisation, Collective Intention, and Group Attention. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.011.

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Jazz improvisation offers raw material of considerable value for issues in the philosophy of mind, but this material remains insufficiently investigated. Collective intention and distributed group attention have emerged within philosophy in recent years as fruitful areas of study: the long-entrenched dualistic picture of an inner mental event standing behind its physical manifestation has been supplanted by a model of embodied action that is unburdened by a misleading inner/outer dichotomy (so we can now see how an intentional musical work emergeswithin, and not prior to, its physical sound). This makes possible a new focus on a special form of collective intentional action that is not contained within one single mind at one given moment, but rather distributed across a group of individuals engaged in a cooperative, interactively creative performance; cases examined here include John Coltrane, among others.

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19

Crossland, Rachel. Modernist Physics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815976.001.0001.

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Modernist Physics takes as its focus the ideas associated with three scientific papers published by Albert Einstein in 1905, considering the dissemination of those ideas both within and beyond the scientific field, and exploring the manifestation of similar ideas in the literary works of Virginia Woolf and D. H. Lawrence. Drawing on Gillian Beer’s suggestion that literature and science ‘share the moment’s discourse’, Modernist Physics seeks both to combine and to distinguish between the two standard approaches within the field of literature and science: direct influence and the zeitgeist. The book is divided into three parts, each of which focuses on the ideas associated with one of Einstein’s papers. Part I considers Woolf in relation to Einstein’s paper on light quanta, arguing that questions of duality and complementarity had a wider cultural significance in the early twentieth century than has yet been acknowledged, and suggesting that Woolf can usefully be considered a complementary, rather than a dualistic, writer. Part II looks at Lawrence’s reading of at least one book on relativity in 1921, and his subsequent suggestion in Fantasia of the Unconscious that ‘we are in sad need of a theory of human relativity’—a theory which is shown to be relevant to Lawrence’s writing of relationships both before and after 1921. Part III considers Woolf and Lawrence together alongside late nineteenth- and early twentieth-century discussions of molecular physics and crowd psychology, suggesting that Einstein’s work on Brownian motion provides a useful model for thinking about individual literary characters.

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20

Melamed, Daniel R. Listening to the Christmas Oratorio with a Calendar. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190881054.003.0005.

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Johann Sebastian Bach’s Christmas Oratorio has six parts that Bach performed on six days from Christmas to Epiphany. We usually experience it as a unified work, and Bach considered it one, but in some ways, its designation as a single oratorio was more conceptual than real. Our best tool for understanding the Oratorio’s original context might be a calendar. The work’s place in the church year helps us understand its construction and scoring, stimulates our thinking about the independence of its parts, and aids in examining the musical elements that make it a unified work. Despite modern attempts to invent a tradition of multiday Christmas pieces stretching back to the seventeenth century, there was no such tradition. Bach’s model was a central German practice of Passion settings spread over days or weeks. Bach could not present a Passion this way, but that was evidently his inspiration for the Christmas Oratorio.

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21

Rushdy, Ashraf H. A. The Continental Cultural Tradition. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190851972.003.0007.

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This chapter argues that Continental existentialist philosophers of the nineteenth century—especially Søren Kierkegaard, Friedrich Nietzsche, and Max Scheler—developed another model of resentment as an emotion that was less focused on its possibly stimulating the desire for justice and more focused on self-involved spitefulness, envy, and rancor. In this philosophical tradition, philosophers who were both explicitly Christian and emphatically anti-Christian in their outlook examined resentment as a brooding antisocial passion whose origins they variously traced to the post-Napoleonic world, the first Abrahamic faith, or humanist Europe. Implied in their models of resentment is that it is a cultural and collective malaise.

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22

Baker, Keith. Deliberate Practice and the Acquisition of Expertise. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199366149.003.0005.

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The American medical system has room for improvement in the area of quality. Many systems-level approaches have been tried, but most have not yielded significant improvements in healthcare quality. This chapter focuses on strategies that mediate individual-level expert performance in a variety of domains. A central strategy underlying expert performance is deliberate practice. Deliberate practice is supported by having a learning orientation and “grit,” which is defined as long-term perseverance and passion for a goal, even if the goal is arduous. A general approach to performance improvement for individuals is also discussed. A reinvestment model for performance improvement proposes that individuals invest their time, effort, and cognitive resources, such as working memory capacity, in the design and implementation of deliberate practice for performance improvement.

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23

Radde-Gallwitz, Andrew. The Virgin’s Child. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199668977.003.0007.

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This chapter claims that in 382–3, Gregory devoted increasing attention to the incarnation as such and therefore to the constitutive elements of Christ’s humanity, and that he did so in response to criticisms of his own previous writings. As before, his account of Christ’s saving work relies upon chains of biblical imagery and metaphors, but in the Antirrheticus against Apollinarius and other works such as Epistle 3, the point of transformation is placed at the nativity rather than merely after the passion. The model of mixture accordingly shifts away from one of humanity’s absorption into divinity. A new account is offered for the situation lying behind Epistle 3, and the connection of that work to both the Council of Constantinople in 382 and the dispute over Cyril of Jerusalem’s legitimacy.

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24

Ty, Eleanor. Que(e)rying the American Dream in Films of the Early Twenty-First Century. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0003.

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This chapter looks at a selection of post-2000 Asian American films that feature Asian American protagonists who are 1.5 or second-generation immigrants. The Debut (dir. Gene Cajayon), Red Doors (dir. Georgia Lee), Saving Face (dir. Alice Wu), and Charlotte Sometimes (dir. Eric Byler) question the professional and financial ambitions that were hallmarks of the model minority ideal of the economically successful Asian American established in the 1960s. The films depict protagonists who find themselves unable to fulfill what Sara Ahmed calls the "happiness duty" and experience melancholia and depression. A number of these independent Asian American filmmakers explore non-heteronormative and non-conjugal ways of expressing love and passion, revealing the shifting values, transcultural affiliations and desires that are now part of the multiplicity of Asian North American identity.

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25

Benz, Ernest. Escaping Malthus: Population Explosion and Human Movement, 1760–1884. Edited by Helmut Walser Smith. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199237395.013.0009.

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This article focuses the theory of Malthus and the arguments of his Essay on the Principle of Population. This famous essay colored the thinking and actions of nineteenth-century householders and policy-makers. Vulgar Malthusian ideology missed the mark through an over-simplification of complex human behaviour, but general practice embodied his norms from 1760 to 1884. Even as the accuracy of the Malthusian model waned in terms of his description of marriage and reproduction at the end of the 1800s, its hold on the popular imagination persisted. Malthus bewitched the people with a picture. In 1798 Malthus proffered a schematic objection to their blueprints for perfecting humanity. Malthus postulated that the ‘passion between the sexes’ could unleash human ‘prolifick powers’ to reproduce at geometric rates, while technology generated merely arithmetic increases in the quantities of food necessary for human survival. An analysis of Malthusianism in practice concludes this article.

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26

Barclay, Katie. Caritas. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198868132.001.0001.

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Caritas, a form of divine grace that transformed neighbourly love into moral action, was a key concept in early modern Europe, guiding ideas about morality, the self, and becoming an embodied ethic. This book introduces the concept of an ‘emotional ethic’ to help explain the role of caritas in early modern communities, where love was not simply how one should feel about one’s neighbour but the ways that our bodies and emotions guide us to ethical action. It explores how an emotional ethic operates through a study of how caritas was deployed amongst the lower orders in eighteenth-century Scotland. With chapters that focus on marriage, childhood and youth, ‘sinful sex’, privacy and secrecy, and hospitality towards the itinerant poor, the ways in which caritas was learned and deployed as part of everyday social practice are highlighted. Caritas enjoined Christians to modesty, chastity, control of dress, and passion, but also to a generous love and care, imagined in familial terms. As an ethic that was enacted through the body, caritas produced a particular form of sociable self. Over the eighteenth century, new ideas of romantic love, as well as more secular social emotions like fraternity and benevolence, offered alternative mechanisms for justifying feeling and behaviour. This book explores how new ideas about emotion intertwined with an older model of neighbourly love, explaining not only deviant behaviours but also how the self came to be formed in this new context.

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27

Hale, Grace Elizabeth. Cool Town. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469654874.001.0001.

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In the summer of 1978, the B-52's conquered the New York underground. A year later, the band's self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52's into the vanguard of the new American music that would come to be known as "alternative," including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52's, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athens an unexpected mecca of music, experimental art, DIY spirit, and progressive politics--a creative underground as vibrant as any to be found in the country's major cities. In Athens in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow. Grace Elizabeth Hale experienced the Athens scene as a student, small-business owner, and band member. Blending personal recollection with a historian's eye, she reconstructs the networks of bands, artists, and friends that drew on the things at hand to make a new art of the possible, transforming American culture along the way. In a story full of music and brimming with hope, Hale shows how an unlikely cast of characters in an unlikely place made a surprising and beautiful new world.

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